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Последние публичные треки, созданные нашими пользователями

Алые розы

Игорь555 pop, Shiny mid‑tempo pop with female vocals; clean electric guitar and bright synth pads over a tight dance-pop groove. Verses stay intimate with close-mic vocal and soft keys; chorus blooms wide with stacked harmonies, airy risers, and a punchy four-on-the-floor kick. Middle section strips to clap and bass before a final, lifted chorus with ad‑lib runs and a delayed outro repeat of the hook.

108
НАШ КЛАСС

Beggusha The chanson opens with delicate fingerpicked guitar and upright bass, joined by subtle accordion flourishes. The verses feature intimate, conversational vocals, while restrained strings and brushed drums swell in the chorus for warmth. The bridge adds a muted trumpet, enriching the classic texture., pop

108
Штурмавой Полк 1435!

Алексей 1991 rap, Dark trap-infused hip-pop beat, mid-tempo, heavy sub bass and crisp snares; male vocals with a cold, militant delivery. Verses tight and marching, occasional choir-style stacks on key phrases. Hook explodes with wide synth pads and gang vocals chanting the slogan. Drops strip back to bass and hi-hats for an aggressive, focused energy., pop, hip hop

521
В переди

Vfrc techno, house, electronic

192
В переди (Edit)

Vfrc Rock, house, electronic

192
В лунную ночь

В лунную ночь

Кавер-версия

Альберт Миракян indie, pop, classical, saxophone

98
Свет в окне

nero11001 rock,Ballad, pop rock, alternative rock, country, metal, classical, soul, house, drum and bass

120
Свет в окне

nero11001 rock,Ballad, pop rock, alternative rock, country, metal, classical, soul, house, drum and bass

89
🎼ЦОЙ ЖИВ!⭐🎸

Нит СИМФОНИЯ ХАОСА heavy metal, 150bpm, vocals, high energy, powerful driving guitars, melodic guitar solo, powerful emotional voice, dramatic tenor, soft drums, bass, studio quality mix, professional stereo width,reverberation

796
Волк-одиночка

Миооп Dark minimalist electronic, cold pads and a pulsing bass drone. Tight male vocals close to the mic, whispered doubles on key words. Verse rides a sparse half-time groove; chorus widens with detuned synths, widened reverb, and a subtle distorted lead answering the hook. Final chorus adds low harmonies and a filtered riser that never fully drops, holding tension to the end., electronic

117
К любви

AmorFati rock, metal, classical, folk, soul

86
Наша Раша
114
«Ни хвоста, ни чешуи!»

Александр маслюков Russian chanson, folk-rock, male deep voice with a slight rasp, accordion, acoustic guitar, rhythmic, heartfelt, funny

99
Дай мне услышать твой голос

Yuki_Schtiel Moody Russian post‑punk rap, 95 BPM, minor key. Male baritone vocals shifting between half‑whispered rap (verses) and strained, emotional shouts (choruses). Cold, introspective, emotionally tense mood — a lament on digital alienation. Instruments: cold droning bass; tight, dry drum groove; reverb‑soaked guitars with long decay; subtle analog synth swells in the bridge. Production: close‑miked dry vocals in verses; choruses with roomy reverb and gang vocals (3–4 voices); heavy reverb on guitars to create «long shadows» atmosphere; white noise/static in intro and outro. Dynamics: sparse and tense verses, explosive choruses with louder snare and aggressive bass; emotional build‑up in the bridge.

171
The return of Normandy

Sergilio Epic, cinematic, heroic sci-fi track in the style of Mass Effect soundtrack. Driving, energetic rhythm with soaring orchestral strings, bold brass, and futuristic synth layers. The mood is uplifting, determined, and adventurous—like a spaceship flying at high speed through the stars, exploring the unknown. The structure: a powerful intro, a dynamic main theme with a memorable heroic melody, a bridge with rising tension and atmospheric pads, leading to a grand, triumphant finale. The music should feel both modern and timeless, with a sense of vast space and unstoppable momentum. Perfect for a video game or sci-fi movie scene.

83
ГИМН РОДА.

