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Последние публичные треки, созданные нашими пользователями

Первое признание

Beggusha Bright pop rock in English with punchy electric power chords, clean palm-muted verses, and anthemic open-chord choruses. Driving kick-snare drums, tight tom fills, melodic electric bass, and layered lead guitar hooks with chorus and delay. Polished vocal stacks, subtle synth pads, and crisp studio compression., blues

100
Je danse

EvgenyBoom mid‑tempo r&b track (118–122 BPM) featuring a prominent, driving bass riff. Layer it with atmospheric synth pads and a memorable, slightly nostalgic lead melody. Structure with a dynamic drop and a climactic final section. Use clean, processed powerful female vocals with echo effects. Mood: bittersweet, dance‑floor‑ready introspection.

174
Воспоминание

Себостьян Warm live trio with acoustic guitar, brushed drums, and woody upright bass; male vocals in a nostalgic folk-pop style. Verses stay intimate and close-mic’d, choruses bloom with fuller strums and walking bass. Subtle backing “ла-ла” harmonies in the hook, gentle dynamic lift into a bittersweet bridge, then a soft, resigned final refrain.

91
Воспоминание

Себостьян Warm live trio with acoustic guitar, brushed drums, and woody upright bass; male vocals in a nostalgic folk-pop style. Verses stay intimate and close-mic’d, choruses bloom with fuller strums and walking bass. Subtle backing “ла-ла” harmonies in the hook, gentle dynamic lift into a bittersweet bridge, then a soft, resigned final refrain.

83
Воды мрака (Edit)

ГайсAI Epic Viking Metal Ballad, Male Vocals in style of Johan Hegg (Amon Armath), Clean Powerful Voice, Deep Baritone, Grim, Slow to Mid Tempo, Heavy Drums, Deep Cello, Dark Atmosphere, Cinematic, No Screaming. Chapters 17-18: Spoken Word/Chanting in style of Dark Orchestral. Outro: Lo-fi, Crackling Vinyl, Whisper.

93
Панацея от грусти

Nostromo metal, classical, techno, drum and bass

138
Баба Яга — зачётная тёлка

мс Хоттабыч rap, Bouncy club hip-hop, mid‑tempo groove with thick sub bass and sharp trap hats. Playful male vocals, swagger-heavy delivery; verses sit tight in the pocket, chorus opens up with gang shouts and stacked hooks. Dark, cartoonish synth lead on the hook, occasional spooky FX stabs for fairy‑tale flavor. Big, glossy mix aimed at party systems., hip hop

113
Баба Яга — зачётная тёлка

мс Хоттабыч rap, Bouncy club hip-hop, mid‑tempo groove with thick sub bass and sharp trap hats. Playful male vocals, swagger-heavy delivery; verses sit tight in the pocket, chorus opens up with gang shouts and stacked hooks. Dark, cartoonish synth lead on the hook, occasional spooky FX stabs for fairy‑tale flavor. Big, glossy mix aimed at party systems., hip hop

93
Сколько бабу не люби

Себостьян Rowdy Russian folk-punk energy with male vocals, stomping drums and drunken-choir gang shouts on the hook, wheezing carnival accordion riffs, tempo pushes faster in the choruses, shout-along bridge with half-spoken, half-screamed lines and a rough barroom singalong vibe

185
Сколько бабу не люби

Себостьян Rowdy Russian folk-punk energy with male vocals, stomping drums and drunken-choir gang shouts on the hook, wheezing carnival accordion riffs, tempo pushes faster in the choruses, shout-along bridge with half-spoken, half-screamed lines and a rough barroom singalong vibe

105
Дитё данов (Edit)

ГайсAI Epic Nordic Folk, Dark Viking Ballad, Deep Male Vocals, Tagelharpa, Heavy Drums, Rain and Wind, Slow Tempo, Cinematic, Mystical, Grim, Storytelling, Atmospheric, Emotional Resolution, No Bright Sounds

97
Жду тебя

Светлана16 electronic, disco, techno

102
Жду тебя

Светлана16 electronic, disco, techno

105
Рюмка водки
102
Я всегда люблю тебя

Себостьян Driving Russian rock ballad, midtempo build. Clean electric arpeggios under intimate male vocals in the verse, then crunchy guitars and wide drum groove in the chorus. Big anthemic hook with gang-style “эй-эй-эй” responses; second chorus hits harder with doubled vocals and overhead cymbals. Brief bridge strips back to toms and bass, then final chorus explodes with soaring lead guitar fills and a held vocal ad-lib on the title line.

