Все треки

TRENIN Deep house • Rhythm: 3D-audio.Complex, polyrhythmic, with elements of triplet rhythm, imitating the sound of folk instruments. Tempo: Moderate, around 110 BPM, accelerating to 120 BPM in the chorus. Vocals: High female vocals with glissando and melismas, reminiscent of folk singing. Male choral inserts in the chorus create contrast. Instruments: Balalaika, gusli, zhaleika, pan flute, tambourine, bells, double bass* for the bass line. Electronic effects are added for a modern touch. Atmosphere: Magical, mystical, immersing the listener in the atmosphere of ancient rituals and bylina times. Elements of shamanic practices are combined with the solemnity of Orthodox chants.

AmorFati • folk

Виктор Быковский • military rock, Soviet march snare, distorted bass guitar, staccato rhythm guitar, brass stabs, gang chant unison, tom-heavy drum intro, halftime breakdown, tape saturation, mono room reverb, compressed snare crack, 92 BPM, driving march pulse, explosive chorus, angry resolve, three minute form

AmorFati • rock, metal, classical

TRENIN Deep house • *Темп и ритм:** 128 BPM, чёткий «four‑on‑the‑floor» (бас‑бочка на каждую долю). * **Инструментовка:** * яркие фанфары синтезаторов (synth brass) в припевах; * акценты аккордеона в куплетах и бридже; * хлопки (handclaps) на 2‑й и 4‑й доли в припеве; * sidechain‑компрессия на синтезаторах под бочку; * чёткие снейры (snare snaps) на 2 и 4; * фоновые крики толпы (crowd cheer) в финальном припеве. * **Вокал:** энергичный мужской голос, в припеве — бэк‑вокал (подпевки), имитирующий хор толпы. * **Структура:** классическая поп‑структура (куплет‑предприпев‑припев), бридж с подсчётом, финальный припев с усиленным эффектом толпы.

vladzak57 • Оркестровая пейзажная песня

Александр Зернов • Female soulful vocal, Trip-hop, Melancholic, Atmospheric, Cinematic, Dark pop, Lo-fi, Deep bass, Reverb.

Александр Зернов • Female soulful vocal, Trip-hop, Melancholic, Atmospheric, Cinematic, Dark pop, Lo-fi, Deep bass, Reverb.

Дождь • disco blues, 112 BPM, syncopated four-on-the-floor, muted electric guitar chops, tremolo guitar licks, Fender Rhodes comping, walking bassline, rimshot backbeat, live room drums, tape saturation, spring reverb, horn stabs, hand percussion, call-and-response riffs, sly defiance, late-night groove

Sergilio • Epic sci-fi orchestral track, Mass Effect style, dark and cinematic atmosphere, heavy synth bass. Voice: Deep metallic male voice, robotic, heavy reverb, low pitch, with echo and modulation (like Reapers), dramatic buildup, 150 BPM, key of D minor, cinematic percussion, futuristic sound design, no clean lyrics.

BURLAKOFF • pop,, house,techno

BURLAKOFF • electronic, rock, pop, blues, soul, disco

Rosa • pop, blues ,саксафон, романтика,, disco

Rosa • rock, pop, disco

TEC • Rock‑metal song about off‑road driving and the «Legend» club. Chorus: «Legends aren’t born — they’re made!». Powerful vocals, heavy guitar riffs, thick bass, energetic drums. Fast tempo (140 BPM), choir in the choruses. Mood: bold, battle‑like, inspiring.

Владимиръ Стрекаловский • Восхваление Господу в стиле русской баллады, морская песня, радостная!

Владимиръ Стрекаловский • Восхваление Господу в стиле русской баллады, морская песня, радостная!

Ната Мазур • Soviet 1970s cinematic lullaby, crystal clear female soprano, angelic childish timbre, soft breathy delivery, emotional vibrato, nostalgic lullaby, orchestral backing, celesta, warm violins, vintage analog record quality, 432Hz tuning, ethereal, intimate.

magellan77771 • Стиль латино, акустическая гитара, сопрано

magellan77771 • Стиль латино, акустическая гитара, сопрано

BAZIK • reggae 120 tempo

Ната Мазур • Style/Genre: Russian Pop-Opera, Operatic Pop, Grand Orchestral Pop, Shlager. Vocals: Powerful Male Tenor, Bright and Operatic, Emotional, Dramatic (Niko Basko Style). Vibrato on high notes, theatrical delivery. Atmosphere: Triumphant, Grandiose, Over-the-top drama, Festive. Instruments: Full Symphony Orchestra, French Horns, Trumpets, Grand Piano, Church Bells in the finale, Heavy Orchestral Percussion. -

Костянычь • Dark, bouncy Russian trap beat around 140 BPM, male vocals; clipped hi-hats and sliding bass, hook built on a hypnotic chant. Verses stay minimal and percussive, voice close and intimate; chorus widens with doubled vocals and airy pads, ad-libs answering key phrases. Sub drops and snare fills mark transitions, leaving pockets of silence for lines to hit harder.

