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Последние публичные треки, созданные нашими пользователями

Братишки

Znsv Style: sad emotional kids choir, soft female vocal, piano, lo-fi ambient, cinematic, slow tempo, melancholic but warm, emotional, reverb, simple melody, viral hook Mood: nostalgic, hopeful, bittersweet, tender Tempo: 70–85 BPM Voice: female + kids choir

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Род и Рожаницы

КАЛЕКА [Genre: Folk Metal, Symphonic Metal, Pagan Metal, Slavic folk choir] [Tempo: 160 BPM (Bridge slows to ~120 BPM)] [Vocals: male bass, female contralto, mixed folk choir (loud, joyful, epic)] [Instruments: distorted electric guitars, dynamic bass guitar, double bass drums, symphonic orchestra (strings, brass, timpani, woodwinds), folk accents (zhaleika, gusli optional)] [Mood: triumphant, epic, hymn-like, pagan, joyful, respectful, warm, playful] [Structure: Intro – Verse 1 – Chorus – Verse 2 – Chorus – Bridge – Chorus (final) – Outro] [Language: Russian (Old Slavic stylization)] [Production: massive choir layers, clear duel between bass and contralto, double bass drum blast in choruses, wide orchestral panning]

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Доля женщин

Доля женщин

Кавер-версия

Taти pop, double time rap, electronic, house, techno

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На волне

SahaRok synth-pop, dance-rock drive, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, sustained power-chord choruses, vocal harmonies hook, sidechain pumping, gated reverb snare, bright stereo wideness, minor key, 124 BPM, glossy pop polish, club-ready energy, bittersweet lift, call-and-response breaks

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На волне

SahaRok synth-pop, dance-rock drive, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, sustained power-chord choruses, vocal harmonies hook, sidechain pumping, gated reverb snare, bright stereo wideness, minor key, 124 BPM, glossy pop polish, club-ready energy, bittersweet lift, call-and-response breaks

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D.J.Max-Mix & Mauro - Buona Sera - Ciao Ciao (mix 2026)

Max-Mix EuroBeat, Italo-Disco, EuroDance

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D.J.Max-Mix & Mauro - Buona Sera - Ciao Ciao (mix 2026)

Max-Mix EuroBeat, Italo-Disco, EuroDance

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Дача Гудит Всю Ночь

Елена 36 Rock with driving midtempo guitar riffs and punchy drums; verse rides a tight propulsive groove, pre-chorus lifts with gang shouts and tom builds, chorus hits wide with shouted doubles and gang vocal responses. Breaks add handclaps, barroom-style backing chants, and a brief stop-time lift before the final chorus. Bright, rough-edged mix, live-band energy, close-mic lead vocal with big room gang vocals on the hook., rock

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Зеркало Судеб

Эльдар2 Стиль: Mysterious folk punk rock with violin, raspy male vocals, building from an acoustic intro to a powerful rock chorus with bass, electric guitar and drums.

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Зеркало Судеб

Эльдар2 Стиль: Mysterious folk punk rock with violin, raspy male vocals, building from an acoustic intro to a powerful rock chorus with bass, electric guitar and drums.

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На краю (Edit)

SahaRok Лирическая мелодия

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Сегодня таяло, сегодня…

Гендоs melancholic emo gothic, ethereal female vocals, fragile breathy voice, slow tempo, sad piano, cello strings, dark rainy atmosphere, minor key, russian lyrics, gentle yet haunting, window rain ambience

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Держи меня(русский Dramm n bass)

Dj Toshik kopylovv drum and bass с эффектами космоса и пианино пищалка с тарелочками

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Ты рядом со мной

SahaRok synth-pop, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, vocal harmonies on the hook, projected tenor lead, plate reverb, tape saturation, gated snare, 80s analog sheen, bright chorus bass, dance-rock drive, bittersweet nostalgia, 124 BPM, punchy chorus lift, electronic dance, 126 BPM, four-on-the-floor kick, syncopated clap stack, staccato synth lead counterpoint, arpeggiated bassline, analog drum machine, filtered saw pads, tape saturation, spring reverb, stereo delay, sidechain pumping, lo-fi field recording drip, mechanical hum percussion, minimal breakdowns, driving release

