Все треки

Максим Борисович • blues, drum and bass, electric guitar stabs, call and response riffs, walking bassline, brushed snare ghosts, rimshot backbeat, Hammond organ comping, tape saturation, mono room mic, live club ambience, 1960s analog mix, sparse trio arrangement, punchy breakdowns, swung shuffle feel, gritty swagger

Суша • pop, electronic,

Ветер • Russian folk blues, electric blues trio, bayan drones, balalaika tremolo, counter-melody violin, frame drum shuffle, double bass slap, slide guitar phrasing, call and response guitar, bent-note harmonica, analog tape saturation, room mic bleed, live club ambience, 92 BPM, swung 12/8, soulful, heartfelt, minor key

Дормидон Маматкулов • pop, jazz

Николай Саблин • [fast track] Beautiful emotion intro, Clean sound, synth. High-energy style trance-heavy metal, track featuring aggressive electric guitar riffs and a driving rhythmic foundation metal with synth and electric guitars, distortion, , creative rock-guitars solo, Powerfull rock guitars solo. Beautiful end. Powerfull male voice. Powerfull drum

Dgerro • Symphonic folk-rock.

Антон Васьков • Aggressive Death metal, male growling vocals, speed, guitar solo

Yurec • female and male duet, alternative metal, industrial rock, 140 BPM, D minor, apocalyptic, aggressive, dark, heavy distorted guitars, punchy drums, breakdown, female emotional clean vocals, male scream growl, dynamic contrast, cinematic atmosphere

Дормидон Маматкулов • pop, jazz

Данила79 • pop, electronic

Tema can fly • Style: cyberpunk rock with electronic elements — aggressive electric guitars, neon synthesizers, deep bass, hard drums. The atmosphere of Night City: futuristic, gloomy, energetic. Rhythm: fast, steady tempo — 130-140 BPM. A clear groove with accents on the 2nd and 4th parts. Electronic effects (glitches, reverb) between phrases. The correctness of vocal delivery: Johnny — low, hoarse, slightly cynical timbre ([husky male vocal]), assertive delivery; Vi is medium/high, emotional, with a slight breakdown ([emotional female vocal]), a combination of strength and vulnerability. Vocal arrangement: Verse 1 + Pre-chorus 1 + Chorus 1 — Johnny; Verse 2 + Pre— chorus 2 + chorus 2 - Vi; bridge duet (harmonization); The finale/outro is alternate singing with gradual fading.

Tema can fly • Style: cyberpunk rock with electronic elements — aggressive electric guitars, neon synthesizers, deep bass, hard drums. The atmosphere of Night City: futuristic, gloomy, energetic. Rhythm: fast, steady tempo — 130-140 BPM. A clear groove with accents on the 2nd and 4th parts. Electronic effects (glitches, reverb) between phrases. The correctness of vocal delivery: Johnny — low, hoarse, slightly cynical timbre ([husky male vocal]), assertive delivery; Vi is medium/high, emotional, with a slight breakdown ([emotional female vocal]), a combination of strength and vulnerability. Vocal arrangement: Verse 1 + Pre-chorus 1 + Chorus 1 — Johnny; Verse 2 + Pre— chorus 2 + chorus 2 - Vi; bridge duet (harmonization); The finale/outro is alternate singing with gradual fading.

Tema can fly • Style: cyberpunk rock with electronic elements — aggressive electric guitars, neon synthesizers, deep bass, hard drums. The atmosphere of Night City: futuristic, gloomy, energetic. Rhythm: fast, steady tempo — 130-140 BPM. A clear groove with accents on the 2nd and 4th parts. Electronic effects (glitches, reverb) between phrases. The correctness of vocal delivery: Johnny — low, hoarse, slightly cynical timbre ([husky male vocal]), assertive delivery; Vi is medium/high, emotional, with a slight breakdown ([emotional female vocal]), a combination of strength and vulnerability. Vocal arrangement: Verse 1 + Pre-chorus 1 + Chorus 1 — Johnny; Verse 2 + Pre— chorus 2 + chorus 2 - Vi; bridge duet (harmonization); The finale/outro is alternate singing with gradual fading.

