Все треки
Последние публичные треки, созданные нашими пользователями
Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии, акардеон , Магдалина и соло гитара . double bass, bass guitar, bass parts, male vocal, male vocal
Сергеева Татьяна • High-energy electronic dance track in English with punchy four-on-the-floor kick, crisp offbeat open hi-hats, clap layers, and a driving sidechained synth bass. Bright saw leads, arpeggiated pads, risers, and white-noise transitions build each drop. Clean, glossy mix with tight compression, wide stereo FX, and festival-ready punch.
Oceania • Genre: Pop rock + urban rap + shamanic fusion. Lang: Russian. Length: 5:00. Tempo: 95–110 BPM (verses 95, choruses 110). Vocal: Female — breathy verses, bold rap choruses, whisper-to-shout on «Гипноз…» and «Ток…», breathy sounds in hooks. Male — rap Verse 3, lead on «Код С…» (whisper → exhale → moan, staccato, 0.2 sec stutter, pitch drop). Mood: Hypnotic, mystical, sensual. Key: E minor. Structure: Intro (wind + drum, 4 s) → 3 verses → 2 choruses → Hook 1 (echo, breathy bg) → Hook 2 (delay, 0.3 repeat, breathy bg) → Bridge (call-response, male lead «Код С…», female echo, throat singing low vol) → Final chorus (harmonized vocals) → Outro (repeat «Ток…», 3 reps, fade, 6 s). Instr: electric guitar (clean verses, overdriven choruses), electronic drums, synth arps, frame drum, djembe, bass synth. Effects: light reverb verses, echo Hook 1, delay Hook 2, glitch + stutter on «С…» in Bridge.
kuprumserga • Style: classic Russian chanson: with a characteristic hoarseness, soulfulness, and light irony. The main soloist is an adult man with a low, expressive voice. The children's choir enters during the choruses, creating a contrast between the adult plot and the children's naivety, which enhances the comic and satirical effect. ### Instruments - **Accordion** - the leading melody, creating the atmosphere of a street romance. - **Double bass** - a deep, rocking rhythm. - **Guitar (seven-string)**** — rhythmic accompaniment, sometimes strumming. - **Percussion** — light brushes on the drum or maracas for a soft background. - **Piano** — for chords and ligatures. Distribution of roles: - **Verses:** the soloist sings (bass with a hoarseness), the accompaniment is minimal (accordion, guitar). - **Refrains:** the children's choir enters (clear, ringing voices), the instruments play louder and more cheerfully. The soloist leads the main melody, and the children sing the refrain.
Saylos • rock
SvetLanа • Акустический поп с элементами фолка, pop
Vantes1 • rock, Cinematic atmospheric pop-rock with female vocals, minor-key piano and wide string pads; verses brooding over sparse low synths and toms, then an aggressive, dramatic opera-tinged pre-chorus. Chorus drops into a driving dance-rock groove with distorted guitars, sidechained synths, and soaring layered harmonies. Big dynamic arcs, echoing hits, and a long reverb tail on the vocal for tragic grandeur., pop rock, dramatic, opera, electronic, folk, drum and bass
Сергей Федорович • acoustic version, acoustic guitar, pop rock, emotional low male voice.
Bit • **Вступление:** лёгкие синтезаторы, создающие атмосферу таинственности и надежды. Постепенно вступает мягкий бит с электронными ударными. - **Куплеты:** вокал звучит тепло и проникновенно, под аккомпанемент фортепиано и мягких басовых линий. Ритм-секция держит грув, но не перегружает. **Припев:** музыка становится мощной и торжественной. Вступают струнные (скрипки), которые добавляют эпичности. Бит становится более энергичным, а вокал — звонким и уверенным. - **Бридж:** музыка затихает, остаются только синтезаторные пэды и вокал. Создаётся ощущение интимности и личной молитвы. Финал:** последний припев звучит на максимуме энергии, хор подпевает, создавая ощущение всеобщего ликования. Песня затихает на одной чистой ноте синтезатора
Себостьян • Upbeat klezmer-infused hip-hop, male vocals; bouncy upright bass, nimble clarinet riffs, sharp snare with hand percussion. Verses ride a playful, talk-sung flow over violin leads that answer the vocal. Chorus blossoms with gang vocals, claps, and unison horn stabs. Energy starts conversational, then spins into a joyful, dizzy dance vibe by the final hook.
