Все треки

мс Хоттабыч • Cold, relentless warehouse techno groove around 136 BPM, male vocals half-spoken, half-shouted. Pounding four-on-the-floor kick, metallic percussion, distorted reese-style bass. Hook drops with widened synth stabs and crowd-style gang shouts on key phrases. Short, hypnotic structure designed for looping live, with subtle riser sweeps and filtered breakdown before the final chorus stomp., techno

мс Хоттабыч • Cold, relentless warehouse techno groove around 136 BPM, male vocals half-spoken, half-shouted. Pounding four-on-the-floor kick, metallic percussion, distorted reese-style bass. Hook drops with widened synth stabs and crowd-style gang shouts on key phrases. Short, hypnotic structure designed for looping live, with subtle riser sweeps and filtered breakdown before the final chorus stomp., techno

мс Хоттабыч • Dark warehouse techno groove, 130 BPM, male vocals half-chanted half-sung. Kick and bass stay relentless while a cold synth stab hooks the ear; short vocal chops echo the title line. Verses stay minimal and close-mic, chorus widens with distorted pads and crowd-style shouts. Occasional risers and filtered drops to set up the hook for maximum dancefloor impact., techno

мс Хоттабыч • Dark techno / dubstep hybrid with Russian club energy, male vocals. Gritty sidechained synths and wobbling sub, half-time drops on verses that slam into 4-on-the-floor choruses. Sparse, whispered ad-libs in the verses; wide, anthemic hook with stacked gang vocals on the title line. Occasional filtered breaks and riser sweeps to reset tension, then heavy, saturated kick and snare return for the final chorus., techno, dubstep

мс Хоттабыч • Dark techno / dubstep hybrid with Russian club energy, male vocals. Gritty sidechained synths and wobbling sub, half-time drops on verses that slam into 4-on-the-floor choruses. Sparse, whispered ad-libs in the verses; wide, anthemic hook with stacked gang vocals on the title line. Occasional filtered breaks and riser sweeps to reset tension, then heavy, saturated kick and snare return for the final chorus., techno, dubstep

мс Хоттабыч • jazz, Smoky jazztronica with brushed drums, upright bass, and late‑night Rhodes chords over a pulsing electronic groove; male vocals, half-sung half-spoken. Verses stay intimate and syncopated, chorus blooms with lush pads, horn stabs, and distant chopped vocal echoes. Gradual build in energy, final hook loops hypnotically then drops to a minimal outro., electronic

КВНнк • Warm Russian drinking song vibe with male vocals over classic acoustic guitar; steady mid-tempo strum under the verses, chorus blooms with rich open chords and group backing vocals. Guitar solo after second chorus carries a bittersweet, melodic theme before returning to a strong, sing-along final hook.

Дядя Витч • blues, slow shuffle blues, live-club blues, electric blues trio, 72 BPM, brushed snare shuffle, walking bass, call-and-response guitar, slide guitar licks, dry tube amp, room mic bleed, spring reverb, warm tape saturation, sparse intro, dynamic breakdowns, wistful resolve

Алекс 890 • metal, Epic hybrid: neo-classical intro with strings and choir, dropping into mid-tempo metal groove and modern pop hooks; male vocals, smoky chanson flavor in the verses, soaring melodic rock in the chorus, dramatic piano undercurrent and big toms in the bridge, final chorus climbs with stacked harmonies and sustained guitar leads, pop, classical

мс Хоттабыч • jazz, Smoky jazztronica with brushed drums, upright bass, and late‑night Rhodes chords over a pulsing electronic groove; male vocals, half-sung half-spoken. Verses stay intimate and syncopated, chorus blooms with lush pads, horn stabs, and distant chopped vocal echoes. Gradual build in energy, final hook loops hypnotically then drops to a minimal outro., electronic

мс Хоттабыч • rap, Glitchy jazz-hop meets clubby electronica: swung drums over subby bass, chopped Rhodes chords and filtered sax riffs. Playful female vocals with quick-tongued Russian rap in the verses; hook opens into a chanty, shout-along chorus with stacked gang vocals. FX throws and stutters on key phrases, energy rising each chorus with brighter synths and busier hi-hats., jazz, electronic, hip hop

