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Ратибор Ясный Raspy mail voice, indie rock, acoustic guitar, bass guitar, accordion,folk, indie, blues

165
Просто

Ратибор Ясный Raspy mail voice, indie rock, acoustic guitar, bass guitar, accordion,folk, indie, blues

142
Над лесами встаёт багровый рассвет

Искусственный свет 70s arena rock, power ballad, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, sustained power-chord choruses, Mellotron strings, Hammond organ, tape saturation, plate reverb, analog compression, stereo room mics, midtempo march, dramatic build, anthemic, hard-edged grit

151
Я держу

Каромель Грустная музыка сильным припевом

168
Царица Любовь

Roman222 Trap-techno with dembow-like four-on-the-floor pulse, crisp hat rolls, metallic synth stabs, and a hard sub that punches under the kick; verse rides sparse and tense with close-mic Russian vocal, pre-chorus opens with rising filters and stacked whispers, chorus hits wide with gang doubles on the hook phrase. Ear candy includes reverse swells into drops, glitch ticks between lines, and a bright rave lead on the title. Mix is glossy, aggressive, and club-ready., techno

141
Твои глаза

Saylos pop, hip hop, lofi

150
Мы выросли

Каромель Чувственная музыка с грустным мотивом

159
Мкняем

Maloy774 Russian rap, spoken word cadence, 79 BPM, sub-bass pulse, dry snare, chopped sample stabs, looped balalaika, low-passed synth drone, plate reverb, tape saturation, mono center vocal, call-and-response hooks, cinematic intro, stripped-back verses, late-night defiance, bittersweet nostalgia

154
Воздух на двоих

Михаил Ермаченков Melodic Rock, Soft Rock, Warm Male Vocals, Mid-tempo, Acoustic Guitar Intro, Clean Electric Guitar, Soulful, Hopeful, Anthemic Powerful Chorus, Atmospheric Strings

150
Воздух на двоих

Михаил Ермаченков Melodic Rock, Soft Rock, Warm Male Vocals, Mid-tempo, Acoustic Guitar Intro, Clean Electric Guitar, Soulful, Hopeful, Anthemic Powerful Chorus, Atmospheric Strings

150
Дай мне крылья

Romantik ‎[Sacred Organ, Ethereal Choir, Gregorian chant whispers, Heavenly voices, Cathedral reverb, Slow build, Transcendental, Divine ascension, No drums, Lots of air, Majestic, Lead Vocal: Angelic Female Soprano, ethereal and pure, Backing Vocals: Children's Choir, innocent and celestial] ‎[Title: Дай мне крылья (Сотворено с любовью. Да будет так.)]

308
Парни на
133
Umoja

DJ MICHAEL Afro House, Traditional African Tribal Music, Deep House, Percussive House, Ethnic Electronic] [BPM: 122-124] [Key: E minor] [Mood: Hypnotic, communal, earthy, dancefloor ritual, spiritual] [Instruments: Djembe, dundun, talking drum, log drums, kalimba (mbira), balafon, shakers, rainstick, deep sub-bass, 909 kick with organic percussion layers, warm pad swells, African chanting, handclaps, stomps] Vocals: No rap. No pop singing. Only African-style chants, call-and-response choir, short ancestral phrases (Swahili/Zulu inspired), humming, and breath. Lead vocal is a raw, soulful female or male voice — melodic but not poppy, more like a traditional folk singer. Structure: - Intro: nature ambience (savanna wind, distant thunder, birds), single djembe heartbeat, whispered word "Umoja" (unity). - Beat builds with kalimba melody and shakers. - Verse: minimal percussion, deep bass, chant-like vocals (repeating phrases like "Tuna dansa" — we dance) - Chorus instrumental/vocal drop

166
Morenita

DJ MICHAEL Latin house, deep house, tropical house, Hugl style, organic percussion, groovy bassline, 124 BPM, Ibiza, minimal vocals, chopped vocal stabs, claps, shakers, sidechain bass, rhythmic chanting, no long singing, extended instrumental breaks, dancefloor groove melodic singing, long notes, emotional vocals, ballad, verse-chorus structure, piano ballad

165
Замкнутый круг

Михаил Ермаченков 90s Grunge, Alternative Rock, Heavy Drums, Atmospheric Distorted Guitar, Melodic Rock, Raw Male Emotional Vocals, Dramatic Tension, Aggressive Bursts, Sad Autumn Vibe

160
Замкнутый круг

Михаил Ермаченков 90s Grunge, Alternative Rock, Heavy Drums, Atmospheric Distorted Guitar, Melodic Rock, Raw Male Emotional Vocals, Dramatic Tension, Aggressive Bursts, Sad Autumn Vibe

147
Ветерок (грустная песня)

DDdddDD 48 BPM, Russian-language romantic ballad, acoustic guitar fingerpicking, violin legato lines, bowed tremolo violin, female plaintive lead, close-mic breath, minor key harmony, sparse intro, string swell bridge, tape saturation, plate reverb, intimate verse, tragic longing, bleak outro

191
БАТЯНЯ ВСЕЛЕННОЙ (сл. и муз. Т. Калининой) 2003 г.