TeaF • Genre: Fusion EDM +808 bass+ Hip Hop + Traditional Chinese Elements Key Features: Vocals: Positive messages delivered in simple ABAB rhyme scheme; unified male-female chorus chanting "Om Mani Padme Hum" with echo effects. Instrumentation: Erhu Solo: Extended solo highlighting traditional Chinese two-string instrument techniques including glissandos (sliding notes), tremolos (rapid back-and-forth bow movements), and wide-ranging dynamics from delicate low tones to piercing high notes. Ethnic percussion instruments adding depth during breakdowns. Effects: Echo effects on chorus vocals; natural soundscapes used for transitional textures. Structure Dynamics: Gradual buildup in coda leading to satisfying resolution. Blending Techniques: Seamless integration of Tibetan-inspired intros with energetic EDM rhythms and subtle hip-hop beats.
RinaDi • magical ritual music, supernatural vibes, haunting strings and deep percussion with ethereal choral harmonies weaving through the melody, mystical, witch fantasy, dark magic, female vocals
kuprumserga • Style: Choral chanson, soulfulness, irony and simplicity. The basis is a verse-chorus form with a conversational manner of performance and a slight rhythmic "swing". The tempo is moderate, the harmony is simple (*I–IV–V–I*), in the chorus - richer, with a possible rise. **Arrangement:** - **Composition:** mixed choir (*SATB*) or homogeneous for the "courtyard" color. - **Voice-leading:**** melody for baritones/tenors, female voices for harmony and backing vocals. Unisons or octaves for mass appeal in the chorus. - **Instruments:** Accordion or Bayan (main color), double bass or bass guitar, acoustic guitar, light percussion. For the soul - violin or cello, piano for harmony. **Performance:** Couplets - restrained, with irony; chorus - open, with a smile and movement. The finale is a fade-out, with a possible humorous emphasis. The intro is instrumental, and the outro is a bridge with an accordion or guitar solo.
Mashinist 159 rus • electronic, folk, blues
Владимиръ Стрекаловский • Песня посвящение, колыбельная, лирическая, философская. Песня о русской душе
Владимиръ Стрекаловский • мужской вокал, женский вокал, Атмосферный джаз о страхе, о надежде и о любви в жанре баллады
Piupiu • Raw punk rock with Britpunk bite, protest-soaked energy, and a deliberately rough lo-fi mix. Distorted downstroke power chords, buzzing pick noise, driving pick bass, and frantic 4/4 drums with snare cracks, open hi-hat, and aggressive tom fills. Gang vocals, tape saturation, and room mic grit throughout.
Ратибор Ясный • rok., art roc , post punk, depression folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии, добавит соло гитары , труба духовой инструмент , BACH TR 200 trumpet wind instrument double bass, bass guitar, bass parts, male vocal, male vocal
Piupiu • Melodic metal with baroque strings and female vocals; harpsichord arpeggios double the guitars, neo-baroque choir pads under the chorus. Verses stay tense with palm-muted riffs and staccato strings; chorus erupts with soaring legato vocals, wide harmonies, and twin-guitar leads. Bridge drops to half-time with a dark orchestral build, then a final, higher-key chorus for a climactic release.
Hobbi • rap, Dark cinematic boom-bap, Russian male vocals. Tight, menacing groove with gritty drums, low brass stabs, and eerie choir pads. Verses delivered in a sharp, percussive flow; hook opens up with layered gang vocals and long reverb tails. Sub-bass glues the track, occasional vinyl crackle and riser FX for tension before each chorus.
Hobbi • rap, Dark cinematic boom-bap, Russian male vocals. Tight, menacing groove with gritty drums, low brass stabs, and eerie choir pads. Verses delivered in a sharp, percussive flow; hook opens up with layered gang vocals and long reverb tails. Sub-bass glues the track, occasional vinyl crackle and riser FX for tension before each chorus.
Влад Мигаль • Classic blues at a laid-back shuffle tempo with fingerpicked acoustic guitar, alternating bass lines, and bent blues notes on a resonant steel-string body. Warm upright bass, brushed snare, subtle kick, and occasional harmonica fills with tube amp grit, room tone, and a dusty analog warmth throughout.
EvgenyBoom • 118–122 BPM, featuring a prominent, driving bass riff. Layer it with atmospheric synth pads and a memorable, slightly nostalgic lead melody. Structure with a dynamic drop and a climactic final section. Use clean, processed powerful female vocals with echo effects. Mood: bittersweet, dance‑floor‑ready introspection.
Piupiu • Bright major-key horror punk with chugging power chords, brisk pogo drums, and a snarling bassline. Child choir sings eerie stacked harmonies over gang vocals, detuned organ stabs, and crunchy distortion. Fast tempos, shouted hooks, spring reverb, tape grit, and abrupt stops keep it playful and unsettling.
Hobbi • rap, Dark, aggressive Russian trap-rap beat at 140 BPM, heavy distorted 808s and snapping hats. Male vocals with a harsh, gritty delivery; verses tight and percussive, hook shouted with gang-style doubles and wide stereo ad-libs. Sparse eerie synth bells in the verses; hook explodes with layered chants and a distorted bass swell, then drops back to a tense minimal groove.