мс Хоттабыч • rap, Glitchy jazz-hop meets clubby electronica: swung drums over subby bass, chopped Rhodes chords and filtered sax riffs. Playful female vocals with quick-tongued Russian rap in the verses; hook opens into a chanty, shout-along chorus with stacked gang vocals. FX throws and stutters on key phrases, energy rising each chorus with brighter synths and busier hi-hats., jazz, electronic, hip hop

мс Хоттабыч • rap, Dark hybrid of boom-bap and glitchy electro-jazz: swung drums, upright bass groove, eerie Rhodes chords, and chopped vocal textures. Verses tight and conversational, hook chant-like and sticky. Slow build that erupts on the last chorus with stacked harmonies and a distorted synth bass swell; male vocals with laid-back, confident delivery., jazz, hip hop, electronic

мс Хоттабыч • rap, Dark hybrid of boom-bap and glitchy electro-jazz: swung drums, upright bass groove, eerie Rhodes chords, and chopped vocal textures. Verses tight and conversational, hook chant-like and sticky. Slow build that erupts on the last chorus with stacked harmonies and a distorted synth bass swell; male vocals with laid-back, confident delivery., jazz, hip hop, electronic

мс Хоттабыч • rap, Crunchy boom-bap drums with glitchy electronic textures and smoky jazz chords; male vocals riding a confident mid-tempo pocket. Hook explodes with stacked chant-style backing vocals, subby bass swells, and airy synth leads; verses stay nimble with chopped piano stabs and vinyl crackle, small drops for punchlines and name-shouts., jazz, electronic, hip hop

мс Хоттабыч • rap, Crunchy boom-bap drums with glitchy electronic textures and smoky jazz chords; male vocals riding a confident mid-tempo pocket. Hook explodes with stacked chant-style backing vocals, subby bass swells, and airy synth leads; verses stay nimble with chopped piano stabs and vinyl crackle, small drops for punchlines and name-shouts., jazz, electronic, hip hop

Tema can fly • Style and Rhythm (70% original / 30% Cyberpunk 2077) Rhythm: tempo ~90-95 BPM, as in the original. The verses are a simplified beat (barrel for 1 and 3, snare drum for 2 and 4). The choruses are a dense rock beat with a drum boost. Bridge is making the transition to electronics. Instrumentation: 70%: electric guitar with distortion, bass, live drums ; 30%: synthesizer pads, digital noises, arpeggios, delay/reverb on vocals, short "glitches" on transitions. Vocal delivery: Johnny Silverhand: hoarse, emotional, with pressure; almost recitative in the verses, powerful vocals in the choruses. The accents on the words "took off", "fell", "did not give up". Viola: smooth, cold, almost robotic timbre; monotonous delivery with a delay effect. In the bridge— the rigor of the data ("I fix the fact", "the probability is zero"). Joint parts: the contrast of Johnny's emotions and the logic of the Viola; in the finale, a fusion of intonations in a common phrase.

мс Хоттабыч • rap, Dark club-ready blend of techno pulse, boom-bap swing, and late-night jazz chords; male vocals half-rapped, half-chanted. Minimal intro on dusty Rhodes and filtered kick, then beat drops heavy with syncopated hats and a growling bass line. Hook explodes with stacked gang shouts and short delay tails; mid-song bridge strips to upright bass, rimshots, and chopped vocal stabs before the full groove slams back in for a final hook., techno, hip hop, jazz

Tema can fly • Style and Rhythm (70% original / 30% Cyberpunk 2077) Rhythm: tempo ~90-95 BPM, as in the original. The verses are a simplified beat (barrel for 1 and 3, snare drum for 2 and 4). The choruses are a dense rock beat with a drum boost. Bridge is making the transition to electronics. Instrumentation: 70%: electric guitar with distortion, bass, live drums ; 30%: synthesizer pads, digital noises, arpeggios, delay/reverb on vocals, short "glitches" on transitions. Vocal delivery: Johnny Silverhand: hoarse, emotional, with pressure; almost recitative in the verses, powerful vocals in the choruses. The accents on the words "took off", "fell", "did not give up". Viola: smooth, cold, almost robotic timbre; monotonous delivery with a delay effect. In the bridge— the rigor of the data ("I fix the fact", "the probability is zero"). Joint parts: the contrast of Johnny's emotions and the logic of the Viola; in the finale, a fusion of intonations in a common phrase.

