Все треки

Василий Прожерин • heavy metal, roaring engine intro, fast guitar riff, downpicked power chords, palm-muted chugs, octave lead harmonies, double kick barrage, snarling bass pedal, dry snare crack, stadium-size drum room, tape saturation, gated reverb, 180 BPM, galloping rhythm, minor-key hooks, nocturnal metal, instrumental break, arena crescendo

ReMiXina • Moody rap with female vocals, built on sparse trap drums, subby 808 bass, muted kick, crisp snare, and tight hi-hat rolls. Airy stacked harmonies, breathy ad-libs, chopped vocal textures, dark minor-key synth pads, and subtle tape saturation create an intimate, restrained, low-lit texture.

ReMiXina • Dark folk with ritual percussion and eerie forest ambience; slow swaying pulse, sparse hand drums, low drones, and hollow wind textures. Verse stays intimate and bare with close-mic female vocals, pre-chorus lifts with layered whispers and a thin chant, chorus lands in fuller unison with doubled lead and grim gang harmonies. Ear candy includes twig snaps, reversed bell swells, and distant owl calls between lines. Mix is dark, wide, and misty with a raw organic edge., noise

Мэри П • lo-fi hip-hop, Russian synth-pop, 92 BPM, MPC swing drums, vinyl crackle, detuned Juno chords, pulsing Moog bass, tape saturation, mono room reverb, filtered breakdown, sparse intro, lift-drop arrangement, nocturnal solitude, caught momentum, instrumental bridge

Алекс 890 • Russian pop ballad with male vocals, slow 6/8 sway and intimate piano-to-strings arrangement; verse stays sparse with close-mic voice and soft guitar, pre-chorus opens with rising pads and breathy doubles, chorus blooms with wide strings, harmony stacks, and a restrained drum pulse. Add reversed piano swells into the pre-chorus, a bell-like accent before each chorus, and a final key-change lift. Warm, cinematic, and emotionally close

Aler S-ey • 120bpm, electronic, synthwave, bluegrass.

NataliNa • dark indie pop, cinematic ambient pop, 65 BPM, breathy female vocals, fragmented phrasing, reverb-drenched piano, sustained synth chords, low strings, ambient pads, soft percussion, glitch edits, tape delay, plate reverb, sub-bass swells, minor key, triplet pulse, slow-burn release, fading outro, nocturnal melancholy

Николай Диденко • Symphonic rock ballad with driving toms and soaring string swells; verse stays intimate with piano, low guitars, and restrained drums, pre-chorus lifts on rising strings and snare build, chorus opens into wide power chords and choral doubles. Male lead vocal close-mic in verses, stacked harmonies on the hook, emotional delay throws on key lines. Orchestra hit, reversed cymbal swell, and a final string climb into the last chorus. Bright, cinematic, and anthemic mix with punchy lows and wide choruses., rock, classical

Николай Диденко • Symphonic metal with a classical piano-and-strings opening, driving mid-tempo double-kick pulse, and heavy guitar choruses; verse stays restrained with low brass and sparse piano, pre-chorus builds with rising strings and choral stacks, chorus hits wide and massive with doubled lead vocal and gang harmonies. Ear candy: bowed cymbal swells into the lift, a solo violin answer between lines, and a final orchestral rise into the last refrain. Mix is dark, cinematic, and punchy with a glossy low end and towering mids., classical, metal, rock

G_E-N_D-O_S • hip hop, neo-soul, alternative R&B, 92 BPM, fingerpicked acoustic guitar, clean electric arpeggios, stacked hook harmonies, Rhodes chords, muted bass guitar, rimshot backbeat, sidechain pumping, tape saturation, plate reverb, intimate verse arrangement, lifted chorus, bittersweet nostalgia

G_E-N_D-O_S • trance, Russian synth-pop, minor-key hooks, 126 BPM, arpeggiated synth pulse, Juno chord stabs, pulsed Moog bass, gated snare, analog delay, plate reverb, tape saturation, wide stereo pads, broken intro, wordless breakdown, layered crescendo, nocturnal melancholy, forward motion, four-on-the-floor kick

Oceania • Genre: Industrial Metal, Neue Deutsche Härte Vocal: Deep powerful baritone, clear German diction, contrast between whispered seductive verses and aggressive shouting choruses, controlled hoarseness in intense moments, choral backing vocals in final chorus Tempo: 115 BPM Mood: Dark, seductive, intense, threatening, erotic, obsessive Instruments: Heavy distorted guitars (Drop C tuning), pounding industrial drums with prominent kick and snare, deep bass, dark atmospheric synth pads, aggressive synth leads, additional percussion (shaker, tambourine), orchestral elements (low strings) in final chorus Special Effects: Breathing sounds, whispered vocals, subtle creaks and rustles in background, sub‑bass impulses, heavy compression on chorus vocals Structure: Intro → Verse 1 → Pre‑Chorus → Chorus → Verse 2 → Pre‑Chorus → Chorus → Bridge → Final Chorus → Outro Key: E minor

