Все треки
Последние публичные треки, созданные нашими пользователями
Александр323 • Dubstep-tinged R&B and hip-hop at a mid-tempo bounce with half-time drops, skittering hi-hats, rubbery sub hits, and a slick swung groove; verse rides a tight 808 pocket with talk-sung bars, pre-chorus strips to filtered chords and breathy doubles, chorus slams with wobble bass, chant hooks, stacked ad-libs, glitch fills, reversed swells, metallic risers, glossy aggressive mix, wide low end, intimate vocal up front, bounce, vocal, hip hop, hip-hop, glitch, r&b, dubstep, breathy, low
Стрелецкий • indie folk, acoustic indie pop, fingerpicked acoustic guitar, harp-like arpeggios, brushed snare, room mic ambience, stacked tenor harmonies, octave doubled lead, tape saturation, spring reverb, 90s indie mix, intimate nostalgia, cresting release, 84 BPM, free rubato intro
Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar
Галина Тара • rock, pop, classical
Igor-Push • [Style: Melodic House, Progressive House, deep, ethereal, hypnotic, flowing, atmospheric, meditative. 122 BPM, 4/4. Kick soft and round, rolling bassline with sidechain, closed hi-hat shuffle, arpeggiated synth plucks, warm pads with slow filter sweeps.] [Vocals: male high tenor / soft falsetto, fully sung (no spoken word, no rap, no radio voice). Legato phrasing, syllables connected like melting. Breathy tone, chest relaxed, head voice dominant. Heavy cathedral reverb, pre-delay, long tail, ping-pong delay on vowels only. Double-tracked: center + panned left 40% with +3 cents pitch shift. Calm, introspective, slightly melancholic, never urgent. Soft consonants — T, D, K become gentle exhales.] [Structure: long intro (16-32 bars), vocal starts alone without drums, drums fade in under vocal, break removes kick but keeps bass and reverb tails, second drop adds harmony layer, outro dissolves into noise floor. No abrupt cuts — all transitions are 16-bar fades.]
Кто, кроме нас на стихи Юлии Павликовой
Plys1 • Эпичная поп-баллада, мощный мужской вокал
Пополюшку с трактористом • jazz, hip hop, electronic, folk, classical, soul, drum and bass, dubstep
Пополюшку с трактористом • jazz, hip hop, electronic, folk, classical, soul, drum and bass, dubstep
Диласо • Glossy Slavic club banger with a speed of 125 beats per minute with sexy female vocals, dense synthesizer bass, a clear "four on the floor" beat, bright verses and large airy pads for the chorus; the verses sound smooth and percussive, claps and subwoofers are heard before the chorus to emphasize the sexy vocals, the chorus opens with wide chords with folded hooks, top-end commercials and reverb effect; glossy lead in verses with a closed microphone, double chorus, layers of hooks resembling a crowd, clear ascending and reverse transitions in each drop, bright and soulful mixing, female vocals, vocal, bright stylish
Yurec • Style: Dark art rock, Russian gothic rock, theatrical, mystical, eerie, slow tempo (80-95 BPM), minor key, атмосферный и гипнотический звук, винтажный оттенок Mood: Mysterious, melancholic, surreal, slightly ominous, poetic, dreamlike Instrumentation: Electric guitar with clean and chorus effects, subtle distortion, bass guitar, minimalistic drums, analog synths, theremin-like sounds, organ pads, occasional bell/chime textures Vocal: Male vocal, baritone, calm and detached, theatrical delivery, slightly nasal tone, Russian accent, expressive but restrained, almost whispering in verses, more intense in chorus, storytelling style Structure: Intro (ambient, mysterious) Verse 1 (soft, spoken-like vocal) Chorus (fuller sound, emotional lift) Verse 2 (slightly more tension) Chorus Bridge (experimental, eerie sounds, whisper elements) Final Chorus (emotional peak but still controlled) Outro (fade into ambience) Lyrics language: Russian
RusMos • Aggressive dark phonk, heavy 808 bass, industrial beat, deep male spoken word, cinematic, 100 BPM, Russian rap influence, ambient rain.
