Все треки
Последние публичные треки, созданные нашими пользователями
Евгений Лебедев • Рок, rock, electronic, classical
BoDALO • classical, rock
Кристина10 • А теперь, когда ты рядом, дочка, слушаешь меня, Вспоминаю наши ночи, долгие, без сна. Ты сидишь, глаза сияют, слушаешь рассказ, эти слова пропеть мужским голосом. /Бридж/И ты, моя родная, слушай сердце, слушай ум, Общение с отцом – оно как солнца луч. Не упускай моменты, говори, делись, мечтай, Ведь в моих словах – вся сила, ты запоминай,тоже мужским голосом., rock, чтоб звучало можно,красиго,сильно
Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, rock, art rock
The Energy Of Time • melodic rap-core, metalcore, hard rock, post hardcore, funk, breakdown, powerful guitar intro, slow first verse, powerful choruses, only bass in the middle of the song, duet, synth, rap
The Energy Of Time • melodic rap-core, metalcore, hard rock, post hardcore, funk, breakdown, powerful guitar intro, slow first verse, powerful choruses, only bass in the middle of the song, duet, synth, rap
Андрей_Ш • indie folk, acoustic ballad, fingerpicked acoustic guitar, tambourine backbeat, upright bass, brushed snare, Hammond organ swell, vocal harmonies, gravelly baritone, close-mic breath, analog room reverb, tape saturation, slow 78 BPM, swung eighth feel, bittersweet nostalgia, departure theme
Свет2 • Genre: Gregorian chant, Japanese traditional, dark melodic techno, indie dance, Mood: Sacred, meditative, hypnotic, industrial, mystical, tense, Tempo: 123 BPM, Key: D# minor (pentatonic + Dorian), Vocal style: Male choir unison, distant monk-like Latin phrases ("Kyrie… umbra… requiem…"), breathy whispers, plus calm Japanese spoken word, Instruments: Heavy side-chained kick, distorted groovy bassline, koto and shamisen pentatonic arpeggios, taiko drum hits, bamboo chimes, water drops, dark evolving analog pads, white noise risers, Structure: Intro with monks + solo koto, build with kick and taiko, drop with bass + choir shouts + shamisen, breakdown with silence → water → koto solo → whisper, second drop more aggressive with choir + synth lead, outro with fading choir, koto descent, wind, temple bell, Lyrics example: "Alleluia… umbra… sakura chiru / yami no naka e / yoake mae", Exclude: Trance, happy, supersaws, acoustic folk, orchestral bombastic, pop chorus, breakbeat
DJ_Gen4ik • deep teh hause, male vocal.
Суетолог • R&B hip hop phonk with a head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
Gene • Hard'n'heavy rock'n'roll, rhythm and bass guitars rhythmic pulsations, 133 bpm
Свет2 • Gregorian chant, Japanese traditional, dark melodic techno, indie dance, 123 BPM, D# minor pentatonic + Dorian, sacred, meditative, hypnotic, industrial, mystical, tense, male choir unison with distant monk-like Latin phrases "Kyrie umbra requiem", breathy whispers, calm Japanese spoken word, heavy side-chained kick, distorted groovy bassline, koto and shamisen pentatonic arpeggios, taiko drum hits, bamboo chimes, water drops, dark evolving analog pads, white noise risers, structure: intro with monks and solo koto, build with kick and taiko, drop with bass and choir shouts and shamisen, breakdown with silence then water then koto solo then whisper, second drop more aggressive with choir and synth lead, outro with fading choir, koto descent, wind, temple bell, lyrics example "Alleluia umbra sakura chiru / yami no naka e / yoake mae", exclude trance happy supersaws acoustic folk orchestral bombastic pop chorus breakbeat
Смирнов Анатолий • Russian Pop, Electronic, Korg Synthesizer, Male Vocals, Raspy Voice, Romantic, Love Song, 100 BPM, Warm Pads, Arpeggiator, Cinematic, Atmospheric, Emotional
tosk • rock ballad, emotional male vocal, raspy expressive vocal, deep emotional delivery melancholic but uplifting, cinematic build-up, heartfelt, intimate to powerful, soulful rock piano driven intro, electric guitar build-up, atmospheric pads, live drums (soft → powerful) anthemic chorus, dynamic contrast, emotional peak vocals, arena-style ending, ethnic folk vocal
tosk • Arena rock, heartland rock, powerful male tenor vocals with rasp, anthemic chorus, emotional, 80s-90s rock ballad, piano and electric guitar, uplifting, family theme, raspy powerful vocals, big chorus, youthful raspy high tenor
Елена 36 • Folk metal with classical strings and rock drive; steady mid-tempo groove with driving toms, acoustic strums, and electric guitars in tight unison; verse one is intimate and sparse, verse two grows with low strings and hand percussion, pre-chorus lifts with layered harmonies, chorus hits with soaring octave doubles and gang chants, bridge turns darker with choral women and men trading lines; female and male vocals, close-mic in verses, big doubled hooks, short delay throws on key words, forest chimes, reversed wind swells, and a bright but earthy mix with wide cinematic depth, classical, folk, rock, metal
