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Последние публичные треки, созданные нашими пользователями
Мистер ИИ • Electronic rock opera with marching mid-tempo drums, jagged distorted guitars, cold synth pulses, and a dark cinematic bassline; verse leans on tight low-end grooves and tense spoken-sung delivery, pre-chorus strips to toms and filtered pads, chorus opens with huge unison hooks and gang shouts. Deep male low vocal, doubled in octaves, with delay throws on key phrases, reversed swells into each lift, and metallic hits for transitions. Wide, gritty, dramatic mix with arena-sized impact.
Мистер ИИ • Indie electronic pop with a mid-tempo pulse, light four-on-the-floor kick, muted synth bass, glassy arpeggios, and a soft sidechained pad bed; verse stays intimate and spare with close-mic male vocals, pre-chorus opens into rising harmonic layers, chorus lifts with wide stacked doubles and a chantable hook. Add reversed swells into each chorus, tiny synth sparkles between lines, and a brief filtered drum pull before the final refrain. Bright, glossy, emotionally close mix.
G_E-N_D-O_S • Aggressive emotional rap-rock, post-grunge nu-metal ballad, raw desperate male vocals, screaming into clean singing dynamic shifts, heavy distorted guitars, melancholic piano touches, minor key, 90s alternative metal atmosphere, Russian heartbreaking lyrics, anger and devotion, tempo 75-85 BPM
Памяти ушедших
MaestroMasya • Power metall, epic rock, sympho rock, heavy metall
Дмитрий50 • Сити-поп дарквейв альтернативный рок новая волна мелодик бассы, cinematic pop-rock, folk-rock ballad, orchestral swells, fingerpicked acoustic guitar, mandolin tremolo, bowed strings, concert piano arpeggios, glockenspiel accents, distant choir pads, analog tape saturation, plate reverb, narrow room verse, explosive chorus lift, hush before drop, 72 BPM, halftime march, bittersweet resolve
Gllar • Стиль: Trap / Dark K-Pop. Жёсткий, механический бит, глубокий 808-й бас, дисторшн на вокале и мелодичный, «холодный» припев. Настроение:ядовитая любовь, зависимость, эйфория от саморазрушения, неконтролируемая химия, , dance, hip hop, male voices, k-pop, boys band group, 5 voices, male vocals.
Volshebnitsa888 • Soft melodic verse, acoustic guitar, calm. Then explosive joyful chorus, fast drums, claps, brass, happy shout vocals. Pop anthem. Contrast dynamic. Female vocal.
Игорь Богодухов • Russian hip-hop, war lament, strong baritone rap, female chorus vocals, violin countermelody, duduk lead lines, sub bass pulse, hard snare hits, sparse verse arrangement, layered hook harmonies, plate reverb, dry close-mic verses, half-time bounce, 88 BPM, bleak defiance
Альмира • Genre: Russian folk metal / folk rock, 132 BPM] [Mood: sardonic, ironic, sad lyrics but major key, gallows humor, weeping while dancing] [Production: Soviet vintage tape sound, saturation, wow and flutter, no reverb on vocal, slapback delay] [Intro: single female folk choir hit "babushki" + one punchy snare, no other instruments] [Verse: balalaika tremolo, accordion riff, picked bass, taiko frame drum on 1&3, backbeat snare on 2&4, electric guitar muted power chords entering halfway] [Chorus: full overdriven guitar, balalaika doubles guitar, accordion long chords, punchy snare + kick quarter notes, female choir shouts "hey!", vocal defiant and ironic] [Bridge: a cappella female choir (old ladies, wobbly), then bitter laugh, then guitar solo with tape flanger] [Outro: choir humming, then abrupt stop + tape hiss + accordion sigh]
Суетолог • rap, Dark militant hip hop march, mid-tempo beat with heavy kicks and orchestral brass stabs; male vocals in a hard, grave delivery. Verses ride over low strings and snare rolls, hook explodes with crowd-style gang chants and layered shouts. Occasional siren FX swells and chopped military drum fills push the frontline tension., hip hop
Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
Алекс 890 • indie-pop ballad, slow 70 BPM in a minor key, minimal piano, soft synth pads, light 4/4 electronic beats, occasional guitar arpeggios; verse uses tired, breathy male vocals (almost spoken-word delivery), intimate doubles; chorus opens into more emotional harmonies and reverb tails. Verse stays sparse and close; pre‑chorus adds rising pads and a filtered beat pulse; chorus lands with fuller piano chords, wider backing vocals, and a small melodic lift. Reversed swells, distant glitch flickers, and tape hiss transitions create a raw modern lo‑fi edge; mix is warm, roomy, and close‑mic’d. Beats, ballad, emotional, raw, pop, breathy, electronic, light, slow, male vocals.
