Все треки
Последние публичные треки, созданные нашими пользователями
Ashes of the Covenant • Alternative rock and hard rock with driving mid-tempo groove, thick distorted guitars, steady toms, and a weighty four-on-the-floor pulse in the chorus; intro opens instrumental with dry guitar riff and snare roll, verse stays tight and shadowy, pre-chorus lifts with layered toms and rising backing vocals, chorus opens wide with gang doubles and soaring melodic lines, final chorus brightens into a bigger major-feel lift. Male vocals with gritty close-mic verses, stacked doubles on the hook, short delay throws on key words. Ear candy: reversed cymbal swells into the chorus, a brief bass drop before the last refrain, and shimmering guitar harmonics in the outro. Mix is loud, punchy, and anthemic with clear vocal upfront.
Max-Mix • EuroBeat,EBM,Italo-Disco
Max-Mix • EuroBeat,EBM,Italo-Disco
ВалентинаАпрель • pop rock, 90 beats per minute, deep baritone, narrative, regret, finger-picked acoustic guitar, multi-level hand percussion, sub-bass pulses, record reverb, tape saturation, widescreen chorus, pause between halves, bittersweet melancholy of a rainy day
Crac32 • hip hop
Sergui Valamo • русский шансон, fingerpicked acoustic guitar, bayan countermelody, upright bass plucks, tambourine backbeat, brushed snare, minor key waltz, 92 BPM, syncopated accordion, tape saturation, close-mic room, sepia nostalgia
Ланселот
ВалентинаАпрель • rock ballad, medieval ballad, medieval folk
VKR • Chanson with electronic pulse, mid-tempo swaying rhythm and steady kick-snare groove; verse leans sparse with accordion-like synth and acoustic guitar plucks, pre-chorus opens with rising pads and soft tambourine, chorus lands with fuller bass and mournful lead lines. Male and female vocals alternate and blend on hooks, with close-mic verses, doubled choruses, a few call-and-response echoes, and a delayed final phrase. Thin vinyl crackle, short reverse swells, and chime accents between lines. Warm, intimate, slightly dusty mix with a modern sheen., electronic
ВалентинаАпрель • 90s alt rock, male tenor lead, stacked harmonies, fingerpicked acoustic guitar, staccato synth lead, electric guitar scratches, sustained power chords, tambourine backbeat, punchy snare, tape saturation, close mic vocals, roomy drum kit, midtempo groove, bittersweet nostalgia
Тараканы_то
ВалентинаАпрель • alt rock, comedic novelty, 118 BPM, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, dry room drums, tape saturation, abrupt stop-start breaks, playful mischief, singalong chorus, lifted bridge, clap stack percussion
Андрей2874 • hard rock ballad, glam metal, cinderella influence, power ballad tempo, sustained power-chord choruses, crunchy rhythm guitars, wah-soaked lead guitar, double-tracked tenor vocals, stacked harmonies, arena plate reverb, tape saturation, wide stereo mix, tom-heavy fills, anthemic release, 92 BPM, urgent drive
Быт пресен
I_Kilo • hip hop, reggae
I_Kilo • boom bap, dusty drum break, half-speed feel, upright bass, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, mellotron pads, tape saturation, room mic drums, restrained dynamics, half-volume climax, minor key, hip hop instrumentation, retro analog texture
Ashes of the Covenant • Alternative rock, post-hardcore, groove metal with metalcore punch; driving mid-tempo groove, heavy palm-muted riffs, explosive double-kick lifts, a stripped intro with no vocals, verses split between two male vocals with tense unison and shouted answers, pre-chorus tightens into gang-style doubles, chorus hits huge and anthemic with stacked harmonies and rough screams, rap-sung solo section over minimal drums, final break erupts into a sudden brutal ending with stop-start chugs, sharp cymbal accents, and wide cinematic mix, metalcore, groove metal, alternative rock
Владимиръ Стрекаловский • Песня Трубадура, искания, сомнения, страсть и разочарование, мужской вокал, степной мотив бескрайних исканий, аккордеон, скрипка и оркестр, звуки моря
I_Kilo • dancehall, ragga, extended mix, punchy digital riddim, heavy sub-bass, electronic airhorns, fast rhythmic toasting, energetic male vocals, club banger, 115 BPM, aggressive beat, jamaican accent, sound effect drops
Мистер ИИ • Electronic pop with bouncy four-on-the-floor drums, rubbery synth bass, clappy offbeats, and playful syncopation; verse stays tight and cheeky, pre-chorus lifts with filtered risers and a half-time tease, chorus drops with bright stabs and gang vocal replies. Gravelly male vocals in verses, doubled and smirk-like on hooks, with short delay throws on punch lines, drum fills into each section, and a glossy, punchy mix that feels bright and mischievous.