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На краю

SahaRok synth-pop, dance-rock drive, 132 BPM, four-on-the-floor kick, staccato synth lead, funk-style guitar scratches, sustained power-chord choruses, tambourine backbeat, plate reverb, analog saturation, sidechain pumping, wide stereo mix, minor key hooks, defiant snarl, urgent release, pop, synth-pop, four-on-the-floor kick, dance-rock guitar stabs, staccato synth lead counterpoint, fingerpicked acoustic guitar, tambourine backbeat, acoustic electronic interplay, layered harmonies, plate reverb, tape saturation, wide stereo mix, 124 BPM, driving chorus lift, bright urgency

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На краю

SahaRok synth-pop, dance-rock drive, 132 BPM, four-on-the-floor kick, staccato synth lead, funk-style guitar scratches, sustained power-chord choruses, tambourine backbeat, plate reverb, analog saturation, sidechain pumping, wide stereo mix, minor key hooks, defiant snarl, urgent release, pop, synth-pop, four-on-the-floor kick, dance-rock guitar stabs, staccato synth lead counterpoint, fingerpicked acoustic guitar, tambourine backbeat, acoustic electronic interplay, layered harmonies, plate reverb, tape saturation, wide stereo mix, 124 BPM, driving chorus lift, bright urgency

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Улыбайся vers2

SahaRok pop, 92 BPM, four-on-the-floor kick, swung eighth hats, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, syncopated bassline, vocal harmony pads, tape saturation, spring reverb snare, gated room ambience, acoustic-electronic interplay, bittersweet nostalgia, late-night drive, electronic dance, synth-pop, four-on-the-floor kick, staccato synth lead, funk guitar scratches, tambourine backbeat, fingerpicked acoustic guitar, vocal chop hooks, wide stereo synths, plate reverb, tape saturation, sidechain pumping, 128 BPM, uplifted melancholy, drop-build arrangement, electropop, dance-rock, 124 BPM, fingerpicked acoustic guitar, staccato synth lead, funk guitar scratches, tambourine backbeat, four-on-the-floor kick, vocal harmonies, male tenor hooks, plate reverb, sidechain pumping, crisp snare, bittersweet nostalgia, anthemic, lift chorus

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Улыбайся

SahaRok pop, 92 BPM, four-on-the-floor kick, swung eighth hats, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, syncopated bassline, vocal harmony pads, tape saturation, spring reverb snare, gated room ambience, acoustic-electronic interplay, bittersweet nostalgia, late-night drive, electronic dance, synth-pop, four-on-the-floor kick, staccato synth lead, funk guitar scratches, tambourine backbeat, fingerpicked acoustic guitar, vocal chop hooks, wide stereo synths, plate reverb, tape saturation, sidechain pumping, 128 BPM, uplifted melancholy, drop-build arrangement, electropop, dance-rock, 124 BPM, fingerpicked acoustic guitar, staccato synth lead, funk guitar scratches, tambourine backbeat, four-on-the-floor kick, vocal harmonies, male tenor hooks, plate reverb, sidechain pumping, crisp snare, bittersweet nostalgia, anthemic, lift chorus

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Только женщина и дети

Елена 36 Electronic pop with a pulsing midtempo four-on-the-floor kick, sharp synth arpeggios, and clipped handclap syncopation; verse stays sparse with dry bass and filtered pads, pre-chorus opens into rising noise and stacked vocal lifts, chorus lands on a wide hook with doubled lead and short gang echoes. Add reverse sweeps into each section, glittering chime accents after the hook, and a glossy, punchy mix with close-mic vocals and airy stereo width., electronic