Константин1986 • Russian rock ballad, orchestral rock, 60 BPM, fingerpicked acoustic guitar, sustained string ensemble, grand piano ostinato, French horn swells, brushed snare, bass clarinet countermelody, hall reverb, tape saturation, dynamic breathy lead, bittersweet nostalgia, measured pulse, rubato intro, half-time chorus, crescendo bridge
Max-Mix • Lyrik,piano
Max-Mix • Lyrik,piano
evgenia2 • 90s electronic club-pop remix with a gritty bassline, swung kick-snare groove, and punchy four-on-the-floor drive; verse rides minimal synth stabs and a rubbery low end, pre-chorus strips to a filtered pad and snapped claps, chorus opens with stacked dance hooks and a harder bass pulse. Female vocals, intimate in verses with tight doubles, wider harmonies on the hook, short delay throws on key words. VHS hiss, reversed risers, and a siren-like synth sweep into each drop; bright, glossy, and emotionally hard-edged., vocal, remix, pop, electronic
Velikoross55 • electronic, pop, hip hop, r&b, disco, double time rap
Суетолог • R&B hip hop phonk with a head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus, mix in dark
Лилия Бабошко • female voice, female vocals, vocals harmonies, pop, guitar acoustic, cover
D.J.Max-Mix & Radiorama - Aliens 2 (Dance Edit 2926)
Max-Mix • drum and bass,EuroBeat,EBM,Hi-NRG
D.J.Max-Mix & Radiorama - Aliens 2 (HI-NRG Dance)
Max-Mix • drum and bass,EuroBeat,EBM,Hi-NRG
Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
DJ_Gen4ik • Uplifting Tranceс/Progressive Trance
lP78 • proto-punk, garage rock, 124 BPM, dry snare backbeat, straight four-on-the-floor kick, tom-heavy fills, distorted baritone guitar, fuzz bass riff, live room bleed, tape saturation, mono drum image, gritty club energy, swaggering menace, loose trio groove, spring reverb, punchy room mics
Денис Валерьевич • pop, classical
Алекс 890 • Modern Russian pop / deep house with a smooth 105 BPM four-on-the-floor pulse, warm sidechained synth bass, crisp clap on the backbeat, and a lifted, comforting groove; verse stays intimate with muted keys and sparse kick, pre-chorus opens with filtered pads and rising arps, chorus blooms with stacked synth chords and a chantable hook; male lead vocal is close-mic and tender in verses, doubled in the chorus with soft harmonies and a few delayed ad-libs; ear candy includes reversed swells into the pre-chorus, airy vocal chops between lines, and a shimmer burst before the final chorus; mix is glossy, wide, and hopeful with a clean club sheen., deep, pop, vocal
Евгений Шлычков • trip-hop, downtempo, hypnotic beat, halftime breakbeat, deep sub-bass, dry male spoken delivery, vinyl crackle, tape saturation, room mic drums, muted snare, brushed cymbals, minor key, nocturnal brooding, detached observation, sparse arrangement, dub delay, downbeat phrasing
evgenia2 • Electronic pop with a 2000s, club-gangster bass remix feel, mid-tempo and punchy with swung kick patterns, bouncy sub-bass, sharp claps, and syncopated synth stabs; verses ride lean drums and a filtered bassline, pre-chorus opens with chorus drops full low-end with stacked female vocal doubles and chantable hook repeats. Add reversed swells into each lift, glittery arps between phrases, and a short breakdown before the final chorus. Bright, glossy, emotional, club-ready mix with a wide low end and crisp top. Female vocals., pop, vocal, electronic, Remix .
Ах эта ложь...
Людмила Коряка • double time rap, smooth trap, choir, folk, drum and bass, wide stereo pads, trap hip hop, emotional guitars, enchanted forest ritual, female chanting, Atmospheric
evgenia2 • Pop rock with 90s drive and 2000s electronic remix energy, mid-tempo four-on-the-floor pulse, crunchy guitars over tight bass and glossy synth layers; verse rides restrained drums and palm-muted riff, pre-chorus lifts with filtered pads and rising snares, chorus opens wide with stacked male vocal doubles and anthem gang harmonies, bridge drops to a half-time pulse before a soaring guitar solo; short delay throws on key hook words, reversed swells into transitions, bright punchy mix with a polished radio sheen, male vocals, vocal, pop, electronic, remix
evgenia2 • 2000s electronic pop with male and female vocals, mid-tempo four-on-the-floor dance pulse, warm acoustic guitar arpeggios over glossy synth pads and punchy bass; verse rides intimate and nostalgic with sparse drums, pre-chorus lifts with stacked harmonies and rising filters, chorus opens wide with duet call-and-response and a singable hook, bridge drops to guitar and voice before a final full-band lift. Light tape hiss, reversed swells into transitions, claps and hand percussion on downbeats, bright punchy mix , electronic Remix pop, bass Remix .