мс Хоттабыч • rap, Dark club-ready blend of techno pulse, boom-bap swing, and late-night jazz chords; male vocals half-rapped, half-chanted. Minimal intro on dusty Rhodes and filtered kick, then beat drops heavy with syncopated hats and a growling bass line. Hook explodes with stacked gang shouts and short delay tails; mid-song bridge strips to upright bass, rimshots, and chopped vocal stabs before the full groove slams back in for a final hook., techno, hip hop, jazz

Tema can fly • Style and Rhythm (70% original / 30% Cyberpunk 2077) Rhythm: tempo ~90-95 BPM, as in the original. The verses are a simplified beat (barrel for 1 and 3, snare drum for 2 and 4). The choruses are a dense rock beat with a drum boost. Bridge is making the transition to electronics. Instrumentation: 70%: electric guitar with distortion, bass, live drums ; 30%: synthesizer pads, digital noises, arpeggios, delay/reverb on vocals, short "glitches" on transitions. Vocal delivery: Johnny Silverhand: hoarse, emotional, with pressure; almost recitative in the verses, powerful vocals in the choruses. The accents on the words "took off", "fell", "did not give up". Viola: smooth, cold, almost robotic timbre; monotonous delivery with a delay effect. In the bridge— the rigor of the data ("I fix the fact", "the probability is zero"). Joint parts: the contrast of Johnny's emotions and the logic of the Viola; in the finale, a fusion of intonations in a common phrase.

Tema can fly • Style and Rhythm (70% original / 30% Cyberpunk 2077) Rhythm: tempo ~90-95 BPM, as in the original. The verses are a simplified beat (barrel for 1 and 3, snare drum for 2 and 4). The choruses are a dense rock beat with a drum boost. Bridge is making the transition to electronics. Instrumentation: 70%: electric guitar with distortion, bass, live drums ; 30%: synthesizer pads, digital noises, arpeggios, delay/reverb on vocals, short "glitches" on transitions. Vocal delivery: Johnny Silverhand: hoarse, emotional, with pressure; almost recitative in the verses, powerful vocals in the choruses. The accents on the words "took off", "fell", "did not give up". Viola: smooth, cold, almost robotic timbre; monotonous delivery with a delay effect. In the bridge— the rigor of the data ("I fix the fact", "the probability is zero"). Joint parts: the contrast of Johnny's emotions and the logic of the Viola; in the finale, a fusion of intonations in a common phrase.

мс Хоттабыч • rap, Upbeat house-electro groove fused with jazzy Rhodes chords and a hip hop bounce, male vocals. Tight four-on-the-floor kick under swung hats, walking bass locking with crisp rimshots. Verses sit on a syncopated, talk-rap flow; chorus explodes with stacked chant-style hooks and bright vocal chops. Sax stabs and filtered pads weave in and out, with a brief mid-song breakdown that strips back to bass and keys before the final lift., jazz, electronic, hip hop

мс Хоттабыч • rap, Upbeat house-electro groove fused with jazzy Rhodes chords and a hip hop bounce, male vocals. Tight four-on-the-floor kick under swung hats, walking bass locking with crisp rimshots. Verses sit on a syncopated, talk-rap flow; chorus explodes with stacked chant-style hooks and bright vocal chops. Sax stabs and filtered pads weave in and out, with a brief mid-song breakdown that strips back to bass and keys before the final lift., jazz, electronic, hip hop

