Все треки

Taty Cher • Female vocals, emotional, deep alto voice, Russian chanson, dramatic orchestral pop, acoustic guitar, accordion, piano, theatrical performance, folk-rock elements, minor key, slow tempo, soul-stirring, cinematic strings.

Taty Cher • Female vocals, emotional, deep alto voice, Russian chanson, dramatic orchestral pop, acoustic guitar, accordion, piano, theatrical performance, folk-rock elements, minor key, slow tempo, soul-stirring, cinematic strings.

Taty Cher • electronic, drum and bass, dubstep

Fireweed • Futurepop fused with driving techno at 132 BPM, featuring punchy 4-on-the-floor kick, crisp offbeat hi-hats, and a pulsating sidechained synth bass. Bright supersaw chords, arpeggiated analog leads, vocoder hooks, and glossy trance-style pads ride over metallic percussion, gated reverb, and polished club-ready compression. brutal baritone vocals

Mashinist 159 rus • rock, synthwave

RusMos • Epic Russian folk-trap hybrid at 120–155 BPM, male vocals. Intro opens sparse with solo gusli and distant wind FX, intimate baritone almost whispered. Gradual build as low drones and choirs swell, then massive halftime drums and deep, distorted bass slam in. Verses ride a marching groove with layered stomps and subtle horse-hoof percussion; chorus explodes into a shout-along hook with gang vocals and wide reverb. Final drop unleashes full-stack drums, roaring bass, and stacked harmonies for a triumphant climax, then cuts to raw vocal and gusli tail.

Граф • Dark seductive pop with male vocals; slow, pulsing low-end and distant tribal percussion, smoky pads and eerie bells. Intro is almost spoken, close-mic whisper, then a wider, heavier groove blooms in the chorus. Subtle choirs and reversed textures creep in on the bridge; final laugh dry and right in the listener’s ear.

RusMos • Blazing Russian folk-banger at 150 BPM, male vocals with rough, chesty projection and rowdy shouts. Heavy kick locks with stomps and wide, detuned claps; low floor toms and surdo build a thunderous groove. Jaleika slices through on the topline, answered by wheezing, ecstatic accordion chords. Verses stay tight and percussive, almost chanted; chorus explodes with gang vocals yelling “Эх!” and “Пошла!”, call-and-response style. Mid-song break strips to stomps, claps, and crowd chants before the full band slams back in for a final, over-the-top chorus.

RusMos • folk, Russian folk-infused electro house banger at 155 BPM, male vocals with a gritty edge, stomping kick and towering sub-bass driving an anthemic stadium groove. Verses keep a tight, percussive delivery over clapping textures, folk whistle and reedy leads; chorus explodes with rowdy gang shouts, layered male choir, accordion stabs, and crowd-style call-and-response. Huge festival-style drop hits after the first hook, with boots-stomp FX and whistle riffs doubling the topline for maximum dancefloor chaos.

Суша • Шансон медленный

Алекс 890 • metal, Dark pop-metal ballad with male vocals: raspy, strained top line over detuned guitars and a cold, close-mic’d violin. First verse rides a slow, stomping beat with distant toms and gritty bass; chorus widens with distorted power chords, wide string harmonies, and echoing backing shouts. Bridge drops to almost a whisper and single violin before a final, explosive chorus with dragged-out, anguished ad-libs and a sudden dead-stop ending., pop

Константин1986 • rock

Alex 86 • Melancholic Russian chanson ballad with warm male vocals, close-mic intimacy in the verses over nylon-string fingerpicking and soft accordion pads. First chorus brings in light brush drums, round bass, and gentle female “aaah” harmonies; second chorus adds tender string swells and a slightly wider, aching dynamic. Overall soft, emotional, slow sway perfect for late-night reflection., chanson, emotional, slow, harmony, ballad, accordion, warm, soft, light, male vocals

Alex 86 • Melancholic Russian chanson ballad with warm male vocals, close-mic intimacy in the verses over nylon-string fingerpicking and soft accordion pads. First chorus brings in light brush drums, round bass, and gentle female “aaah” harmonies; second chorus adds tender string swells and a slightly wider, aching dynamic. Overall soft, emotional, slow sway perfect for late-night reflection., chanson, emotional, slow, harmony, ballad, accordion, warm, soft, light, male vocals

Андрей_Ш • Mystical orchestral score in English-language prompt form, built on a low string drone, harp harmonics, French horn calls, and celesta motifs. Woodwinds trade delicate counterlines over timpani rolls, bowed cymbals, and distant choir pads. Wide hall reverb, soft tremolo strings, and evolving orchestration create an ancient, enchanted texture.

