Все треки
Последние публичные треки, созданные нашими пользователями
Milla • classical, soul
Oksana Che • Create a vibrant modern club track infused with traditional плясовая and частушки elements. Major key, uplifting and infectious energy. Production features contemporary club instruments: powerful kicks, layered synths, groovy bass, and dynamic percussion. Lead vocal is female, sung in a low contralto register — soft, rich, and steady (no octave shifts). Lyrics in Russian, following частушки format (short humorous rhymes). The overall feel should be festive, dance-oriented, and instantly engaging.
Мистер ИИ • Electronic rap with bouncy syncopated drums, playful bass blips, and a skittering hi-hat bounce; verse rides with dry, raspy male lead and cheeky ad-libs, pre-chorus strips to claps and rubbery synth pops, chorus hits with a child choir chanting the anchor in unison. Add quick risers, reverse swells, and toy-like ear candy between lines. Bright, punchy mix with a cartoon edge and crisp low end.
Мистер ИИ • Electronic rap with bouncy syncopated drums, playful bass stabs, and a springy party groove; verse rides tight and funny with space for the hoarse male lead, pre-chorus lifts with chopped ad-libs and rising synth fizz, chorus hits with a kids’ choir chant and handclap bounce, bridge strips to filtered keys and half-time drums before the final hook. Hoarse close-mic male vocal, playful doubles, kids’ choir call-and-response, delay throws on punchlines, bright punchy mix with cheeky ear-candy drops and risers.
Volodya98 • Electronic hip hop rock with driving half-time drums, distorted guitar stabs, and punchy synth bass; verse rides a tight spoken-rap pocket over sparse kick, hats, and muted riff, pre-chorus opens with rising toms and filtered pads, chorus hits with wide shouted doubles and gang vocal echoes. Add reverse swells into the hook, a brake-squeal riser before each drop, and a short synth lead answer after key lines. Bright, gritty, and stadium-loud mix with close-mic vocals and glossy hook delay throws., hip hop, electronic, rock
Alex 86 • Alternative hip-hop with midtempo swung drums, rubbery sub-bass, chopped vocal stabs, and skittering percussion; verse 1 rides sparse kick, snapped snare, and tense low synth; pre-chorus opens with filtered chords and clapped hand rhythms; chorus hits with stacked gang doubles and a warped chant hook. Male and female vocals trade lines, with delay throws on the title phrase, reversed swells into transitions, and a bright punchy mix with gritty low-end.
Alex 86 • Alternative hip-hop with swung drums, dusty bass pulses, and chopped guitar stabs; verse 1 rides sparse kick, rim clicks, and close-mic male lead, verse 2 brings female counterlines and wider harmony doubles, pre-chorus strips to bass and handclaps, chorus hits with stacked unison hooks and short gang responses. Add filtered vinyl crackle into the first drop, a reverse swell before each chorus, and a tape-stop flick at the bridge. Punchy, warm, intimate mix with crisp mids and gritty low end; male vocals and female vocals trade lines with occasional delay throws on the hook.
Шурави • pop, country, jazz
Мечтатель Артур • Cinematic dark fantasy symphonys; low strings and choir drone in the verses, brass swells and church organ supporting a soaring, tragic chorus; timpani and taiko accents for battle weight; bridge opens with solo cello and distant choir, then full orchestra crescendo into a towering final refrain,
Alex 86 • Alternative hip-hop with male and female vocals, mid-tempo swung drums and dusty bass; verse 1 rides tight minimalist beat with close-mic male rap, verse 2 opens with airy female harmony lines and doubled ad-libs, pre-chorus strips to bass and snapped percussion, chorus hits with layered unison chants and call-response. Vinyl crackle, reversed swell into the hook, short delay throws on the last word of each line, bright punchy mix with gritty low end.
Alex 86 • Alternative hip-hop with a brooding mid-tempo swing, dusty kick-snare groove, warped bass pulses, and chopped melodic fragments; verse rides sparse drums and tense low-end, pre-chorus opens with filtered layers and rising harmony, chorus hits with stacked male-female doubles and a chantable call-and-response. Use tight close-mic lead vocals, occasional whispered ad-libs, delay throws on the hook phrase, vinyl crackle transitions, and a wide gritty mix with punchy low end.