AhraVv И Iris • rap, Minimal house / hip-hop hybrid at 80 BPM, soft plucky synth arps in a hypnotic grid, deep sub tucked under each root note. Start ultra-quiet and intimate in mono, whispered male or female vocal right on the mic; slow-build width and shimmer via widening delays and reverb by bar 16. Mid-song, introduce a gentle, head-nod groove with tight kick and ghost-note hats, then gradually peel away layers, low-pass sweeping the arps and thinning the drums for a tender, weightless fade., electronic, hip hop, female vocals, deep, soft, hypnotic

Вадим 159 • slow shuffle blues, 72 BPM, electric guitar call and response, slide guitar phrasing, Hammond B3 comping, upright bass walk, brushed snare, room mic bleed, tape saturation, spring reverb, mono mix, live club ambience, punchline vocals, laid-back groove, barroom swagger,философский шансон, размышления о жизни, глубокий текст, зрелость

AhraVv И Iris • Minimalist electronic texture with soft plucky synth arps, subtle sidechain-style pulse and deep sub under the bass notes. Start very quiet and intimate at 80 BPM, gradually building width and reverb until bar 16, then gently thinning layers and filter-sweeping down for a tender fade. Male or female vocals possible, but production centers on the hypnotic arpeggio grid., electronic

InnaWav • Cosmo-pop indie banger with male/female call-and-response vocals, glassy synth arps and elastic bass; verses stay tight and percussive, pre-chorus lifts with airy pads and stacked harmonies, chorus explodes with an anthemic hook and celestial FX swells, ending on a hypnotic vamp.

ГайсAI • Russian bard style, 1970s Soviet acoustic music, male vocals, rough timbre, hoarse voice, intense delivery, emotional, deep masculine voice, spoken-sung style, solo acoustic guitar, steel-string guitar, fingerpicking, low tuning, no drums, no percussion, melancholic, atmospheric, distant female backing vocals as echo, reverb, forest atmosphere, storytelling, minimal arrangement, raw sound

Костянычь • Aggressive Russian trap-metal vibe, halftime stomp groove with distorted 808s and jagged guitar stabs. Male vocals swing between low, muttered venom and explosive, shouted hooks; ad-libs drenched in slapback. Chorus hits like a gang chant with layered doubles; verses stay tight and percussive. Mix leans gritty and blown-out, snare cracking through a wall of fuzzed bass.

Пончик 999 • Alternative Rock, Female velvety soulful vocals, soft raspy tone, energetic rhythmic drums, playful bassline, melodic electric guitar, emotional, dynamic transitions, slightly mischievous.

Ратибор Ясный • folk, rock, contralto.

Андрей 0304 • Acoustic guitar, depression grunge, dram and bass,folk, indie, blues

Julia Kovi • dark pop, electronic, female vocal, emotional, slow tempo, reverb, piano, heavy bass drop

Любовь Валерьевна • Warm midtempo pop with a breezy summer groove, light acoustic guitar and soft keys over a relaxed bassline; male vocals up front, intimate and conversational. Choruses bloom with airy backing harmonies and subtle claps; verses stay close and understated. Gentle build into a dreamy bridge, then a final, wide-open hook with layered ad-libs and a soft fade.

Пончик 999 • Dark pop anthem with a sly, theatrical edge; vocals over moody synths and tight, syncopated drums. Verses stay minimal with dry vocal and pulsing bass; chorus blooms with distorted pads, stacked harmonies, and stuttered delay throws on the hook line. Bridge strips back to near a cappella before a final, harder-hitting chorus with extra ad-libs and higher-intensity drum fills.

dragon of equilibrium • folk, Warm acoustic ballad with low male vocals; fingerpicked guitars and soft floor-tom pulse, bass entering on choruses. Verses stay intimate and close-mic’d; chorus widens

Свет2 • Slow country blues rock, male vocals with raspy and weary tone, ironic and melancholic, Texas shuffle, dirty slide guitar, honky-tonk piano, laid-back drum groove, lyrics about clumsy cowboy in love with a city girl, self-deprecating metaphors, sad but smiling mood, acoustic guitar breakdown in the middle

Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL

Макс-Л • rock. сильный басс, как можно приблизить к оригинальному варианту, использовать все соло и проигрыши и концовку как в оригинале, грубый голос

Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL

Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL

Ната Мазур • Slow dark blues rock, 72 BPM, soulful deep male vocals, heavy atmosphere, gritty electric guitar, emotional despair, cinematic.

Викинг - СИМФОНИЯ ХАОСА • Punk rock. the alternative. Female screaming vocals

Волга • rock ballad, instrumental rock, downbeat phrasing, sparse verse blocks, big chorus lift, electric guitar bends, sustaining lead guitar, bass guitar lockstep, tom driven drums, brushed snare, room mic drums, punchy kick, plate reverb, tape saturation, wide stereo mix, 72 BPM, halftime backbeat, dramatic arc

Андрей 0304 • Raspy , Acoustic guitar, bass guitar

Sweetbun • melodic pop rap, russian hip hop, atmospheric, emotional , 808 bass, catchy chorus, personal storytelling, urban nostalgia, 120 BPM

Igor-Push • melodic progressive house, 126 BPM, emotional chord progression, soaring lead synth, featured beatbox solo, soft female vocal chops, sunrise festival vibe, long atmospheric build

Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL

Максим 12 • Guitar, pop-rock ,drums, powerful piano sentences, beaking vocals ,orchestral pop, cinematic strings, celesta arpeggios, handpan ostinato, French horn swells, harp harmonics, bowed vibraphone, choir pads, timpani rolls, glockenspiel melody, gran casa hits, hall reverb, stereo width, 96 BPM, dark fairytale, grand ascent

Seawolf • High-velocity drum and bass at 175 BPM, male vocals. Razor-edged reese bass drives under surgical breakbeats and icy Nordic-style choral stabs. Verses are clipped, percussive Russian rap lines locked to the snare; chorus widens into long, anthemic topline with stacked gang shouts and distant war-horn layers. Metallic swells, sub drops, and pitch-rising risers punctuate “battle” phrases. Final chorus adds call-and-response crowd chants for a triumphant, festival-sized climax., rhythmic, male vocals, drum and bass