Все треки

Alena Varshavskaia • Pop melodically

Вадим 159 • современный шансон, эстрадная аранжировка, сильный вокал, жизненные темы

Тамода • Russian folk, folk metal, Slavic melodic songwriting, acoustic guitar ostinato, balalaika plucks, fretless bass slides, distorted rhythm guitars, djembe accents, accordion countermelody, марш snare hits, choir-like synth pad, close-mic drums, parallel compression, room reverb, verse-drop build, dynamic breakdowns, mid-tempo 92 BPM, defiant grief, pop, hip hop

Alena Varshavskaia • Арт рок, поп, мелодично и эмоционально

Горельцев Григорий • reggae rock, dubstep, 92 BPM, skanking guitar chops, one-drop drums, syncopated bassline, Hammond organ stabs, fretless bass slides, delay-soaked guitar, tape echo, spring reverb, instrumental intro, instrumental breaks, instrumental outro, upbeat irony, laid-back groove

Denis Marakan Z • [Genre: Tech House] [Style: Electro] [Mood: Energetic, Driving] [Tempo: 124–128 BPM]  Powerful electro beats with deep sub‑bass, tight kicks, and crisp hi‑hats. Minimalistic yet punchy arrangement. Focus on groove and rhythm. No vocals.  Sound design: analog synth stabs, filtered arpeggios, subtle percussive loops.  Structure: intro → build‑up → drop → breakdown → drop → outro

Max-Mix • drum and bass,EuroBeat,Dance-reggae

Max-Mix • drum and bass,EuroBeat,Dance-reggae

aleksande • dnb, 174 BPM, chopped breakbeats, subby Reese bass, syncopated ghost snares, FM bass stabs, filtered piano motifs, granular pads, sidechain pumping, tape delay, club-ready, anxious momentum, nocturnal rush, hip-hop, club-ready rap, 92 BPM, deep 808 slides, rimshot snare, swung triplet hi-hats, gospel rhodes stabs, muted funk bass, clean muted guitar chops, tucked brass hits, sidechain pumping, short plate reverb, live-room mix, verse-hook dynamic, breakdown drop, aggressive dancefloor energy, streetwise swagger, minor key

Max-Mix • EuroBeat, drum and bass,Dance

Max-Mix • EuroBeat, drum and bass,Dance

Горельцев Григорий • reggae, 72 BPM, one-drop groove, laid-back electric blues trio, call-and-response guitar blues, muted bass guitar, skanking rhythm guitar, Hammond organ stabs, rimshot backbeat, spring reverb, tape saturation, mono drum room, vintage 70s, half-time feel, mellow swagger

Asya Aslan • Epic poem, dark, deep emotional driving music, powerful female emotional vocal, high voice, medium tempo, expressive, pop

Alena Varshavskaia • Поп - рок, мелодично

max_42117124 • Etnos, high energy, народная, оркестр,, dubstep, ambient, latin pop, bossa nova percussion, trap sub-bass melody, nylon-string guitar harmonics, muted brass stabs, clave groove, live congas, rimshot snare, synth marimba, glossy vocal chops, analog tape saturation, wide stereo image, sidechain compression, bright summer lift, sultry confidence, 104 BPM, syncopated dembow, chant hook

Alena Varshavskaia • Art rock, melodic.

Alena Varshavskaia • Art rock, pop, recitative

Наталья1975 • folk, classic

Alena Varshavskaia • Art rock, pop, recitative

Ленивый • Рэп, hip hop, rock

Кощей • rap, 92 BPM, spoken cadence, distorted fretless bass, palm-muted baritone guitar, crunchy drum machine, kick-snare backbeat, syncopated tom fills, tape saturation, mono radio tone, grimy urban satire, bitter defiance, Russian post punk, experimental hip hop, 7/8 accents

Влад Мигаль • hip hop, industrial rap rock, Russian spoken word, distorted fretless bass, downtuned power chords, sampled TV static, dry snare crack, sub-bass drops, tape saturation, mono room mics, close-mic percussion, half-time groove, swaggering menace, confrontational cadence, 92 BPM, syncopated kick pattern, rough edge, post-punk guitar stabs, pop

Rufusnik • Mood: melancholic, atmospheric, epic, futuristic, emotional Tempo: 100 BPM (85→130→85 BPM) Intro: bright, calm melody on harmonica/bayan; subtle darksynth processing; slow drum’n’bass rhythm (soft kicks, light snare) Main Part: extremely melodic; sad, catchy bayan melody; dark low synths; slow dance rhythm with live drums (warm tone, reverb) Bridge: speed and aggression increase; harder, bass‑heavy beats; stereo bass effects; electronic distortions on live instruments; tempo to 130 BPM Breakdown: epic crescendo; mix of live/electronic instruments; heavy deep drum rhythm; overwhelming bass; powerful groove Finale: tempo slows to 85 BPM; beautiful melody returns; bayan fades with long reverb; sense of sadness and catharsis Effects: reverb, delay, bitcrusher, stereo widener, distortion Atmosphere: neon‑lit dystopian streets; rain; distant flying cars; lone musician by waterfront

