Все треки

Crac32 • alt rock, 132 BPM, broken drum machine, fingerpicked acoustic guitar, tape echo guitar, power chord swells, staccato synth lead, tambourine backbeat, octave bass riff, room mic drums, spring reverb, analog tape saturation, minor key, restless release, spoken chant, four-on-the-floor pulse

DIMONI • powerful rap rock track, patriotic heroic mood, 95-100 BPM, Dm key, thick massive bass dominating mix, prominent toms in drums, dense bass guitar, heavy distorted guitars in choruses, synths for depth, crescendo dynamics from verses to final chorus, male and female vocals.

Milla • classical, soul

Ashes of the Covenant • Alternative rock / hard rock / post-hardcore with male vocals, slow-burn intro, half-time verses, a huge soaring chorus, a tight rap break in the middle, and a bright final lift; verse starts with clean guitar and restrained drums, pre-chorus opens with tom rolls and rising gang harmonies, chorus crashes with thick distorted guitars and shouted doubles, rap solo cuts to drums and bass before the last lift; tape hiss intro, reverse swell into the chorus, cymbal bloom into the bridge, final chorus adds layered ad-libs and wide vocal stacks; polished, emotional, punchy mix with warm low end and sharp guitars, hard rock, alternative rock

I_Kilo • rap, 92 BPM, half-time groove, swung 16th hats, sub-bass drops, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, electric piano stabs, muted bass guitar, punchy snare, sparse verse arrangement, layered hook lift, dry close-mic mix, tape saturation, call and response, bittersweet nostalgia, hip hop, 84 BPM, unstable breakbeat, chopped drum loops, tape wobble, detuned piano stabs, fingerpicked acoustic guitar, staccato synth lead, sub-bass pulses, tambourine backbeat, room mic snare, spring reverb, analog saturation, collapsing groove, brittle resolve, rap, 92 BPM, swung 8th groove, syncopated kick-snare, off-kilter percussion, sub-bass pulse, chopped sample stabs, dry snare snap, tape saturation, mono room reverb, filtered vinyl noise, sparse arrangement, steady resolve, late-night grit,hip hop, 92 BPM, boom bap drums, swung snare placement, dusty breakbeat, fingerpicked acoustic guitar, tambourine backbeat, muted electric bass, staccato synth lead, vocal chop

Ashes of the Covenant • Alternative rock, hard rock with driving mid-tempo four-on-the-floor pulse, tight palm-muted guitar verses, explosive open-chord choruses, muscular male vocals, stacked shout doubles on the hook, pre-chorus lifts with rising toms and filtered noise swells, bridge drops to half-time and lone bass before a final full-band surge; bright, punchy, arena-ready mix, alternative rock, hard rock

Max-Mix • EuroBeat,Italo-Disco,indie

Milla • classical, меццо-сопрано, медленно и печально

Ashes of the Covenant • Alternative rock, hard rock

Yuki_Schtiel • Gritty Russian post‑punk rap performed live in a packed venue, male vocals with the crowd echoing key lines and shouting gang‑style hooks in unison. Cold analog synth bass and razor‑sharp distorted drums cut through the room. Monotone half‑spoken flow from the frontman, with occasional distorted ad‑libs ducked to the sides and echoed by pockets of the audience. Minimal arrangement intensified by the raw energy of the crowd. Dark industrial atmosphere amplified by the collective presence. Medium tempo (95 BPM) with the bass physically shaking the floor. Reverb‑drenched guitars in choruses met by a wall of voices. Cathartic chaotic climax: stacked vocals from the stage merge with the roaring crowd, creating a rushed tempo feel as everyone pushes forward.

DDdddDD • Russian rock, 105 BPM, minor-key groove, acoustic guitar strumming, fingerpicked acoustic guitar, tambourine backbeat, electric rhythm guitar, sustained power-chord choruses, gritty baritone vocals, husky delivery, double-tracked harmonies, plate reverb, tape saturation, analog compression, 90s rock mix, slightly overdriven snare, midtempo sway, after-chorus guitar solo

Галина Тара • Романс, эмоциональный вокал с надрывом, гитара

ВалентинаАпрель • indie folk, 92 beats per minute, finger-picked acoustic guitar, tambourine backbeat, matte snare drum, vertical bass, glockenspiel accents, organ pads, room microphone warmth, tape saturation, monophonic percussion, minor key, bittersweet nostalgia, disturbing tenderness, rapid passage of time

Ashes of the Covenant • Alternative rock and hard rock with driving mid-tempo groove, thick distorted guitars, steady toms, and a weighty four-on-the-floor pulse in the chorus; intro opens instrumental with dry guitar riff and snare roll, verse stays tight and shadowy, pre-chorus lifts with layered toms and rising backing vocals, chorus opens wide with gang doubles and soaring melodic lines, final chorus brightens into a bigger major-feel lift. Male vocals with gritty close-mic verses, stacked doubles on the hook, short delay throws on key words. Ear candy: reversed cymbal swells into the chorus, a brief bass drop before the last refrain, and shimmering guitar harmonics in the outro. Mix is loud, punchy, and anthemic with clear vocal upfront.

