Все треки
Последние публичные треки, созданные нашими пользователями
ДЭН ВЭЙ ИИ • pop rock, 132 BPM, syncopated backbeat, palm-muted electric guitars, fretless bass runs, synth arpeggios, punchy snare reverb, tape saturation, gated room reverb, clipped drum bus, verse pre chorus lift, chorus stack drop, ironic swagger, confrontational energy, Russian folk motif, arena-sized arrangement,lyrical rock, sadcore, blues
Кайфат • Инди поп
Любовь пришла
Егорган • Melodic piano, melodic acoustic guitar, indie, lounge chill, italo disco
Gene • Italodisco 90 years, dance music, reverb vocal, echo,
Sergilio • [Genre Tags]: Vietnamese traditional, ethnic fusion, ambient, world music [Instruments]: đàn tranh, đàn bầu, đàn sáo, bamboo flute, traditional percussion [Vocals]: female vocalist, lyrical singing, emotional [Mood]: Nostalgic, dreamy, evocative of Vietnamese landscapes and culture. [Tempo]: 70–80 BPM. [Key]: Minor key for emotional depth.
Max-Mix • drum and bass, EuroDance, EBM, reggae
Max-Mix • drum and bass, EuroDance, EBM, reggae
Мама_381665
Ирочка • double time rap
Ирочка • glitch hop, 92 BPM, syncopated breakbeats, stuttered drum edits, warped sub-bass, fretless bass slides, overdriven baritone guitar, vocoder leads, chopped synth stabs, tape saturation, parallel compression, granular delays, sardonic defiance, urban unrest, rock, jazz, hip hop, electronic, r&b, blues, country, metal, folk, reggae, indie, classical, soul, funk, disco, house, techno, drum and bass, dubstep, ambient, lofi, synthwave, trap, pop
Sergilio • Create an energetic Chinese modern dance track with driving beats and vibrant synths. The mood is high-energy and uplifting, perfect for the dancefloor. Use a tempo of 138 BPM. The structure should include an intro, build-up, drop, break, second build-up, second drop, and outro. Instrumentation: modern EDM drums, punchy bass, bright guzheng, atmospheric pads, vocal chops with Chinese phrases, fast arpeggios, and explosive FX. Vocals should be energetic and chant-like, featuring short Chinese phrases like "Jiāyóu! Let's go!" and layered harmonies. The lyrics should celebrate unity, celebration, the modern Chinese spirit, movement, light, and energy.
Alena Varshavskaia • Pop melodically
Вадим 159 • современный шансон, эстрадная аранжировка, сильный вокал, жизненные темы
Тамода • Russian folk, folk metal, Slavic melodic songwriting, acoustic guitar ostinato, balalaika plucks, fretless bass slides, distorted rhythm guitars, djembe accents, accordion countermelody, марш snare hits, choir-like synth pad, close-mic drums, parallel compression, room reverb, verse-drop build, dynamic breakdowns, mid-tempo 92 BPM, defiant grief, pop, hip hop
Alena Varshavskaia • Арт рок, поп, мелодично и эмоционально
Горельцев Григорий • reggae rock, dubstep, 92 BPM, skanking guitar chops, one-drop drums, syncopated bassline, Hammond organ stabs, fretless bass slides, delay-soaked guitar, tape echo, spring reverb, instrumental intro, instrumental breaks, instrumental outro, upbeat irony, laid-back groove
Denis Marakan Z • [Genre: Tech House] [Style: Electro] [Mood: Energetic, Driving] [Tempo: 124–128 BPM] Powerful electro beats with deep sub‑bass, tight kicks, and crisp hi‑hats. Minimalistic yet punchy arrangement. Focus on groove and rhythm. No vocals. Sound design: analog synth stabs, filtered arpeggios, subtle percussive loops. Structure: intro → build‑up → drop → breakdown → drop → outro
D.J.Max-Mix & Dirty Boyz - Spaghetti (Dance Mix)
Max-Mix • drum and bass,EuroBeat,Dance-reggae
D.J.Max-Mix & Dirty Boyz - Spaghetti (Dance Mix)
Max-Mix • drum and bass,EuroBeat,Dance-reggae
aleksande • dnb, 174 BPM, chopped breakbeats, subby Reese bass, syncopated ghost snares, FM bass stabs, filtered piano motifs, granular pads, sidechain pumping, tape delay, club-ready, anxious momentum, nocturnal rush, hip-hop, club-ready rap, 92 BPM, deep 808 slides, rimshot snare, swung triplet hi-hats, gospel rhodes stabs, muted funk bass, clean muted guitar chops, tucked brass hits, sidechain pumping, short plate reverb, live-room mix, verse-hook dynamic, breakdown drop, aggressive dancefloor energy, streetwise swagger, minor key
Max-Mix • EuroBeat, drum and bass,Dance
Max-Mix • EuroBeat, drum and bass,Dance
Горельцев Григорий • reggae, 72 BPM, one-drop groove, laid-back electric blues trio, call-and-response guitar blues, muted bass guitar, skanking rhythm guitar, Hammond organ stabs, rimshot backbeat, spring reverb, tape saturation, mono drum room, vintage 70s, half-time feel, mellow swagger
Asya Aslan • Epic poem, dark, deep emotional driving music, powerful female emotional vocal, high voice, medium tempo, expressive, pop
Alena Varshavskaia • Поп - рок, мелодично
max_42117124 • Etnos, high energy, народная, оркестр,, dubstep, ambient, latin pop, bossa nova percussion, trap sub-bass melody, nylon-string guitar harmonics, muted brass stabs, clave groove, live congas, rimshot snare, synth marimba, glossy vocal chops, analog tape saturation, wide stereo image, sidechain compression, bright summer lift, sultry confidence, 104 BPM, syncopated dembow, chant hook
Alena Varshavskaia • Art rock, melodic.