Игорь Лахов • Warm acoustic singer-songwriter track with fingerpicked steel-string guitar, gentle open chords, and a memorable original lead melody. Душевный close-mic vocal with airy doubles, soft room reverb, brushed percussion, and subtle upright bass. Bright major-key chorus, bittersweet bridge, intimate, nostalgic, and uplifting.

RusMos • folk, Folk-metal meets festival EDM: raw male vocals over galloping hardstyle kick and snarling distorted bass. Fiddle and tin whistle carry a fierce, modal hook; verses stay tight and percussive, pre-chorus climbs with claps and stomps. Chorus explodes into chant-style gang vocals, then drops into a breakdown with accordion and chugging guitar riff before a final, towering stadium reprise., folk metal, hardstyle, edm, accordion, male vocals, raw, electric

Огонек • Dark Slavic folk, folk rock, emotional fem voice, guitar

Tema can fly • Style: heavy rock / industrial — gloomy, aggressive atmosphere, emphasis on alienation and protest. Rhythm: hard, marching, with clear accents on strong parts. The tempo is average (≈90-100 BPM). The drums set a "walking" groove: a barrel on 1 and 3, a snare drum on 2 and 4. Guitars play powerful power chords with distortion, rhythmically and synchronously with the percussion. In the outro, the rhythm slows down, creating a fade-out effect. Vocals: low, assertive, almost recitative in the verses; in the chorus — more expressive, with increased dynamics. Dense diction and clear pronunciation of consonants are used for aggressive sounding. In the outro, the voice turns into an echo-effect whisper, emphasizing the desolation motif. Introduction (intro): 8 bars of heavy guitar chords with reverb and distortion. The drums begin on the 3rd beat, gradually increasing the density. The sound is gloomy and oppressive — it sets the tone for the whole composition.

Tema can fly • Style: heavy rock / industrial — gloomy, aggressive atmosphere, emphasis on alienation and protest. Rhythm: hard, marching, with clear accents on strong parts. The tempo is average (≈90-100 BPM). The drums set a "walking" groove: a barrel on 1 and 3, a snare drum on 2 and 4. Guitars play powerful power chords with distortion, rhythmically and synchronously with the percussion. In the outro, the rhythm slows down, creating a fade-out effect. Vocals: low, assertive, almost recitative in the verses; in the chorus — more expressive, with increased dynamics. Dense diction and clear pronunciation of consonants are used for aggressive sounding. In the outro, the voice turns into an echo-effect whisper, emphasizing the desolation motif. Introduction (intro): 8 bars of heavy guitar chords with reverb and distortion. The drums begin on the 3rd beat, gradually increasing the density. The sound is gloomy and oppressive — it sets the tone for the whole composition.

Tema can fly • Style: heavy industrial metal with elements of Neue Deutsche Härte (German heavy rock). Hard guitar riffs, synthesizer pads, and industrial sound effects are typical. Rhythm: clear, marching, with an emphasis on a strong share; The size is usually 4/4; the tempo is medium (about 90-110 BPM), creating a feeling of heaviness and pressure; The drums play a smooth, mechanical part (barrel for 1 and 3, snare drum for 2 and 4); The guitar riffs are syncopated, with pauses and accents that enhance the drama. Vocals: low, rough, almost recitative in verses; The choruses are more expressive, with enhanced delivery and emotional coloring.; a characteristic feature is monotony interspersed with sharp bursts of volume.; clear articulation, deliberately "chopped" phrases; Use of effects: echo, reverberation, sometimes distortion on the voice in the outro; multiple repetitions of short phrases in the finale (outro) with a gradual fading of sound and echo.

vladzak57 • Вальс

Sergo777 • Pop rock , drum and bass, melodic, melancholic, progressive, country, experimental, pop rock hip hop, synthpop,

Альмира • Dark horror rock, epic and confident mood. Intro: loud ticking of a clock, creepy lullaby music box melody. Verse: male vocal, stern, confident, slightly eerie, low pitch. Instrumental break: choir singing ominous "Ah" or "Oh", background clock ticking continues. Bridge: use of "fear machine" sound design (industrial dread, deep mechanical breathing, creaking metal). Outro: clock ticking fades out with distorted lullaby notes. Slow tempo, heavy bass, cinematic percussion.

