Все треки

Лариса Кувшинова • hip hop, techno, electric guitar, acoustic guitar, bass guitar, 808 drums, emotional, dreamy tenor voice, 110 bpm

tg_1198241337 • Дудук, саксофон, авторская песня..

Владимиръ Стрекаловский • Лирическая поп-баллада, темп 70 BPM, фортепиано и акустическая гитара, тёплый мужской вокал, искреннее и нежное настроение.

Алексей Алексеев • Russian synth-pop, nocturnal pop, 126 BPM, syncopated kick pattern, staggered snare fills, speech-rhythm phrasing, acoustic piano intro, piano break riff, muted electric guitar stabs, octave bass line, analog synth arpeggio, FM bell synth, tight drum programming, sidechain compression, layered backing vocals, two-part harmony, chorus lift, club-ready drive

vladzak57 • double time rap

vladzak57 • double time rap

Alka • Бардовская песня, гитара

IIVANOV • intimate acoustic pop ballad, male vocal, close microphone vocal, warm analog studio sound, classical acoustic guitar, very minimal arrangement, soft emotional atmosphere, clean studio mix, high fidelity production, 70-80 BPM

Свет2 • ethereal dream pop, crimean folk, female vocals, warm bass, shimmering reverb, atmospheric drums, 105 BPM, juniper and sea breeze]

Владимир Грибоедов • rock, classical

Владимир Грибоедов • rock, classical

NEORADA • Шансон, рок. Душевное исполнение, бархатный мужской баритон

Юрий Афанасенко • folk

Егорган • Melodic piano, melodic acoustic guitar, melodic trumpet, emotional lyrical, bossa nova , lounge chill, melodic orchestral, 3 minutes

Лилия Бабошко • pop, rock, electronic, electronic dance, electro-pop, synth-pop, protest anthem, absurdly small lyrics, spoken word intro, punchy kick drum, rubbery synth bass, staccato arpeggios, clipped handclaps, sidechain pumping, bright lead synth, breakdown drop, call and response, 124 BPM, four-on-the-floor, restless humor, club-ready energy

Андрей_Ш • Russian synth-pop, nocturnal pop, slow tempo, youthful duet, lead vocals, harmony vocals, two-part harmony, flute melody, harp arpeggios, cello legato, piano chords, soft kick, sidechain pumping, tape saturation, plate reverb, wide stereo image, bittersweet longing, late-night intimacy

Михаил Суровцов • rock, metal, classical, хард рок,

vladzak57 • TWO ACUSTIC GUITARS PLAY, THEN LIGHT BASS AND DIM PERCUSSION NOTES ARE ADDED. AN ACCORDION IS

vladzak57 • TWO ACUSTIC GUITARS PLAY, THEN LIGHT BASS AND DIM PERCUSSION NOTES ARE ADDED. AN ACCORDION IS

Vantes1 • electronic, funk, drum and bass, synthwave, femali vocals, emotional, trans, emotional vocals, mezzo-soprano, melodic

vladzak57 • (для звучания 2-3 минуты): Темп: умеренный, около 90–100 BPM (вальс), размер 4 3 — плавный, «кружащийся» ритм, подчёркивающий образ мотылька. Динамика: куплеты — спокойно, с лёгкой напряжённостью; припев — ярче, эмоциональнее, громче; бридж — нарастание, кульминация; финал — постепенное затихание, растворение звука. Аккомпанемент: подойдёт фортепиано или акустическая гитара с арпеджио (игра аккордов по нотам) в размере 4 3 . Можно добавить струнные (скрипка, виолончель) для глубины и драматизма. Вокал: мягкий, выразительный, с нарастанием силы к бриджу и последующим смягчением в финале.

