Все треки
Последние публичные треки, созданные нашими пользователями
kuprumserga • Style: Energetic *R&B* and *hip-hop* with *BPM* 120. The vocals in the chorus are melodic and reverb-laden, while the verses feature dynamic rap. The song has a clear structure: *intro*, *chorus*, *verse*, *bridge*, *chorus*, *verse*, *outro*. Arrangement - **Intro:** atmospheric synthesizer, deep bass, and a light beat. - **Chorus:** powerful rocking beat, clean vocals with a hoarse voice, emphasis on melodies. - **Verses:** accelerated rhythm, deep bass, possible strings or samples. - **Bridge:** piano or synthesizer, music is quieter, more atmospheric. - **Outro:** fading bass and synthesizer, whispers. Vocals and effects In the chorus, there is a clean vocals with reverb. The verses are rapped, possibly with *distortion*. The bridge is spoken in a calm, almost conversational tone. The outro is whispered.
Michael 210 • Heavy metal, 135bpm, drums 4/4,powerful driving guitars, symphony,powerful emotional voice
Миооп • rock, Gritty modern rock with driven rhythm guitars, steady bass, and punchy live drums; male vocals that start intimate and rough-edged, opening into a big shout-along chorus with gang vocals; mid-song dynamic dip with cleaner guitars before a final explosive chorus layered with octave leads and crowd-style ad-libs
Vantes1 • folk, 90s-leaning future-soul dance track: female vocals glide over warm acoustic guitar and lush pads, then lift into a powerful techno-infused chorus. Verses stay intimate with light percussion and clean electric guitar swells; choruses slam with four-on-the-floor kick, bright synth arps, and stacked harmonies. Emotional arc from fragile wonder to triumphant release, with a short post-chorus hook that loops in the outro., techno, emotional, soul, female vocals, electric, acoustic
Миооп • rock, Gritty modern rock with driven rhythm guitars, steady bass, and punchy live drums; male vocals that start intimate and rough-edged, opening into a big shout-along chorus with gang vocals; mid-song dynamic dip with cleaner guitars before a final explosive chorus layered with octave leads and crowd-style ad-libs
DJaxon • Symphonic metal, 100 BPM, epic, powerful, violin.
Миооп • rock, Hybrid jazz-rock-pop crossover with male vocals, brushed drums and warm Rhodes in the verses, crunchy guitars and bright synth pads lifting the choruses. Mid-tempo groove starts intimate and conversational, then blooms into a soaring hook with stacked harmonies. Sax lines answer the vocal between phrases; final chorus adds cymbal swells and a held vocal ad-lib to land it emotionally big yet clear., pop, jazz
kuprumserga • Style: Cinematic World Music with a Chinese flavor. **Rhythm:** meditative, in the spirit of *ambient* and *new age*. The basis is a slow, "breathing" pulse, imitating a heartbeat or the flow of a river. Accents are placed with the help of a gong and wooden blocks. **Arrangement:** based on the pentatonic. The leading melody is played on the flute *di* or *erhu*. The background atmosphere is created by arpeggios on the *guqin* and soft passages on the *guzheng*. The rhythm section is minimalistic, with low-pitched gongs and occasional strikes on the *muyi* (wooden fish). In the chorus, a powerful but non-aggressive string section (*erhu*, *pipa*) is added to create an epic crescendo.
Вячеслав Чаплыгин • Russian post-punk, darkwave, gravelly baritone vocals, chorus-soaked snare, detuned analog synths, tremolo electric guitar, driving bass ostinato, punchy kick drum, tape saturation, spring reverb, gated reverb, 1980s recording grain, cold urban nocturne, stoic resilience, relentless build, midtempo march, cathartic chorus, minor key, industrial drum machine.
Мастер Михей • Ритмичный русский китай-рэп, drumstep
Миооп • rock, Hybrid jazz-rock-pop crossover with male vocals, brushed drums and warm Rhodes in the verses, crunchy guitars and bright synth pads lifting the choruses. Mid-tempo groove starts intimate and conversational, then blooms into a soaring hook with stacked harmonies. Sax lines answer the vocal between phrases; final chorus adds cymbal swells and a held vocal ad-lib to land it emotionally big yet clear., pop, jazz
Дмитрий50 • rock, folk
Мастер Михей • Russian pop, 140 beats per minute, hybrid trap drums, pause during a break, Reese's out-of-tune bass, syncopation of oscillating basses, Russian pop, pumping sidechains, tape saturation, microphone clicks indoors, emphasis on sub-bass, autumn melancholy, late night drive, verse construction, breakdown pause, wide stereo mix, Russian pop, club trap, 140 beats per minute, swing during break, aggressive 808 slides, powerful impact, small claps, triplet hi-hats, distorted subwoofer, short adjustable reverberation, parallel compression, stereo width, Moscow night drive, confrontational energy
ATWST • [genre: high-energy drum and bass, neurofunk, 174 BPM] [intro: dark atmospheric pads, rising tension with glitchy synth stabs, subtle sub-bass rumble building anticipation; soft childlike humming fades in ethereally] [drop: massive rolling neuro basslines growling deep and wobbling, razor-sharp breakbeats with rapid hi-hats and snares flying at 174 BPM, layered with gritty Reese bass and metallic percussion fills] [build-up: filtered synth risers, childlike vocal chops echoing "fly away, dream high" in beautiful, innocent melody, snare rolls accelerating tension] [main drop: explosive amen breaks, heavy sub-bass drops punching through, cyberpunk synth leads screeching over chaotic drum patterns, occasional half-time switch-ups for impact; background child vocals harmonizing softly like whispers from a dream] [bridge: minimalistic breakdown with haunting reverb pads and prominent beautiful child solo vocals singing uplifting melody.