mirwad • The mezzo-soprano, оperatic voice, song with a guitar, the arrangement, orchestration
BAZIK • Metal rap+reaggy
Алёна Панченко • Emotional acoustic ballad, gentle piano, cinematic strings, soft and soulful vocal, touching, hopeful, heartfelt, warm atmosphere, building intensity in chorus,- **Pop - **Electronic music - **Indie - **Celtic music ### Style - **Emotionality**: Strong feelings in lyrics and music. - **Melodiousness**: Ease of perception and variety of melodies. ### Tools - **Synthesizers. - **Electronic percussion - **Guitars**: Acoustic - **Samples and sound effects**: Add depth to compositions. - **Vocals**: Processed with effects, creating a unique sound.rock folk
Доктор Аня • indie folk, 96 BPM, fingerpicked acoustic guitar, mandolin tremolo, brushed snare, upright bass, glockenspiel accents, room mic ambience, tape saturation, plate reverb, mono drum bus, four-on-the-floor kick, swung eighth feel, bittersweet nostalgia, anthem chorus
Доктор Аня • indie folk, 96 BPM, fingerpicked acoustic guitar, mandolin tremolo, brushed snare, upright bass, glockenspiel accents, room mic ambience, tape saturation, plate reverb, mono drum bus, four-on-the-floor kick, swung eighth feel, bittersweet nostalgia, anthem chorus
Viktor Babeshko • rock
“Visiting the shaman”
NITOFID • Ritual ambient at 70 BPM steady like a stone heart no tempo changes all locked to pulse deep omnipresent reverb cave resonance long decay stone reflections every sound echoes lingers dissolves vocal low baritone with gravel natural tremor intimate as if after days of silence slight vocal fry diaphragm tremolo sings primal guttural syllables ancient flowing voice soaked in reverb echoes blend with drone pipe organ in sub-bass foot pedals continuous drone in Bb infinite sustain organ breathes with subtle quarter-note swells "tuk-tuk" felt not heard harmonic lifts E D A via soft stops held full bars organ drenched in reverb tones melt into stone no melody only pulse pressure space structure Intro → Inst Break → Verse 1 → Inst Break → Chorus → Inst Break → Inst Break → Outro each 8–12 bars total 7 minutes mood ancient vast solitary voice calls echoes return organ answers sound fades into earth wind breath stone silence the steppe breathes, ambient
“At the shaman’s place”
NITOFID • Ritual ambient at 70 BPM steady like a stone heart no tempo changes all locked to pulse deep omnipresent reverb cave resonance long decay stone reflections every sound echoes lingers dissolves vocal low baritone with gravel natural tremor intimate as if after days of silence slight vocal fry diaphragm tremolo sings primal guttural syllables ancient flowing voice soaked in reverb echoes blend with drone pipe organ in sub-bass foot pedals continuous drone in Bb infinite sustain organ breathes with subtle quarter-note swells "tuk-tuk" felt not heard harmonic lifts E D A via soft stops held full bars organ drenched in reverb tones melt into stone no melody only pulse pressure space structure Intro → Inst Break → Verse 1 → Inst Break → Chorus → Inst Break → Inst Break → Outro each 8–12 bars total 7 minutes mood ancient vast solitary voice calls echoes return organ answers sound fades into earth wind breath stone silence the steppe breathes, ambient
RusMos • bass house, uplifting EDM, 126 bpm, heavy kick and wobbly sub bass, dual male vocals, energetic dance-pop, Russian electronic, euphoric drops, powerful claps
NITOFID • [Vocal range: low baritone with gravel and natural tremor — voice should sound weathered, intimate, as if sung after days of silence. Slight vocal fry on sustained tones. Tremolo from diaphragm, not vibrato.] [Reverb: deep cave-like resonance, long decay, natural stone reflection — like singing inside a mountain] [Primary instrument: didgeridoo (yidaki) in Bb — continuous, breathing, alive. It leads, responds, and governs the rhythm.] [Tempo: 70 BPM — steady, unwavering, no acceleration or ritardando. Pulse like a stone heart. All elements locked to this rhythm.], dubstep, ambient
Миша Симбиоз • Minimal Deep House, 125 BPM, aggressive and arrogant. Drums: four-on-the-floor dry kick, sharp clap on 2 and 4, minimal hi-hats. Bass: deep, round, one note per bar — walking, heavy, clean. No melodies. No reverb. Male voice: low, dry, close mic, minimal gravel. . One shout only — marked. Cold, stomping.
Alex 86 • Alternative hip-hop with a brooding mid-tempo swing, dusty kick-snare groove, warped bass pulses, and chopped melodic fragments; verse rides sparse drums and tense low-end, pre-chorus opens with filtered layers and rising harmony, chorus hits with stacked male-female doubles and a chantable call-and-response. Use tight close-mic lead vocals, occasional whispered ad-libs, delay throws on the hook phrase, vinyl crackle transitions, and a wide gritty mix with punchy low end.