69
Андрюша-мэр-стрим

мс Хоттабыч Laid-back roots reggae groove, swung offbeat skank guitar, warm round bass, roomy live drums; male vocals with playful call-and-response shouts. Verses stay chatty and close-up, chorus blossoms with gang vocals and bright organ stabs, gentle dub delays on key phrases in the outro., reggae

79
Я всегда люблю тебя

Себостьян Driving Russian rock ballad, midtempo build. Clean electric arpeggios under intimate male vocals in the verse, then crunchy guitars and wide drum groove in the chorus. Big anthemic hook with gang-style “эй-эй-эй” responses; second chorus hits harder with doubled vocals and overhead cymbals. Brief bridge strips back to toms and bass, then final chorus explodes with soaring lead guitar fills and a held vocal ad-lib on the title line.

87
Одинокий рейнджер

Hobbi pop, reggae, trap, disco

76
Одинокий рейнджер

Hobbi pop, reggae, trap, disco

78
Мэр-стрим блюз

мс Хоттабыч jazz, Smoky small-club jazz trio: upright bass walks lazily, brushed drums, warm nylon-string guitar. Male vocals, close to the mic, almost spoken. Verses stay minimal and conversational; chorus blooms with soft backing “doo-dah” harmonies. Occasional half-bar stops to let punchlines land, subtle swing throughout.

94
Корабли улетали

Nostromo Industrial, sinthwave, techno

117
Экстремальные гонки

Hobbi Rap, Trap, Industrial, Dark, Electronic

80
Экстремальные гонки

Hobbi Rap, Trap, Industrial, Dark, Electronic

79
Некого искать

Kindheartedness A modern hip hop track kicks off with a tight, punchy drum groove and layered sampled textures. Subtle synths and melodic bass lines weave through, giving a rich, urban feel. Verses flow atop minimalist beats, while the hook explodes with vocal harmonies and crisp hi-hat patterns.

78
знаешьпросто сложилось

Predvehni electronic, indie, house, techno, drum and bass, ambient, synthwave, trap,pse Trans

76
Баба

Левий Arabic symphony with a full string section, oud melodies, qanun arpeggios, ney solos, and brass fanfares over taiko-style frame drums and orchestral timpani. Phrygian modal harmony, lush violins, deep contrabass, reverberant hall space, layered woodwinds, and dramatic crescendos with intricate ornamental runs., Enchanted witch fantasy in English with eerie minor-key celesta, glassy music box, and modal string drones. Fingerpicked nylon guitar, bowed psaltery, low male choir, and hollow taiko hits create a ritual pulse. Vintage tape hiss, cavernous reverb, and whispered vocal textures give it a dark folkloric, spellbound atmosphere.

84
Алтын Кёль- легенда о Телецком озере

LiS Driving rock with crunchy overdriven electric guitars, power-chord riffing, and a punchy live drum kit. Tight kick, snare crack, and tom fills anchor the groove, while electric bass locks to the roots with slight drive. Layered guitar harmonies, room mic ambience, and a big chorus lift the track., Dark witch fantasy in English-language form, blending eerie folk textures with occult ambient and medieval darkwave. Hurdy-gurdy drones, bowed psaltery, detuned pipe organ, frame drums, and whispered choir pads drift through heavy reverb, tape hiss, low drones, and minor-key modal melodies for a ritualistic, shadowy atmosphere., Altai-inspired throat singing with deep khöömei-style drones, khomus jaw harp overtones, and frame drum pulses under spacious wind textures. Add bowed horsehead fiddle, low tanbur plucks, and sparse hand percussion, all in a raw folk-ambient mix with open-air room reverb and earthy, resonant bass tones.

603
Ламба на блатных номерах

Hobbi rap, Slick disco-rap blend at club tempo, bouncy bass and glassy funk guitar over a tight four-on-the-floor. Male vocals with a sly, nasal “mole voice” character; verses stay close and rhythmic, chorus widens with stacked hooks and call‑and‑response ad-libs. Occasional synth stabs and riser sweeps lift into each hook, keeping the dancefloor energy peaking., hip hop, disco

94
Кайфовый Выходной

Hobbi rap, Glossy nu-disco groove with hip-hop drums and bouncy bass, male vocals half-rapped half-sung in a relaxed Mole-style tone. Verses keep it tight and percussive, pre-chorus adds syncopated claps and airy pads, chorus blooms with stacked gang vocals and bright synth leads. Subby low end glues the track, with quick DJ-style drops before each hook to spike the energy., hip hop, disco