Александр323 • Russian rap hip hop with a mid-tempo swung boom-bap pulse, dusty drums and warm sub bass; verse 1 rides intimate male-female back-and-forth, pre-chorus strips to snapped percussion and bass taps, chorus opens with stacked unison doubles and tight call-response. Add tape-stop swells, reversed piano tails, and vinyl crackle between lines. Close-mic, gritty, and emotionally sharp with wide hook layers., female vocals, rap, hip hop

BAZIK • Hardcore+rockabilly+children's chair

Дмитрий Горяйнов • blues

Александр323 • Glossy Slavic club banger at 125 BPM with male vocals, tight sidechained synth bass, sharp four-on-the-floor kick, bright verse plucks, and big airy chorus pads; verse rides sleek and percussive, pre-chorus strips to claps and sub to spotlight the vocal, chorus opens wide with stacked hooks, top-line ad-libs, and reverb bloom; glossy close-mic lead in verses, doubled chorus, crowd-like hook layers, crisp risers and reverse swells into each drop, bright and punchy mix, female vocals, vocal, bright

Андрей_Ш • blues rock, 92 BPM, baritone spoken vocal, distorted slide guitar, fretless bass glissando, Hammond B3 stabs, broken shuffle groove, tom-heavy backbeat, tape saturation, spring reverb, gritty mono mix, call-and-response riffs, snarling delivery, urban unrest, electric blues, live room bleed

father mc nulti • dark-electro, Cantonese vocals, 132 BPM, industrial kick, distorted bass synth, sequenced arpeggios, metallic percussion, gated snare, stereo delay, spring reverb, sidechain pumping, minor key pads, chant chorus, slow burn build, drop impact, defiant melancholy

BAZIK • Rockabilly+trash metal punks

Rufusnik • Genre: melodic death metal / industrial metal with cyberpunk darksynth Mood: heavy, dark, intense, danceable, immersive Tempo: 130 BPM (steady club groove) Duration: up to 5 minutes Style: danceable heavy live melodic metal fused with cyberpunk darksynth processing; deep bass focus; minor chords; hard-hitting rhythm with swing and groove Instruments: distorted guitars (melodic riffs, heavy power chords); deep sub‑bass and punchy basslines; live drums + electronic beats (tight, club‑ready); darksynths (pulsing pads, industrial leads); female extreme vocalise (low soprano → scream/growl) Key Features: catchy, heavy, тягучая (drawn‑out) melody; massive bass saturation and depth; rich stereo effects (widener, reverb, delay); hard club breakdown with heavy groove; smooth transition to calm melodic outro Structure: intro → verse/build‑up → chorus (melodic metal + darksynth) → breakdown (130 sec) → calm melodic finale (4:30)

Alia • Emotional Russian pop rock ballad with female vocals; clean electric guitars over steady mid-tempo drums, bass gluing the groove, verses intimate and close-mic’d, chorus explodes with wide distorted guitars and stacked harmonies, bridge strips down to vocal plus sparse piano before final full-band lift

Alia • Emotional Russian pop-rock ballad with female vocals, clean electric guitars building from muted picking to wide chorused power chords; verses stay intimate over warm bass and steady drums, choruses hit hard with open hats and stacked harmonies, bridge drops to near-whisper then explodes into the final hook

Alia • Slow-burning Russian soul ballad, female vocals; warm Rhodes and soft bass, brushed drums and subtle guitar licks. Verses intimate and close-mic, chorus opens with wide harmonies and organ swells. Gradual build to a cathartic middle-eight, then strip back to voice and keys for the final hook.

Суша • Balkan Pop Music, traditional ,Greek folk instruments, Digital Folk, Eurodisco, Eurobeat, Mystic,bouzouki

Кощей • rap, 156 beats per minute, distorted sub-bass at 808 beats per minute, sharp sub-bass rhythm, syncopated rhythm guitar rhythms, synthesized wind instrument rhythms in a minor key, gangster vocal hooks, heavy guitar intro, pause after pause, side chain pumping, intense tire compression, spring reverberation, urgent call, chasing energy, rap, sharp boom-bap, jerky snare drum beats, deep 808 subwoofer, electric guitar rhythms, balalaika riffs, analog tape saturation, indoor sound with a closed microphone, trapped reverb, triumphant construction, distorted baritone, declamation, bass guitars without frets, rhythm guitars with lowered tuning, heavy drums, breakbeat, modular synthesizer parts, tape saturation, stereo microphones, aggressive delivery, sardonic mood, urban exposure, groove during the break, invocative chants