Hobbi • rap, Dark, aggressive Russian trap-rap beat at 140 BPM, heavy distorted 808s and snapping hats. Male vocals with a harsh, gritty delivery; verses tight and percussive, hook shouted with gang-style doubles and wide stereo ad-libs. Sparse eerie synth bells in the verses; hook explodes with layered chants and a distorted bass swell, then drops back to a tense minimal groove.
Hobbi • Rap, злой реп
Hobbi • Rap, злой реп
Hobbi • rap, Hybrid trap-metal-electronic with aggressive distorted 808s, djent-style guitars, glitchy synth stabs; male vocals that flip between cold, rhythmic rap and screamed hooks. Verses stay tight and percussive, chorus explodes with wide stacked shouts and a half-time drop. Occasional glitch cuts and risers for tension; final chorus hits hardest then cuts sharply., metal, electronic
Hobbi • rap, Hybrid trap-metal-electronic with aggressive distorted 808s, djent-style guitars, glitchy synth stabs; male vocals that flip between cold, rhythmic rap and screamed hooks. Verses stay tight and percussive, chorus explodes with wide stacked shouts and a half-time drop. Occasional glitch cuts and risers for tension; final chorus hits hardest then cuts sharply., metal, electronic
Владимиръ Стрекаловский • Песня посвящение, колыбельная, лирическая, философская. Песня о русской душе
Hobbi • rap, Glossy trap-disco hybrid with hip hop swing, male vocals; glassy synth arps over warm pads, elastic sub, tight rim-snare groove. Verses stay sly and rhythmically dense; chorus explodes with funk guitar chops, vocoder harmonies, and clap stacks. Final hook rides a filtered beat drop, ad-libs sprinkled for club-ready call-and-response energy., hip hop, disco
Hobbi • rap, Glossy trap-disco hybrid with hip hop swing, male vocals; glassy synth arps over warm pads, elastic sub, tight rim-snare groove. Verses stay sly and rhythmically dense; chorus explodes with funk guitar chops, vocoder harmonies, and clap stacks. Final hook rides a filtered beat drop, ad-libs sprinkled for club-ready call-and-response energy., hip hop, disco
Tema can fly • Style: a symbiosis of dark ambient Painkiller (Orphanage), aggressive metal Doom Eternal and industrial synth rock Quake 4. Rhythm: rising — from 90 BPM (pulsating bass, creaks) to 140-160 BPM (double bass drum of Doom, electronic beats of Quake). Polyrhythmia is at its climax. Atmosphere (battle scene): Creepy elements: distorted children's voices, toy piano (reverse reverberation), ringing bells, creaking floors (Painkiller); Aggression: heavy guitar riffs with tremolo, chorus, metal grinding (Doom Eternal); Techno: cool arpeggios, glitch, sequencer lines (Quake 4). The 8D effect: sounds move around the listener: footsteps — from behind → forward, voices — from left → right, shots — diagonally; echo and reverberation with spatial localization; drums and synthesizers — "rotate" in a circle, creating a feeling of being surrounded by enemies.
Tema can fly • Style: a symbiosis of dark ambient Painkiller (Orphanage), aggressive metal Doom Eternal and industrial synth rock Quake 4. Rhythm: rising — from 90 BPM (pulsating bass, creaks) to 140-160 BPM (double bass drum of Doom, electronic beats of Quake). Polyrhythmia is at its climax. Atmosphere (battle scene): Creepy elements: distorted children's voices, toy piano (reverse reverberation), ringing bells, creaking floors (Painkiller); Aggression: heavy guitar riffs with tremolo, chorus, metal grinding (Doom Eternal); Techno: cool arpeggios, glitch, sequencer lines (Quake 4). The 8D effect: sounds move around the listener: footsteps — from behind → forward, voices — from left → right, shots — diagonally; echo and reverberation with spatial localization; drums and synthesizers — "rotate" in a circle, creating a feeling of being surrounded by enemies.
Tema can fly • Style: a symbiosis of dark electronica Painkiller (Orphan mission), aggressive metal Doom Eternal and futuristic industrial Quake 4. Rhythm: dynamic development — from 80-90 BPM in the introduction to 140-160 BPM in the climax. The base is a combination of a double bass drum (Doom Eternal) and electronic beats (Quake 4), with polyrhythmic inserts. Atmosphere (battle scene): creepy and intense. Combines: distorted children's voices and toy motifs (Painkiller); heavy guitar riffs and metal grinding (Doom Eternal); cool synthesizers and glitch effects (Quake 4). The 8D effect: spatial positioning of sounds — voices and creaks "move" around the listener; echo and reverberation with delayed channels for a sense of volume; gradual transition of sound elements between channels (from left to right, from top to bottom, etc.); enhance the effect at the climax — the sounds of explosions and guitar riffs "envelop" the listener.