Alex 86 • Alternative hip-hop with male vocals, mid-tempo swung drums and distorted low-end pulse; verse rides dry kick-snare pockets with punchy pauses, pre-chorus opens with filtered bass and stacked chants, chorus hits harder with gang shouts and a chopped vocal stab. Bridge strips to half-time and a lone synth drone, then final chorus returns wide and heavy. Close-mic lead, doubled hook lines, short delay throws, gritty punchy mix with harsh textures and bass weight.
Пополюшку с трактористом • synthwave, ambient, dubstep, drum and bass, house, funk, soul, classical
Volodya98 • Russian aggressive rap with militant boom-bap drums, stomping half-time bounce, distorted bass hits, and tense minor-key loops; verse rides sparse kick-snare and cold handclaps, pre-chorus tightens with rising percussion and chopped choir stabs, chorus slams in with shouted doubles and gang vocal accents. Add reverse swells into the hook, vinyl crackle under the intro, and short delay throws on the last word of each chorus line. Gritty, front-and-center mix, harsh and punchy male vocals.
Volodya98 • Rap club track with bouncy mid-tempo bounce, punchy kick and snappy clap groove; verse rides sparse drums and a rubbery bassline, pre-chorus tightens with filtered synth lifts and handclap rolls, chorus opens with stacked gang chants and a catchy repeatable hook. Lead vocal stays close-mic and confident with double-tracked ad-libs, delay throws on end rhymes, and whispered turnarounds. Ear candy includes reversed sweeps into the hook, glassy synth stabs between lines, and crowd-style shouts on the drop. Bright, punchy, glossy club mix with heavy low end., rap
Ветров Лёха • Extended clab remix, Electro house
Ветров Лёха • Extended mix, club , electronic music
Lexius • Bass aggressive, rap aggressive, музыка в машину,, reggae aggressive.
Taty Cher • [Genre: Tech House] [Subgenre: Dark Tech House] [Mood: Intense, hypnotic] [Tempo: 110 beats per minute] Aggressive electro rhythms with distorted beats and crystal percussion. Deep, rumbling basses. Minimal synth rhythms with strong reverb. Atmosphere: underground club, night energy. No melodies, just rhythms. Vocals: Low bass with a crackling overdrive.
Fisherman • reggae
Смирнов Анатолий • Pop, Russian Chanson, Female Vocal, echo, Explosive powerful vocals, Piano, Atmospheric, emotional, Add Bits
Tema can fly • Style: epic lyrical ballad with cinematic fantasy folk elements, evoking Star Wars and Elder Scrolls soundtracks — intimate yet grand. Rhythm: 6/8 in verses/choruses (flowing, Force‑like pulse), shifting to 4/4 in the bridge (dramatic tension), returning to 6/8 for the triumphant finale. Tempo: Andante (72–80 BPM) → Allegro maestoso (108 BPM). Vocals: mezzo‑soprano, from piano/whisper (verses) to forte (climax). Legato in verses, marcato on key words («Brianna», «star», «free»). Instruments: acoustic guitar, harp, strings, flute, horns, didgeridoo, handpan, tambourine, timpani, celesta, synth pads. Atmosphere: from shadow and silence (Act I) → dawning light (Act II) → storm and conflict (Bridge) → radiant freedom (Finale). Effects: reverb, echo on «Brianna», sub‑bass hum, star‑like synth sparkles, crescendo, riser before bridge, bell chimes in outro.
Tema can fly • Style: epic lyrical ballad with cinematic fantasy folk elements, evoking Star Wars and Elder Scrolls soundtracks — intimate yet grand. Rhythm: 6/8 in verses/choruses (flowing, Force‑like pulse), shifting to 4/4 in the bridge (dramatic tension), returning to 6/8 for the triumphant finale. Tempo: Andante (72–80 BPM) → Allegro maestoso (108 BPM). Vocals: mezzo‑soprano, from piano/whisper (verses) to forte (climax). Legato in verses, marcato on key words («Brianna», «star», «free»). Instruments: acoustic guitar, harp, strings, flute, horns, didgeridoo, handpan, tambourine, timpani, celesta, synth pads. Atmosphere: from shadow and silence (Act I) → dawning light (Act II) → storm and conflict (Bridge) → radiant freedom (Finale). Effects: reverb, echo on «Brianna», sub‑bass hum, star‑like synth sparkles, crescendo, riser before bridge, bell chimes in outro.