Volshebnitsa888 Russian rock, emotional male vocals, melancholic flute intro, hang drum, calm acoustic verse, explosion into distorted electric guitar and heavy drums on chorus, cello, atmospheric, tearjerker, dramatic build-up, raw production. Negative prompt: happy, major key, rap, autotune, techno, metal scream, fast double bass, pop production, choir too clean.

276
Пустыри

Ратибор Ясный rock, ambient, post rock, loss, sad balalaika and flute rock acoustic ballad symphonic, folk

201
Диагноз:свобода

max_48307662 alternative rock, post-grunge, female powerful operatic vocal, emotional, dramatic, heavy distorted guitar riffs, melodic piano intro, driving bassline, dynamic drums, epic buildup, guitar solo outro, anthemic, raw energy, 90bpm

145
Диагноз:свобода

max_48307662 alternative rock, post-grunge, female powerful operatic vocal, emotional, dramatic, heavy distorted guitar riffs, melodic piano intro, driving bassline, dynamic drums, epic buildup, guitar solo outro, anthemic, raw energy, 90bpm

123
Вспышки темноте

Михаил Ермаченков Emotional Melodic Rock Ballad, Warm Male Vocals, Piano Intro, Uplifting Electric Guitar, Heartfelt Romanticism, Cinematic Strings, Building Strength, Powerful Chorus

149
Вспышки темноте

Михаил Ермаченков Emotional Melodic Rock Ballad, Warm Male Vocals, Piano Intro, Uplifting Electric Guitar, Heartfelt Romanticism, Cinematic Strings, Building Strength, Powerful Chorus

135
Глаза

vladzak57 Drum and bass with fast broken-beat energy, rolling sub-bass, crisp snare skanks, and airy pads; verse drives in tight low-end with sparse synth pulses, pre-chorus opens with rising filtered chords and clipped backing chants, chorus hits with a wider hook and doubled lead vocal, bridge drops to half-time drums and a single haunted motif before the final lift. Close-mic Russian with stacked doubles on the hook, short delay throws on key words, reverse swells into transitions, bright punchy mix with club-ready sub weight., drum and bass

127
Глаза

vladzak57 Drum and bass with fast broken-beat energy, rolling sub-bass, crisp snare skanks, and airy pads; verse drives in tight low-end with sparse synth pulses, pre-chorus opens with rising filtered chords and clipped backing chants, chorus hits with a wider hook and doubled lead vocal, bridge drops to half-time drums and a single haunted motif before the final lift. Close-mic Russian with stacked doubles on the hook, short delay throws on key words, reverse swells into transitions, bright punchy mix with club-ready sub weight., drum and bass

158
на рыбалку

Евгений Шлычков ska punk, pop punk, 190 BPM, muted trombone stabs, trumpet riff punches, palm muted power chords, upstroke electric guitar, walking electric bass, driving offbeat , snare on two four, live room drums, gang chant backing, tight horn section, tape saturation, spring reverb, frantic energy, sarcastic menace

135
Простите, простите..

Галина Тара cinematic ambient pop, slow tempo, emotional female vocal, piano and strings, minor key, ethereal atmosphere, 80 BPM, Am (A minor)

184
Луна

vladzak57 punk rock, 120 BPM verses, 130 BPM choruses, eastern melodic motif, palm-muted guitar riffs, baritone bass guitar, big drum kit, snare backbeat, call-and-response hooks, dynamic tempo lift, bridge breakdown, chant chorus, festival energy, blunt verses, arena punch, live room sound

143
Зажигай эту ночь !

Сергей Хабаза electronic dance, 124 BPM, tribal percussion, ethnic flute lead, hand drum layers, modular bassline, chopped vocal shards, arpeggiated synths, backbeat snare, sidechain pumping, tape saturation, plate reverb, sparse intro, layered chorus, breakdown drop, call and response, bittersweet longing, uplifting release

135
Луна

vladzak57 punk rock, 120 BPM verses, 130 BPM choruses, eastern melodic motif, palm-muted guitar riffs, baritone bass guitar, big drum kit, snare backbeat, call-and-response hooks, dynamic tempo lift, bridge breakdown, chant chorus, festival energy, blunt verses, arena punch, live room sound

133
Моя вторая половина

Сергей Хабаза Кавказский стиль, r&b, folk

146
Deep banger vibe

Сергей Хабаза ethnic electronic, tribal percussion, collapsing arpeggios, detuned synth pads, modular bass pulses, taiko accents, hand percussion fills, phased string motifs, tape saturation, plate reverb, gated snare, sidechain pumping, off-kilter 79 BPM, unstable groove, breathy chant hooks, chant-like chorus, bittersweet longing, ritual release, deep electronic, meditative downtempo, ethnic electronic, tribal percussion, modular bassline, chopped samples, arpeggiated synths, TR-808 drum machine, backbeat snare, tape saturation, plate reverb, wide stereo field, sparse intro, vocal-less chants, gradual build, 79 BPM, bittersweet nostalgia, devotional calm