Tema can fly • Style: heavy industrial metal with elements of Neue Deutsche Härte (German heavy rock). Hard guitar riffs, synthesizer pads, and industrial sound effects are typical. Rhythm: clear, marching, with an emphasis on a strong share; The size is usually 4/4; the tempo is medium (about 90-110 BPM), creating a feeling of heaviness and pressure; The drums play a smooth, mechanical part (barrel for 1 and 3, snare drum for 2 and 4); The guitar riffs are syncopated, with pauses and accents that enhance the drama. Vocals: low, rough, almost recitative in verses; The choruses are more expressive, with enhanced delivery and emotional coloring.; a characteristic feature is monotony interspersed with sharp bursts of volume.; clear articulation, deliberately "chopped" phrases; Use of effects: echo, reverberation, sometimes distortion on the voice in the outro; multiple repetitions of short phrases in the finale (outro) with a gradual fading of sound and echo.

Виктор Быковский • Whispered spoken-word intro over sparse felt piano, breathy close-mic vocal, and faint room tone, then gradually opening into rising strings, brushed drums, and warm acoustic guitar. Build to a soul-lifting chorus with fuller harmonies, uplifted dynamic arc, and lush reverb, all in a reflective Russian art-song / folk-ballad style.

Alex 86 • Melancholic Russian chanson ballad; intimate male vocal up close over nylon guitar and sighing accordion, warm upright bass and brushed snare in a slow sway. Verses spoken-sung in a low, confessional register; choruses open with longer vowels and soft female harmonies answering key phrases. Final chorus drops to near-spoken, smoky barroom tone, then gently swells on the last title line with a small accordion lift and tender stacked harmonies., low, warm, gentle, soft, chanson, ballad, vocal, harmony, accordion

Alex 86 • Melancholic Russian chanson ballad; intimate male vocal up close over nylon guitar and sighing accordion, warm upright bass and brushed snare in a slow sway. Verses spoken-sung in a low, confessional register; choruses open with longer vowels and soft female harmonies answering key phrases. Final chorus drops to near-spoken, smoky barroom tone, then gently swells on the last title line with a small accordion lift and tender stacked harmonies., low, warm, gentle, soft, chanson, ballad, vocal, harmony, accordion

СЕРРЕСС • folk, power metal, piano, male vocals, emotional

Добрая планета • Chanson, rock, 120bpm

Константин1986 • rock

vladzak57 • Вальс, русский шансон, pop

Alex 86 • folk, Bouncy bright pop-folk groove, mixed male and female vocals; springy acoustic guitar chops and playful claps, light kick and warm bass pulsing under a mid‑tempo danceable bounce. Verses are close and cheeky, male lead on first verse, female lead on second; choruses explode into stacked girl‑gang harmonies plus unison answer lines from the guy. Plucky side‑panned synth arps and a tiny whistle hook glue the sections, final chorus strips to claps then slams back in with extra ad‑libs and call‑and‑response., bounce, playful, bright, warm, pop, female vocals, acoustic, vocal, light

Nikko3 • Classic FM, pop melodic, medium‑slow tempo, an atmosphere of reminiscing about good days with a touch of sadness in a minor key. Instruments: piano, violin, cello, duduk, harp, drums, classical guitar. Emphasise the smooth melody of the piano, accompanied by the light sound of the violin and cello. Add the classical guitar during the choruses. In the bridge section, put an accent on the harp. At the beginning of the composition, emphasise the duduk. The vocal should be either a rich mezzo‑soprano or a powerful alto, in the style of Adele. Vocal range — 3 full octaves, from low C3 to high C6. Richness of low notes. Register flexibility — chest resonance combines with head resonance, which is especially noticeable in transitions between verses and choruses. Use harmonics (flageolets) and glissando.

