Все треки

ТатьянКаА • slow ballad, female vocal, contralto, low deep voice, husky, emotional, heartbreak, piano, strings, heartbeat effect, 70 BPM, minor key, intimate, not pop, not dance

ТатьянКаА • pop ballad, female vocal, contralto, low deep voice, husky, emotional, mid-tempo, 85 BPM, piano, strings, acoustic guitar, building intensity, melancholic but grateful, not sad

Лисичка 777 • Rock duet ballad with driving guitar and soaring violin; verse starts sparse with fingerpicked guitar and intimate male-female split lines, pre-chorus opens into sustained strings and tom lifts, chorus hits wide with harmonized duet vocals and stacked doubles on the hook. Add bowed violin fills, reverse swell into chorus, and a final lifted key. Bright punchy mix, emotional and cinematic., rock

Дмитрий50 • Евродиско, disco, minimal disco, 110 BPM, whispered male vocals, talk-sung delivery, muted four-on-the-floor kick, tight syncopated bassline, Nile-style funk guitar, analog string stabs, Rhodes comping, cowbell accents, slapback delay, tape saturation, mono drum sound, studio 70s sheen, restrained groove, late-night cool

Piligrim • country accompaniment acoustic guitar

Ратибор Ясный • ambient techno, piano, rhythmic elements, electronic textures, hypnotic

Ратибор Ясный • Organic ambient soundscape built from birdsong, soft surf noise, and a gentle creek bed under intimates; verses almost whispered over evolving pads, chorus blooms with warm , Indian sitar drones and subtle, бэк вокал, дует романтический , терция,

Milla • classical, blues, меццо-сопрано, печально

Елена 36 • Funk-rock with classical strings, folk guitar, metal guitar punches, and electronic drum-drive; syncopated groove with verse riding dry bass and picked acoustic, pre-chorus strips to suspended strings and toms, chorus hits with gang shouts, distorted guitars, and bright synth accents. Male vocals stay close-mic and gritty in verses, stacked in the hook with short delay throws, harmonized lift in the pre-chorus, and ad-lib doubles on the final chorus. Ear candy: reversed cymbal swells into each chorus, pizzicato strings between lines, and a tape-stop flick before the last refrain. Mix is wide, punchy, and dramatic with an intimate center vocal., electronic, classical, funk, rock, metal, folk

divey • space disco. D minor key, 120 bpm. male and female duet.

Дмитрий50 • Еаропоп, electropop, nocturnal pop, 126 BPM, synth-pop, modular arpeggios, sidechained sub-bass, gated snare, chorus guitar stabs, electric piano accents, punchy kick, filtered pad lift, stereo delay throws, tape saturation, verse dropouts, prechorus build, chant hook, bittersweet urgency

Milla • classical, soul, меццо-сопрано

НаталиРост • electronic, folk, indie, disco

НаталиРост • electronic, folk, indie, disco

Елена 36 • Techno with a driving four-on-the-floor pulse, tight kick and clipped hats; verse rides sparse bass and a cold synth stab, pre-chorus opens with rising noise and vocal filters, chorus hits with stacked chants and a sharp lead riff. Breathy close-mic female vocal in verses, doubled hook lines, short delay throws on the last word, metallic ear-candy fills, glossy and hard-hitting mix., techno

Батя_СВОй • hard rock, Russian folk melody, acoustic guitar intro, distorted power chords, palm-muted riffing, male lead shout, gang vocal chant, violin countermelody, balalaika accents, tom-heavy drum build, halftime breakdown, live room reverb, tape saturation, wide stereo guitars, arena chorus, autumn melancholy, anthemic, 96 BPM, verse dropouts, metal

Шурави • country, jazz

Ashes of the Covenant • Groove metal / metalcore / post-hardcore / alternative rock with punishing syncopated riffs, half-time stomps, and jagged stop-start grooves; verse 1 grinds low and tense, pre-chorus opens into shouted lift, chorus hits with gang vocals and wide harmonies, rap solo bridge drops to drums and bass with rapid-fire delivery, final chorus adds higher screams and octave guitars. Aggressive male vocals, layered doubles, pitch-shifted gang shouts, delay throws on key words, reverse swell into the drop, metallic chugs and a bright, brutal mix., metalcore, groove metal, alternative rock

КАЛЕКА • Epic pagan metal, melodic metal, symphonic metal, female contralto vocal, aggressive and majestic, tempo 150-160 BPM, distorted electric guitars, pulsating bass guitar, double bass drum, timpani, piano, cello quartet (pizzicato and arco), dark folk atmosphere, Slavic mythology, thunderstorm ambiance, powerful choir of young maidens in chorus, dynamic contrast: quiet cello intro to massive wall of sound. Structure: intro cello pizzicato, verse (drums low), chorus (full blast), piano interlude, verse 2, bridge (tremolo cello), piano+cello unison solo, outro cello pizzicato. Vocal style: deep, chesty, throaty, clean but powerful, no growl, high emotional intensity.

