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Последние публичные треки, созданные нашими пользователями

Быть и казаться v2 (И.Черемушкина)

Petitpapillon82 metal, gentle melody, intimate vocals, folk metal, traditional instruments, pagan themes

141
В моих мыслях

УгоLёк Pop rock, 95 BPM, A minor, emotional & powerful, electric guitars + drums + bass, structure: intro–verse–pre‑chorus–chorus–bridge–outro, male vocal, lyrics:

142
Предложение руки и сердца

Pattern 1524 pop,space, space, piano ,piano ,vast universe, super melody, slow, long track at least 5 minutes, high frequency sweeps, rising . Baritone ., trance, piano, 90s, lo-fi

164
Bury me with your love

GrizAi dark mid-tempo, female vocals, emotional, seductive but hopeless, clean female voice, no screaming, heavy melodic bass, reverb, ambient dark, minimal beat turns heavy, bittersweet, submissive mood, repetitive mantra, catchy hook, obsessive, 130 BPM

166
Пастернак - Смута (Edit)

44 21 rock, jazz, hip hop, electronic, r&b, blues

184
Пепел и мёд

Миооп Pop ballad with a steady mid-tempo pulse, warm piano arpeggios and restrained drums; verse stays intimate with sparse piano and soft bass, pre-chorus lifts with layered harmonies and a filtered synth swell, chorus opens with wide strings and a singable top-line. Lead vocal is close-mic and tender with doubled chorus lines, small delay throws on key words, and a few breathy ad-libs. Ear candy includes reversed piano swells, finger snaps into the pre-chorus, and a final lift with glassy chimes. Bright, polished, emotional mix with cinematic width.

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Пепел и мёд

Миооп Pop ballad with a steady mid-tempo pulse, warm piano arpeggios and restrained drums; verse stays intimate with sparse piano and soft bass, pre-chorus lifts with layered harmonies and a filtered synth swell, chorus opens with wide strings and a singable top-line. Lead vocal is close-mic and tender with doubled chorus lines, small delay throws on key words, and a few breathy ad-libs. Ear candy includes reversed piano swells, finger snaps into the pre-chorus, and a final lift with glassy chimes. Bright, polished, emotional mix with cinematic width.

130
Ты такая вау вау

Макеевка 174 Dance instrumental chanson, cheerful mood with a touch of hooliganism, and a man's deep, raspy voice.

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Город, огни 2

Артём Михайловский Жанр: русский трэп (Russian Trap) с элементами электронного звучания. Темп: 150 BPM (быстрый, энергичный ритм). Структура: Интро: 8 секунд — резкий старт с тяжёлой бочки и синтезаторного хука, лёгкий шум винила для текстуры. Куплет 1 (в стиле Эндшпиля): агрессивная, рубленая читка с акцентом на ритм и чёткие рифмы. Бридж: 8 тактов — повторение ключевого хука («Это хит, трек бомбит — это хит») с усиленным бэкингом и дополнительными ударными слоями. Припев: мощный, запоминающийся хук с многослойным вокалом (основной голос + 3–4 слоя бэкинга). Повторяется 2 раза подряд. Инструменты: мощная бочка (Kick) с чётким ударом, уровень громкости около −10 dB; хай‑хэты (Hi‑Hats) с роллами и дилеем; глубокий, резонирующий саб‑бас (Sub‑Bass), создающий «качание»; минималистичный синтезаторный хук (ведущая мелодия); лёгкие перкуссии (шейкер, клэпы) для текстуры; атмосферные эффекты (шум винила, реверберация на вокале); вокальный бэкинг (3–4 слоя) в припевах для мощи.

128
Соль на губах

Миооп Russian pop ballad with slow 72 BPM pulse, soft piano and restrained kick; verse stays intimate with sparse chords and a low string bed, pre-chorus lifts with rising pads and heartbeat toms, chorus opens into wide sustained harmony and a repeating hook. Lead vocal is close-mic and emotional with stacked doubles on the chorus, breathy ad-libs at line ends, and a final lift with echo throws. Ear candy: reversed piano swells into the pre-chorus, a glassy bell accent before each hook, and a last chorus key-change shimmer. Mix is warm, cinematic, and ache-filled with a polished radio sheen.

132
Соль на губах

Миооп Russian pop ballad with slow 72 BPM pulse, soft piano and restrained kick; verse stays intimate with sparse chords and a low string bed, pre-chorus lifts with rising pads and heartbeat toms, chorus opens into wide sustained harmony and a repeating hook. Lead vocal is close-mic and emotional with stacked doubles on the chorus, breathy ad-libs at line ends, and a final lift with echo throws. Ear candy: reversed piano swells into the pre-chorus, a glassy bell accent before each hook, and a last chorus key-change shimmer. Mix is warm, cinematic, and ache-filled with a polished radio sheen.