мс Хоттабыч • Bright playful techno-pop groove with female vocals, buzzy sidechained synths, bouncy bass, and tight four-on-the-floor kick. Verses are lighter with plucky arps and subtle pads; chorus widens with stacked hooks, airier leads, and sweet vocoder doubles. Breakdowns feature filtered drums and chopped vocal bits, then slam back into a euphoric, dancey drop., electronic, techno

мс Хоттабыч • Hybrid reggae-techno groove: skanking offbeat guitars over a fat four-on-the-floor kick and sub bass, dubby delays on keys. Male vocals laid-back in the verses, chanty and loud in the chorus. Synth stabs and filtered risers lift into each hook; spacey echoes and a half-time breakdown in the bridge. Warm, slightly gritty mix with wide backing shouts on the title line., techno, reggae

мс Хоттабыч • Hybrid reggae-techno groove: skanking offbeat guitars over a fat four-on-the-floor kick and sub bass, dubby delays on keys. Male vocals laid-back in the verses, chanty and loud in the chorus. Synth stabs and filtered risers lift into each hook; spacey echoes and a half-time breakdown in the bridge. Warm, slightly gritty mix with wide backing shouts on the title line., techno, reggae

мс Хоттабыч • Dark warehouse techno with a hypnotic 4am pulse, thick side‑chained bass, and metallic stabs circling the stereo field. Detached male vocals, half-spoken, half-chanted, sit dry and close. Hook drops with stacked vocoder doubles and distant crowd shouts, riding a relentless kick and filtered noise risers. Final chorus widens with aggressive delay throws and a grinding synth lead cutting through., electronic, techno

мс Хоттабыч • Dark warehouse techno with a hypnotic 4am pulse, thick side‑chained bass, and metallic stabs circling the stereo field. Detached male vocals, half-spoken, half-chanted, sit dry and close. Hook drops with stacked vocoder doubles and distant crowd shouts, riding a relentless kick and filtered noise risers. Final chorus widens with aggressive delay throws and a grinding synth lead cutting through., electronic, techno

мс Хоттабыч • electronic, techno, indie

мс Хоттабыч • electronic, techno, indie

мс Хоттабыч • metal, techno

мс Хоттабыч • metal, techno

мс Хоттабыч • Dark rolling house-techno hybrid, 126 BPM, male vocals. Dry, close-mic lead over hypnotic low-end and shuffled hats; verses ride a minimal groove, whispered ad-libs tucked in stereo. Chorus blooms with wide reverb stabs, pitch-shifted backing chants, and a rising noise sweep. Gradual build, late-night warehouse energy, deep sidechain pulsing under every phrase., techno, electronic

мс Хоттабыч • Dark rolling house-techno hybrid, 126 BPM, male vocals. Dry, close-mic lead over hypnotic low-end and shuffled hats; verses ride a minimal groove, whispered ad-libs tucked in stereo. Chorus blooms with wide reverb stabs, pitch-shifted backing chants, and a rising noise sweep. Gradual build, late-night warehouse energy, deep sidechain pulsing under every phrase., techno, electronic

мс Хоттабыч • rock, Hybrid of driving techno kick, offbeat reggae skank guitar, and heavy metal riffs over rock drums; verses tight and percussive, chorus explodes with gang shouts and distorted power chords, male vocals with gritty rasp and shouted ad-libs, occasional synth stabs widening the hook, reggae, metal, techno

мс Хоттабыч • Dark rave-ready hybrid of drum & bass and industrial techno, male vocals in Russian. Relentless halftime drop on the verses, then double-time drums and distorted Reese bass for the hook. Robotic stabs and metallic FX swirl around a gritty lead. Chorus explodes with gang-style shouts and octave-doubled vocals; bridge strips to sub and whisper-rap before final slam., drum and bass, techno

мс Хоттабыч • High-BPM fusion of glossy disco and drum & bass with a techno edge; punchy side‑chained bass, bright funk guitar chops, filtered synth stabs, and four-on-the-floor drops into rapid-fire breaks. Male vocals riding a playful, flirty topline; pre-chorus tension with risers, choruses explode with stacked gang shouts and swept white-noise lifts. Short spoken ad-libs sprinkled for club attitude, arrangement built for quick DJ-friendly intro and outro., drum and bass, disco, techno

