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Последние публичные треки, созданные нашими пользователями

Туда где ждет сын

Piligrim slow shuffle blues, 84 BPM, electric blues trio, call-and-response guitar, bent-note lead guitar, dry snare room, upright bass walk, tube amp breakup, ribbon mic warmth, live club ambience, conversational phrasing, bittersweet nostalgia

277
Анимэ опенинг style 😅

DarkAIron emotional anime opening song, powerful high female anime voice (seiyuu-style cute yet dramatic girl vocals), J-rock meets cinematic orchestral anime OP, soaring emotional melodies with dramatic builds, piercing lonely Chinese bamboo dizi flute as main haunting lead with microtonal bends and crying high notes, huge swelling strings, stabbing brass, thunderous taiko percussion, atmospheric dark pads with reversed reverb, light digital glitch effects and subtle bitcrush on drops for futuristic broken feel, energetic yet deeply emotional, apocalyptic hopeful struggle mood, intense orchestral drops and anthemic choruses, East-West fusion, epic futuristic anime atmosphere, female Japanese anime singer style but lyrics in Russian, high emotional delivery, catchy hook

60
Река

Река

Кавер-версия

Ратибор Ясный folk, rock, contralto.

435
Мой друг

Суша Шансон медленный

77
Фокус рок
69
A Medve Ébredésének Dala (Песня Пробуждения Медведя)

Золтан World Music, New Age, traditional melodies and chants of Hanty and Mansi, The Atyn-Arh song, traditional Hanty and Mansi instruments (Nars-yuh, Ning-yuh), Digital Folk, Ethno-electronics, Tribal Trance, Downtempo, Mystic, Cosmic, powerful Shamanic percussion, 70-80 bpm, E♭ Minor key, male warm mysterious lead vocals, male clear choir backing vocals.

281
A Medve Ébredésének Dala (Песня Пробуждения Медведя)

Золтан World Music, New Age, traditional melodies and chants of Hanty and Mansi, The Atyn-Arh song, traditional Hanty and Mansi instruments (Nars-yuh, Ning-yuh), Digital Folk, Ethno-electronics, Tribal Trance, Downtempo, Mystic, Cosmic, powerful Shamanic percussion, 70-80 bpm, E♭ Minor key, male warm mysterious lead vocals, male clear choir backing vocals.

227
Путь  Поэта

АнКер slow shuffle blues, electric blues trio, 84 BPM, Telecaster bends, call and response guitar, Hammond B3 comping, upright bass walk, brushed snare backbeat, tube amp saturation, spring reverb, tape echo, live room bleed, 1960s club sound, laid-back groove, gritty warmth

64
Отец

Суша Шансон мелодичный

76
Mara’s coming
50
Убивают не сигареты...

АнКер blues, deep house, 118 BPM, half-time shuffle, electric guitar comping, bottleneck guitar fills, Hammond organ stabs, upright bass walk, brushed snare, tambourine backbeat, live room mics, tape saturation, spring reverb, call and response, laid-back groove, smoky club, 1960s live session

55
Посвящение дочьке

Суша Шансон мелодичный

82
Brass Bitfade

DarkAIron [Instrumental + screamed/clean vocals] frantic glitch-metalcore cinematic fusion 140bpm (fluctuates 145-160), early-mid Bring Me The Horizon meets dystopian orchestral chaos, crushing djent guitars with palm-muted chugs, massive cinematic orchestra: huge swelling strings, stabbing brass fanfares, thunderous taiko + orchestral percussion, piercing lonely chinese bamboo dizi flute as main melodic lead — haunting, microtonal bends, crying high register over the distortion, heavy digital glitchcore destruction: bitcrush drops, random audio corruptions, glitch stutters & repeats, chopped reversed vocal chops, error beeps, pixelated artifacts, sudden dropouts, 808 sub bass + industrial kicks, atmospheric dark pads with reversed reverb tails, emotional screamed verses explode into soaring anthemic clean choruses, apocalyptic hopeful mood, polyrhythmic breakdowns, tempo micro-shifts, intense build-ups to crushing drops, surreal east-west collision, epic yet broken futuristic atmosphere

91
Букет Эустомы.