89
Кайфовый Выходной

Hobbi rap, Glossy nu-disco groove with hip-hop drums and bouncy bass, male vocals half-rapped half-sung in a relaxed Mole-style tone. Verses keep it tight and percussive, pre-chorus adds syncopated claps and airy pads, chorus blooms with stacked gang vocals and bright synth leads. Subby low end glues the track, with quick DJ-style drops before each hook to spike the energy., hip hop, disco

94
Ночное шоссе

Ночное шоссе

Кавер-версия

Егорган Deep house, piano, melodic acoustic guitar

109
День рождения Елены Николаевны

Валерий Андоний jazz, Light jazz-pop with upright bass, brushed drums, and warm piano comping. Male vocals in an easy swing; verses stay intimate with close-mic croon, chorus opens into brighter harmonies and soft brass pads. Subtle sax fills answer vocal phrases, energy gently lifts toward a playful April 1st tag, then eases out on a cozy, held final chord., pop

116
Бокал пива и сигарета

Alex 86 Melancholic Russian chanson ballad in a slow barroom sway: intimate nylon-string guitar and soft, sighing accordion up front, brushed snare and warm upright bass pulsing gently underneath. Male lead vocal, close and storyteller-like, with soft female harmonies wrapping around the choruses. Dynamics stay low and smoky, last chorus blooming into a warm breathy swell on the final line, then easing into a half-spoken, intimate farewell., chanson, warm, male vocals, breathy, slow, gentle, dynamics, low, vocal, soft, ballad, accordion

80
Руссы против ящеров 4

Sergilio powerful viking metal, power metal, epic melodies, soaring vocals, fantasy themes, heroic, rolling bass, driving bass line, deep bass 808, epic folk choral, fast tempo

92
Пой моряк

Nostromo indie, folk, synthwave

141
Creaking Choir

Tema can fly Style: A hybrid of industrial metal (Doom Eternal), dark ambient (Painkiller: Orphanage) and futuristic synthpop (Quake 4). Rhythm: dynamically changing: the beginning is 90 BPM, pulsating bass, rare beats, disturbing sounds of the shelter (creaking, ticking, distorted children's voices); fight — acceleration to 140-160 BPM: double bass drum (Doom Eternal), electronic beats and glitch (Quake 4), tremolo guitar riffs. Atmosphere (battle scene): gloomy and creepy: ghostly choirs, reverse reverberation on children's voices, toy melody in a lowered structure (Painkiller); Aggressive: heavy distortion guitars, metal screeching, explosions (Doom Eternal); cool and technological: arpeggio synthesizers, sequencer lines, industrial noises (Quake 4); dynamics: alternating dense sections and "dips" with residual ambient elements.

198
Creaking Choir

Tema can fly Style: A hybrid of industrial metal (Doom Eternal), dark ambient (Painkiller: Orphanage) and futuristic synthpop (Quake 4). Rhythm: dynamically changing: the beginning is 90 BPM, pulsating bass, rare beats, disturbing sounds of the shelter (creaking, ticking, distorted children's voices); fight — acceleration to 140-160 BPM: double bass drum (Doom Eternal), electronic beats and glitch (Quake 4), tremolo guitar riffs. Atmosphere (battle scene): gloomy and creepy: ghostly choirs, reverse reverberation on children's voices, toy melody in a lowered structure (Painkiller); Aggressive: heavy distortion guitars, metal screeching, explosions (Doom Eternal); cool and technological: arpeggio synthesizers, sequencer lines, industrial noises (Quake 4); dynamics: alternating dense sections and "dips" with residual ambient elements.

219
Temple Engine

Tema can fly Style: a symbiosis of industrial (Doom Eternal), Gothic metal (Painkiller) and dark orchestral ambient (Quake 4). Rhythm: 120-160 BPM, polyrhythmic barrel in 4/4, hi‑hats in 7/8 (aggression of Doom), complemented by ethnic drums and bells (Quake 4). Tremolo guitar riffs (Painkiller) create a nervous pulse. Atmosphere: ominous antiquity and man-made threat. An abandoned temple with the echo of the voices of spirits, a sense of the presence of otherworldly forces, the growing tension of the battle. The space "breathes" low-frequency hum, and sudden pauses enhance the effect of surprise. Sounds: industrial percussion (rasp, metal plates) + ethnic percussion; distortion guitars and a church organ; Orchestral brass (trombones) and strings (pizzicato); synthesizer arpeggios and sub-bass drone; Effects: reverberation (temple echo), flanger on the organ, glitch on drums, whispers and groans of spirits.

172