108
Соль боли (Edit)

Светлана Корн Dark alt-pop with a slow brooding pulse and tense minor-key piano stabs; verse stays sparse with close-mic vocals, dry kick, and soft synth bass, pre-chorus tightens with rising strings and doubled whispers, chorus opens into a wider hook with stacked harmonies and sharp drum hits. Add reverse swells into transitions, a fractured vocal echo on key words, and a last-chorus lift with gritty ad-libs. Mix is intimate, shadowy, and punchy.

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Какой-то эмо прям (2007)
150
Drift Reggae

Faezard Drift Reggae Phonk, fast energetic, Jamaican patois and English, drift phonk cowbell, heavy 808 bass, BPM 160, aggressive but groovy, male vocal shouted, rude boy flow, car exhaust sounds, tire screech samples, dancehall rhythm, sound system energy, no slow parts, full power, street racing vibes, Kingston to Tokyo

131
Возвращение домой (Ремикс) v.1

АрсенАпро epic russian hard rock, symphonic metal, heavy metal, powerful male baritone vocals, extended melodic electric guitar solos, violin, duduk, atmospheric synthesizer, heavy bass, deep cinematic drums, aggressive but soulful, minor key, slow tempo, 75 bpm, heavy and deliberate, cinematic

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Оса и Шмель кантри стиль

Гатауллин Артур - Уфа Tempo: [120 BPM — moderately fast, with a clear rhythm for foot‑tapping] Instruments: [acoustic guitar - main accompaniment, banjo - decorates verses and solos, light percussion - brushes or castanets for rhythm] Sound effects: [Intro and outro: forest ambience — birds singing, buzzing of insects, chirping of crickets] [Dialogue scene: a light echo effect to create a sense of open space] [Transition to the finale: amplification of nature sounds as a sign of universal jubilation] Vocal parts: [Male voice — warm, slightly baritonal, soulful -the image of the Bumblebee] [Female voice — at first timid and sleepy - in the dialogue, then bright and confident -in the finale] [In choruses and the finale — harmonious combination of voices] Dynamics: [Verses — restrained, with an emphasis on the lyrics] [Chorus — brighter, with added backing vocals] [Finale — triumphant, with a gradual increase in volume and energy]

134
Really

Kaif Music HouseMusic, ClubMusic, ElectronicMusic, KaifMusic

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Really

Kaif Music HouseMusic, ClubMusic, ElectronicMusic, KaifMusic

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Рецепт_Виталий Молокин
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Рецепт_Виталий Молокин
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БУХАЮТ МУЖИКИ

Вася Вамп Бодрый Hard punk rock, expressive, energetic, happy , guitar distortion, heavy bass, synthesizer

123
Хромая доля

Шико A slow, suffocating dark ambient folk track with horror themes. Driven by heavy, ritualistic shamanic drums and pulsing percussion. Piercing nyckelharpa and eerie, repetitive slavic gusli melodies create a sense of ancient dread. The haunting drone of the lur horn echoes in the background. Vocal delivery combines whispering, low ritual chanting, and ghostly joik elements. Melancholic, cinematic, and profoundly sinister slavic pagan atmosphere.

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Пожарные

Вася Вамп Hard rock, death metal, emotional , expressive , cinematic , guitar overdrive, heavy bass, drums

117
Иди вперёд

Roman222 Soul and drum and bass with driving syncopated breakbeats, warm electric piano, deep sub pulse, and uplifting arrangement arc: verses stay intimate and sparse, pre-chorus lifts with rising strings and layered backing vocals, chorus opens with fuller drums and a soaring hook. Lead vocal is close-mic and vulnerable in verses, doubled and harmonized on the chorus, with ad-lib echoes and group responses. Filter sweeps, reverse cymbal swells, and airy synth tails bridge the sections; bright, emotional, polished mix with a strong low end., soul, drum and bass

126
Бал у князя тьмы

Вася Вамп Медленный horror punk rock, emotional, cinematic, dark, guitar overdrive, violin, piano

136
УСЛЫШЬ МЕНЯ... Я ЖДУ ТЕБЯ... (сл. и муз. Т. Калининой) 2026 г.

Volshebnitsa888 dark folk march, powerful emotional vocal, stoic, cello, stomp, slavic minor, 118 bpm, anthem of longing and rage, fragile strength, drum roll intro, drum roll outro

233
Иди вперёд

Roman222 Soul and drum and bass with driving syncopated breakbeats, warm electric piano, deep sub pulse, and uplifting arrangement arc: verses stay intimate and sparse, pre-chorus lifts with rising strings and layered backing vocals, chorus opens with fuller drums and a soaring hook. Lead vocal is close-mic and vulnerable in verses, doubled and harmonized on the chorus, with ad-lib echoes and group responses. Filter sweeps, reverse cymbal swells, and airy synth tails bridge the sections; bright, emotional, polished mix with a strong low end., soul, drum and bass

121
Жизнь одна

Вася Вамп Reggae, energetic, happy, acoustic guitar, guitar overdrive, trumpet, maracas

126
На краю

Вася Вамп Мелодичный Hard rock, emotional, cinematic, guitar overdrive, bass heavy, synthesizer

114
Хотелки

FogZVON country music with ethnic driving elements, yodeling, quadrille, polka in a fast rhythm, soft female vocals