КАЛЕКА • Pagan metal, folk metal, melodic metal, 160 BPM, fast double bass drums, distorted electric guitar, dynamic bass guitar, Hammond organ, tremolo strings, koto solo, duet harsh tenor and harsh mezzo-soprano, folk choir in choruses, triumphant, ecstatic, nature worship, spiritual, raw but melodic, midsummer Slavic pagan vibe, epic, Russian language.
Sergilio • Create an instrumental Wild West track with the following structure: 1. Intro: atmospheric sounds (wind, creaking saddle, distant coyote howl). 2. Main theme: acoustic guitar, harmonica, bass, muted drums. 3. Development: addition of strings (violin, cello), light percussion, occasional electric guitar accents. 4. Climax: tempo increase, powerful chords, expressive harmonica melody. 5. Outro: gradual fade-out, return to atmospheric sounds. Style: Western, Wild West, America. No vocals. Emphasize cinematic and authentic Western atmosphere.
Миооп • jazz, rock, pop
Вячеслав Чаплыгин • 140 BPM majestic cinematic Big Beat ritual anthem for Pharaoh mummification ceremony. Explosive super-accelerated distorted breakbeats with thunderous kicks, chopped ethereal samples and intricate mathematical polyrhythms. Deep earth-shaking sub bass with heavy sidechain pumping. Colossal cosmic lead synth slicing eternally across space with infinite sustain. Nasty gritty distorted synth leads and riffs channeling lost ancient civilization through hypnotic Egyptian modal scales and microtonal bends. Prominent powerful layered Egyptian priest chants and ritualistic vocal incantations dominating the atmosphere. Thick swirling darkwave ethereal pads and sacred temple resonance. Grand, solemn yet triumphant and spiritually transcendent. Cinematic high-end production, lush reverb, massive low-end impact.
Дмитрий50 • rock
vladzak57 • Лёгкий рок, холод.
ATWST • [Breakdance Anthem, energetic old-school hip-hop, funky basslines, heavy 808 kicks, vinyl scratches, turntable effects, fast breakbeats at 130 BPM, street dance vibe, playful kids choir lead vocal, high-pitched childlike voice, crystal clear quality, professional mixing, dynamic drops]
мне моя работа нравится
ЛанаСвет • double time rap
Ната Мазур • Style/Genre: Shamanic Folk, Ethnic Industrial, Deep Ritual Drums.Atmosphere: Mystical, primal, powerful, awakening of nature.Instruments: Heavy shamanic frame drums (bubun), throat singing, bone flutes, wooden percussions, rattling sounds.Description: Start with a slow, heavy rhythmic drum beat and deep vibrating male throat singing. Gradually increase tempo. In the middle section, add bright ethnic flutes and high-pitched female vocal chants. The finale must be a massive explosion of sound: chaotic bird cries, chirping, whistling, and flapping wings mixed with fast, ecstatic drumming.
Боимся. (Стихи Павел Байдалин).
Павел Байдалин • Russian pop rock, alternative rock
Oceania • Atmospheric blues rock, cinematic folk fusion. Russian lyrics, Italian in choruses. Mood: dramatic yet hopeful, hypnotic. Female lead: whisper verses, powerful choruses, softened outro. SATB male choir (deep tones), children’s choir (pure high harmonies, Italian) in final chorus/outro. 4/4 groove. Verses 82 BPM (shaker), choruses 90 BPM (cajón, beats 1&3), tempo shift at chorus, 2 bar pause before bridge. Key: E minor → G minor. Instrumentation: piano arpeggios, cello, electric guitar (clean/distorted), organ, ocarina, glockenspiel. Sound design: rain (light → fading), clock (subtle → prominent), church bell (outro), wind, footsteps, creaking door, breath, reverse cymbal, thunder, fire, singing bowl, glass harmonica, paper rustle.