Антон Васьков • Thrash metal, male growling vocals, speed

kЪметЬ • blues, electric blues trio, laid-back electric guitar, call and response riffs, bent-note slide guitar, Hammond B3 organ, upright bass, brushed snare shuffle, 72 BPM slow shuffle, live club room, 1970s tape saturation, spring reverb, mono drum kit, gritty confession, smoky remorse

divey • heavy rock n' roll, distortion leader guitar, heavy drums, wah wah rhythm guitar, bass guitar, heavy bassline, piano, distortion male vocals, choir

MNKV • deep house, blues house, 120 BPM, electric blues trio, slide guitar phrases, muted bass guitar, brushed snare, live room drum kit, organ comping, call and response guitar, tape saturation, plate reverb, intimate club mix, warm analog synth pads, romantic ache, tender lift

Людмила Коряка • double time rap, smooth trap, choir, folk, drum and bass, wide stereo pads, trap hip hop, emotional guitars, enchanted forest ritual, chanting, classical

Гога он же Гоша • Laid‑back roots reggae groove, mid‑tempo skank guitar and warm round bass, light dub delays on offbeat keys. Male vocals with a storytelling, lightly humorous tone; backing harmonies lift the chorus. Spring reverb on snare, subtle melodica hooks between phrases, outro fades on a relaxed vamp., reggae

Антон Васьков • metal, Brutal industrial metal with male growls over jagged detuned synths and down-tuned guitars; relentless double-kick drives high-tempo riffs. Verses are tight and rhythmic with mechanical stop-start hits; chorus opens into a massive, shouted gang-vocal hook layered with distorted pads. Cold metallic FX and glitchy stutters underline the political rage and dehumanized imagery., industrial metal

Рафик_А • rock, pop, без голосовых подпевок, без завываний, куплеты легкие ироничные, припевы динамичные, третий припев яркий динамичный и агрессивный

Алекс 890 • metal, Heavy metal meets Russian chanson: dirt-under-the-nails electric guitars and mid-tempo groove, verses on muted chugs, choruses explode with open chords and gang vocals. Male vocals, very raspy and strained, long aching phrases, occasional backing shouts on key lines. Snare hits feel like punches; bass follows the vocal. Bridge drops to almost spoken growl, then final chorus climbs a step in intensity, riding feedback to the end., pop

Falcon13 • [Genre: Russian chanson] [Style: lyrical, melancholic, heartfelt] [Tempo: slow, 70–80 BPM] [Instrumentation: acoustic guitar, light piano, strings in the background] [Vocal style: deep male vocals, emotional delivery, slight huskiness] [Mood: nostalgic, soulful, introspective] [Key: minor]

Антон Васьков • metal, Aggressive industrial metal with male growling vocals, double-time drums, detuned synth leads and metallic percussive hits; verses sprint with relentless riffing and distorted bass, chorus widens with dissonant pads and gang shouts; brief mechanical breakdown before final chorus, mix abrasive and upfront, industrial metal

Алекс 890 • pop, Warm orchestral pop with gentle Eastern motifs, male vocals. Nylon guitar and qanun introduce the verse over soft strings; light percussion and hand drums lift the groove. Chorus blooms with full string section, piano, and supportive male backing harmonies. Middle section leans intimate with reduced arrangement, then returns to a soaring, heartfelt final chorus and tender outro., classical

Данила79 • pop, electronic, rock

vladzak57 • Весёлая, задорная песня

Антон Васьков • metal, Grinding industrial metal with male growls and shouted gang vocals; chugging, palm-muted guitars locked to a mechanical kick-snare pattern, metallic percussion hits, and a snarling mid-tempo stomp. Verses stay tight and claustrophobic, bass pulsing like factory engines; chorus widens with dissonant synth pads, higher-register screams, and a massive half-time crash feel. Brief noise-soaked bridge with filtered drums and spoken-word growl before a final, all-out wall of sound. Male vocals, switching between guttural lows and feral highs., industrial metal

DarkAIron • Genre: dark trap metal, heavy rap Tempo: 140 BPM, aggressive distorted 808 bass, heavy 808 kicks, hi-hats with rapid rolls Mood: nihilistic, bleak, urban decay, no melodic singing, strictly spoken word rap, flat delivery Vocals: male, deep, monotone, aggressive, slightly distorted, no clean chorus, no emotional rise Structure: verse (16 bars) -> hook (8 bars, spoken, no melody) -> verse (16 bars) -> hook -> bridge (8 bars, half-time, whispered) -> outro (spoken, fading) Instruments: heavy 808 sub-bass with distortion, cinematic minor key strings pads, gunshot-like snare hits, reversed piano notes, vinyl crackle Production: dry mix, no reverb on vocals, heavy sidechain compression, bass distortion, lo-fi texture Style: similar to dark Memphis rap meets trap metal, minimalistic repetitive lyrics, aggressive monotone delivery, no screaming, no singing Avoid: melodic hooks, singing, choir, acoustic instruments, clean guitars, uplifting chords, major keys

ATWST • [EDM, Big Room House fusion with aggressive Phonk influences, ultra-pumping remix style, maximalist production, 128-132 BPM, professional studio quality, crystal-clear mix, massive sub-bass, layered synths]

Денис Чебаков • Bright Euro/Italo disco at 127 BPM, female vocals; shimmering synth arps, elastic bassline, tight four-on-the-floor kick. Verses ride a bouncy keys-and-clap groove, pre-chorus adds rising pads and octave bass, chorus explodes with stacked harmonies and a catchy top-line hook. Short synth riffs answer vocal phrases, with a middle lift that strips to bass, kick, and vocal ad-libs before the final full-energy chorus.

