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Последние публичные треки, созданные нашими пользователями

Masha Bear Boogie

Мистер ИИ Electronic dance-pop with a bouncy four-on-the-floor groove and playful syncopated percussion; verse keeps it nimble with clipped synth stabs and light bass, pre-chorus builds with filtered risers and handclaps, chorus opens wide with stacked vocal doubles and chanty gang replies. Harmonica flickers between lines, balalaika plucks a bright folk hook, with reverse swells, sparkle hits, and a punchy glossy mix., pop, electronic

143
Город огней

neНастоящий Hip-hop with dubstep and techno accents, mid-tempo half-time bounce over a four-on-the-floor pulse; verse rides sparse sub hits and clipped hats, pre-chorus strips to filtered synth stabs and tension risers, chorus opens with stacked low ad-libs and a heavy bass drop. Low-timbre , close-mic and stern in verses, doubled on hooks, with delay throws on key words. Ear candy: reversed sweeps into each chorus, metallic fills between lines, brief siren-like synth flicks. Mix is dark, wide, and punchy with a hard urban edge., dubstep, hip hop, techno

155
Ветер

Ветер

Кавер-версия

siKSeven Dance, Deep-House, minimal, melodic, d'n'b, female vocal

247
Je ne me perds pas

Je ne me perds pas

Кавер-версия

MSIb860 2010s EDM-pop with festival-ready drop architecture, side-chained supersaw synth stacks with heavy detuning and stereo widening, plucked synth arpeggio lead over sustained pad chords, four-on-the-floor kick with punchy transient-designed clap on two and four, punchy sidechain-pumped low-mid bass, bright SSL-style bus compression on the mix, heavy high-frequency air boost on master, intimate close-mic'd male tenor with breathy chest-to-falsetto transitions, conversational half-sung spoken delivery, build-drop-breakdown structure with filtered riser sweeps and white-noise reverse crashes gating into the drop.

179
В моих руках

Р С И И gothic rock, ethereal wave, Russian language, male baritone vocals with strong reverb and delay, hypnotic singing, slow tempo of 65 beats per minute, atmospheric, mesmerizing, no rap, no screaming, hidden intimate vocals, as if a spell is being cast, piano and clean guitar with echo, melodic bass, emotional intensity, hypnotic echo in the chorus

196
Полёт над Макеевкой

Суша [Melodic Progressive House Remix, 138 BPM, 3:40, Dance] Intro: Piano arpeggios + electric guitar riffs над sub-bass. Build: Synth risers, hi-hats. Drop 1 (1:10): Punchy kick, rolling bass, piano chords, guitar solos. Breakdown: Emotive piano + guitar plucks, pads. Drop 2 (2:50): Explosive synths, rapid piano, shredding guitar. Outro: Echoing piano fade.

179
Sailing off the edge

MSIb860 2020s progressive EDM, layered plucked synth arpeggios with slow filter sweeps, wide-stereo supersaw pads, side-chained four-on-the-floor kick against pumping eighth-note bass, bright DI acoustic guitar strums blended into the mix, stadium-scale reverb on snare clap, parallel compression on drum bus, gradual build-drop structure with white-noise risers and automated high-pass filter lifts, clean mid-range tenor with polished pitch-correction, breathy falsetto transitions, lush vocal doubling spread across stereo field, tension-release drop where all harmonic elements strip to kick and bass then rebuild.

129
Российское чудо

Евгений Иванович 125 bmp, pop, rock, shanson, electronic, hip hop, country, funk, disco

154
Одинокий гвоздь Аккордеона.

Айсeдора rock, indie pop ballad, 79 BPM, bathroom room mic, close-miked drum kit, deadened snare, brushed cymbals, fingerpicked electric guitar, accordion drones, male whispers, layered vocal harmonies, plate reverb, tape saturation, narrow stereo field, intimate hush, gradual lift, refrain build, cinematic soundscape, lofi

124
No one on earth 4

MSIb860 2010s festival EDM, sidechained supersaw leads with heavy unison detuning and portamento glide, punchy four-on-the-floor kick processed with transient shaper and sub-frequency boost, trap-influenced 808 sub-bass slides between drops, stuttering sixteenth-note vocal chop edits processed through bitcrusher, maximized loudness via multiband compression and hard brick-wall limiter, Dutch-style build-up with risers and reverse cymbal swells, explosive drop with gated synth stabs, mid-range male English vocal hooks pitched and tuned via Autotune with bright airy presence, tension-release structure with two-bar breakdown before full drop.