Kardaamon • Verdi opera, symphonic orchestration, solo trumpet, oboe countermelody, string tremolo, brass fanfare, timpani rolls, woodwind choir, cathedral reverb, tape saturation, mono hall capture, 1960s analog warmth, tragic revelation, rising dread, rubato pacing, dramatic crescendo, declamatory strings, low pedal bass, instrumental-only
vladzak57 • Swing, male vokals,, hip hop
Alex 86 • Alternative hip-hop with male vocals, mid-tempo swung drums and distorted low-end pulse; verse rides dry kick-snare pockets with punchy pauses, pre-chorus opens with filtered bass and stacked chants, chorus hits harder with gang shouts and a chopped vocal stab. Bridge strips to half-time and a lone synth drone, then final chorus returns wide and heavy. Close-mic lead, doubled hook lines, short delay throws, gritty punchy mix with harsh textures and bass weight.
vladzak57 • Swing, male vokals,, hip hop
Alex Hellmark • pop, r&b, disco, saxophone, guitar.
Alex Hellmark • pop, r&b, disco, saxophone, guitar.
MaReVo • Trap with male vocals, half-time bounce and crisp hi-hat rolls; verse rides sparse piano and heavy sub, pre-chorus strips to voice and clap, chorus opens with layered doubles and chant-like backing; filtered risers, reverse swells, and a short drop before the final hook; intimate close-mic verses, wider stacked hook, bright and punchy mix
ЕленаЕ • Sad lyrical rap with male vocals, mid-tempo swung drums and a sparse piano loop; verse rides intimate close-mic bars with dry ad-libs and low doubles, pre-chorus narrows to voice and filtered chords, chorus opens with stacked unison and a short chantable hook. Tape hiss intro, reverse piano swell into chorus, delayed last-word throws, warm punchy mix with a heavy emotional center.
ЕленаЕ • Children's pop with bouncy handclaps, skipping acoustic guitar, marimba accents, and a bright mid-tempo groove; verse stays light and playful with solo voice and tiny percussion, pre-chorus lifts with claps and a rising chant, chorus lands on a gang-vocal singalong with simple call-and-response. Add little whistle fills between lines, a toy-piano run into the hook, and a sparkling mix that feels close, cheerful, and sunny.
ЕленаЕ • Lyrical rap, slow 72 BPM, swung drums and sparse piano pulses; verse rides intimate half-spoken lines with close-mic female vocals and soft doubles, pre-chorus thins to bare keys and breathy harmonies, chorus hits in a red-tinted, hypnotic chant with stacked unison and ad-lib echoes. Vinyl crackle, reversed swell, and a muted sub lift into each hook; polished, dark, and aching.
Свет2 • Mythic Slavic folk, Dark epic ballad, Ethereal female vocals, Deep bass male vocals, Gusli, Woodwinds, Slow waltz 3/4,, folk fantasy, indie folk, modal acoustic guitar, fingerpicked mandolin, bowed dulcimer, frame drum pulse, low whistle countermelody, layered tenor harmonies, church bell accents, tape saturation, room reverb, close-miked acoustic, 84 BPM, ritual march, dread to resolve
RusMos • uplifting deep house, dance electronic, 124 bpm, four-on-the-floor kick, pulsating sub bass, dual male vocals, energetic and bright, Russian dance pop, euphoric drop
Евгений Шлычков • industrial rock, nu metal, 92 BPM, drop D guitar riffs, palm-muted chugging, eight-string guitar harmonics, distorted synth drones, analog choir pads, gated snare, parallel compression, subwoofer bass, half-time groove, syncopated kick pattern, dark catharsis, brooding resolve
Сентиментальное кино
Егорган • Melodic piano, melodic acoustic guitar, indie, lounge chill,italo disco
max_42117124 • spoken lead, dance rap, R&B hooks, 98 BPM, syncopated breakbeat, four-on-the-floor kick, handclap stack, choir backing vocals, call and response, tenor harmony stack, steel-string acoustic strums, djembe accents, frame drum rolls, north folk flute, stadium crowd chant, tape saturation, plate reverb, live room drum bleed, ecstatic release
max_42117124 • spoken lead, dance rap, R&B hooks, 98 BPM, syncopated breakbeat, four-on-the-floor kick, handclap stack, choir backing vocals, call and response, tenor harmony stack, steel-string acoustic strums, djembe accents, frame drum rolls, north folk flute, stadium crowd chant, tape saturation, plate reverb, live room drum bleed, ecstatic release
vladzak57 • classical, pop
Току • alternative rock
Nostromo • Synthwave, classical
divey • Slow-tempo disco 1980s, dance pop ballad, C magor key, chord progression C-Am-Dm-G-F-A#. Vibe Radiorama, electronic, synth, heavy drum machine, four-on-the-floor kick beat, heavy synthisizer, synth brass, sampler, arpeggiator, rhythmic bassline. Mechanical male voice, male and female vocals.
divey • High-energy disco 1980s, dance pop, electronic, synth, heavy drum machine, four-on-the-floor kick beat, analog synthisizer, sampler, arpeggiator, rhythmic bassline. Mechanical male voice, male and female vocals.