V0r0n • electronic rock, post-grunge, hard rock, alternative rock, nu-metal, cello, orchestra

Денис Чебаков • Bright pop production at 120 BPM with punchy throws, and radio-ready top-end.

Yuki_Schtiel • Live concert performance of rhythmic alternative hip‑hop at 140 BPM in D minor: gritty Russian male vocals lead the charge, with the crowd echoing key lines and chanting the hook. Distorted, overdriven bass and sharp industrial drums (syncopated hats, glitchy percussion hits) drive the energy. Verses feature a tight, angular flow over metallic stabs and filtered noise; during the hook, the audience’s chants blend with stacked shouts and octave doubles from the vocalist. Occasional lo‑fi drops and tape‑stop effects spotlight vocal aggression and trigger crowd reactions — roars, chants, and synchronized stomps. Atmosphere: raw, high‑energy, with palpable crowd participation. Genres: industrial, hip‑hop, rhythmic.

Денис Чебаков • Italian disco

Владимир Балахонов2 • electronic

vazdar • R-pop, r&b

Yuki_Schtiel • Live alternative post‑punk track, deeply melancholic. The singer starts alone with a raw, emotional vocal; as the song builds, the audience joins in, singing the refrain louder and more passionately with each repetition. Instruments: moody bass, atmospheric guitars with heavy reverb, minimalistic drums. The final chorus is dominated by the crowd’s powerful, echoing voices, almost drowning out the singer.

Фёдор Фёдорович • Рок баллада, blues, slow shuffle, live-club trio, call-and-response guitar, bent-note guitar, baritone sax riffs, upright bass walk, brushed snare, Hammond organ stabs, tube amp saturation, spring reverb, room mic bleed, loose backbeat, 84 BPM, conversational groove, punchline phrasing

моральная агрессия • hard electric guitar

Сергей Федорович • acoustic version, acoustic guitar, pop rock, emotional low , male baritone vocals intimate hoarse chest register, humanized , live club acoustics, call and response, punchline lyrics, Natural room sound, soft tape compression, and a heartfelt live-band texture.

Jura • Euro Hard House,Car Bass, Hardbass, Dancepop, Frenchcore, average pace, Bass Boosted, vocal house, Car house,Bass profundo voice ,festival ready, big drops, electronic fusion, aggressive kicks, fast tempo, rave energi

HUSTON tlgrm 79990572794 • Trance, break bit, dark piano, energetic drums, 808 bass, powerful sound, intense male vocal, bpm 120

vladzak57 • Lofi

HUSTON tlgrm 79990572794 • Aggressive rock-metal, power acoustic guitar, energetic drums, powerful sound, intense male vocal, bpm 90

Сергей Федорович • acoustic version, acoustic guitar, pop rock, emotional low male voice, male baritone vocals intimate hoarse chest register, Natural room sound, soft tape compression, and a heartfelt live-band texture.

Oksana Che • Этно, ханты, инструмент турман создает ритм, инструменты нарс-юх, тор-сапль-юх, кугель-юх, хантыйская погремушка, бубен шамана большой, песня народная ханты, исполнение спокойное монотонное, завораживающее, дополнительно добавить звуки леса, шелест деревьев, хруст веток, капли воды, течение ручейка, дуновение ветра, вокал мужской, фолк

mirwad • Pleasant, ringing, gentle female voice, Meditation, Prayer

Данила79 • folk, rock, electronic

Alex 86 • folk, Tender 1960s Italian-style folk-pop ballad at 95 BPM, acoustic guitar and upright bass setting a gentle march feel, male boy soprano on lead with children’s choir in warm unison and simple thirds on the hook; soft tambourine and glockenspiel sparkle on downbeats as accordion swells lift the patriotic lines, dynamics rising into each chorus then easing back to intimate verses, soft, simple, pop, russian folk, accordion, nostalgic, acoustic, harmony, tribute, warm, gentle