VerDi • Absolutely must have the new text!!!! But! Absolutely must have exactly the same arrangement and absolutely the same style and the same tempo.
Scorpion83 • indie rock, alt-pop, 2-chord vamp, driving 160 BPM, baritone lead vocals, stacked gang vocals, clean electric arpeggios, overdriven power chords, palm-muted bassline, live drum kit, snare crack reverb, stereo delay throws, chorus guitar shimmer, chorus lift, bittersweet nostalgia
Вкус жизни (ст. Павел Байдалин, муз. Евгения Евпак)
Павел Байдалин • Classic orkestra, fortepiano
Евгений Шлычков • post-punk, coldwave, nocturnal synth-pop, 128 BPM, drum machine pulse, rubbery bassline, chorus guitar stabs, FM synth arpeggios, gated snare, cold vocal delivery, slapback delay, analog tape saturation, wide stereo mix, detached unease, urban isolation
Олег_1985 • Dance chanson with husky male vocals, medium-fast swung groove and a catchy accordion riff over punchy drums and walking bass; verse stays close and gritty with sparse accordion and guitar stabs, pre-chorus tightens with handclaps and rising harmony, chorus opens with full band, gang doubles and short delay throws on the hook. Add vinyl crackle, a quick snare roll into the drop, and a bright brass accent after key lines; warm, bold, club-ready mix with a rough street sheen.
Hatabych • fingerstyle guitar, Russian lyric ballad, alternative metal, belt vocals, intimate baritone countervoice, clean electric arpeggios, palm-muted verse guitar, octave bass riff, double-kick chorus, layered harmony chorus, plate reverb, analog saturation, wide stereo guitars, sparse intro build, explosive chorus lift, bittersweet longing, night-time devotion,metal, 160 bpms, male vocal
DJ_Gen4ik • Children's Choir, violin, violon, Violoncello, Male and female vocals, Instrumental music.
Nosleep68 • Ритмичная музыка в стиле диско, мужской голос баритон, аккордеон, саксофон.
Огонек • rock, powerful emotional voice, romantic, epic, emotional female, metallic, folk , metal, romantic
Nosleep68 • Песня в быстром стиле ска-панк, мужской суровый голос, аккордеон, скрипка.
Р С И И • Slow Russian military memorial ballad. Male baritone lead vocal (verses, chorus, bridge). Emotional, restrained, raw. Acoustic guitar fingerpicking, soft piano, distant orchestral strings, metronome like a heartbeat. No electric guitars. No synth. Reverb like an empty memorial hall. Structure: verse 1 / chorus / verse 2 / chorus / bridge (whispered, like a prayer) / verse 3 (slightly stronger, not yelling) / final chorus (children's choir — boys and girls, ages 8–12, pure voices, unison, slow, solemn, not triumphant. No vibrato. As if singing a prayer or a lullaby for fallen soldiers). Final chorus must be sung by children. Male soloist stops. Only the child choir.
Rinka • **(Жанр: Шуточная поп-фолк, игривый ритм, напоминает веселую частушку или песню из мюзикла. Мелодия бойкая, с акцентом на баян или яркие синтезаторные переливы).** **(Рекомендации по мелодии и аранжировке):** * **Ритм:** Чёткий, плясовой, с акцентами на слабые доли (как в польке или быстрой частушке). * **Инструменты:** Баян/аккордеон – основной ведущий инструмент. Лёгкая ударная установка или даже ложки. Яркие синтезаторные акценты для современности. В бридже можно добавить комичный звук "скрипа" или "ржавой пружины". * **Вокал:** Исполнение должно быть с улыбкой в голосе, немного утрированно-эмоциональным, с подмигиванием слушателю. В припеве можно добавить бэк-вокал, подхватывающий фразу "восемьдесят один!" с комичным ужасом, а на "восемнадцать" – радостно и звонко.
Симуранка • chorus opens with wide power chords, choir-like backing harmonies, snare accents, stacked guitars, then a clean arpeggio bridge and soaring final hook with long reverd tail
Огонек • Electronic ethno-shamanic medieval-inspired slow groove with a pulsing hand-drum bed, dark frame drum accents