Sergo777 • Pop rock , drum and bass, melodic, melancholic, progressive, country, experimental, pop rock hip hop, synthpop,

Dukem • power metal, soaring guitars, dual male and female vocals, dramatic orchestration

Dukem • power metal, soaring guitars, dual male and female vocals, dramatic orchestration

Dukem • Heroic heavy metal march, dropped guitars in a minor key, double-kick driving like armor on asphalt. Male baritonal tenor leads with wide, open vowels; gang shouts answer the hook. Verses stay tight and riff-based, chorus lifts with octave guitars and choir-style harmonies; middle section hits a half-time stomp before the final full-speed reprise.

Dukem • Heroic heavy metal march, dropped guitars in a minor key, double-kick driving like armor on asphalt. Male baritonal tenor leads with wide, open vowels; gang shouts answer the hook. Verses stay tight and riff-based, chorus lifts with octave guitars and choir-style harmonies; middle section hits a half-time stomp before the final full-speed reprise.

darkpsy • progressive trance, deep hypnotic groove, 72 BPM, binaural beats texture, theta waves, stereo phase shifting, rolling bassline, ethereal female vocal, atmospheric pads, dark ritual, no loop, hard stop, fade to silence, track ends completely

Alex 86 • rap, Midtempo R&B / hip-hop crossover with female vocals; warm Rhodes chords, round sub-bass, tight trap-inflected drums. Verses ride a relaxed rap-sung flow, close and conversational; pre-chorus lifts with airy pads and subtle guitar. Chorus blossoms into big pop hooks, stacked harmonies, and bright synth bells, then drops back into a head-nod groove., hip hop, r&b, pop

Alex 86 • folk, Bouncy bright pop-folk groove, mixed male and female vocals; springy acoustic guitar chops and playful claps, light kick and warm bass pulsing under a mid‑tempo danceable bounce. Verses are close and cheeky, male lead on first verse, female lead on second; choruses explode into stacked girl‑gang harmonies plus unison answer lines from the guy. Plucky side‑panned synth arps and a tiny whistle hook glue the sections, final chorus strips to claps then slams back in with extra ad‑libs and call‑and‑response., bounce, playful, bright, warm, pop, female vocals, acoustic, vocal, light

Полтоc • classical, rock, violin

Michael 210 • Sunth, guitar, rock

Альмира • Modern Russian folk-infused track with a driving, infectious groove: balalaika and bayan lead the melody, layered with tight kick, snappy clap, syncopated hi-hats, and deep 808 sub-bass. Traditional vocal intonation is framed by punchy synth stabs, hand percussion, and polished pop-hip-hop production., hip hop, самоирония

Sapulia928 • Heavy metal with downtuned palm-muted guitars, thick double-tracked power chords, and a driving kick-snare barrage. Calm male vocals sit upfront with dry close-mic presence, contrasted by soaring lead guitar harmonies, punchy tom fills, tight bass, and a big room drum sound.

Sapulia928 • Heavy metal with downtuned palm-muted guitars, thick double-tracked power chords, and a driving kick-snare barrage. Calm male vocals sit upfront with dry close-mic presence, contrasted by soaring lead guitar harmonies, punchy tom fills, tight bass, and a big room drum sound.

The 1996 man • Experimental, Rap-Rock, Indie-Pop Crunchy palm-muted elektric guitars, Russian folk arranged as a driving acoustic ensemble: balalaika tremolo picking, domra melodies, bayan accordion drones, and tapan-style hand percussion with strong downbeat accents. Add throatier male choral harmonies, bowed strings, and a rough wooden room ambience for an earthy, danceable, traditional texture. Tight elektric bass

Dukem • alternative rock, post-grunge, dark, male vocals, aggressive, emotional, distorted guitar, heavy drums, spoken word outro

Dukem • alternative rock, post-grunge, dark, male vocals, aggressive, emotional, distorted guitar, heavy drums, spoken word outro