152
ЛОГОС

MaReVo атмосферная электронная баллада с элементами синти-попа, блюз, male vocal,

292
Almost home, (Oh-oh)

MSIb860 2010s stadium EDM, four-on-the-floor kick with punchy transient-shaped 909 clap, supersaw lead synth with heavy unison detune and sidechain compression ducking against kick, arpeggiated pluck synth in upper register, layered white-noise riser sweeps, brick-wall mastered mix at -6 LUFS with hyper-compressed mid-range, 128 BPM rigid quantized grid, euphoric filtered breakdown dropping into full-frequency drop, mid-range chest-voice English vocal with pitch-correction shimmer and heavy reverb tail, sudden 32-bar tension builds collapsing into distorted bass-boosted climax.

144
Ой, мама, я летаю💞

Scorpion83 k-pop, 92 BPM, syncopated kick pattern, rubbery sub-bass, crisp clap stack, sampled taiko hits, shamisen plucks, breathy female lead, stacked vocal harmonies, harmonizer sheen, tape saturation, plate reverb, sidechain pumping, anthemic release, bittersweet longing

136
На пороге лета.

G_E-N_D-O_S Melodic indie folk, dream pop, female vocals, tender and airy voice, atmospheric, romantic summer vibes, acoustic guitar, soft piano, gentle percussion, warm pads, nature sounds, ethereal, poetic, waltz rhythm, slow to mid-tempo

133
No One On Earth

MSIb860 Trance-synthwave electronic with a driving four-on-the-floor pulse, sidechained arps, glossy bass pulses, and robotic vocoder female vocals; verse rides filtered pads and a sparse kick, pre-chorus opens with rising noise and chopped synth stabs, chorus hits with stacked supersaws and a chantable hook. Auto-tuned lead gets octave doubles, delay throws, and whispered robot ad-libs. Ear candy includes reversed swells, laser zips, and a final dropout before the last lift. Bright, cinematic, and glossy-punchy., electronic, trance, vocal

147
«Кинжал грёз»

Artcoll J-Rock, Anime OP, female vocal, 180 BPM, Dm (final chorus Em). Dense, unstretched vocals, punchy chorus. Structure: intro calm -> build -> break. Verse1 calm (build end). Pre-chorus calm (build end). Chorus1 powerful (8 lines only). Verse2 calm (build end). Chorus2 powerful (8 lines). Guitar solo 12s shred. Bridge calm (4 lines). Final chorus: powerful key change, full 12 lines, 3rd quatrain starts calm then crescendo to strong end. Outro: 2 lines spoken soft, last line half-whisper, 8-bar instrumental fade. Lyrics Russian/Japanese. Theme: fantasy dragon rider vs gray reality. Reference: LiSA, Aimer.

139
How can we go on this 2

MSIb860 Combine Dubstep with Synthwave to create an ethereal space odyssey soundtrack. Imagine floating through the cosmos with layers of ambient pads and twinkling synth arpeggios, evoking a sense of wonder and exploration, autotune and vocoder vocal. (Genres: Dubstep, Synthwave; Vibe: Ethereal, Mysterious, Dreamy; Instruments: Pad, Synth, Percussion)

150
Солнце Моё #16 (Медляк ReEdit)

Hideshadow Caucasian style, dance, remix, Caucasian musical instruments, Caucasian choir on backing vocals

208
Russian style

Мистер ИИ Electronic dance-pop with a bouncy four-on-the-floor kick, syncopated bass, and bright balalaika riffs woven into synth stabs; verse rides tight and playful with clipped lead vocals, pre-chorus strips to handclaps and a filtered harmonica motif, chorus hits wide with stacked doubles and gang chants. Use balalaika fills between lines, harmonica answers on transitions, reverse swells into each drop, and a sparkling sidechain pulse. Crisp, glossy, club-ready mix with warm folk color., pop, electronic

128
Город забвения(Città dell’Oblio )