Max-Mix • EuroBeat,EBM,Italo-Disco

Max-Mix • EuroBeat,EBM,Italo-Disco

I_Kilo • reggae fusion, alternative hip-hop, deep dub bassline, boom-bap beat, melodic passionate vocals in chorus, fast rhythmic rap verses, ragga accents, atmospheric, space echo delay effect, urban psychological vibe

ВалентинаАпрель • pop rock, 90 beats per minute, deep baritone, narrative, regret, finger-picked acoustic guitar, multi-level hand percussion, sub-bass pulses, record reverb, tape saturation, widescreen chorus, pause between halves, bittersweet melancholy of a rainy day

vladzak57 • Нежный пор рассказ о юности

Crac32 • hip hop

vladzak57 • Нежный пор рассказ о юности

Crac32 • hip hop

Sergui Valamo • русский шансон, fingerpicked acoustic guitar, bayan countermelody, upright bass plucks, tambourine backbeat, brushed snare, minor key waltz, 92 BPM, syncopated accordion, tape saturation, close-mic room, sepia nostalgia

ВалентинаАпрель • rock ballad, medieval ballad, medieval folk

VKR • Chanson with electronic pulse, mid-tempo swaying rhythm and steady kick-snare groove; verse leans sparse with accordion-like synth and acoustic guitar plucks, pre-chorus opens with rising pads and soft tambourine, chorus lands with fuller bass and mournful lead lines. Male and female vocals alternate and blend on hooks, with close-mic verses, doubled choruses, a few call-and-response echoes, and a delayed final phrase. Thin vinyl crackle, short reverse swells, and chime accents between lines. Warm, intimate, slightly dusty mix with a modern sheen., electronic

ВалентинаАпрель • 90s alt rock, male tenor lead, stacked harmonies, fingerpicked acoustic guitar, staccato synth lead, electric guitar scratches, sustained power chords, tambourine backbeat, punchy snare, tape saturation, close mic vocals, roomy drum kit, midtempo groove, bittersweet nostalgia

ВалентинаАпрель • alt rock, comedic novelty, 118 BPM, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, dry room drums, tape saturation, abrupt stop-start breaks, playful mischief, singalong chorus, lifted bridge, clap stack percussion

Touch • Ethno

Андрей2874 • hard rock ballad, glam metal, cinderella influence, power ballad tempo, sustained power-chord choruses, crunchy rhythm guitars, wah-soaked lead guitar, double-tracked tenor vocals, stacked harmonies, arena plate reverb, tape saturation, wide stereo mix, tom-heavy fills, anthemic release, 92 BPM, urgent drive

I_Kilo • hip hop, reggae

I_Kilo • boom bap, dusty drum break, half-speed feel, upright bass, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, mellotron pads, tape saturation, room mic drums, restrained dynamics, half-volume climax, minor key, hip hop instrumentation, retro analog texture

I_Kilo • reggae, hip hop, dubstep, house, rap

Ashes of the Covenant • Alternative rock, post-hardcore, groove metal with metalcore punch; driving mid-tempo groove, heavy palm-muted riffs, explosive double-kick lifts, a stripped intro with no vocals, verses split between two male vocals with tense unison and shouted answers, pre-chorus tightens into gang-style doubles, chorus hits huge and anthemic with stacked harmonies and rough screams, rap-sung solo section over minimal drums, final break erupts into a sudden brutal ending with stop-start chugs, sharp cymbal accents, and wide cinematic mix, metalcore, groove metal, alternative rock

Владимиръ Стрекаловский • Песня Трубадура, искания, сомнения, страсть и разочарование, мужской вокал, степной мотив бескрайних исканий, аккордеон, скрипка и оркестр, звуки моря

I_Kilo • dancehall, ragga, extended mix, punchy digital riddim, heavy sub-bass, electronic airhorns, fast rhythmic toasting, energetic male vocals, club banger, 115 BPM, aggressive beat, jamaican accent, sound effect drops

Мистер ИИ • Electronic pop with bouncy four-on-the-floor drums, rubbery synth bass, clappy offbeats, and playful syncopation; verse stays tight and cheeky, pre-chorus lifts with filtered risers and a half-time tease, chorus drops with bright stabs and gang vocal replies. Gravelly male vocals in verses, doubled and smirk-like on hooks, with short delay throws on punch lines, drum fills into each section, and a glossy, punchy mix that feels bright and mischievous.