ПБЕДИНО slow shuffle blues, electric blues trio, live-club groove, bent-note guitar, call-response riffs, harmonica stabs, upright bass walk, brushed snare, tube amp breakup, spring reverb, room mic bleed, analog tape saturation, laid-back swagger, punchline vocals, 4/4 shuffle, 92 BPM, smoky barroom, 1960s club sound

59
Во славу Рода

Антон Васьков Hyper-aggressive nu metalcore with male growl vocals, tremolo-picked guitars, and relentless double-kick bursts. Verses sprint in tight, dissonant riffs; chorus widens with gang shouts and a stomping halftime feel. Breakdowns drop into down-tuned chugs, pick scrapes, and pinch harmonics, with layered screams and distant chant-like backing to evoke pagan war ritual energy., metalcore, male vocals

71
Dizi Reload

DarkAIron Instrumental cinematic glitch-metalcore orchestral track, no lyrics or sung words. 155 BPM with tight driving groove. Crushing palm-muted djent guitars, powerful industrial kicks + 808 bass, thunderous taiko and orchestral percussion. Massive swelling strings and brass. Emotional Chinese dizi flute as main melody with microtonal bends and high expressive tones. Rhythmic glitch elements: glitch stutters, chopped reversed female vocal chops used only as instrument, bitcrush on drops. Glitch supports the rhythm instead of destroying it. Epic cinematic builds, powerful drops, dark atmospheric pads. Dynamic, energetic, driving and coherent East-West fusion atmosphere."

66
My Memories

Золтан Sandra's style, New Wave, Eurodisco of 80's Synthpop of 80's, Eurobeat, traditional Turkish melodies, Medirranean Pop, Erotic, Mystic, 114 bpm, F♯ Minor key, synthesizer Yamaha DX7, Linn Drum, rhythmic delay, vocoder/echoes/reverberation/portamento, bright male + female duet, female sexual clear mysterious vocals (reminiscent of Sandra's voice), male sexual warm mysterious vocals.

135
My Memories

Золтан Sandra's style, New Wave, Eurodisco of 80's Synthpop of 80's, Eurobeat, traditional Turkish melodies, Medirranean Pop, Erotic, Mystic, 114 bpm, F♯ Minor key, synthesizer Yamaha DX7, Linn Drum, rhythmic delay, vocoder/echoes/reverberation/portamento, bright male + female duet, female sexual clear mysterious vocals (reminiscent of Sandra's voice), male sexual warm mysterious vocals.

136
Moonlight Over Quiet Water

Себостьян Slow-blooming ambient bed with distant pads and soft piano as the lead voice; gentle strings swell and recede like a tide. Very low percussion presence, mainly deep, subtle booms on section changes. Dynamics stay intimate, with small waves of intensity in the middle, then a tender fade into silence., soft, relaxing, ambient, gentle

43
Гнев Семаргла

Антон Васьков rap, Explosive nu metalcore with male vocals; double-time rap verses over down-tuned, palm-muted guitars and stuttering syncopated riffs, kick-snare barrages under rapid-fire Russian flow. Choruses slam into half-time with stacked growls and shouted gang vocals, tremolo-picked dissonant chords, and wide, distorted bass. Brief stop-start breaks and pick scrapes heighten tension before drops; final chorus ups the key tension and adds buried choral pads for apocalyptic scale., metalcore, male vocals

60
Midnight Cartwheel

Себостьян rap, Greasy funk bass and swung boom-bap drums under swaggering male vocals. Tight rhythm guitar scratches, claps on the backbeat, and horn stabs that punch into the hook. Verses spit playful, percussive bars; chorus opens wider with call-and-response ad-libs and stacked hooks that keep the groove circling. Subtle electric keys fill the gaps, mix dry and upfront for a party cypher feel., hip hop, funk

50
Мёд и меч (Edit)

DarkAIron Genre: Acoustic Folk Ballad Tempo: 85 Mood: Drunken, Bittersweet, Adventurous Vocal: Male, gravelly, slightly slurred, emotive Instruments: Acoustic Guitar, Fiddle, Hand Drum, Lute, Tavern Ambiance Rhythm: Swaying 6/8 waltz, uneven Atmosphere: Like a song sung in a rustic fantasy tavern after a long journey

93
Токмак( Тик-ток)

