Все треки

Последние публичные треки, созданные нашими пользователями

Ждём.

Lex music downtempo EDM, trip-hop groove, 92 BPM, melancholic narrative rap, Russian rap, violin, double bass, analog warm pads, sidechained sub-bass, dusty drum machine, brushed snares, delayed piano chords, granular synth layers, tape saturation, spring reverb, stereo widening, half-time pulse, syncopated kick pattern, sparse-to-dense arrangement, breakdown lift, aching uplift, folk, deep male voice, female contralto, choir

92
4. Нас укрывает штиль (стервятники)

Engineer rec Style of Music: underground rap, moody, dark melancholic piano chords, deep smooth sub bass, cold atmospheric vinyl crackle, slow trip hop groove, emotional , 80 bpm

82
У Алёны (Edit)

Волга electropop, клубная музыка. synth-pop, 118 BPM, four-on-the-floor kick, syncopated bassline, arpeggiated synth lead, analog brass stabs, gated snare, sidechain pumping, neon chorus hook, male tenor lead, rapid-fire phrasing, soft-toned delivery, plate reverb, stereo delays, bittersweet nostalgia

84
Даша-Ломка любви.MP3 (Edit)

ДарьяДарья Классика, Рок, лирический, драмматический

82
3. Жижа (стервятники)

Engineer rec underground rap, fast triplet flow, slow muddy trip hop beat, distorted sludge bass, 75 bpm

88
Hypothalamus has failed

Hypothalamus has failed

Кавер-версия

NITOFID drum and bass, projected baritone, tape echo snare

205
Зов у реки

Елена Жванова Electronic folk with female vocals, 92 BPM, pulsing hand drums and airy synth drones; verse rides a sparse frame of plucks and low sub, pre-chorus opens with filtered pads and rising breathy “ааа,” chorus blooms with layered folk chants and wide handclaps, bridge drops to voice and bell tones before a final lift. Close-mic lead with doubled harmonies, short delay throws on the hook, gentle reverse swells and chime tails; luminous, spacious mix with a ritual pulse., electronic

72
Камень и Ручей

Елена Жванова Electronic phonk with female vocals, 92 BPM, pulsing dembow-leaning kick pattern and gritty sub-bass; verse rides sparse with distant bell stabs and filtered vox, pre-chorus rises with layered “ааа” swells and reversed shimmer, chorus lands wider with stacked doubles and chanty hooks. Add tape-wobble whooshes, short risers, and splashy ear-candy on line endings. Dark but glossy mix, hard-hitting and atmospheric., electronic

82
Камень и Ручей

Елена Жванова Electronic phonk with female vocals, 92 BPM, pulsing dembow-leaning kick pattern and gritty sub-bass; verse rides sparse with distant bell stabs and filtered vox, pre-chorus rises with layered “ааа” swells and reversed shimmer, chorus lands wider with stacked doubles and chanty hooks. Add tape-wobble whooshes, short risers, and splashy ear-candy on line endings. Dark but glossy mix, hard-hitting and atmospheric., electronic

83
Родина моя

vladzak57 THERE MUST BE A PAUSE BETWEEN THE LINES, AS IN THE FIRST VERSE. SLOW CLASSIC ROCK WITH A TONE OF SADNESS. AFTER EACH LINE A SMALL PAUSE. post punk, depression folks, acoustic guitar, bass, electric guitar

65
Родина моя

vladzak57 THERE MUST BE A PAUSE BETWEEN THE LINES, AS IN THE FIRST VERSE. SLOW CLASSIC ROCK WITH A TONE OF SADNESS. AFTER EACH LINE A SMALL PAUSE. post punk, depression folks, acoustic guitar, bass, electric guitar

74
Сентябрь

Сентябрь

Кавер-версия

Ashahov electronic, synths

61
2. В пол! (стервятники)

Engineer rec dark cyber-rap, heavy reese bass, distorted sub-bass, fast eastern strings, oud loop, arabic synth bleeps, mid-tempo drum and bass, low gravelly , 100 bpm

62
Карма рода талая

Елена Жванова electronic, female vocals, Russian folk, 528hz, with crescendo and decrescendo effects, electronic

68
Релакс_8.