154
Для тебя

Для тебя

Кавер-версия

Сергей Хабаза dnb, 174 BPM, halftime drop, swung breakbeats, syncopated rimshots, sub bass wobble, chopped amen breaks, modal sax riffs, kalimba plucks, frame drum ensemble, analog tape saturation, plate reverb, stereo delay, tribal percussion soundscapes, nocturnal pulse, ritual intensity

173
Не стучи

GAD hip hop, electronic,rap

139
Тигрица Людмила

Леди дождя Disco with a bright four-on-the-floor groove and syncopated bassline; verse stays tight with clipped guitar chops, handclaps, and playful synth stabs, pre-chorus opens with rising strings and filtered percussion, chorus drops into a wider glittery pulse with stacked female doubles and chanty backing vocals. Add bell flourishes between lines, a reversed swell into each chorus, and a small tom fill before the final lift. Crisp, shiny mix with punchy low end and a warm vocal center., disco

162
Антидарвиниада

Blindur Topkasson Death metal, electronic. Duet female extreme and male growl vocal, hard bass solo, heavy rithm

164
Быстрая река

G_E-N_D-O_S melancholic russian rap, deep storytelling, emotional male vocals, 90 bpm, piano melody loop, atmospheric river sound fx, heavy 808 bass, cinematic strings in bridge, rhythmic but reflective flow, modern hip-hop production, key of E minor

178
Рождённый ползать

Рождённый ползать

Кавер-версия

vladzak57 country, баллада в стиле шансон

174
Рождённый ползать

Рождённый ползать

Кавер-версия

vladzak57 country, баллада в стиле шансон

145
How beautiful the world is(en)

How beautiful the world is(en)

Кавер-версия

Piligrim ethnic electronics, new age ambient, meditative world fusion, 79 beats per minute, hand drum groove, syncopated percussion, ethnic tomes, frame drum accents, modular bass line, arpeggiated synthesizers, pan flute, sliced samples, reverb, tape saturation, choir pads, whispers, raspy vocals, layered harmonies, bittersweet longing, religious uplift

175
Лето наконец-то наступило

Егорова Галина Васильевна Энергичный зажигательный танцевальный поп, летнее настроение

326
Из Ада в РАЙ!

Махарани Mystic lounge ballad, organic hypnotic groove, slow-tempo 75 BPM, deep pulsing bass kick, warm driving internal rhythm. Sweet charming female vocal, smiling and lovely delivery, intimate velvet raspy texture, crisp perfect enunciation, clear articulation, proud loving melodic vocal line, soft confident stage-whisper. Percussion-led, prominent acoustic bongos rolls and fills, modern shaker, acoustic instrumentation. Musical transition from deep mysterious dark intro atmosphere to bright uplifting heavenly energy, soaring celebratory violins enter in the second half, majestic emotional violin outro crescendo, triumphant acoustic finish. Every word clearly audible, absolutely no arrogance, no sad victim drama, no rap, no chanson, no retro, no pop, no tavern, no electronic synthesizers.

156
Russia in my eyes

Мистер ИИ Electronic pop with a four-on-the-floor kick, glossy synth stabs, syncopated bass pulses, and shimmering arpeggios; verse rides tight and minimal with clipped vocal phrasing, pre-chorus strips to filtered chords and handclaps, chorus opens into stacked doubles and a chantable hook. Bridge drops to half-time with a cold vocal filter, then final chorus returns with bigger drums, sidechain swells, risers, and crowd-style ad-libs. Bright, punchy, wide mix with a sleek night-drive sheen., electronic, pop

188
Как мир прекрасен

Piligrim ethnic electronics, new age ambient, meditative world fusion, 79 beats per minute, hand drum groove, syncopated percussion, ethnic tomes, frame drum accents, modular bass line, arpeggiated synthesizers, pan flute, sliced samples, reverb, tape saturation, choir pads, whispers, raspy vocals, layered harmonies, bittersweet longing, religious uplift

162
GEHENNA RAVE (🧛‍♀️Dark piano🧛‍♂️)

Валерик Dark aggressive piano, dark-electronic, dark instrumental, dark massive attack, bass

209
Книга Костей

Антон Васьков Slavic dark folk, male and female vocals

147
Кого вина

Ратибор Ясный loss, sad balalaika and flute rock acoustic ballad symphonic

193
Себя я

DJ ALEXANDER Russian synth-pop, nocturnal pop, Armenian duduk lead, pulsing pop drums, sidechained synth bass, detuned pad chords, glockenspiel counterline, tight clap stack, vocal hush delivery, octave doubled chorus, slapback delay, wide stereo synths, minor key lift, 126 BPM, bittersweet longing, dusk-to-dawn arc

144