Dj Favn • Neurofunk, Dram&Bass, dapstep
DDdddDD • Russian folk pop, Cossack chant, 118 beats per minute, acoustic guitar, balalaika tremolo, accordion chords, rhythmic drum beats, male vocals, mixed choir harmonies, transition from verse to chorus, gradual buildup of the arrangement, recording reverb, tape saturation, wide stereo chorus, bittersweet nostalgia, collective determination, marching groove
Ратибор Ясный • Create a powerful, dynamic rocken roll with beautiful virtuosic bass and electric guitar parts, in 4/4 time. The drums set a catchy rhythm. In the breaks, include transitions from a mix of rockabilly, boogie woogie, rocken roll, twist, and hard rock styles. rock and roll, add more solo, dynamics.The composition gradually gains epic power and drive towards the end of the track , and drive, post-punk, depressed people, acoustic guitar, bass guitar, electric guitar, create a slow but intense track with powerful bass guitars, with elements of Slab, powerful drums set the tempo and virtuoso playing, lots of guitar solos, 3 guitars and rhythms, intro, outro, male low-bass voice, baritone backing vocals, hit song, top 10 song,
Игорь Богодухов • indie folk, folk-pop crossover, 84 BPM, fingerpicked acoustic guitar, melodic violin lines, fretless bass verses, dual vocal harmonies, female lead chorus, male counterline, tambourine backbeat, warm room reverb, tape saturation, dynamic build-ups, tender resilience, bittersweet nostalgia
Юрий Голубнича • lofi
Свет2 • Mexican Regional, deep contralto female vocal, earthy, rustic tone, slightly husky, reminiscent of vintage ranchera singers, charismatic and unforgettable, tambora bass drum, trumpets, tololoche slap bass, acoustic guitar, carnival brass stabs, beach night, flirtatious but powerful, 132 BPM, minimal vocal vibrato, raw emotion, storytelling delivery
Modern Talking Style 2K25 AI Russian Roulette
Doberman AI • Euro disco, pronounced bass, and keyboard instruments
vladzak57 • душевный шансон, сиреневый тюльпан. четырёх тактный вальс
vladzak57 • душевный шансон, сиреневый тюльпан. четырёх тактный вальс
Alex32 • agonizing, high-pitched shrieks, desperate wails, and distorted whispers.Torturous Black Metal,raw black metal with row-black momentum: tremolo-picked minor riffs, icy melodic lead lines, blast beats, and shrieked vocals pushed through cold room reverb. Post-black dynamics open into wide, depressive black metal atmospheres, with northern black metal frost, layered guitars, and mournful harmonized motifs.