Tema can fly • Style: an epic industrial‑metal ballad blending cinematic Star Wars grandeur with dark, emotional depth. The rhythm shifts from a heavy 6/8 march in verses to a powerful 4/4 in choruses, building intensity from Andante (80 BPM) to Maestoso (108 BPM). The mezzo‑soprano vocal starts hushed and hoarse (piano), conveying vulnerability, then escalates to a full, resonant fortissimo during the climax (“Brianna!”), before fading into peaceful piano at the end. Articulation moves from sharp, staccato phrasing to open, vibrato‑rich lines. Instrumentation combines distorted electric guitars and a driving bass riff with orchestral elements: deep cellos, brass fanfares, and ethereal celesta glimmers. Industrial percussions and metallic sound effects enhance the tension, while atmospheric synth pads and sub‑bass rumble evoke the Force’s presence. Atmosphere evolves from dark corridors and shadows to a triumphant starlit vista, symbolizing Brianna’s journey from servitude to Jedi freedom.
Tema can fly • Style: an epic industrial‑metal ballad blending cinematic Star Wars grandeur with dark, emotional depth. The rhythm shifts from a heavy 6/8 march in verses to a powerful 4/4 in choruses, building intensity from Andante (80 BPM) to Maestoso (108 BPM). The mezzo‑soprano vocal starts hushed and hoarse (piano), conveying vulnerability, then escalates to a full, resonant fortissimo during the climax (“Brianna!”), before fading into peaceful piano at the end. Articulation moves from sharp, staccato phrasing to open, vibrato‑rich lines. Instrumentation combines distorted electric guitars and a driving bass riff with orchestral elements: deep cellos, brass fanfares, and ethereal celesta glimmers. Industrial percussions and metallic sound effects enhance the tension, while atmospheric synth pads and sub‑bass rumble evoke the Force’s presence. Atmosphere evolves from dark corridors and shadows to a triumphant starlit vista, symbolizing Brianna’s journey from servitude to Jedi freedom.
Андрей Л • children's march
MaReVo • Trap with male vocals, half-time bounce, sparse sub pulse, clipped hats, dark piano motifs; verse rides tense and intimate with close-mic delivery and doubles on key phrases; pre-chorus strips to drums and bass while stacked vocal lifts build; chorus hits with a chantable prayer hook and gang-style backing on the final words. Filter sweeps, reverse chimes into the hook, short delay throws on the last line, bright punchy mix with a deep low end.
Золтан • World Music, New Age, Digital Folk, Symphony Orchestra, Berber Traditional Melodies and Chants, Traditional Sahara Region's Folk Instruments (gasba, ney, qraqeb), Oud, powerful Darbuka percussion, synthesizer KORG PA600, 90-110 bpm, F Minor key, pentatonic chord progression, echoes/reverberation/glissando/portamento, female bright lead vocals, male choir backing vocals.
Золтан • World Music, New Age, Digital Folk, Symphony Orchestra, Berber Traditional Melodies and Chants, Traditional Sahara Region's Folk Instruments (gasba, ney, qraqeb), Oud, powerful Darbuka percussion, synthesizer KORG PA600, 90-110 bpm, F Minor key, pentatonic chord progression, echoes/reverberation/glissando/portamento, female bright lead vocals, male choir backing vocals.
YohPilot • darkwave, ethereal wave, male lead vocal, rich male voice, baritone lead, Latin choir, female church chorus, analog synth bass, detuned saw pads, gated snare, chorus guitar shimmer, tape saturation, spring reverb, 128 BPM, straight eighth groove, minor key, layered chorus lift, cold neon mood, ritual grandeur
MaReVo • Trap with half-time bounce and punchy 808 pulses; verse rides sparse hats, dry snaps, and dark sub drops, pre-chorus opens with filtered pad and rising noise, chorus hits harder with stacked gang hooks and wide ad-libs on the title phrase. Male vocals close-mic and gritty in verses, doubled on the hook with short delay throws. Ear candy: reversed sweeps into the chorus, glitchy bit-crush flicks between lines, tape-stop on the bridge turn. Mix is dark, crisp, and heavy in the low end.