124
Разгон

Разгон

Кавер-версия

TurubanOFF deep house, synthwave, 80s vibes, 112 BPM, G minor, progressive structure, slow build-up, atmospheric intro, minimal percussion, soft kick only, deep sub bass, layers added every 4 bars, retro synth pads, warm analog synths, subtle arpeggios, full arrangement at chorus, emotional male vocals, warm and present, nostalgic, melancholic, danceable, no aggressive drops, no sudden changes, no electric guitar, no heavy reverb

156
Автовокзал

Светлана Корн Melancholic Russian pop ballad with a steady mid-tempo pulse, restrained piano and low strings in the verse, pre-chorus lifting with suspended chords and a muted kick, chorus opening wider with layered harmony doubles and a short vocal delay on the key phrase. Add a distant bus-door hiss, a soft reverse swell into each chorus, and a final lift with fuller drums. Intimate close-mic lead, aching backing vocals, warm and polished mix.

120
Чужая пажить

Шико A slow, suffocating dark ambient folk track with horror themes. Driven by heavy, ritualistic shamanic drums and pulsing percussion. Piercing nyckelharpa and eerie, repetitive slavic gusli melodies create a sense of ancient dread. The haunting drone of the lur horn echoes in the background. Vocal delivery combines whispering, low ritual chanting, and ghostly joik elements. Melancholic, cinematic, and profoundly sinister slavic pagan atmosphere.

130
Придуманный мой мир

Светлана Корн Dark Russian pop ballad with a slow pulsing groove, sparse piano in the verses, rising strings in the pre-chorus, and a big aching chorus that opens into doubled vocals and soft gang harmonies; verse stays intimate and close-mic, pre-chorus strips to piano and heartbeat kick, chorus blooms with sustained pads and a trembling lead. Airy risers, reversed swells, and a final filter lift before the last chorus. Bright-sad, cinematic, and emotionally raw

115
Здесь твоя дорога! (финальная версия, текст Дмитрия Владимировича)

DDdddDD post punk, russian rock, indie rock, 79 BPM verses, 99 BPM choruses, palm muted guitar riffs, loud lead bass, drum machine backbeat, electric guitar solo, bright overdriven mix, tape saturation, plate reverb, mono close drums, brooding baritone, uplifting chorus, melancholic defiance

207
Русская тоска

kuprumserga **Style:** Folk-pop. **Rhythm:** Upbeat (140–150 BPM), driven by drums and tambourine. **Arrangement:** * **Intro:** Abrupt drum roll, followed by a balalaika/accordion riff. * **Verses:** Tight sound with rhythm section. Children's choir adds short shouts (*"Hey!"*). * **Chorus:** Full band + brass for power. Choir sings the main line in unison with the lead vocalist. * **Bridge:** Tempo halves; only accordion and strings remain for an intimate feel. * **Finale:** Accelerates to a climax. Ends with a sudden stop or a fading tremolo from the balalaika. The children's choir creates a festive atmosphere of unity and celebration.

143
За тебя за тебя

Светлана Корн Russian pop ballad with slow 6/8 sway, tender piano arpeggios and low string swells; verse stays intimate and sparse, pre-chorus lifts with suspended chords and breathy doubled vocal, chorus opens wide with stacked harmonies on the anchor phrase, soft snare brushes and a subtle crash into each refrain, final chorus adds higher ad-libs and a long tail of reverb, warm close-mic lead with emotional backing voices and a polished cinematic mix

144
Сладкий день пепел

Миооп Dark pop-rock with driving mid-tempo four-on-the-floor drums, clipped electric guitars, and a pulsing sub bass; verse starts airy and carefree with sparse percussion and handclap accents, pre-chorus tightens into rising toms and filtered synth swells, chorus hits with stacked gang vocals and a raw guitar lift, bridge drops to a near-silent vocal-and-drone break before a final chorus with bigger doubles and a strained scream. Close-mic lead vocal, wide harmonies on the hook, reverse swells and impact hits between sections, bright but bruised mix with gritty edge.

122
Сладкий день пепел

Миооп Dark pop-rock with driving mid-tempo four-on-the-floor drums, clipped electric guitars, and a pulsing sub bass; verse starts airy and carefree with sparse percussion and handclap accents, pre-chorus tightens into rising toms and filtered synth swells, chorus hits with stacked gang vocals and a raw guitar lift, bridge drops to a near-silent vocal-and-drone break before a final chorus with bigger doubles and a strained scream. Close-mic lead vocal, wide harmonies on the hook, reverse swells and impact hits between sections, bright but bruised mix with gritty edge.

110
Между нами километры

Миооп Pop ballad with a midtempo sway, soft piano arpeggios and restrained kick, built as a male-female duet; verses stay intimate and sparse, pre-chorus lifts with rising strings and harmony stacks, chorus opens into warm layered doubles and a sing-back refrain. Breath close-mic in verses, fuller unison on the hook, with delay throws on the last word and a gentle lift into the final chorus. Glossy but tender mix, wide and emotional.

128