Николай Диденко • Hybrid synthwave-trap-rock with orchestral strings and a marching pulse; verse rides sparse kick, muted bass, and distant piano; pre-chorus opens with rising strings and tom fills; chorus hits with crunchy guitars, choir stacks, and a heavy downbeat. Male and female vocals, close-mic and reverent in verses, doubled and lifted on the hook. Reverse swells, snare rolls, and bell accents bridge sections. Wide, cinematic, punchy mix., classical, rock

Николай Диденко • Jazz-inflected classical metal-rock ballad with marching mid-tempo drive, heavy guitar chugs under piano and string lines; verse stays stark with bass, brushed drums, and low choir; pre-chorus lifts with rising strings and tom rolls; chorus opens wide with stacked harmonies and shouted doubles. Add distant horn swells, cymbal washes into each section change, and a final guitar-string unison for a bright, powerful mix., jazz, rock, classical, metal

Николай Диденко • rap, solemn, orchestral, heavy bass, male and female vocals, classical, rock, ambient

Daemryx • Witch house, darktrap, minatory, distorted 808 sub bass, slow dragging beat, eerie ritual synths, aggressive deathcore scream, scraping metal textures, 115 bpm, dark atmospheric depth

Hadeneiro • Pop-rap,phonk,deep house .

ЛюМиСа-Hits • Звучание на 4 минуты. баллада в стиле эйри-нью-вейв с мужским и женским вокалом. В куплетах используются интимная акустическая гитара и мягкий синтезатор, в припеве — пышные струнные и отдалённые ударные. В припеве также присутствуют нежные хоровые бэк-вокал-гармонии, а едва уловимая реверберация создаёт ощущение просторного футуристического зала. Аранжировка то нарастает, то затихает, как в замедленной съёмке.

ЛюМиСа-Hits • Звучание на 4 минуты. баллада в стиле эйри-нью-вейв с мужским и женским вокалом. В куплетах используются интимная акустическая гитара и мягкий синтезатор, в припеве — пышные струнные и отдалённые ударные. В припеве также присутствуют нежные хоровые бэк-вокал-гармонии, а едва уловимая реверберация создаёт ощущение просторного футуристического зала. Аранжировка то нарастает, то затихает, как в замедленной съёмке.

Славян74 • Russian street ballad with mid-tempo swung drums and warm minor-key accordion, verse rides sparse guitar and bass with intimate male lead; pre-chorus strips to handclaps and low harmony; chorus opens with stacked gang vocals and a singable chant. Add tape hiss, a bottle-clink transition, and a short synth swell before the final chorus. Dry close-mic verses, wide emotional chorus, gritty and sentimental mix.

Nikko3 • disco, nu-disco, half-time groove, 118 BPM, four-on-the-floor kick, syncopated bass guitar, rhythm guitar chanks, analog string ensemble, disco piano comping, Juno chord stabs, tape saturation, plate reverb, slapback delay, sidechain pumping, breathy vocal topline, projected chorus stack, bittersweet nostalgia, midnight glide

Zahar • russian folk rock, Slavic modal melodies, acoustic guitar strums, balalaika tremolo, accordion drone, folk choir responses, distorted electric guitars, punchy live drums, bass drum emphasis, tape saturation, room mic bleed, analog plate reverb, mono verse mix, stereo chorus spread, 4/4 march pulse, anthemic lament, midtempo build, autumn grit

Станислав Граховский • Русский рок — медленный темп, гитара (акустика + электрик), бас, лёгкий drums. Настроение — философски-грустное, с надрывом. Структура Куплет 1 Проигрыш Припев 1 Куплет 2 Припев 2 Бридж — "Ты не узнаешь то..." Припев 3 Финал — последний припев без повтора, затухание • После куплета 1 — Припев • После куплета 2 — Припев (чуть другой вариант) • Бридж → Припев • Финал — одна строка "Жить можно только сегодня" и затухание

Mixanik • EURODISCO, DANCE POP, and ALTERNATIVE HIP HOP fusion, Premium Sound. A romantic 80s-inspired track built on a soft, steady beat with emphasized synth-bass rhythm and simple, repeating synth chord harmony. The intro establishes the atmospheric synth pads and a catchy, melodic synth lead hook. Verses feature a deep, rich, warm male baritone vocal delivering intimate and romantic lyrics with a smooth, confident delivery over the minimal beat and synth bass. The chorus explodes into full, bright Eurodance energy with layered, anthemic vocal harmonies, soaring melodic synth leads, and a driving four-on-the-floor dance beat. A bridge section incorporates alternative hip-hop elements with a more prominent, gritty synth bassline and rhythmic, half-time feel before returning to the euphoric dance chorus.

Johnny D • metal ballad, 170 BPM, clean electric guitar, sustained lead guitar, bass guitar, restrained drums, half-time chorus, tape saturation, plate reverb, analog warmth, melancholic devotion, quiet intensity

Мария Власова • lo-fi hip-hop, acoustic indie-pop, fingerpicked guitar, dusty vinyl crackle, soft kick-snare loop, brushed percussion, upright bass plucks, muted synth pad, tape saturation, mono room reverb, intimate hush, bittersweet nostalgia, 78 BPM, swung backbeat

Галина Тара • Баллада -Мистика с надрывом, rock, metal

Мистер ИИ • Confrontational groove with a dry, spoken hook slashing over muted sub pulses and clipped kick-snare hits. Distorted analog bass, metallic percussion, and serrated synth stabs drive a tense, punchy arrangement. Sparse room reverb, hard panning, and sudden dropouts keep the track raw and aggressive.