мс Хоттабыч • Dark warehouse techno bed with a tunneling kick and hypnotic bass arp. Male vocals half-spoken, half-sung, close-mic and dry in the verses; choruses open with wide reverb and doubled hooks. Occasional metallic risers and filtered noise swells between lines; slow-burn build to a peak then stripped-back outro loop., techno

мс Хоттабыч • Hyperactive drum & bass meets industrial-leaning techno; fast 2-step breaks over a relentless four-on-the-floor pulse, metallic stabs and distorted Reese bass. Male vocals, half-rap half-shouted hooks with crowd-chant energy; chopped call-and-response ad-libs. Drops hit hard on the “мика-мика микаэлла” hook, with risers, filtered build-ups, and glitchy vox chops weaving through the beat., techno, drum and bass

мс Хоттабыч • techno, drum and bass

мс Хоттабыч • Aggressive dubstep–meets–warehouse techno banger; distorted bass growls and metallic stabs, four-on-the-floor kick that mutates into half-time drops. Energetic, sarcastic mood with chopped female vocals, glitchy fills, and riser-heavy transitions; hook centers on a shouted chant, crowd-ready., dubstep, techno

мс Хоттабыч • jazz, Silky jazz-pop groove with brushed drums, upright bass, and warm Rhodes chords; mid-tempo bounce. Female vocals sit intimate in the verses, then bloom in the hook with stacked harmonies and soft scatting fills. Add gentle horn pads in the chorus, sprinkle vibraphone glimmers on turnarounds, and lift the final refrain with subtle key change and airy backing ad-libs., pop

мс Хоттабыч • High-BPM drum & bass meets industrial techno drive; distorted reese bass and skittering breaks under a sharp, playful Russian female vocal. Verses stay minimal with percussive synth stabs; chorus explodes with wide detuned leads, crowd-style chants, and aggressive risers. Short filtered vocal chops between lines keep the energy twitchy and club-ready., techno, drum and bass

мс Хоттабыч • Dark rolling techno groove for male vocals, steady 4-on-the-floor with gritty bass and cold metallic stabs. Verse sits low and rhythmic, almost spoken, riding a hypnotic synth line; chorus opens wider with soaring pads and doubled vocal hook. Sparse FX sweeps between phrases, reverb on key words to echo the distance between cities., techno

Сергей Федорович • acoustic version, acoustic guitar, pop rock, emotional low male voice

мс Хоттабыч • Hypnotic rolling techno groove at 132 BPM, metallic hi-hat grid and pulsing sidechain bass. Male vocals half-spoken, half-sung with a deadpan, slightly distorted tone. Verses stay minimal and dry; chorus widens with reverb throws, octave doubles, and a simple synth lead echoing the hook. Short filtered break before the last chorus, then a sudden cut to kick and vocal for the outro., techno

мс Хоттабыч • Fast drum & bass meets industrial techno: distorted reese bass, glitchy percs, chopped female ad-libs, male vocals deadpan in the verses, hook opens with bright detuned leads and crowd chants; tension rises with filter sweeps then drops hard each chorus, club mix energy built for looping in a chaotic stream window., techno, drum and bass

мс Хоттабыч • rock, Up-tempo drum & bass meets ravey techno with crunchy rock guitars, female vocals riding hyperactive drums; verses stay tight and bouncy, hook drops into big distorted chords and bright synth leads, with crowd-style gang shouts on key phrases and a playful energy spike in the final chorus, techno, drum and bass

мс Хоттабыч • High-tempo drum & bass foundation with techno stabs; male vocals riding a relentless rolling groove. Verses stay tight and rhythmic, almost spoken, over growling sub and clipped hats; chorus blooms with wide synth leads, crowd-style chants, and doubled hook. Short riser into a filtered mid-track break, then a final explosive drop for the last chorus., drum and bass, techno