Andrew_Sh • melodic metal, slow midtempo, minor key riffing, octave guitar harmonies, palm-muted downstrokes, twin lead guitars, fretless bass runs, tom-heavy drums, crash accents, live room ambience, tube amp saturation, parallel compression, wide stereo guitars, gritty punch, restrained breakdown, anthem chorus, dark resolve
Max-Mix • Italo-Disco, drum and bass,EuroDance
Max-Mix • Italo-Disco, drum and bass,EuroDance
Genik • electronic, deep tech house
Как в серебре
Serga • Romans, acoustic guitar, electroinstruments
Sergilio • Create an instrumental Wild West track with a classic Western movie feel. Start with ambient sounds of desert wind and distant coyote howls. Introduce an acoustic guitar with a characteristic fingerpicking pattern, followed by a harmonica. In the main theme, add upright bass and light percussion (brushes on drums). The melody should be sweeping, with wide intervals and a minor tone. For the development section, include a harmonica or fiddle solo, imitating cowboy calls. Increase the tempo and add march-like elements. In the climax, bring all instruments together for a galloping rhythm across the prairie, emphasizing dynamic chords and bass/drum accents. Conclude with a fade-out to solo guitar and wind sounds, ending with a single string pluck or cymbal hit.
Sergilio • Create an instrumental Wild West track with a classic Western movie feel. Start with ambient sounds of desert wind and distant coyote howls. Introduce an acoustic guitar with a characteristic fingerpicking pattern, followed by a harmonica. In the main theme, add upright bass and light percussion (brushes on drums). The melody should be sweeping, with wide intervals and a minor tone. For the development section, include a harmonica or fiddle solo, imitating cowboy calls. Increase the tempo and add march-like elements. In the climax, bring all instruments together for a galloping rhythm across the prairie, emphasizing dynamic chords and bass/drum accents. Conclude with a fade-out to solo guitar and wind sounds, ending with a single string pluck or cymbal hit.
vladzak57 • Реквием, наставление, пожелание, любовь!
Andrew_Sh • A slow-tempo metal track opens with dense, downtuned guitars and a deliberate, pounding drum groove. The verses rely on heavy palm-muted riffs and subtle atmospheric synth layers, building tension. The chorus bursts open with sustained power chords and layered vocals, while the bridge features a melodic yet crushing guitar solo before resolving back into the main riff and a dramatic, drawn-out outro.
Ильдар 3 • Диско
Serga • rock instrumental, ballade
Andrew_Sh • blues rock, slow shuffle blues, 72 BPM, fingerpicked electric guitar, bent-note guitar licks, call-and-response guitar, tube amp breakup, spring reverb, slapback delay, wood room ambience, dry drum close-mic, kick-snare pocket, sparse trio arrangement, laid-back groove, conversational phrasing, warm analog tape, live-club feel
Genik • electronic, deep tech house
Andrew_Sh • metal, slow tempo, solo electric guitar, bottleneck slide, tube amp breakup, room mic bleed, spring reverb, palm-muted chugs, sparse drum kit, dry snare, dark swagger, gritty resolve
Andrew_Sh • metal, slow tempo, solo electric guitar, bottleneck slide, tube amp breakup, room mic bleed, spring reverb, palm-muted chugs, sparse drum kit, dry snare, dark swagger, gritty resolve
мс Хоттабыч • rock, Raw late-80s Russian rock: crunchy overdriven guitars, steady mid-tempo groove, live bass locking with a dry snare. Male vocals with a rough, honest edge; verses stay restrained and moody, chorus opens wide with gang shouts and open chords. Sparse, melodic guitar licks between lines; final chorus rides on an anthemic, slightly faster push.
мс Хоттабыч • rock, Raw late-80s Russian rock: crunchy overdriven guitars, steady mid-tempo groove, live bass locking with a dry snare. Male vocals with a rough, honest edge; verses stay restrained and moody, chorus opens wide with gang shouts and open chords. Sparse, melodic guitar licks between lines; final chorus rides on an anthemic, slightly faster push.
AhraVv И Iris • Glitchy IDM club banger: start with filtered broken beat and glassy synth stabs, six-chord loop slowly unfolding. First verse over sparse, stuttered drums and bitcrushed FX; chorus drops into a full-on dance hit with thick sidechained bass, bright lead hook, and chopped vocal one-shots. Second half layers risers, formant-shifted backing vocals, and a final, wide-open refrain that feels like a late-night festival moment.
DJ Adar • Electronic Blues, Synth-pop, Industrial Lite, Pulsating stomping beat, Gritty blues guitar riff, Dark analog synthesizers, Deep baritone male vocals, Dramatic atmosphere, 95 BPM, Solo Instruments: Distorted blues guitar mixed with a haunting, melodic violin and guitar duet in solo
Taty Cher • blues, soul