Пончик 999 • Art Folk,Ethno Fusion,Bard Song,indie, reggae

NatroN • Genre: social hard rock with elements of alternative metal Mood: rebellious, defiant, intense, with a sense of inner strength and resistance Tempo: medium-fast (110–120 BPM), driving rhythm Instrumentation: heavy distorted electric guitars with aggressive riffs, pounding drums with strong snare hits, deep bass line, subtle synth layer in the chorus for added depth Vocals: male, powerful and slightly hoarse, emotional delivery; in the chorus — layered vocals (main + backing harmonies) for an anthemic effect Dynamics: * Verses: slightly restrained, tension building, guitars muted/palm-muted * Pre‑chorus: intensity rises, drums become more active * Chorus: full power, all instruments playing loudly, vocals strong and clear * Bridge: darker mood, more atmospheric (reverb/delay on guitars), vocals more introspective * Outro: gradual fade-out, drums slow down, last guitar note rings out

Nataliaaa • Russia ditties accordion playing balalaika cheerful folk song, female vocal

Olga_mis • romance, acoustic guitar, drummer, violin

Волга • gangster rap, 88 BPM, stripped trap drums, 808 sub-bass, muted piano loop, dark brass stabs, dry close-mic lead, tube saturation, slapback delay, mono center mix, half-time groove, sparse snare snaps, low gritty baritone, whispered delivery, cold resolve, street confessional

КВНнк • Blues-electronic with a slow shuffling backbeat, brushed drum machine, muted electric guitar licks, and a low synth pulse; verse rides sparse bass and cracked guitar, pre-chorus opens with filtered pads and rising tape noise, chorus lands on a wider groove with stacked vocal doubles and short delay throws. Bridge strips to voice and drone, then final chorus returns with extra harmonies and a gritty club-ready mix, intimate but punchy., blues, electronic

КВНнк • Blues-electronic with a slow shuffling backbeat, brushed drum machine, muted electric guitar licks, and a low synth pulse; verse rides sparse bass and cracked guitar, pre-chorus opens with filtered pads and rising tape noise, chorus lands on a wider groove with stacked vocal doubles and short delay throws. Bridge strips to voice and drone, then final chorus returns with extra harmonies and a gritty club-ready mix, intimate but punchy., blues, electronic

NataliNa • Rock, electronic

Piligrim • indie rock, orchestral rock, tenor lead hooks, rap style phrasing, string ostinatos, piano arpeggios, electric guitar swells, live drum kit, tom fills, glockenspiel accents, chamber strings, solo cello, bathroom ambience, natural room reverb, close mic bleed, midtempo 92 BPM, bittersweet nostalgia, cathartic lift

Александр 9 • indie pop, dream pop, 96 BPM, fingerpicked acoustic guitar, tambourine backbeat, glockenspiel ostinato, staccato synth lead, clean electric guitar chimes, vocal harmonies on hook, sidechain pumping, plate reverb, tape saturation, four-on-the-floor kick, syncopated bassline, bittersweet nostalgia, youthful uplift

Александр 9 • indie pop, dream pop, 96 BPM, fingerpicked acoustic guitar, tambourine backbeat, glockenspiel ostinato, staccato synth lead, clean electric guitar chimes, vocal harmonies on hook, sidechain pumping, plate reverb, tape saturation, four-on-the-floor kick, syncopated bassline, bittersweet nostalgia, youthful uplift

Pawelitel • Epic, sadness, ambient, dreamland,Trance, folk, pop, electronic

Вадим 159 • блатной шансон, баян, мужской хрипловатый вокал, тюремная лирика,философский шансон, размышления о жизни, глубокий текст, зрелость

Волга • RAP

Tarus SlK • dubstep

Engineer rec • underground rap, fast glitchy flow, rolling reese bass, industrial breakbeat, bird screech sound FX, raw psychotic , 95 bpm

Milla • меццо-сопрано,[indie pop, oriental, duet, female c…

Kaif Music • Bass house, minimal,, electronic, disco, techno, drum and bass, trap, phonk.

Kenig Cat • Indie-folk with a steady 6/8 sway and brushed hand percussion; verse rides solo acoustic guitar and soft bass drones, pre-chorus opens with higher harmony and rising room tone, chorus lands on warm group vocals and a simple clap pulse. Breathy close-mic lead, two-line harmony replies, tiny seafoam swells and wind-chime textures between phrases. Wide, earthy, sunlit mix., folk

Kenig Cat • rock, heavy guitar rock male vocals with a driving beat and occasional orchestral swells, psychedelic rock, folk rock, soul, pop rock, alternative rock, punk, symphonic rock

ARS • trap, metal, r&b, 120 BPM

Николай С • cinematic composition. Original sound, cinematic, post rock Spanish guitar, synth, bass, powerful drum, pad, layered, professional mastering