Позывной Кудесник reggae blues fusion, 78 BPM, call-and-response guitar licks, walking bassline, brushed snare, rimshot backbeat, Hammond organ chords, spring reverb, tape saturation, live room bleed, mono drum overheads, laid-back swagger, bittersweet groove, slow shuffle pocket,, slow shuffle blues, live-club blues, electric blues trio, bent-note guitar, call-and-response guitar, fingerpicked bassline, brushed snare, upright piano stabs, tube amp breakup, ribbon mic room, plate reverb, tape saturation, mono drum mix, sparse arrangement, 3 4 swing, laid-back groove, vintage 60s, conversational punchlines

59
Brass Anvilglass

DarkAIron Heavy instrumental melodic metalcore, As I Lay Dying style, djent metalcore with crushing riffs and polyrhythmic breakdowns, fused with epic dystopian cinematic orchestra, 155 BPM fluctuating Aggressive palm-muted djent guitars, huge swelling strings, stabbing brass, thunderous taiko + orchestral percussion, haunting Chinese dizi flute as main melodic lead with crying microtonal bends Glitchcore destruction, bitcrush, stutters, digital glitches, 808 sub, industrial kicks, dark pads Apocalyptic hopeful atmosphere, intense builds and drops, almost no vocals — pure instrumental heavy cinematic metalcore chaos

68
Вера

АнКер slow shuffle blues, electric blues trio, laid-back groove, conversational baritone, call-and-response guitar, smoky room vocals, dobro slide fills, fingerpicked low-string riff, upright bass pulse, brushed snare, tube amp saturation, spring reverb, live-club ambience, sparse verses, dynamic breakdowns, 82 BPM, pocket swing

58
Вера

АнКер slow shuffle blues, electric blues trio, laid-back groove, conversational baritone, call-and-response guitar, smoky room vocals, dobro slide fills, fingerpicked low-string riff, upright bass pulse, brushed snare, tube amp saturation, spring reverb, live-club ambience, sparse verses, dynamic breakdowns, 82 BPM, pocket swing

59
Бессмертный и Русь.

Антон Васьков Slavic folk rap, male rap vocals, flow, choir

59
Когда летать умеешь(муз.и ст. Евгений Медведев)

моральная агрессия Low deep bass guitar, quiet calm deep baritone, drums, acoustic guitar, hard-rock

163
Привет от Хоттабыча

мс Хоттабыч rap, Dark warehouse techno-rap, Russian male vocals with a sneering, conversational flow. Gravelly whisper ad-libs over a swung, minimalist kick pattern and distorted sub. Verses sit tight and dry; chorus widens with reverb tails, metallic stabs, and a simple, chant-like topline. Occasional glitch cuts and tape-stop moments to punctuate punchlines and shout-outs., techno, hip hop

41
Привет от Хоттабыча

мс Хоттабыч rap, Dark warehouse techno-rap, Russian male vocals with a sneering, conversational flow. Gravelly whisper ad-libs over a swung, minimalist kick pattern and distorted sub. Verses sit tight and dry; chorus widens with reverb tails, metallic stabs, and a simple, chant-like topline. Occasional glitch cuts and tape-stop moments to punctuate punchlines and shout-outs., techno, hip hop

51
Илюха рулит ТикТок

мс Хоттабыч Bouncy house-techno hybrid with a mischievous club energy, male vocals. Tight four-on-the-floor kick, rubbery bassline, chopped vocal glitches. Verses ride a minimal groove with filtered synth chords; chorus explodes with bright leads, crowd chants, and widened stereo. Occasional formant-shifted ad-libs and riser sweeps push transitions, perfect for short viral dance loops., techno

40
Илюха рулит ТикТок

мс Хоттабыч Bouncy house-techno hybrid with a mischievous club energy, male vocals. Tight four-on-the-floor kick, rubbery bassline, chopped vocal glitches. Verses ride a minimal groove with filtered synth chords; chorus explodes with bright leads, crowd chants, and widened stereo. Occasional formant-shifted ad-libs and riser sweeps push transitions, perfect for short viral dance loops., techno

52
Взорвёмся Сегодня

Себостьян Big room festival banger, male vocals. Tension-building intro with filtered supersaw chords and crowd risers into a huge four-on-the-floor drop. Vocals are mostly soaring wordless topline (“vocalizy”) with a few short Russian chant lines; massive layered leads and sub-shaking bass. First drop hits hard and bright, second adds octave doubles, wide crowd chants, and extra percussion for peak euphoria., big room