Сергей Федорович • Ancient Russian ballad, rock, post-punk, introduction by picking the melody on the gusli, sviristelki, contrast added a heavy riff on an overloaded guitar, instead of drums, the rhythm is periodically set by the troops swords flat on the shields, and the sound of the troops steps. Include elements of choral singing, reminiscent of folk chants. Dynamic transitions between verses and choruses. Male rough voice. Cinematic composition. Original sound, cinematic, professional mastering.

Ashes of the Covenant • Groove metal with metalcore bite and post-hardcore lifts, mid-tempo chugging riffs, syncopated double-kick punches, and abrupt half-time turns. Verse rides tight palm-muted guitars and clipped drums; pre-chorus opens with tom ramps and gang shouts; chorus hits wider with stacked screams and a singable gang hook. Distorted bass growls under snare cracks, with reversed swells, feedback scrapes, and a final breakdown slam. Gritty, aggressive, and loud in the mix., groove metal, metalcore

Alena7 • Style: High-energy Balkan-Pop, Modern Electro-Folk, 126 BPM. Cinematic orchestral opening morphing into bouncy accordion, funky synth bass, driving live drums. Charismatic female vocal with theatrical delivery, sarcastic yet warm tone. Cinematic interludes, rhythmic handclaps, sound effects.

Alekszem • rock, hip hop, pop, metal, drum and bass

Alekszem • hip hop, pop, metal, drum and bass

Ashes of the Covenant • Emocore / alternative rock / alternative metal with male vocals, medium-fast driving pulse, acoustic guitar in verses, piano doubling the melody, pre-chorus opens with rising toms and suspended chords, chorus hits with thick distorted guitars and layered harmonies; verses stay intimate and close-mic, chorus expands wide and anthemic, bridge drops to piano and voice before a final lift; subtle string swells, reverse cymbal rises, and a bright punchy mix with emotional dynamic contrast, alternative rock, alternative metal

DJ_Gen4ik • Italo Disco, Eurodisco, 1980s, summer hit, male vocals, synthesizer, high energy, beach party, driving beat, uplifting, 140 BPM.

Ashes of the Covenant • Emocore / alternative rock / alternative metal with mid-tempo swung drums, punchy downstrokes, tense bass pulses, and explosive chorus lifts; verse rides restrained palm-muted guitars and clipped vocals, pre-chorus opens with rising toms and filtered clean harmonies, chorus slams with wide distorted stacks and shouted gang doubles. Breathy close-mic verses, strained melodic belt in the hook, delay throws on key words, a noisy cymbal swell into the first chorus and a feedback tail before the bridge. Bright, heavy, and cathartic mix, alternative rock, alternative metal

Йода • Dark Acoustic Folk Rock, Slow Marching Tempo, Deep Upright Bass, Minimalist Arrangement Vocal: male baritone with soft conversational tone; absolutely NO shouting, no belting, restrained choruses, low dynamic range, intimate close-mic delivery, whispered power, controlled energy

Лисичка 777 • Rock ballad with driving mid-tempo backbeat, bowed violin and clean electric guitar carrying the verses, saxophone answering in the pre-chorus, and duet voices splitting the lead. Verse stays restrained and airy; pre-chorus lifts with tom rolls and rising harmony stacks; chorus opens wide with both voices in unison, then a sax line bridges into the last chorus. Close-mic vocals with doubled hook lines, short delay throws, string swells, and a bright, punchy, forward mix., rock

КетШев • pop , rap

Ashes of the Covenant • Emocore / Christian Rock with driving mid-tempo drums, palm-muted guitars, and soaring open-chord choruses; verse stays tense and intimate, pre-chorus lifts with tom rolls and stacked harmonies, chorus breaks wide with gang shouts and sustained lead vocal. Add reverse cymbal swells into each chorus, a quiet guitar harmonic shimmer before the bridge, and a final lift with doubled vocals and bright, cathartic mix., christian rock