Мистер ИИ • Electropop with bouncy four-on-the-floor pulse, playful syncopated synth bass, bright claps and rubbery lead hooks; verse rides sparse with cheeky rhythm guitar and filtered keys, pre-chorus tightens with rising arps and vocal chops, chorus opens wide with stacked gang doubles and a punchy lead hook. Male vocals, flirty ad-libs, short delay throws on the hook words, playful risers, coin-like blips and reverse swells between lines. Bright, glossy, high-energy mix with a clean pop sheen.

Мистер ИИ • Electronic pop ballad with a slow pulsing four-on-the-floor, soft synth pads, glassy arpeggios, and restrained kick on the verses; pre-chorus opens with filtered bass and rising noise, chorus blooms with wide chords and a lifted drum pattern. Male vocals, intimate close-mic verses, layered doubles on the hook, airy ad-libs in the final chorus, reverse swells into section changes, bright and emotional glossy mix.

Олег_1985 • Russian hip-hop/chanson hybrid with laid-back boom-bap swing and street-ballad accordion color; verse 1 rides tense sparse drums and upright bass, pre-chorus opens with handclaps and a rising backing chant, chorus hits with wide gang doubles and a singable hook. Verse 2 switches to female reply and tighter percussion, bridge pulls to half-time with filtered keys, final chorus adds handclaps and ad-lib turns. Warm gritty mix, close-mic leads, dusty but punchy.

MaReVo • Industrial rock and nu metal with male vocals, mid-tempo half-time stomp and gated snare; verse rides sparse distorted guitars and low synth hum, pre-chorus opens with tom lifts and rising noise, chorus hits with doubled shouts and chunky bass chugs. Clean intimate lead in verses, raspy octave doubles on hooks, whispered lines tucked under the last word. Metallic brake-squeals, reversed swells, and a short sub-drop before each chorus. Dark, punchy, and wide in the mix., industrial rock, nu metal

ДНК • Рэп лирический, female Vоcal, male vocal

Эрида Нюктарис • Dark Orchestral Folk, Female Haunting Vocals, Cinematic, Ethereal, Sudden Tempo Change, Gothic, Neoclassical, Melancholic to Aggressive, Distant Reverb.

Crac32 • rock, metal, rock, 96 BPM, marching snare, tom-heavy kit, palm-muted guitar chugs, sustained power chords, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, accordion drones, vocal harmonies, plate reverb, tape saturation, syncopated bassline, half-time bridge, explosive chorus, bittersweet nostalgia

DDdddDD • Russian rock, 115 BPM, fingerpicked acoustic guitar, raspy baritone lead, tambourine backbeat, muted electric bass, brushed snare, room mic ambience, pre-chorus pauses, sparse verse arrangement, lift to full chorus, parallel harmonies, minor-key warmth, bittersweet resolve

Эрида Нюктарис • dark folk, rock, k-pop

Эрида Нюктарис • dark folk, rock, k-pop

Yamert • Male vocals, Male choir, males voice, ballads, blues, folk

Лилия Бабошко • Jingle,Mid-Tempo,Syncopated,Mid-Tempo,Emotional,Emotional,Pop,Soul, Emotional, Torch-Lounge, female vocals

ВалентинаАпрель • Acoustic folk ballad featuring a solo male baritone vocal and a single steel-string acoustic guitar. The guitar performance uses a consistent fingerstyle pattern with a prominent alternating bass line and syncopated treble plucks. The vocal delivery is intimate and melodic, following a steady rhythmic cadence. The recording has a dry, close-mic aesthetic with minimal room reverb. The tempo is 115 BPM in 4/4 time, performed in the key of G major.

Владимир 50 • ‎Live stadium, All-female vocals. Norse folk rock with heavy guitars, 105 BPM, mezzo-soprano female lead dry and upfront with gritty edge and gravitas, women's chorus in unison on chorus — shieldmaiden chant, all-female backing, all-female group chant on outro, all-female choir as background only, heavy distorted rhythm guitars double-tracked in chorus, palm-muted electric verses, melodic lead guitar an octave above the vocal hook, lead guitar solo break between second chorus and bridge, low strings, drone textures, war horn accents, Celtic folk lift in chorus melody, tribal drums building from intimate verses to driving anthemic chorus, memorable shoutable hook, tight production, vocals clear and forward,powerful female vocals, female backing choir ‎