Plys1 • Поп-баллада в современном стиле, в быстром темпе, низкий женский голос.
MaReVo • Trap with male vocals, slow half-time bounce and crisp hi-hat rolls; verse rides sparse 808 pulses and clipped plucks, pre-chorus opens with filtered pads and rising tension, chorus lands on a wide sub drop and chanty doubles. Stack tight ad-libs on key words, add reversed swells into the hook and a short tape-stop before the bridge. Bright, hard-hitting, and dry-close in the mix.
Золтан • Classic Hollywood Western Style, Classic Hollywood Western Movie Ballad, Epic Cinematic Ballad, Cinematic Symphony Orchestra, Country/Bluegrass/Indigenous Fusion, Native American traditional instrunents and chants, powerful Shamanic percussion, 70-90 bpm, E♭ Minor key, pentatonic chord progression, male warm mysterious lead vocals, male soft mysterious backing vocals.
Золтан • Classic Hollywood Western Style, Classic Hollywood Western Movie Ballad, Epic Cinematic Ballad, Cinematic Symphony Orchestra, Country/Bluegrass/Indigenous Fusion, Native American traditional instrunents and chants, powerful Shamanic percussion, 70-90 bpm, E♭ Minor key, pentatonic chord progression, male warm mysterious lead vocals, male soft mysterious backing vocals.
Моя любовь в огнях большого города
Rashid • Acoustic guitar, male vocal, r&b
MDM music • Рэп, поп рнб, electro-pop, dance-rock, synth-pop, 118 BPM, pulsing sidechained bass, bright synth stabs, layered analog pads, gated snare, picked electric guitar riffs, octave bass line, tom fills, stereo delay, tape saturation, verse dropouts, pre-chorus lift, anthem energy, controlled menace, hip hop
Alex Hellmark • pop, r&b, disco, guitar, digital piano,violin.
Alex Hellmark • pop, r&b, disco, guitar, digital piano,violin.
Александр323 • Trap-dubstep rap with a snarling half-time bounce, stomping 808s, grimy synth brass, and wobbling bass drops; verse rides sparse drum taps and clipped bass hits, pre-chorus strips to filtered pads and a rising snare rush, chorus slams with gang doubles and pitch-bent hook stabs. Voxel-fried vocal chops, delay throws on key words, sub-drop transitions, sharp stereo sweeps, bright and heavy mix., dubstep, rap
Asya Aslan • Epic deep emotional ballad, medium tempo, dark, female high voice, pop, expressive, powerful female vocal
Золтан • Classic Hollywood Western Style, Classic Hollywood Western Movie Ballad, Epic Cinematic Ballad, Cinematic Symphony Orchestra, 90 bpm, C♯ Minor key, bright male + male duet, male deep husky vocals, male clear powerful vocals.
Золтан • Classic Hollywood Western Style, Classic Hollywood Western Movie Ballad, Epic Cinematic Ballad, Cinematic Symphony Orchestra, 90 bpm, C♯ Minor key, bright male + male duet, male deep husky vocals, male clear powerful vocals.
vladzak57 • Classic, orchestra, низкий женский голос.
Себостьян • Klezmer-pop with brisk dancehall drums, playful piano vamp, and wiry violin phrases; verse moves in tight storytelling lines, pre-chorus lifts with handclaps and clarinet-like keyboard flourishes, chorus lands on a chantable gang-vocal hook. Add accordion-style fills, quick stop-time breaks, and a slippery violin turn before each refrain. Bright, punchy mix with theatrical cabaret energy and close-mic lead vocals
vladzak57 • Classic, orchestra, низкий женский голос.
ReNuar • Opening on sparse, vinyl crackle with deep, growling bass, the track weaves drumfunk breakbeats and industrial hits over 4/8 time at 60 bpm. Minimal acid-funk synth lines pair with hypnotic, psychedelic textures, as a dark, processed male voice and ethereal female vocals interplay above polished afrobeat percussion, forming a sleek, digital trip-hop fusion.