Tema can fly • Style: a symbiosis of dark electronica Painkiller (Orphan mission), aggressive metal Doom Eternal and futuristic industrial Quake 4. Rhythm: dynamic development — from 80-90 BPM in the introduction to 140-160 BPM in the climax. The base is a combination of a double bass drum (Doom Eternal) and electronic beats (Quake 4), with polyrhythmic inserts. Atmosphere (battle scene): creepy and intense. Combines: distorted children's voices and toy motifs (Painkiller); heavy guitar riffs and metal grinding (Doom Eternal); cool synthesizers and glitch effects (Quake 4). The 8D effect: spatial positioning of sounds — voices and creaks "move" around the listener; echo and reverberation with delayed channels for a sense of volume; gradual transition of sound elements between channels (from left to right, from top to bottom, etc.); enhance the effect at the climax — the sounds of explosions and guitar riffs "envelop" the listener.
Maloy774 • military pop, modern folk pop, balalaika plucks, snare drum march, nylon string guitar, taiko hits, brass fanfare stabs, handclap chorus, tape saturation, radio compression, call and response phrasing, driving 4 4 march, midtempo anthem, steely resolve, front line pride, chorus lift, Moscow radio mix, communal singalong
Rufusnik • Style: Darksynth with orchestral fusion — cyberpunk mood, melancholic depth. Tempo: Medium-slow, ~85–95 BPM [Intro] Rich cello and bass strings layered with dark synth pads. Deep, filling bass. Live drums with subtle digital distortion effects. [Main Part] Melodic and rhythmic core: heavy dark synths intertwined with orchestral strings. Distorted guitars in low minor tuning. Groove driven by live percussion with digital glitches. [Bridge/Breakdown] Dramatic entry of operatic low female vocalise. Increasing tension: vocalise and instruments heavily processed with digital effects. Stereo sound migration (left/right), punchy bass focus. [Climax] Vocalise shifts to extreme distorted sound, rhythmic intensity rises. Full mix: synths, strings, guitars, processed vocals, glitchy drums. [Outro] Slow fade‑out, calm resolution. Lingering cello notes and fading synth echoes. Key Focus: Memorable melody, deep bass, orchestral/synth blend, emotional progression
Rufusnik • Style:Cyberpunk darksynth,electro‑house dark,futuristic,intense Mood:Minor key throughout most of the track,shifting to major in the climax Tempo:125 BPM,increasing to 135 BPM in climax [Intro] Soft minor-key rhythmic section Dark ambient pad background Subtle bass effects and light stereo panning [Main Part] Heavy dark synths with hard electronic processing Drum machine beats combined with live percussion Distorted electric guitars layered into the mix Deep bass effects with immersive sub‑frequencies Constant stereo migration of bass and low‑end elements(left/right panning) [Build‑Up to Climax] Mood shifts to major key Tempo and intensity increase Low female vocalise enters,distorted with glitches and electronic effects [Climax] Bright,swinging groove Memorable,melodic heavy motif All elements combined: synths,guitars,drums,vocalise Powerful bass and punchy kicks,wide stereo field Overall Atmosphere:Negative,grim narrative,cyberpunk dystopia
Рамс • Mystic symphonic rock-metal, mid-tempo, dual male and female vocals trading lines. Dark orchestral strings, choirs, and heavy guitars; verses tense and narrative, chorus explodes with wide harmonies and soaring melody. Drums stay driving and ceremonial, huge toms and cymbal swells; bridge drops to haunted piano and distant choir, then final chorus returns bigger with layered ad-libs and sustained high notes.
Beggusha • Bright pop rock in English with punchy electric power chords, clean palm-muted verses, and anthemic open-chord choruses. Driving kick-snare drums, tight tom fills, melodic electric bass, and layered lead guitar hooks with chorus and delay. Polished vocal stacks, subtle synth pads, and crisp studio compression., blues
EvgenyBoom • mid‑tempo r&b track (118–122 BPM) featuring a prominent, driving bass riff. Layer it with atmospheric synth pads and a memorable, slightly nostalgic lead melody. Structure with a dynamic drop and a climactic final section. Use clean, processed powerful female vocals with echo effects. Mood: bittersweet, dance‑floor‑ready introspection.
Себостьян • Warm live trio with acoustic guitar, brushed drums, and woody upright bass; male vocals in a nostalgic folk-pop style. Verses stay intimate and close-mic’d, choruses bloom with fuller strums and walking bass. Subtle backing “ла-ла” harmonies in the hook, gentle dynamic lift into a bittersweet bridge, then a soft, resigned final refrain.