KriKri • Gothic punk, post-punk, folk-punk, 140 BPM, driving bassline, distorted electric guitar with reverb, fast drums with heavy snare, raspy , aggressive and desperate, Irish whistle in chorus, dark folk elements, minor key, raw production, no synth pads, live room sound, high energy, breath control with grit vocal delivery: staccato in verses, legato in chorus, breath pauses after every 4 syllables, emphasis on "Alea iacta est" with full chest voice, slight crack on high notes
DDdddDD • symphonic metal, medieval melodies, 118 beats per minute, soprano female vocals, choir singing, distorted rhythm guitars, violin countermelodies, cello pedal sounds, organ переливы, powerful drums, double beats, orchestral crescendo, crowd choral singing, cathedral reverberation, analog warmth, climactic key rise, epic final
НаталиРост • pop, electronic, folk, soul, disco
НаталиРост • pop, electronic, folk, soul, disco
Cergey T • ˈmɪlɪtərɪ ˈpætriɒtɪk staɪl
MC MON 62 • reggae, bass, trumpet, electric guitar
DDdddDD • nu-metal, 45 verses, 95 choruses per minute, beats per minute, clean male vocals, no short shouts, oriental motif on acoustic guitar, baritone bass, overdrive in the choruses, fingerpicked acoustic guitar, fake seven-string riff, slowed-down vocals, reverb in a closed room, saturation of the recording, lowering effects, pause groove, tempo changes, syncopated accents on low frequencies, industrial percussion, anxious persistence, unstable impulse
Кощей • hip hop, 92 BPM, brushed breakbeat, fingerpicked acoustic guitar, bandoneon fills, upright bass, church bell accents, layered hook harmonies, tape saturation, plate reverb, sidechain compression, half-time groove, chant-like refrain, bittersweet nostalgia, defiant uplift, glitch hop, 138 BPM, stuttered breakbeats, syncopated kick-snare grid, chopped folk accordion, fingerpicked acoustic ostinato, bowed string stabs, pipe flute motifs, distorted electric bass, granular vocal chop pads, tape saturation, wide stereo drums, spring reverb, abrupt cold open, defiant urgency, bittersweet nostalgia
Лисичка 777 • Rock duet with violin and guitar, mid-tempo drive, gritty drums, emotional male-female vocal interplay, verse keeps guitar tight and bowed violin tense, pre-chorus opens with rising strings and drum lift, chorus crashes with harmony layers and shouted doubles on the hook, bridge strips to violin and voice before final full-band lift, bright punchy mix with cinematic string swells and short delay throws on the last words, rock
Лисичка 777 • Rock duet with violin and guitar, mid-tempo drive, gritty drums, emotional male-female vocal interplay, verse keeps guitar tight and bowed violin tense, pre-chorus opens with rising strings and drum lift, chorus crashes with harmony layers and shouted doubles on the hook, bridge strips to violin and voice before final full-band lift, bright punchy mix with cinematic string swells and short delay throws on the last words, rock
Лариса Кувшинова • hip hop, techno, electric guitar, acoustic guitar, bass guitar, 808 drums, emotional, dreamy tenor voice, 110 bpm
tg_1198241337 • Дудук, саксофон, авторская песня..
Владимиръ Стрекаловский • Лирическая поп-баллада, темп 70 BPM, фортепиано и акустическая гитара, тёплый мужской вокал, искреннее и нежное настроение.
Алексей Алексеев • Russian synth-pop, nocturnal pop, 126 BPM, syncopated kick pattern, staggered snare fills, speech-rhythm phrasing, acoustic piano intro, piano break riff, muted electric guitar stabs, octave bass line, analog synth arpeggio, FM bell synth, tight drum programming, sidechain compression, layered backing vocals, two-part harmony, chorus lift, club-ready drive
IIVANOV • intimate acoustic pop ballad, male vocal, close microphone vocal, warm analog studio sound, classical acoustic guitar, very minimal arrangement, soft emotional atmosphere, clean studio mix, high fidelity production, 70-80 BPM
Свет2 • ethereal dream pop, crimean folk, female vocals, warm bass, shimmering reverb, atmospheric drums, 105 BPM, juniper and sea breeze]
Злые чудеса
Владимир Грибоедов • rock, classical
Злые чудеса
Владимир Грибоедов • rock, classical
NEORADA • Шансон, рок. Душевное исполнение, бархатный мужской баритон
Юрий Афанасенко • folk
Егорган • Melodic piano, melodic acoustic guitar, melodic trumpet, emotional lyrical, bossa nova , lounge chill, melodic orchestral, 3 minutes