IGARIK ambient techno, deep, 90 BPM, very soft kick on every 4 beats, sub bass pulse, warm pads, field recordings (rain, fireplace), female whispered vocalizations (wordless, "shh", "mmh"), slow, hypnotic, no drums, only heartbeat-like kick

105
Релакс_7.

IGARIK ambient techno, deep, 90 BPM, very soft kick on every 4 beats, sub bass pulse, warm pads, field recordings (rain, fireplace), female whispered vocalizations (wordless, "shh", "mmh"), slow, hypnotic, no drums, only heartbeat-like kick

108
Родина

vladzak57 Гимн родине, родной любимой земле... Мощно, плавно, гордо, красиво....

78
Релакс_6.

IGARIK dub techno, minimal, deep, 100 BPM, soft kick, deep sub bass, repeating synth chord with delay, tape echo, reverb, female wordless vocal (distant, breathy, "ahh"), no percussion heavy, no hi-hats, spacious, meditative

83
Релакс_5.

IGARIK dub techno, minimal, deep, 100 BPM, soft kick, deep sub bass, repeating synth chord with delay, tape echo, reverb, female wordless vocal (distant, breathy, "ahh"), no percussion heavy, no hi-hats, spacious, meditative

118
Где Шум Разрастался

Елена Жванова electronic, female vocals, with a driving beat that builds and fades, featuring a deep resonant bassline and ethereal synth pads, a 528 Hz frequency drone subtly underpins the track, electronic

64
РоддОм родИльная

Zhenich modern slow pop rap ballad, deep bass, emotional piano, ambient pads, melodic chorus, heartfelt female vocal, 70 BPM, cinematic atmospheric hip-hop beat, sad nostalgic mood

81
Релакс_4.

IGARIK balearic house, downtempo, 105 BPM, soft kick, shaker, acoustic guitar arpeggios, piano, strings, female wordless vocal (ethereal, "la la la"), field recordings (seagulls, light waves), major key, warm reverb, dreamy, relaxed, no bass heavy

96
Релакс_3.

IGARIK balearic house, downtempo, 105 BPM, soft kick, shaker, acoustic guitar arpeggios, piano, strings, female wordless vocal (ethereal, "la la la"), field recordings (seagulls, light waves), major key, warm reverb, dreamy, relaxed, no bass heavy

89
Релакс_2.

IGARIK organic house, deep house, downtempo, 108 BPM, soft kick, gentle shaker, deep sub bass, piano chords, marimba, flute, field recordings (ocean waves, forest birds), female ethereal vocalizations (wordless, breathy, "ahh" and "ohh"), warm reverb, delay, atmospheric pads, minor key, melancholic but peaceful, no aggressive sounds

98
Релакс_1.

IGARIK organic house, deep house, downtempo, 108 BPM, soft kick, gentle shaker, deep sub bass, piano chords, marimba, flute, field recordings (ocean waves, forest birds), female ethereal vocalizations (wordless, breathy, "ahh" and "ohh"), warm reverb, delay, atmospheric pads, minor key, melancholic but peaceful, no aggressive sounds

113
Морской Волк

Олег_1985 Russian dance pop, male vocals, driving beat, accordion and synth pads, strong bass line

70
Прощание.

takoff electronic, drum and bass

78
Финал

takoff electronic, drum and bass

68
Битва за Трон...

Михаил Суровцов rock, electronic, metal, classical, хард рок

80
Битва за Трон...