Oceania cinematic opera, neoclassical/gothic influences, dark drama atmosphere, Italian language, male deep bass vocal (melodic operatic singing, rich vibrato, powerful low notes), ethereal female vocal (soft, airy, in final chorus with ghostly echo and subtle harmonies), children's choir (harmonized vocalise, echoing phrases, otherworldly tone, gentle crescendos), haunting cello (tremolo arpeggios, low drones), expressive piano (dynamic range, prepared techniques, sparse high notes), deep piano bass, timpani accents (sparse dramatic hits), rain ambience (subtle, constant), church bells (intro, 3 chimes, distant), synth drones (bridge, low‑freq, evolving textures), lush reverb, warm acoustic space, moderate tempo, D minor, 84 BPM, legato phrasing, emotional operatic delivery, rich harmonies, dramatic crescendos/decrescendos, dynamic contrasts between sections, subtle cinematic sound design (wind whispers, floorboard creaks)

355
Последний поезд

АГК games Rock-leaning hip-hop with mid-tempo boom-bap drums, gritty electric guitar riffs, and a driving bassline; verse rides tight and tense with half-rapped delivery, pre-chorus strips to kick and bass with rising distorted guitar, chorus hits with shouted group doubles and a bleak chant hook. Vinyl crackle, reverse swells into the hook, and a final train-brake screech. Dry, punchy, urgent mix with a dark warehouse edge., rock, hip hop

136
Король Скелетов

АГК games Metal-rap with driving double-kick drums, distorted drop-tuned guitars, and boom-bap snare accents; verse rides tight rap delivery over riff stabs, pre-chorus opens with half-time chugs and rising toms, chorus hits with shouted gang doubles and a big chantable hook. Screamed ad-libs, short delay throws on punchlines, reversed cymbal swells into the chorus, and a gritty, aggressive, front-of-the-face mix with heavy low-end punch., metal, hip hop

157
Башня до пика

АГК games Rock-hip-hop hybrid with stomping mid-tempo drums, gritty power chords, and syncopated rap verses; verse rides tight kick, snare, and palm-muted guitar riffs, pre-chorus strips to bass pulse and rising chant, chorus hits with stacked shouted vocals and gang responses. Add glitchy loot stabs, reversed swells into the hook, and a final lift with big tom fills. Bright, aggressive, punchy mix., hip hop, rock

139
Inside The Doll

Мистер ИИ Electropop with a four-on-the-floor pulse, rubbery synth bass, clipped handclaps, and sparkling arpeggios; verse stays tight and percussive with close-mic lead and playful stabs, pre-chorus strips to bass and snapped vocals, chorus opens wide with layered doubles, gang shouts, and a chantable matryoshka hook. Risers bloom into each drop, toy-box plucks and reversed swells bridge sections, glossy bright mix with punchy low end., electronic, pop

122
Луна Волков

АГК games Hip-hop with grim, militaristic boom-bap swagger, tight head-nod drums and distorted bass; verse rides clipped snares and chant-like cadences, pre-chorus strips to kick and filtered choir stabs, chorus hits with gang vocals and a hard repeatable slogan. Horus gets doubled lead vocals, shouted ad-libs, and short delay throws on key names. Metallic risers, distant war horns, and brief static sweeps bridge sections. Mix is dark, punchy, and cinematic with a cold iron edge., hip hop

131
Money Honey

MSIb860 Combine Dubstep with Synthwave to create an ethereal space odyssey soundtrack. Imagine floating through the cosmos with layers of ambient pads and twinkling synth arpeggios, evoking a sense of wonder and exploration. (Genres: Dubstep, Synthwave; Vibe: Ethereal, Mysterious, Dreamy; Instruments: Pad, Synth, Percussion)

147
So Happy Candy Sky 2

MSIb860 Maximalist electropop with layered sawtooth synth stacks, wide-stereo pad chords, gated snare, and brick-wall limiting; verse rides tight digital pulse and clipped phrasing, pre-chorus opens with rising filters and breathy doubles, chorus slams in with full-spectrum hook layers and belted soprano peaks. Transparent autotune, melismatic turnarounds, breakdown hush before explosive reentry, bright and glossy mix with hard stereo width., vocal, happy, dramatic

121
AV_SP O KAK

AV_SP O KAK

Кавер-версия

AVS sound Bass house 125bpm

151
Ребята, от души вас поздравляю!