NEORADA • Rock opera with hardcore drive and symphonic orchestra; stomping mid-tempo pulse, crushing double-kick surges, string swells and brass hits; verse rides tense low strings and snapped guitars, pre-chorus opens into thunder rolls and choir lift, chorus crashes with full orchestra and shouted gang accents; female operatic soprano lead with layered doubles, airy high notes, dramatic vocal runs, short delay throws on the hook; thunder cracks, reverse cymbal swells, timpani rolls, and cinematic reverb; wide, massive, and theatrical mix

Сергей Хабаза • pop rock, 132 BPM, minor key, electric guitar harmonics, palm-muted riffing, synth bass ostinato, live snare crack, tom fills, octave bass guitar, vocalless hook lead, slapback delay, plate reverb, bridge breakdown, explosive chorus lift, half-time prechorus, bittersweet revelation

Kaif Music • slap house, bass house, g house, 124 BPM, offbeat sub drops, rubbery synth bass, sidechained kick pump, clipped snare fills, filtered vocal chops, wide stereo plucks, glossy top end, analog drive, club-ready low end, four-on-the-floor kick, syncopated percussion, dark room energy, melodic electro-pop, dance-rock groove

Vantes1 • Femali vocals, euro & dens, emotional,electronic, drum and bass

Kaif Music • Slap house, bass house, g-house

Kaif Music • Slap house, bass house, g-house

ТатьянКаА • alternative rock, pop rock, female vocal, contralto, low deep voice, husky, raspy, confident, fast tempo, 125 BPM, major key, electric guitar, bass, drums, dynamic, expressive, not sad, not whiny

ТатьянКаА • alternative rock, pop rock, female vocal, contralto, low deep voice, confident, slightly husky, fast tempo, 120 BPM, major key, electric guitar, bass, drums, synth, dynamic transitions, energetic, not sad, not whiny

Sapulia928 • heavy metal, 132 BPM, martial double-kick, syncopated palm muting, power chord riffs, octave bass guitar, grand piano ostinato, gang shouts, tape saturation, brickwall drums, arena reverb, verse pre-chorus chorus, sparse intro build, explosive chorus lift, 90s stadium rock, accusatory anthem, defiant resolve

Sapulia928 • heavy metal, 132 BPM, martial double-kick, syncopated palm muting, power chord riffs, octave bass guitar, grand piano ostinato, gang shouts, tape saturation, brickwall drums, arena reverb, verse pre-chorus chorus, sparse intro build, explosive chorus lift, 90s stadium rock, accusatory anthem, defiant resolve

Юрий Жигулин • rock, blues, metal

VKR • Electronic ethnic shamanic sensual downtempo with a slow pulse, tribal frame drums, airy synth pads, reed flutes, and ritual hand percussion; verse rides sparse bass and whispery textures, pre-chorus opens with rising toms and a distant choir swell, chorus lands on a hypnotic hook with doubled male-female vocals and call-response chants. Use reversed breath swells, wood chime flickers, and a warm sub bloom into each hook. Intimate, wide, and nocturnal mix with glossy top-end and earthy low end., electronic

Witch • emo rock, female emotional vocals with raw edge, distorted guitars and clean interlude parts, 110 bpm, F# minor, melancholic yet defiant mood, confesional lyrics about breakup and self-liberation, dynamic contrast between quiet verses and powerful choruses, guitar solo in bridge, live drum sound, 2000s emo influence, ending with clean guitar fade

Max-Mix • DancePop, Детский голос,Italo-Disco

Max-Mix • DancePop, Детский голос,Italo-Disco

Piligrim • Cinematic rock, pop, guitar, piano, drums. emotional

Йода • Dark Acoustic Rock, Minor Key, Slow Heavy Tempo, Deep Upright Bass, Fingerstyle Acoustic Guitar, Sparse Drums, Cinematic Gritty Atmosphere Vocal: male low baritone with gravelly resonant register; verses delivered in restrained conversational tone with deep emotional weight, chorus features grounded harmonies and slight intensity build, raw and unpolished delivery, zero autotune, intimate texture