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Ты рядом со мной

SahaRok synth-pop, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, vocal harmonies on the hook, projected tenor lead, plate reverb, tape saturation, gated snare, 80s analog sheen, bright chorus bass, dance-rock drive, bittersweet nostalgia, 124 BPM, punchy chorus lift, electronic dance, 126 BPM, four-on-the-floor kick, syncopated clap stack, staccato synth lead counterpoint, arpeggiated bassline, analog drum machine, filtered saw pads, tape saturation, spring reverb, stereo delay, sidechain pumping, lo-fi field recording drip, mechanical hum percussion, minimal breakdowns, driving release

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На краю (Edit)

SahaRok Лирическая мелодия

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И мальчик, что играет на волынке…

Гендоs [Genre: Gothic Rock, Doom Metal, Chamber Pop] [Vocals: Female Alto, Breathless singing, Full of sorrow, Russian intonation] [Instruments: Haunting piano, Slow heavy bass, Melancholic violin, Ambient rain, Down-tuned guitars, Emo chord progression] [Atmosphere: Despair, Winter cold, Romanticism, Dark longing, Sacred loneliness] [Tempo: 70 BPM, 4/4 Waltz feel]

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Среди болот

BAZIK Hardcore punks rockabilly hoarse shovts

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Ой-ё-ё-ё-ёй

ЛарИСА09 Russian folk-pop, modern Russian folk-pop, female polyphony, layered alto soprano, balalaika tremolo, gusli arpeggios, tapan percussion, hand drum accents, vocal harmony stacks, close mic vocals, plate reverb, tape saturation, 1980s studio sheen, minor key melody, midtempo pulse, syncopated folk groove, bittersweet longing, nocturnal warmth

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Любви полёт. (Edit)

Milla Mezzo-soprano, clear voice, meditation, amazement, guitar, flute, orchestratiоn

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Белый снег

Белый снег

Кавер-версия

Niachris Russian indie folk with a minimalist acoustic arrangement, A single steel-string acoustic guitar provides the entire accompaniment, alternating between percussive strumming and rhythmic palm-muted accents, The guitar uses a repetitive four-chord progression with a syncopated, driving strumming pattern, A husky vocals, emotional vocals male vocal delivers the lyrics in a conversational, slightly melancholic tone with minimal vibrato, The recording has a dry, intimate room acoustic with no audible artificial reverb or delay, The tempo is 115 BPM in 4/4 time, The structure consists of repetitive cycles of the guitar riff and vocal phrases, ending abruptly with a final percussive guitar hit, violin

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9 Гравити настроение

6струнлегко Punk rock, rock

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Танец

VeinYk rock, electronic, hip hop

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Не твой ад

Елена 36 Hip-hop with a hard halftime boom-bap trap hybrid, сухой ударный грув and gritty sub bass; verses stay tense and close-mic with clipped cadence, pre-chorus opens into held notes and rising doubles, chorus hits with gang vocal echoes on the anchor phrase. Add reverse swells into the hook, a short vinyl crackle break before the bridge, and a final chorus with stacked ad-libs and wider stereo. Bright, punchy, confrontational mix with intimate vocal up-front., hip hop

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Весна

Pattern 1524 Russian fervent synthpop track with elements of nature sounds and backing vocals in the choruses, cheerful trance 130 BPM . G major.

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5. nu metal про кузнечика

6струнлегко Nu metal, metal

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Солнце не

Taти pop, rock, electronic, metal, funk, disco, drum and bass, techno, dubstep, ambient, synthwave, trap, folk

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Осенний коктейль( автор слов Денис Чебаков)

Денис Чебаков synth-pop, dance-rock, 128 BPM, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, electric bass octave runs, power chord chorus, vocal harmonizer stack, melodic tenor hook, gated snare, analog tape saturation, plate reverb, chorus-first arrangement, bittersweet nostalgia

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Осенний коктейль(автор слов Денис Чебаков)