Evgeny Parshin mystical cinematic, 78 BPM, orchestral strings, monks choir, whispered textures, hand drums, frame drum pulses, bowed psaltery, duduk melody, tape saturation, plate reverb, distant room mic, solemn apology, reflective devotion, free meter, gradual crescendo, minor key, ethereal world fusion

154
Безысходность

GerasimovS Death Metal, aggressive and heavy, low‑tuned guitars, blast beats, deep growls in verses, clean female vocals in choruses, dark and oppressive atmosphere, 160 BPM, with symphonic elements in background

153
How Can We Go On This

MSIb860 Chiptune game-pop with fast 8-bit arpeggios, Russian folk melody turns, and a driving bassline; verse loops stay playful and tight, pre-chorus adds a rising filter sweep and coin-blip fills, chorus hits with doubled lead tones, octave jumps, and short riser bursts between lines. Vocal is bright and urgent with stacked hooks and tiny ad-lib doubles. Crisp, neon-bright, arcade-punchy mix., theme, electronic, playful, bright, bassline, soundtrack, chiptune, russian folk

145
Километры дорог

Километры дорог

Кавер-версия

Сергей Гуров Rock, acoustic guitar, piano,bass guitar, drums, violin.

227
Последний звонок 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, very low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, very low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm118 bpm, acoustic rock, russian rock, 1980s, melancholic, driving rhythm, male vocals, acoustic guitar intro.

141
Последний звонок 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, very low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, very low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm118 bpm, acoustic rock, russian rock, 1980s, melancholic, driving rhythm, male vocals, acoustic guitar intro.

131
ПЛ 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, very low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, very low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm

107
ПЛ 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm

115
Время и судьба

Время и судьба

Кавер-версия

GerasimovS Brutal death metal, 220 BPM, alternating mournful clean & deep growled vocals, massive reverbed down-tuned guitars, funeral bells + organ drones, desolate hopeless void, abyssal sub-bass, cinematic dark ambient

171
Один

Вицык Russian rap, battle rap, spoken word cadences, taiko drum hits, balalaika pizzicato, analog synth drones, tape saturation, spring reverb, mono room ambience, sparse verse break, half-time drum drop, chant hook, call-and-response ad libs, gritty tension, defiant surge, 92 BPM, minor key, cinematic soundscape

142
ПЛ 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm

135
Жестокий

Вицык ethnic electronic, ambient new age, 79 BPM, frame drum ostinato, duduk lead melody, nyckelharpa drones, kalimba arpeggios, bowed cymbal swells, modular bassline, tape saturation, plate reverb, mono drum room, wide stereo pads, chant-like hooks, meditative drift, spiritual uplift

148
Джиперс Криперс

Ashes of the Covenant Metalcore / post-hardcore with hard rock weight and alternative rock hooks, mid-tempo chugging guitars, half-time breakdowns and syncopated palm-muted verses; intro creeps in with clean arpeggios and distant toms, pre-chorus tightens with stacked gang shouts, chorus opens wide with soaring doubled vocals, guitar break drops to a rap solo over jagged riffing, final chorus hits with extra harmonies and a crushing breakdown. Intimate verse mix, huge punchy chorus., alternative rock, metalcore, hard rock, post-hardcore

138
Бабье лето

Лидия 5 ambient new age, ethnic electronic, tribal percussion, spiritual choir, whispered textures, frame drum patterns, duduk melodies, hand percussion, bowed string drones, analog tape saturation, spring reverb, lo fi room tone, wide stereo field, 1980s cinematic synths, mid tempo pulse, meditative uplift

150
Я Русская (Edit)

Лидия 5 Русский народный

173
Молитва(Edit)

Лидия 5 Эмоция,лирика,шансон

150
ПЛ 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm

142
Другой мир

Ashes of the Covenant Alternative rock with post-hardcore and metalcore punch, driving mid-tempo groove, palm-muted guitars and huge toms; intro opens with eerie clean guitar and low drone, verse stays tense and stripped, pre-chorus lifts with rising gang harmonies, chorus slams wide with shouted doubles and melodic lead lines, bridge drops to half-time breakdown, final run explodes into a long emotive guitar solo and last chorus. Gritty male vocals, layered gang shouts on hooks, delay throws on key words, sharp risers and reversed swells into every drop, bright aggressive mix with a massive low end., metalcore, post-hardcore, hard rock, alternative rock

135
ПЛ 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm

107
ПЛ 2026

Zhenich Melancholic soviet post-punk, deep monotone male vocals, detached and hypnotic singing style, low baritone, calm and narrative delivery, no vocal tension. Atmospheric synthesizer pads, steady minimalistic drums, cold and spacious mix, emotional undercurrent of epic stoicism, dark yet hopeful atmosphere, 1980s analog sound. Deep, low male baritone Detached, meditative, fatalistic Stoic strength / quiet inner resilience Hypnotic, monotonous rhythm

105