Все треки

Romantik • [Modern Russian Chanson, Male Baritone, Romantic, Acoustic Guitar, Accordion, Piano, Mid-Tempo, 90 BPM, Lead Vocal: Чарующий голос, crisp and clear baritone with aching tenderness] ‎[Title: Наивно думал (Сотворено с любовью. Да будет так.)]

Yuki_Schtiel • Industrial dark electronic, 140 BPM, D minor, male aggressive vocals with distortion and reverb, pounding four‑on‑the‑floor kick, heavy distorted sub‑bass, glitchy synth arpeggios, bitcrusher effects, real‑time DJ manipulation (scratching, filter sweeps), call‑and‑response vocals, synchronized chants on the hook, dystopian digital vibe.

Piligrim • Джаз-рок

Владимир Дроздов • Russian pop-rock, 94 BPM, balalaika plucks, bandura tremolo, steel-string fingerpicking, overdriven electric riffs, accordion counterline, taiko accents, tom-heavy backbeat, stair-step bassline, tape saturation, short room reverb, chorus-doubled leads, minor-key refrain, defiant longing, love threat

Piligrim • synth-pop, melodic electro-pop, 128 BPM, staccato accordion, balalaika tremolo, fingerpicked acoustic guitar, electric bass pick, stacked vocal harmonies, orchestral strings stabs, sidechain compression, bright plate reverb, wide stereo mix, punchy snare, driving four-on-the-floor, euphoric, festive momentum

Yuki_Schtiel • Live recording of a punk rock concert, 220 BPM — raw, fast‑paced energy with a strong storytelling vibe. Instruments: melodic accordion weaving through aggressive heavy electric guitar chords, backed by relentless, driving drums. Dark and theatrical mood is amplified by stage lighting and the performer’s dramatic delivery. The crowd is actively involved: they sing along loudly on the choruses, chant key lines in call‑and‑response with the singer, and cheer loudly between sections. You can hear the collective voice of the audience blending with the band, creating an intense, communal concert experience.

Yuki_Schtiel • High‑energy Soviet‑style post‑punk live set in a small club, 112 BPM, D minor. Enthusiastic crowd: loud, enthusiastic sing‑along, crowd often singing louder than the band during choruses. Male vocals: verses half‑spoken with a slight smile, acknowledging the crowd; choruses are a shared shout, with the singer encouraging the audience. Occasional call‑and‑response moments. Cold reverb on vocals, but now mixed with the natural live room sound and crowd noise. Instrumentation: aggressive wheezing accordion, air‑leak sound cutting through; tight, dry drums pushing the pace; punchy boxy bass (200–400 Hz) driving the groove; scratchy, distorted guitar. Mood: defiant, joyful, communal. Production: lively, raw live mix with tape saturation; crowd chants and cheers clearly audible, clapping and foot‑stomping in time with the beat.

Мадхава • R&B-soul worship with house pulse, dubstep sub drops, and synthwave shimmer; midtempo four-on-the-floor verses with soft swung percussion, pre-chorus strips to handclaps and bass pulse, chorus opens into stacked choir and mantra chant. Lead vocal is intimate and prayerful with doubled hooks, airy ad-libs, and call-and-response tails. Reversed swells, filtered rise into the drop, and sparkling chimes between phrases. Wide, glossy, and meditative mix with deep low-end and glowing highs., soul, ambient, dubstep, r&b

Мадхава • R&B-soul worship with house pulse, dubstep sub drops, and synthwave shimmer; midtempo four-on-the-floor verses with soft swung percussion, pre-chorus strips to handclaps and bass pulse, chorus opens into stacked choir and mantra chant. Lead vocal is intimate and prayerful with doubled hooks, airy ad-libs, and call-and-response tails. Reversed swells, filtered rise into the drop, and sparkling chimes between phrases. Wide, glossy, and meditative mix with deep low-end and glowing highs., soul, ambient, dubstep, r&b

MaReVo • Cinematic rock, pop, guitar, piano, drums. emotional

Leshyi CRAZY • Dubstep with a heavy half-time wobble, syncopated kick-snare punches, and a grimy bass growl; verse rides sparse drums and clipped synth stabs, pre-chorus opens with rising filtered noise and doubled vocal tension, chorus slams into a wider drop with gang shouts and chopped chant repeats. Lead vocal is rough and close-mic in verses, stacked with shouted doubles on hooks, with delay throws on key phrases. Ear candy: reversed swells into each drop, metallic ticks between lines, and a brief sub-bend before the final chorus. Mix is dark, punchy, and oversized, dubstep

Мария Власова • Style Mikael Tariverdiev, romance, guitar accoustic, female vocal

Yuki_Schtiel • Gritty post‑punk rap hybrid performed live in a dense, roaring venue. Male vocalist delivers verses up‑close, half‑rapped with bone‑dry clarity — roomy snare hits and sudden delay throws on key words spark tension. The crowd is fully engaged: they chant the pre‑chorus lines, building anticipation. When the chorus hits, hundreds of voices join the shouted gang vocals — a massive, unified roar. Overdriven bass shakes the floor, tight live drums lock the pulse, and jagged guitars cut through the haze of synth drones. Between sections, you hear chants, stomping, and the raw energy of the crowd feeding back into the performance. The blown‑out room sound captures the collective anxiety, pushing it to a cathartic, breaking‑point climax.