Денис Чебаков synth-pop, dance-rock, 128 BPM, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, electric bass octave runs, power chord chorus, vocal harmonizer stack, melodic tenor hook, gated snare, analog tape saturation, plate reverb, chorus-first arrangement, bittersweet nostalgia

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Старый капитан

Marcus W Блюз-рок / Шансон · Куплет 1: Рояль (или электропиано «Фендер») — аккорды педалями. Акцент на тишине. · Припев 1: Входит слайд-гитара (бэндс) — подражание чайкам. · Куплет 2 (улов, компот): Ритм-гитара с глушением (chunk). Басс-линия «ходячая». · Припев 2: Орган B-3 или электроорган (включить эффект ротора). Малый барабан — крещендо. · Куплет 3 (арбуз): Свинг 12/8. Ударник играет только на «бэкбите» (2 и 4). Счастливое буги. · Припев 3 (Капитан): Переход в маршевый рок (4/4 прямые). Бочка на каждую четверть. · Аутро: Соло на слайд-гитаре (печальное, как сирена маяка) поверх педали тоники. · Финал: Обрыв гитары. Тишина. Голос a’capella «Навсегда...».

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Сравнение

Игорь Лахов classical crossover, baroque piano ostinato, fingerpicked acoustic guitar, tambourine backbeat, string quartet stabs, analog tape saturation, chamber hall reverb, sidechain pumping, staccato synth lead counterpoint, driving 16th-note percussion, 128 BPM, urgent momentum, bittersweet resolve

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Ореховый/Хлебный Спас

КАЛЕКА Genre: Slavic pagan folk metal / ritual folk rock, Melodic metal Tempo: 140 BPM Instruments: distorted electric guitar, bass guitar, acoustic drums, bayan (Russian accordion) Vocals: male baritone + female contralto duet, with full folk choir (mixed) Mood: ritual, solemn, kind, businesslike, pagan, labour-oriented, caring, earthy Rhythm: driving eighth notes, like flails on sheaves Production: raw, live, moderate reverb, choir in background, bayan leads in instrumental breaks Structure: Intro (spoken or hummed without music), Verse 1 (baritone), Chorus (full choir), Verse 2 (contralto), Chorus, Verse 3 (call-and-response baritone/contralto), Instrumental break (bayan solo + drums), Female chant (a cappella or unison with bayan), Final Chorus (full power), Outro (whispered speech + final hit)

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Новосиб мой город

DKifa Rap, underground, hip-hop, trap

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Rock and roll star

Артем6423 Rock and roll, twist,Energetic, Cheerful music

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Rock and roll star

Артем6423 Rock and roll, twist,Energetic, Cheerful music

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Hear the call from the underground…

AhraVv И Iris Style: Dark hybrid EDM + Breakbeat, 128 BPM, dark synth melodies, aggressive breakbeat drums, distorted bass drops, vocal chops with reverb, eerie vocal samples, industrial sound design, deep sub‑bass, metallic percussions Mood: Gritty underground club vibe, dark yet danceable, intense and hypnotic

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Ля Фер

vladzak57 Melodic pianomelodic acoustic guitarmelodic trumpet

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Ля Фер

vladzak57 Melodic pianomelodic acoustic guitarmelodic trumpet

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Танец в

VeinYk rock, electronic, hip hop

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Мы продолжаем жить.

Андрэ Epic rock ballad, Female Beautiful powerful vocals, medium tempo (100 BPM), dramatic and intense mood,

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Письма Без Адреса

Виталий Котов Russian hip hop with a slow head-nod swing, dusty kick-snare pockets, sub-bass hum, and sparse piano chops; verse rides dry and close with tight internal rhymes, pre-chorus opens with layered harmonies and a filtered rise, chorus lands with doubled lead and gang-style backing echoes. Add tape hiss, reversed piano swells before the hook, and short delay throws on the last word. Intimate, dark, and punchy mix., hip hop

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