Мистер ИИ • Electropop with bouncy four-on-the-floor pulse, playful syncopated synth bass, bright claps and rubbery lead hooks; verse rides sparse with cheeky rhythm guitar and filtered keys, pre-chorus tightens with rising arps and vocal chops, chorus opens wide with stacked gang doubles and a punchy lead hook. Male vocals, flirty ad-libs, short delay throws on the hook words, playful risers, coin-like blips and reverse swells between lines. Bright, glossy, high-energy mix with a clean pop sheen.
Мистер ИИ • Electronic pop ballad with a slow pulsing four-on-the-floor, soft synth pads, glassy arpeggios, and restrained kick on the verses; pre-chorus opens with filtered bass and rising noise, chorus blooms with wide chords and a lifted drum pattern. Male vocals, intimate close-mic verses, layered doubles on the hook, airy ad-libs in the final chorus, reverse swells into section changes, bright and emotional glossy mix.
Олег_1985 • Russian hip-hop/chanson hybrid with laid-back boom-bap swing and street-ballad accordion color; verse 1 rides tense sparse drums and upright bass, pre-chorus opens with handclaps and a rising backing chant, chorus hits with wide gang doubles and a singable hook. Verse 2 switches to female reply and tighter percussion, bridge pulls to half-time with filtered keys, final chorus adds handclaps and ad-lib turns. Warm gritty mix, close-mic leads, dusty but punchy.
MaReVo • Industrial rock and nu metal with male vocals, mid-tempo half-time stomp and gated snare; verse rides sparse distorted guitars and low synth hum, pre-chorus opens with tom lifts and rising noise, chorus hits with doubled shouts and chunky bass chugs. Clean intimate lead in verses, raspy octave doubles on hooks, whispered lines tucked under the last word. Metallic brake-squeals, reversed swells, and a short sub-drop before each chorus. Dark, punchy, and wide in the mix., industrial rock, nu metal
Эрида Нюктарис • Dark Orchestral Folk, Female Haunting Vocals, Cinematic, Ethereal, Sudden Tempo Change, Gothic, Neoclassical, Melancholic to Aggressive, Distant Reverb.
Crac32 • rock, metal, rock, 96 BPM, marching snare, tom-heavy kit, palm-muted guitar chugs, sustained power chords, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, accordion drones, vocal harmonies, plate reverb, tape saturation, syncopated bassline, half-time bridge, explosive chorus, bittersweet nostalgia
DDdddDD • Russian rock, 115 BPM, fingerpicked acoustic guitar, raspy baritone lead, tambourine backbeat, muted electric bass, brushed snare, room mic ambience, pre-chorus pauses, sparse verse arrangement, lift to full chorus, parallel harmonies, minor-key warmth, bittersweet resolve
Эрида Нюктарис • dark folk, rock, k-pop
Эрида Нюктарис • dark folk, rock, k-pop
Наша любовь
Лилия Бабошко • Jingle,Mid-Tempo,Syncopated,Mid-Tempo,Emotional,Emotional,Pop,Soul, Emotional, Torch-Lounge, female vocals
Облака
ВалентинаАпрель • Acoustic folk ballad featuring a solo male baritone vocal and a single steel-string acoustic guitar. The guitar performance uses a consistent fingerstyle pattern with a prominent alternating bass line and syncopated treble plucks. The vocal delivery is intimate and melodic, following a steady rhythmic cadence. The recording has a dry, close-mic aesthetic with minimal room reverb. The tempo is 115 BPM in 4/4 time, performed in the key of G major.
Владимир 50 • Live stadium, All-female vocals. Norse folk rock with heavy guitars, 105 BPM, mezzo-soprano female lead dry and upfront with gritty edge and gravitas, women's chorus in unison on chorus — shieldmaiden chant, all-female backing, all-female group chant on outro, all-female choir as background only, heavy distorted rhythm guitars double-tracked in chorus, palm-muted electric verses, melodic lead guitar an octave above the vocal hook, lead guitar solo break between second chorus and bridge, low strings, drone textures, war horn accents, Celtic folk lift in chorus melody, tribal drums building from intimate verses to driving anthemic chorus, memorable shoutable hook, tight production, vocals clear and forward,powerful female vocals, female backing choir
Мистик космоса • Russian post-punk, alternative rock, 120 BPM, minor key, high tenor lead vocals, low baritone countervoice, delay-drenched clean guitar, driving bassline, steady snare backbeat, electronic drum textures, plate reverb, analog saturation, wide stereo mix, slow build, orchestral bridge, anthemic chorus, melancholic drama, nostalgic futurism, new wave.
divey • Hard and Heavy Rock with bluesy elements, style of 1970s classic hard rock group. Tempo: Driving, mid-to-fast. Feel: Heavy, bluesy lead melodic organ Hammond B-3 mk2 with soaring, slightly distorted guitar solos with melodic aggression. Soft raspy male vocals in the style of classic hard rock voice. Rhythmic bassline heavy drums rhythm guitar and bass guitar.