Alena Varshavskaia • Art rock, pop, recitative
Наталья1975 • folk, classic
Alena Varshavskaia • Art rock, pop, recitative
Кощей • rap, 92 BPM, spoken cadence, distorted fretless bass, palm-muted baritone guitar, crunchy drum machine, kick-snare backbeat, syncopated tom fills, tape saturation, mono radio tone, grimy urban satire, bitter defiance, Russian post punk, experimental hip hop, 7/8 accents
Влад Мигаль • hip hop, industrial rap rock, Russian spoken word, distorted fretless bass, downtuned power chords, sampled TV static, dry snare crack, sub-bass drops, tape saturation, mono room mics, close-mic percussion, half-time groove, swaggering menace, confrontational cadence, 92 BPM, syncopated kick pattern, rough edge, post-punk guitar stabs, pop
Rufusnik • Mood: melancholic, atmospheric, epic, futuristic, emotional Tempo: 100 BPM (85→130→85 BPM) Intro: bright, calm melody on harmonica/bayan; subtle darksynth processing; slow drum’n’bass rhythm (soft kicks, light snare) Main Part: extremely melodic; sad, catchy bayan melody; dark low synths; slow dance rhythm with live drums (warm tone, reverb) Bridge: speed and aggression increase; harder, bass‑heavy beats; stereo bass effects; electronic distortions on live instruments; tempo to 130 BPM Breakdown: epic crescendo; mix of live/electronic instruments; heavy deep drum rhythm; overwhelming bass; powerful groove Finale: tempo slows to 85 BPM; beautiful melody returns; bayan fades with long reverb; sense of sadness and catharsis Effects: reverb, delay, bitcrusher, stereo widener, distortion Atmosphere: neon‑lit dystopian streets; rain; distant flying cars; lone musician by waterfront
Александр323 • Russian rap hip hop with a mid-tempo swung boom-bap pulse, dusty drums and warm sub bass; verse 1 rides intimate male-female back-and-forth, pre-chorus strips to snapped percussion and bass taps, chorus opens with stacked unison doubles and tight call-response. Add tape-stop swells, reversed piano tails, and vinyl crackle between lines. Close-mic, gritty, and emotionally sharp with wide hook layers., female vocals, rap, hip hop
BAZIK • Hardcore+rockabilly+children's chair
Дмитрий Горяйнов • blues
Александр323 • Glossy Slavic club banger at 125 BPM with male vocals, tight sidechained synth bass, sharp four-on-the-floor kick, bright verse plucks, and big airy chorus pads; verse rides sleek and percussive, pre-chorus strips to claps and sub to spotlight the vocal, chorus opens wide with stacked hooks, top-line ad-libs, and reverb bloom; glossy close-mic lead in verses, doubled chorus, crowd-like hook layers, crisp risers and reverse swells into each drop, bright and punchy mix, female vocals, vocal, bright
Андрей_Ш • blues rock, 92 BPM, baritone spoken vocal, distorted slide guitar, fretless bass glissando, Hammond B3 stabs, broken shuffle groove, tom-heavy backbeat, tape saturation, spring reverb, gritty mono mix, call-and-response riffs, snarling delivery, urban unrest, electric blues, live room bleed
father mc nulti • dark-electro, Cantonese vocals, 132 BPM, industrial kick, distorted bass synth, sequenced arpeggios, metallic percussion, gated snare, stereo delay, spring reverb, sidechain pumping, minor key pads, chant chorus, slow burn build, drop impact, defiant melancholy
BAZIK • Rockabilly+trash metal punks
Rufusnik • Genre: melodic death metal / industrial metal with cyberpunk darksynth Mood: heavy, dark, intense, danceable, immersive Tempo: 130 BPM (steady club groove) Duration: up to 5 minutes Style: danceable heavy live melodic metal fused with cyberpunk darksynth processing; deep bass focus; minor chords; hard-hitting rhythm with swing and groove Instruments: distorted guitars (melodic riffs, heavy power chords); deep sub‑bass and punchy basslines; live drums + electronic beats (tight, club‑ready); darksynths (pulsing pads, industrial leads); female extreme vocalise (low soprano → scream/growl) Key Features: catchy, heavy, тягучая (drawn‑out) melody; massive bass saturation and depth; rich stereo effects (widener, reverb, delay); hard club breakdown with heavy groove; smooth transition to calm melodic outro Structure: intro → verse/build‑up → chorus (melodic metal + darksynth) → breakdown (130 sec) → calm melodic finale (4:30)
Alia • Emotional Russian pop rock ballad with female vocals; clean electric guitars over steady mid-tempo drums, bass gluing the groove, verses intimate and close-mic’d, chorus explodes with wide distorted guitars and stacked harmonies, bridge strips down to vocal plus sparse piano before final full-band lift
Alia • Emotional Russian pop-rock ballad with female vocals, clean electric guitars building from muted picking to wide chorused power chords; verses stay intimate over warm bass and steady drums, choruses hit hard with open hats and stacked harmonies, bridge drops to near-whisper then explodes into the final hook
Alia • Slow-burning Russian soul ballad, female vocals; warm Rhodes and soft bass, brushed drums and subtle guitar licks. Verses intimate and close-mic, chorus opens with wide harmonies and organ swells. Gradual build to a cathartic middle-eight, then strip back to voice and keys for the final hook.
Суша • Balkan Pop Music, traditional ,Greek folk instruments, Digital Folk, Eurodisco, Eurobeat, Mystic,bouzouki