Yanyuk Maksim • Поп. Ритмичная танцевальная, современная., pop, jazz

Milla • classical, pop, меццо-сопрано soul

MaReVo • Cinematic rock, pop, guitar, piano, drums. emotional

AlexMelody • Russian pop-rock, soft soul, blues jazz, 88 BPM, fingerpicked acoustic guitar, electric piano comping, brushed snare kit, fretless bass lines, muted trumpet counterlines, accordion hooks, orchestral strings swells, tape saturation, plate reverb, wide stereo chorus, restrained groove, bittersweet resolve

Romantik • [Modern Russian Chanson, Male Baritone, Romantic, Acoustic Guitar, Accordion, Piano, Mid-Tempo, 90 BPM, Lead Vocal: Чарующий голос, crisp and clear baritone with aching tenderness] ‎[Title: Наивно думал (Сотворено с любовью. Да будет так.)]

Yuki_Schtiel • Industrial dark electronic, 140 BPM, D minor, male aggressive vocals with distortion and reverb, pounding four‑on‑the‑floor kick, heavy distorted sub‑bass, glitchy synth arpeggios, bitcrusher effects, real‑time DJ manipulation (scratching, filter sweeps), call‑and‑response vocals, synchronized chants on the hook, dystopian digital vibe.

Piligrim • Джаз-рок

Владимир Дроздов • Russian pop-rock, 94 BPM, balalaika plucks, bandura tremolo, steel-string fingerpicking, overdriven electric riffs, accordion counterline, taiko accents, tom-heavy backbeat, stair-step bassline, tape saturation, short room reverb, chorus-doubled leads, minor-key refrain, defiant longing, love threat

Piligrim • synth-pop, melodic electro-pop, 128 BPM, staccato accordion, balalaika tremolo, fingerpicked acoustic guitar, electric bass pick, stacked vocal harmonies, orchestral strings stabs, sidechain compression, bright plate reverb, wide stereo mix, punchy snare, driving four-on-the-floor, euphoric, festive momentum

Yuki_Schtiel • Live recording of a punk rock concert, 220 BPM — raw, fast‑paced energy with a strong storytelling vibe. Instruments: melodic accordion weaving through aggressive heavy electric guitar chords, backed by relentless, driving drums. Dark and theatrical mood is amplified by stage lighting and the performer’s dramatic delivery. The crowd is actively involved: they sing along loudly on the choruses, chant key lines in call‑and‑response with the singer, and cheer loudly between sections. You can hear the collective voice of the audience blending with the band, creating an intense, communal concert experience.

Yuki_Schtiel • High‑energy Soviet‑style post‑punk live set in a small club, 112 BPM, D minor. Enthusiastic crowd: loud, enthusiastic sing‑along, crowd often singing louder than the band during choruses. Male vocals: verses half‑spoken with a slight smile, acknowledging the crowd; choruses are a shared shout, with the singer encouraging the audience. Occasional call‑and‑response moments. Cold reverb on vocals, but now mixed with the natural live room sound and crowd noise. Instrumentation: aggressive wheezing accordion, air‑leak sound cutting through; tight, dry drums pushing the pace; punchy boxy bass (200–400 Hz) driving the groove; scratchy, distorted guitar. Mood: defiant, joyful, communal. Production: lively, raw live mix with tape saturation; crowd chants and cheers clearly audible, clapping and foot‑stomping in time with the beat.

Мадхава • R&B-soul worship with house pulse, dubstep sub drops, and synthwave shimmer; midtempo four-on-the-floor verses with soft swung percussion, pre-chorus strips to handclaps and bass pulse, chorus opens into stacked choir and mantra chant. Lead vocal is intimate and prayerful with doubled hooks, airy ad-libs, and call-and-response tails. Reversed swells, filtered rise into the drop, and sparkling chimes between phrases. Wide, glossy, and meditative mix with deep low-end and glowing highs., soul, ambient, dubstep, r&b