vladzak57 • jazz, folk, pop

Кощей • rap, 156 beats per minute, distorted sub-bass at 808 beats per minute, sharp sub-bass rhythm, syncopated rhythm guitar rhythms, synthesized wind instrument rhythms in a minor key, gangster vocal hooks, heavy guitar intro, pause after pause, side chain pumping, intense tire compression, spring reverberation, urgent call, chasing energy, rap, sharp boom-bap, jerky snare drum beats, deep 808 subwoofer, electric guitar rhythms, balalaika riffs, analog tape saturation, indoor sound with a closed microphone, trapped reverb, triumphant construction, distorted baritone, declamation, bass guitars without frets, rhythm guitars with lowered tuning, heavy drums, breakbeat, modular synthesizer parts, tape saturation, stereo microphones, aggressive delivery, sardonic mood, urban exposure, groove during the break, invocative chants

vladzak57 • jazz, folk, pop

Наталья Ромадова • Темп :умеренно медленный(Поп -рок баллада Оптимальный диапазон:70–115 BPM (ударов в минуту). Обоснование:В куплетах темп 75–80 BPM даст возможность прочувствовать каждую строчку, особенно в лирических моментах («I built castles, dreaming of us»). В припевах можно слегка ускорить до 110-115 BPM — это добавит энергии и накала эмоций в кульминации («You bewitched me, you hexed me!»). Ритм (Rhythm) ритмическая основа — 4/4 (четыре четверти). Акустическая гитара: основа композиции. В куплетах — перебор (fingerpicking) В припевах — мощные аккорды с ударами вниз.Пианино/фортепиано: добавляет глубины и драматизма. В куплетах играет аккорды или октавы в среднем регистре. В припевах —широкие аккорды в низком регистре для ощущения мощи.Бас‑гитара: подчёркивает ритм, играет ровно и уверенно. В припевах может добавить синкопы для динамики. Барабаны:сдержанно в куплетах (бочки и малый)Синтезатор:лёгкий, атмосферный фон на протяжении всей песни,Струнные (виолончель/скрипки):вступают в припевах

Яков Пештерян • orchestral strings, piano,Violoncello Classical pop,piano, flute, orchestral strings, лирический романс, шансон-баллада, лирический мужской вокал piano, orchestral strings, male vocal Violoncello, pop

Александр323 • Glossy Slavic club banger at 125 BPM with female vocals, tight sidechained synth bass, sharp four-on-the-floor kick, bright verse plucks, and big airy chorus pads; verse rides sleek and percussive, pre-chorus strips to claps and sub to spotlight the vocal, chorus opens wide with stacked hooks, top-line ad-libs, and reverb bloom; glossy close-mic lead in verses, doubled chorus, crowd-like hook layers, crisp risers and reverse swells into each drop, bright and punchy mix, female vocals, vocal, bright

Igor-Push • chillwave, atmospheric synthpop, midnight urban vibe, 100 BPM, breathy close-mic vocals, 3-part vocal harmonies, ethereal pads, warm analog sub-bass, crisp vinyl drums, tape delay, hall reverb, intimate delivery, subtle auto-tune, dreamy cinematic mood, vocal stack in chorus, dynamic falsetto layers, sidechained atmosphere

Андрэ • Violin, the pipel

Евгения Грозд • Doom metall phonk, double bass, desperato soundtrack, sympho-rock, art-vocal, growling

Igor-Push • Epic Classical Crossover, Operatic Pop, Italian Tenor Vocals, lush string orchestra, emotional crescendo, slow build, 90s ballad production, cinematic, powerful male voice with wide vibrato, soft piano intro, key change modulation, reverb cathedral ambience, sentimental, nostalgic

Суша • Balkan Pop Music, traditional ,Greek folk instruments, Digital Folk, Eurodisco, Eurobeat, Mystic,bouzouki, pop

Галина Лаптева • 1920s jazz, Russian-language folk-metal, swing revival, hot jazz ensemble, trumpet leads, tenor sax riffs, upright bass walking, banjo chop, brushed snare kit, live room bleed, period horn recording, mono tape saturation, call and response, lighthearted groove, mid-tempo swing, sparse intro dense finale

NITOFID • Ritual ambient at 70 BPM steady like a stone heart no tempo changes all locked to pulse deep omnipresent reverb cave resonance long decay stone reflections every sound echoes lingers dissolves vocal low baritone with gravel natural tremor intimate as if after days of silence slight vocal fry diaphragm tremolo sings primal guttural syllables ancient flowing voice soaked in reverb echoes blend with drone pipe organ in sub-bass foot pedals continuous drone in Bb infinite sustain organ breathes with subtle quarter-note swells "tuk-tuk" felt not heard harmonic lifts E D A via soft stops held full bars organ drenched in reverb tones melt into stone no melody only pulse pressure space structure Intro → Inst Break → Verse 1 → Inst Break → Chorus → Inst Break → Verse 2 → Inst Break → Outro each 8–12 bars total ~7 minutes mood ancient vast solitary voice calls echoes return organ answers sound fades into earth wind breath stone silence the steppe breathes

Rinka • hip-hop, melancholic, drama, energetic, atmosphere, future, male vocals