Leshyi CRAZY • R&B with laid-back swung drums, warm sub-bass, clipped electric piano stabs, and smooth male vocals; verse stays intimate and confessional, pre-chorus lifts with layered harmonies and filtered strings, chorus lands on a short chantable hook with doubled lead and soft gang replies; add tape hiss, reverse swells into the hook, and tiny vocal ad-libs between lines; glossy, intimate, late-night mix, r&b

aristocrat • rap-phrased pop, 98 BPM, half-time boom bap, syncopated snare ghosts, deep 808 bass, duduk counterlines, tenor sax riffs, accordion stabs, muted electric guitar, fingerpicked acoustic guitar, tape saturation, mono drum punch, wide hall reverb, sparse verse dropouts, chorus stack lift, graveyard swagger

aristocrat • Russian hip-hop, 94 BPM, swung boom bap, argumental verse phrasing, saxophone riffs, duduk countermelody, sub-bass slides, punchy kick snare, chopped drum break, tape saturation, dry close mix, verse dropouts, call and response, nocturnal swagger, tense resolve

Yuki_Schtiel • High‑energy folk‑punk rock played live, 140 BPM. The raw male vocalist actively engages the crowd: he starts a line, and the audience roars it back; call‑and‑response dynamic throughout. Accordion lead soars over distorted power chords, while the driving bass and strong backbeat keep everyone moving. Four‑on‑the‑floor rhythm unites band and audience. In the chorus, the band’s layered gang vocals are doubled and tripled by the crowd’s thunderous sing‑along. You can hear cheers, clapping, and a shared celebratory roar — pure concert magic.

aristocrat • Russian pop-rap, nocturnal synth-pop, bass-heavy 808s, distorted acoustic guitar, tenor sax riffs, duduk counterline, raspy lead vocals, call and response chants, sidechain pumping, tape saturation, stereo widening, punchy kick drum, syncopated snare claps, driving 126 BPM, upbeat bounce, reflective midnight glow

Михаил Суровцов • rock, metal, хард рок , быстрый темп

Владимир Грибоедов • rock, metal

Михаил Суровцов • rock, metal, folk, хард рок ,, classical

Доктор Аня • Alt-rock, dark cabaret, piano-driven, melancholic yet cynical, gritty female vocals, slow steady beat, atmospheric, deep bass, emotional crescendo, cinematic, noir aesthetic, 100 BPM", indie

Владимир Грибоедов • rock, metal, classical, soul,

Владимир Грибоедов • rock, classical

Владимир Грибоедов • rock, classical

Там - где нас нет • Heavy Metal. Гитарное соло 2 квадрата перед 3 куплетом. Male vocal bariton in Verses. Male vocal tenor in chorus.

Владимир Грибоедов • rock, metal, classical, soul

spik • punk, 160 BPM, distorted baritone guitar, pickslide riffs, driving snare backbeat, gang chant chorus, overdriven bass guitar, tom-driven fill, tape saturation, spring reverb, arena compression, punchy mono drums, cathartic energy, minor key, post-punk edge, rock

Владимир Грибоедов • rock, classical

Владимир Грибоедов • rock, classical

Alia • heartbreaking acoustic ballad, fragile cinematic piano, crying emotional female voice, soft whisper, deeply sad, ambient strings, slow minimalist, realistic pain

VKR • Russian rock, 90s-inspired mid-tempo with driving guitars, tom-heavy drums, and a gritty bass pulse; verse stays tense and restrained, pre-chorus opens with ascending power chords, chorus lands bigger with stacked male-female harmonies and rough doubled lead. Bridge drops to voice and clean guitar, then final chorus hits harder with shouted ad-libs, tape-slap delay throws, and a raw, wide mix with smoky room energy., rock

VKR • Electronic ethno-shamanic slow groove with a pulsing hand-drum feel, airy synth drones, wooden percussion, and a soft frame-drum pulse; verse stays intimate and sparse with male and female close-mic lines, pre-chorus gathers with layered breath harmonies, chorus opens with a warm unison chant and gentle call-and-response. Reversed swells, distant bell tings, and smoke-like risers bridge each lift; mix is intimate, mysterious, and glossy with a velvet low end., electronic