Mixanik • EURODANCE, EURO POP, SYNTHPOP. Premium sound .An energetic club track at 118 BPM with a classic pop song structure. Intro establishes a pulsing synth bassline and bright, melodic synthesizer arpeggios. Verses feature a driving four-on-the-floor beat and rhythmic, almost rap-like vocal delivery from a male duet, where one bright, agile tenor voice is complemented by a more energetic, rhythmic counterpart. Chorus explodes into an incredibly catchy, anthemic hook with layered synthesizers creating the melodic foundation and a euphoric, dance-oriented feel. Arrangement is light and airy, built entirely on synth pads, pulsating bass, and crisp electronic drums. Premium sound, Plate reverb, Wide stereo.

vazdar • 'Trip-Hop' or 'Dark Pop' . The music should be slow, with deep bass and a broken rhythm that emphasizes the state of "autopilot".

Ronin • bosomy sexy female voice, electronic dance, synth-pop, 128 BPM, hard-hitting kick, sidechained sub-bass, detuned saw leads, analog polysynth stabs, gated snare reverb, stereo widening synths, tape saturation, bright digital compression, club-ready percussion, driving 16th-note hats, high-energy opener, nocturnal euphoria, 2000s club sheen, K-pop, electropop, 102 BPM, syncopated kick-snare, dotted eighth synth lead, plucked bell arpeggios, rubbery sub-bass, filtered drum fills, glossy sidechain pumping, wide stereo chorus, octave synth stack, nocturnal euphoria, bittersweet release, prechorus lift, halftime breakdown

pArtIvzan • rock, synth, reggae, acoustic guitar, bass, middle tempo, upbeat, male vocals

Марина84 • Вот весёлый, задорный и лёгкий вариант песни, который отлично подойдёт для исполнения жены мужу в неформальной обстановке. Ритм можно сделать танцевальным, например, в стиле поп-рок или фанк.

Евгения Грозд • Postpunk rock, alternative rock, lyrical ballad, orchestral epic, amateur vocals, dramatic chords, desperate, broken voice, dark ambient

pArtIvzan • rock, synth, acoustic guitar, bass, melody, calm,

pArtIvzan • electro rock, synthypop, acoustic guitar, bass, melody, calm, emotional

pArtIvzan • electro rock, synthypop, melody guitar solo, bass, calm, middle tempo

НаталиРост • electronic, r&b, folk, indie, soul, disco

НаталиРост • electronic, r&b, folk, indie, soul, disco

Сергей Федорович • , cinematic composition. Original sound, cinematic, post rock Spanish guitar, synth, bass, pad, layered, professional mastering, powerfull drum hypnotic effect, with a humanized, velvety, calm male voice

Егорова Галина Васильевна • Энергичный весёлый танцевальный поп

Marcus W • Рок-баллада (70-80х)(Ми минор)

Дмитрий1365 • pop rock, 132 BPM, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead counterpoint, overdriven power chords, muted electric bass, rimshot snare, four-on-the-floor kick, hand percussion accents, vocal-like wordless hooks, tight punch compression, plate reverb, bright chorus guitar, bittersweet defiance, kinetic lift

НаталиРост • blues,, soul, disco, pop

НаталиРост • blues,, soul, disco, pop

Андрей_Ш • dramatized ballad, nocturnal synth-pop, spoken narration, male female duet, muted baritone lead, breathy alto counterline, bowed bass, celesta accents, distant taiko hits, detuned piano, tremolo guitar harmonics, analog synth pads, tape saturation, plate reverb, close mic intimacy, sub bass pulse, sparse arrangement, slow 72 BPM, fatal longing

ДеД Гурьян • Russian folk-pop anthem with an upbeat mid-tempo march groove, stomping handclaps, bright acoustic guitar, balalaika flourishes, and steady snare like train wheels; verse rides tight storytelling over drums and bass, pre-chorus strips to claps and rising harmony, chorus opens wide with gang vocals and a singback chant. Lead vocal is close-mic and earnest with doubled hook lines, short delay throws on key phrases, and crowd-style ad-libs in the last chorus. Ear candy includes a whistle pickup, metallic percussion hits, and a final lift with accordion and tambourine. Mix is bright, punchy, and celebratory.