Михаил Суровцов rock, electronic, metal, classical, хард рок

89
Эту любовь

Вартан Бакинский Armenian dance-pop, 122 BPM, duduk lead melody, zurna stabs, dhol percussion, frame drum accents, electric bass ostinato, synth brass punches, gated reverb snare, tape-saturated drums, mono vocal hook, minor key chorus, syncopated 6/8 groove, staccato piano, distorted guitar chops, noir swagger

82
Туман

rePulse Doom metal, dark phonk, epic, trip hop, emotional slavik folk

144
Море волнуется

Олег_1985 Russian chanson, street ballad, intro spoken word, grit vocal tone, gravelly male vocals, accordion stabs, steel-string strums, rimshot backbeat, live drum kit, bass guitar pulse, minor key, 96 BPM, swung march feel, tape saturation, close-mic vocal, mono room reverb, nocturnal mood, tough tenderness

81
1-я Славянская бригада

Николай Диденко Metal-synthwave power ballad with bluesy lead guitar, trap-leaning tom pulses, and rock-sized midtempo drive; verse rides gritty palm-muted guitars and a dark synth bed, pre-chorus strips to toms and bass for a vow-like lift, chorus opens with stacked gang vocals and soaring soul harmonies. Add reversed swells, distant artillery-like impacts, and a metallic riser before each chorus. Wide, heroic, smoky mix with punchy low end and glowing highs., rock, metal

70
Память...

Николай Диденко Trap-synthwave-rock hybrid with marching pulse, dark pulsing synth bass, gritty guitars, and halftime drums; verse rides tense and minimal, pre-chorus opens with rising pads and snapped toms, chorus lands on wide power chords and a chant-like melodic lift. Lead vocal is rough and close-mic with stacked doubles on the hook, occasional shouted responses, and delay throws on key lines. Add reversed swells, metallic hits, and a final lift with octave synth bloom. Bright-but-heavy, cinematic and urgent., rock

91
1. Известь (стервятники)

Engineer rec underground rap, mid-tempo, rolling reese bass, gritty neurofunk elements, dark drum and bass switch, sharp synth bleeps, raw male vocal

80
Последний звонок

Владимир Гукалин Лирика, прощальная, медленная песня.

63
Хочу домой...

Михо Шторм Male vocals, Грустный, спокойный мотив, вступление: бой курантов, голос мужской, мягкий, слегка с надрывом; drums and bass. В конце бой курантов, далее музыка плавно стихает.,male vocal

79
Sanctuary.

IGARIK Gospel Techno, Industrial Gospel, Deep Hypnotic Techno, Spiritual House Music, Powerful Male Vocals (Clean, Deep, Soulful), Choir (Gospel Style, Background), Emotional, Raw, 4/4 Techno Kick, Deep Sub Bass, Detroit Style Synths, Organ, Minor Key, 126 BPM, Lyrical Theme: Faith, Perseverance, Inner Strength, Triumph.

106
Спасибо, мама💗

ТатьянКаА folk pop, duet, male baritone, female contralto, low deep voices, warm, mid-tempo, 90 BPM, major key, acoustic guitar, piano, light strings, nostalgic, respectful, not sad

77
Когда всё через...

KriKri [Genre: punk rock, britpop, garage rock, alternative rock] [Tempo: moderate, driving] [Mood: sarcastic, cathartic, defiant, bittersweet, with humor] [Vocal: male, raspy, emotional, shouting in chorus, spoken-sung verses] [Guitar: overdriven but bright, jangly verses, power chords in chorus] [Bass: distorted, bouncy, melodic] [Drums: punchy snare, steady kick, energetic but not too fast] [Production: raw, live room sound, slightly messy, mid-focus] lo-fi, tape saturation, room mic Structure: - Intro: 4 bars, dirty guitar riff, no drums - Verse 1: spoken-sung, dry guitar, bass enters at line 3 - Chorus: full band, shouting vocals, gang vocals on "через жопу" - Verse 2: similar to verse 1, but add backing vocals on last line ("и никто не дал мне в морду") - Chorus: as before, more energy - Bridge/Verse 3: clean guitar for first 2 lines, then full band crash on "Я стою на дне воронки" - Chorus: half-time, quieter, then

66
Надежда

Пончик 999 Art Folk,Ethno Fusion,Bard Song,indie, reggae

186
Падай!

Андрей 0304 Indie rock, bass guitar, raspy mail voice,folk, indie, blues

97