Владимир Дроздов • Russian pop-rock, 94 BPM, balalaika plucks, bandura tremolo, steel-string fingerpicking, overdriven electric riffs, accordion counterline, taiko accents, tom-heavy backbeat, stair-step bassline, tape saturation, short room reverb, chorus-doubled leads, minor-key refrain, defiant longing, love threat

44-13 • Finger style, classical, piano, banjo, Rock, acoustic guitar, deep bass, drum, duet, grange, jazz, Jungle, bass, deep bass, throat singing low voice, low , Borbannadyr, violins, duet, jazz, funk

VKR • Rock power ballad with electronic pulse and driving mid-tempo groove; verse rides tense synth bass and muted guitars, pre-chorus opens with rising toms and stacked harmony lifts, chorus hits with huge distorted guitars and punchy kick-snare. Male lead and female lead trade lines, with doubled hook words, harmony swells, and call-and-response backing vocals. Ear candy: ignition click, reverse swell into chorus, short delay throws on key phrases. Mix is wide, glossy, and muscular with a heartfelt center., electronic

Алексей Вензель • r&b, dance-pop

сергей147 • Hip hop with a steady mid-tempo boom-bap bounce and dusty drum chops; verse rides a tight kick-snare pocket with sparse bass and gritty callout samples, pre-chorus strips to handclaps and a rising filtered loop, chorus hits with stacked gang vocals and a chopped chant on the main phrase. Close-mic lead vocal with rough doubles, ad-lib echoes on key lines, tape-stop flicks and short reverse swells into each hook. Mix is punchy, dry, and garage-floor raw., hip hop

spik • russian folk-pop, cinematic ballad, accordion lead, fingerpicked acoustic guitar, balalaika plucks, string quartet ostinato, low cello drone, choir pads, plate reverb, tape saturation, wide stereo chorus, sparse verse, chorus lift, 72 BPM, swung folk pulse, somber resolve

44-13 • Finger style, classical, piano, banjo, Rock, acoustic guitar, deep bass, drum, duet, grange,, jazz, Jungle, bass, deep bass, throat singing low voice, low man voice, Borbannadyr, violins, duet, jazz, funk,

IGARIK • French dance pop, female vocals (ethereal, light, breathy), upbeat 125 BPM, major key, electronic beat, piano, synth pads, strings, uplifting, joyful, travel theme, poetic, 2020s style

RusMos • Suno: Dark ethnic house, mystical EDM, powerful beat, 128 BPM, deep male voice and ethereal female vocals, sitar sample, hypnotic drop, euphoric choir.

Jeronimo • Folk-pop fused with electronic pulse and danceable midtempo swing; verse rides fingerpicked guitar, handclaps, and a twinkling synth ostinato; pre-chorus strips to hush vocals and a rising pulse; chorus opens with stacked harmonies, stomping kick, and playful cat-call chants. Vocal is close-mic with double-tracked hooks, whispered asides, and punchy gang replies. Ear candy: reversed swells, bell pings, and a final sparkle drop. Bright, cinematic, and crisp., electronic, folk, pop

Nikko3 • blues rock, cinematic ballad, slide guitar riffs, Hammond organ stabs, resonator guitar fingerpicking, upright bass pulses, brushed snare groove, tom build-ups, string ensemble swells, call and response phrases, mono room reverb, tape saturation, dynamic verse lift, halftime breakdown, minor key, 95 BPM, raw defiance

Jeronimo • Hybrid folk-electronic hip hop with 92 BPM swung drums, thumbpicked acoustic guitar, dusty boom-bap snares, and gliding synth drones; verse rides sparse guitar, bass hits, and tight rap phrasing, pre-chorus opens with rising choir pads and chopped vocal echoes, chorus lands on a chanty hook with stacked doubles and handclap accents. Add vinyl crackle, reversed koto swells, and blade-sheen risers into each lift; intimate close-mic verses, wide cinematic hook, crisp punchy mix., folk, hip hop, electronic

rePulse • Doom metal, dark phonk, epic, trip hop, slavik folk

rePulse • Doom metal, dark phonk, epic, trip hop, slavik folk

IGARIK • French epic pop, dark orchestral, female vocals (ethereal, deep, dramatic), slow tempo 80 BPM, melancholic piano, strings, electronic beats, minor key, atmospheric, baroque, poetic, political, 2025 style

С НАМИ БОГ • Блатной, серьёзный, дерзкий, русский шансон! Спетый грубым мужским голосом!

Максим Борисович • rap, 92 BPM, Russian spoken word, dry close-mic delivery, sub-bass 808, rimshot snare, muted piano stabs, brushed cymbal loop, talkbox ad-libs, vinyl crackle, sidechain pumping, tape saturation, sparse intro, half-time bounce, weary resignation