ВалентинаАпрель • Russian indie folk pop. Arpeggiated acoustic guitar in the key of G minor. The guitar pattern uses a consistent eighth-note fingerpicking style. A high pitched male voice performs with a soft, breathy delivery and minimal vibrato. The arrangement is minimalist, focusing entirely on the interplay between the repetitive guitar motif and the vocal melody. The production is dry with light room reverb on the vocals.
Daemryx • [STYLE: psychoacoustic sub-driven trap + dark ambient trap + doom trap + cinematic low-frequency bass music + evolving hydraulic 808 architecture]
ВалентинаАпрель • Russian acoustic folk-pop featuring a solo male baritone vocal and a single steel-string acoustic guitar. The guitar performance uses a steady alternating bass fingerpicking pattern with occasional percussive slaps on the strings to provide a rhythmic backbeat. The vocal delivery is conversational and narrative, following a strophic structure. The tempo is approximately 115 BPM in 4/4 time. The guitar uses open chords and simple diatonic progressions, with occasional melodic flourishes between vocal phrases. The recording is dry with minimal room reverb, focusing on the intimate, unplugged sound of the performance. funny funny song.
Андриан • Спокойное, мелодичное повествование. Красивый, высокий, мужской вокал в нескольких октавах, проникновенен мудростью, красками и чувством. Музыкальные инструменты завораживают живостью, переплетением, спокойствием и выразительностью. Очень красивая мелодия гитар, то перебором, то пронзительное соло акустической гитары. Бас гитара тоже не отстаёт, но её игра идёт чуть тише и загадочнее. Создаётся общая музыкальная, восхитительно-завораживающая и не на что не похожая внеземная композиция. Концовка песни заканчивается тихо, поучительно и убедительно, оставляя неизгладимое впечатление.
DarkAIron • operatic metalcore, 135-150 bpm driving rhythm, female soprano operatic clean vocals, harsh screamed verses, beauty-and-beast vocal duality, crushing djent-influenced guitars, thunderous double bass drums, dramatic orchestral stabs, church organ undertones, choir layers, gothic cathedral atmosphere, sudden brutal breakdowns, soaring aria-like choruses, sacred-meets-profane dark epic tone, dense immersive production
Имба Лойс • [Style of Music: Bass House / Future Bass] [Mood: Intense, High‑Energy, Adrenaline Rush] [Theme: Street Racing + Urban Nightlife] [Tempo: 132 BPM] [Key: D minor] [Instrumentation]: Deep sub‑bass (<100 Hz), Reese bass, punchy kicks, sharp hi‑hats, aggressive synth leads, violin, vocal samples ("Go!", "Speed!", "Race!", "Win!"), engine roars, tire screeches, wind. [Structure]: 1. Intro (8 bars): Sub‑bass + hi‑hats + engine sounds. 2. Verse 1 (16 bars): Kick + staccato violin + synth pads. 3. Build‑Up (8 bars): Rising arpeggios + accelerating hi‑hats + violin arpeggios. 4. Drop 1 (16 bars): Full mix — bass, synths, full violin lines. 5. Breakdown (8 bars): Bass fades + emotional violin solo + engine. 6. Build‑Up 2 (8 bars): Intense + vocal samples. 7. Drop 2 (16 bars): Heavier bass + Wobble + full violin. 8. Outro (8 bars): Fade with violin + engine sounds. [Lyrics highlights]: - Chorus: "Танцуй, пока кредитка не в блоке…" [Production]: Half‑time in verses, breath‑holding pause before dro
макс шишигин • Epic rock with driving mid-tempo stomp, martial toms and syncopated bass; verse rides tense low strings and flute motifs, pre-chorus strips to violin and voice, chorus hits with electric guitar, cello stack, and battle chants. Lead vocal is gritty and close-mic in verses, double-tracked on hooks with shouted gang responses. Blade risers, reversed brass-like swells, and gate-crashed drum fills bridge sections; mix is wide, cinematic, and punchy.
Вадим 159 • Весёлый шансон
DDdddDD • Russian rock, 105 BPM, fingerpicked acoustic guitar, tambourine backbeat, electric bass pick, snare rimshot, sustained power-chord choruses, projected baritone lead, rough vocal grit, call and response chorus, tape saturation, room reverb, punchy drum bus
Владимир 50 • Neoclassical power ballad, blazing harmonic minor shredding, emotional virtuoso guitar leads, 80s Scandinavian metal atmosphere, emotional high female vocals, massive reverb, dramatic choir keyboards, cosmic fantasy mood, soaring emotional chorus, crying sustain guitar, melancholic celestial feeling, epic galaxy atmosphere, emotional neoclassical guitar hero style, E minor, 76 BPM