TRENIN Deep house The song is performed in an epic, solemn style, close to folk-rock or a modern ballad. The main rhythm is steady, with accents on the strong beats, giving the sound a marching confidence and grandeur. The arrangement features acoustic guitars, bass, drums with a pronounced kick drum, as well as ethnic instruments (such as jaw harp, flute, or stringed instruments), creating a sense of connection with nature and history. The vocals are powerful, either male or female with a raspy tone, and include elements of choral singing in the choruses to emphasize the unity of the clan. The tempo is moderate, around 100–110 BPM, allowing the listener to feel every word. The dynamics of the song build from a calm verse to a powerful, inspiring finale, where the choir picks up the main idea of freedom and the memory of ancestors. This approach makes the composition not only a clan anthem but also a personal manifesto for every listener.

107
Сила и Мощь.

TRENIN Deep house Style:epic rock patriotic rock with hymn-like elements The sound is powerful and orchestrated Instruments:electric guitars with dense distortion bass guitar drums with emphasis on kick drums and cymbals synthesizers for background textures optionally include symphonic elements(strings, choir).Vocal delivery: strong,confident vocals with choral refrain elements (to enhance the sense of unity and power)Dynamics:a build‑up from a restrained start to a powerful finale, with accents on key words (“Strength!”,“Drive!” etc.).Rhythm:Tempo:moderate or moderately fast 120–130BPM, march‑like with a clear pulse Time signature:4/4 — a steady “marching” rhythm that emphasizes determination Accents:strong beats of the measure are highlighted by drums and bass especially in the chorus Arrangement:verses are more restrained (focus on the rhythm section and vocals) the chorus is explosive,with added choir and orchestral elements the finale is climactic with a gradual fade‑out of the final words

122
Пока ты спишь

AmorFati jazz, hip hop, classical, soul, dubstep

117
Beatbox Bruise

Igor-Push dark progressive house, 122 BPM, minor key arpeggios, deep sub-bass, raw beatbox solo, minimal vocal glitches, underground club atmosphere, hypnotic evolution

84
Break inside

Julia Kovi dark pop, electronic, female vocal, emotional, slow tempo, reverb, piano, heavy bass drop

100
Претендуя на связь
91
Чистые слова

Вадим 159 Весёлый шансон

97
Деревенский шабаш.

TRENIN Deep house Style: folk‑rock with dark folk elements. Rhythm: medium tempo (100–110 BPM), with clear accents on the percussion — the tambourine and snare drum create a ritualistic effect. The arrangement is built around an acoustic guitar; it’s complemented by a flute (melodic lines with an “ancient” feel) and synthesized background sounds: rustling leaves, distant cries of nocturnal birds, and the low hum of the wind. Vocals: deep and expressive, with dynamic contrasts — ranging from a mysterious whisper in the verses to a rich, powerful sound in the climaxes. Atmosphere: mystical and tense, yet without aggression. It emphasizes the connection with ancient rites and the mystery of a nocturnal coven, while preserving a folk aesthetic.

133
Попросишь

AmorFati rock, metal, classical, jazz

83
С днём рождения Яна

Sergei Mind Romantic piano ballad, melancholic, violin, гитарное вступление

91
Зажгите свечи (Edit)

Андрей_Ш orchestral blues, modal blues, 84 BPM, brushed snare shuffle, offbeat kick accents, upright bass ostinato, tremolo guitar swells, muted trumpet replies, Hammond organ pads, room mic ensemble, spring reverb, tape saturation, sparse intro, call and response, stumbling resolve, smoky dusk, darksynth, 118 BPM, syncopated half-time groove, analog drum machine, detuned saw lead, sub bass pulse, gated snare, tape saturation, stereo delay throws, plate reverb, live-club blues trio, minor key, urgent propulsion, nocturnal grit, chorus

111
Цвета Лю

Шурави folk, indie, classical, funk

115
КАПИЩЕ.

TRENIN Deep house Style: folk with mysticism and ritual aesthetics, immersing the listener in an ancient rite — a connection with ancestors and nature. Key images: a pagan temple site, an oak tree, bonfires, an elder. Rhythm: iambic tetrameter, couplets (AABB), 4‑line stanzas; slow or moderately slow tempo (90–100 BPM) for a meditative, ritual feel. Repetitions of key images (the oak, bonfires, ancestors) create a hypnotic effect. Performance: deep, restrained vocals with expressive intonation; acoustic guitar, gusli, jew’s harp, tambourine; natural sounds (wind, fire) possible. Choral backing may echo key lines, reinforcing unity across generations. Dynamics mostly quiet/medium, with crescendos at climaxes. Clear diction preserves poetic symbolism. Overall, the song resembles an ancient ballad or ritual chant, uniting past and present through kin memory.