47
ДЭН КИН ЧЕН ДЭН

мс Хоттабыч Relentless warehouse techno: hard 4-on-the-floor kick, metallic percussion, siren-like synth stabs. Male vocals chanted and hypnotic, call-and-response gang shouts on the hook. Arrangement builds in layers, with a mid-song breakdown into filtered pads before a brutal drop back into the main groove., techno

37
Взорвёмся Сегодня

Себостьян Big room festival banger, male vocals. Tension-building intro with filtered supersaw chords and crowd risers into a huge four-on-the-floor drop. Vocals are mostly soaring wordless topline (“vocalizy”) with a few short Russian chant lines; massive layered leads and sub-shaking bass. First drop hits hard and bright, second adds octave doubles, wide crowd chants, and extra percussion for peak euphoria., big room

55
Любить...

Андрей А psychedelic tribal electronic, big room EDM, 150bpm, panduri georgian lute throughout — deep and ancient, georgian polyphonic vocals appear 3 times — intro breakdown and final drop — haunting multi-voice harmony UNESCO heritage, caucasus mountain atmosphere underneath production, deep hypnotic 808 bass groove heavy sidechain, georgian folk scales over electronic beat — unique and exotic, polyrhythmic caucasian percussion under EDM production, reverse cymbal tsunami build-up, snare roll doubling, breakdown strips to panduri and polyphonic vocals only, 1 second silence before final drop, DOUBLE BASS LAYER, psychedelic synth spirals on drop, no mercy drop, ancient caucasian ritual energy meets modern EDM, sounds like standing between Europe and Asia, oldest polyphonic tradition on earth, festival destroyer

50
Берег любви

Себостьян Epic electronic ballad with Russian male vocals; pulsing sidechain synths under warm piano and soaring strings, verses intimate and close-mic, chorus explodes with full orchestra swells and gated reverb snare, subtle arpeggiated plucks in the bridge, final hook stripped to piano and vocal then blooms back into a wide, emotional climax, electronic

59
Берег любви

Себостьян Epic electronic ballad with Russian male vocals; pulsing sidechain synths under warm piano and soaring strings, verses intimate and close-mic, chorus explodes with full orchestra swells and gated reverb snare, subtle arpeggiated plucks in the bridge, final hook stripped to piano and vocal then blooms back into a wide, emotional climax, electronic

55
ДЭН КИН ЧЕН ДЭН

мс Хоттабыч Relentless warehouse techno: hard 4-on-the-floor kick, metallic percussion, siren-like synth stabs. Male vocals chanted and hypnotic, call-and-response gang shouts on the hook. Arrangement builds in layers, with a mid-song breakdown into filtered pads before a brutal drop back into the main groove., techno

48
Туррбо Сова и Первый Март

мс Хоттабыч Aggressive Russian dubstep banger, male vocals, snarling mid-bass drops and syncopated drums. Intro builds with filtered pads and rising FX, then slams into a halftime stomp. Verse rides a clipped, percussive flow; chorus widens with gang shouts, vocal chops, and a detuned lead. Breakdowns use stuttered vox and sub swells before each turbo-charged drop., dubstep

57
Туррбо Сова и Первый Март

мс Хоттабыч Aggressive Russian dubstep banger, male vocals, snarling mid-bass drops and syncopated drums. Intro builds with filtered pads and rising FX, then slams into a halftime stomp. Verse rides a clipped, percussive flow; chorus widens with gang shouts, vocal chops, and a detuned lead. Breakdowns use stuttered vox and sub swells before each turbo-charged drop., dubstep

45
Одна радость на двоих

Alex 86 folk, Indie acoustic trio feel: warm picked guitar and soft bass guitar, light brushed percussion entering on the first chorus. Male vocals up close and intimate, verses hushed and conversational; chorus widens with double-tracked harmonies. Subtle build toward the end with a small dynamic lift and lingering final chord., acoustic

64
Одна радость на двоих

Alex 86 folk, Indie acoustic trio feel: warm picked guitar and soft bass guitar, light brushed percussion entering on the first chorus. Male vocals up close and intimate, verses hushed and conversational; chorus widens with double-tracked harmonies. Subtle build toward the end with a small dynamic lift and lingering final chord., acoustic

48