111
КАПИЩЕ.

TRENIN Deep house Style: folk with mysticism and ritual aesthetics, immersing the listener in an ancient rite — a connection with ancestors and nature. Key images: a pagan temple site, an oak tree, bonfires, an elder. Rhythm: iambic tetrameter, couplets (AABB), 4‑line stanzas; slow or moderately slow tempo (90–100 BPM) for a meditative, ritual feel. Repetitions of key images (the oak, bonfires, ancestors) create a hypnotic effect. Performance: deep, restrained vocals with expressive intonation; acoustic guitar, gusli, jew’s harp, tambourine; natural sounds (wind, fire) possible. Choral backing may echo key lines, reinforcing unity across generations. Dynamics mostly quiet/medium, with crescendos at climaxes. Clear diction preserves poetic symbolism. Overall, the song resembles an ancient ballad or ritual chant, uniting past and present through kin memory.

117
Латы с плеч

AmorFati classical, jazz, soul,rock

95
Кто?

NatroN hard rock energy, distorted guitars, heavy riffs, aggressive vocals

76
После войны
100
Свободная птица

Vantes1 rock, Dark electro-rock with female vocals, mid-tempo club pulse and distorted bass swells, verses carried by cold synth arps and tight drums; chorus explodes with wide pads, saturated guitars and stacked harmonies. Dynamic build from tense, minimal first verse into a dramatic, danceable hook, with a brief breakdown and whispered backing lines before the final lift., dramatic, electro, electronic

87
До конца по татами

Миооп rock, Aggressive Russian rap-rock: distorted rhythm guitar on a chugging riff, tight live drums, male vocals switching between spitfire rap in verses and shout-along rock hook. Chorus widens with stacked gang vocals and octave guitars. Short breakdown with tom-heavy groove and palm-muted build into a final explosive refrain.

94
Спокойно

AmorFati metal, classical, rock, jazz

78
Спокойно

AmorFati metal, classical, rock, jazz

86
Родители Круг

Родители Круг

Кавер-версия

Papezky Генерация промпта...

125
Глоток огня

AmorFati metal, classical, rock

107
Ночью будем кайфовать

Миооп pop, High-energy Russian pop banger, four-on-the-floor pulse with bright synth leads and fat bass. Female vocals, playful and commanding, verses bounce in a talk-sung rhythm; chorus opens up with wide harmonies and shout-along hooks. Short pre-chorus lift, crowd chants on the post-chorus, claps and risers driving toward a festival-ready final hook.

102
Ночью будем кайфовать

Миооп pop, High-energy Russian pop banger, four-on-the-floor pulse with bright synth leads and fat bass. Female vocals, playful and commanding, verses bounce in a talk-sung rhythm; chorus opens up with wide harmonies and shout-along hooks. Short pre-chorus lift, crowd chants on the post-chorus, claps and risers driving toward a festival-ready final hook.

81
Голос Земли.

TRENIN Deep house Rhythm: 3D-audio.Complex, polyrhythmic, with elements of triplet rhythm, imitating the sound of folk instruments. Tempo: Moderate, around 110 BPM, accelerating to 120 BPM in the chorus. Vocals: High female vocals with glissando and melismas, reminiscent of folk singing. Male choral inserts in the chorus create contrast. Instruments: Balalaika, gusli, zhaleika, pan flute, tambourine, bells, double bass* for the bass line. Electronic effects are added for a modern touch. Atmosphere: Magical, mystical, immersing the listener in the atmosphere of ancient rituals and bylina times. Elements of shamanic practices are combined with the solemnity of Orthodox chants.

119
Работаем, братья

Виктор Быковский military rock, Soviet march snare, distorted bass guitar, staccato rhythm guitar, brass stabs, gang chant unison, tom-heavy drum intro, halftime breakdown, tape saturation, mono room reverb, compressed snare crack, 92 BPM, driving march pulse, explosive chorus, angry resolve, three minute form

106