Все треки

Вадим 159 • блатной шансон, баян, мужской хрипловатый вокал, тюремная лирика,философский шансон, размышления о жизни, глубокий текст, зрелость

Стрелецкий • chanson, 82 BPM, fingerpicked nylon guitar, brushed snare shuffle, upright bass walk, accordion stabs, melodica countermelody, Hammond organ swells, live room bleed, tape saturation, mono drum room, intimate barroom, bittersweet wit, laid-back swing, call-and-response guitar

Золтан • Fancy's style, New Wave, Eurodisco of 80's, Italo-disco, Eurobeat, Synthpop of 80's, Erotic, Mystic, 120-125 bpm, Korg M1/Roland Juno-106, Yamaha DX7, Roland TB-303, Linndrum, C#/Db Major key, rhythmic delay, ocoder/echoes/reverberation/portamento, male sexual warm mysterious lead vocals, male sexual soft mysteriuos backing vocals.

Золтан • Fancy's style, New Wave, Eurodisco of 80's, Italo-disco, Eurobeat, Synthpop of 80's, Erotic, Mystic, 120-125 bpm, Korg M1/Roland Juno-106, Yamaha DX7, Roland TB-303, Linndrum, C#/Db Major key, rhythmic delay, ocoder/echoes/reverberation/portamento, male sexual warm mysterious lead vocals, male sexual soft mysteriuos backing vocals.

Yuki_Schtiel • Rhythmic alternative hip‑hop, gritty Russian male vocals, 140 BPM, D minor. Distorted sub‑bass glued to sharp industrial drums, off‑kilter metallic percussion panned wide. Verses ride a serrated, syncopated Russian flow. Hook widens with doubled shouts and tense, detuned synth stabs. Formant‑shifted ad‑libs answer key phrases. Master slammed into saturated crunch with blown‑out transients and cold reverb tails. Add sparse accordion stabs and melodic lines for emotional contrast — atmospheric in Intro, fragile in Bridge. Raw, industrial, saturated sound.

AhraVv И Iris • Deep, minimal house / hip-hop hybrid at 100 BPM in D# minor, male vocals in an intimate whisper-rap. Start ultra-narrow and mono with just soft synth arps and distant flutes; vocal almost in the listener’s ear. Gradually widen the image with subtle shimmer and layered delays. Mid-song, a head-nodding groove fades in: thick sub, ghostly hi-hats, and a slightly swung pocket. Final chorus blooms with stereo flutes, gentle pad swells, and filtered noise risers, then everything folds back into a single, fading arp line.

Dimas5222 • slow shuffle blues, 72 BPM, electric blues trio, muted electric guitar, call and response guitar blues, upright bass, brushed snare, tack piano, Hammond organ swells, tape saturation, room mic bleed, spring reverb, syncopated kick accents, punchline phrasing, smoky intimacy, barroom tension, blues, cinematic blues, 84 BPM, vocal-forward blues, electric blues trio, call and response guitar, slide guitar licks, Hammond organ comping, upright bass pulse, brushed snare shuffle, dry room mics, tape saturation, spring reverb, close-miked vocals, punchy snare, live-club ambience, laid-back groove, bittersweet swagger,Russian rap, Cyrillic flow, local beats, authentic street culture, lo-fi funk, groovy bassline, funky drums, feel-good, alternative hip-hop, indie production, creative sampling, unique sound,Russian rap, Cyrillic flow, local beats, authentic street culture, lo-fi funk, groovy bassline, funky drums, feel-good, alternative hip-hop, indie production, creative sampling, unique sound

Святоша • Russian Gangsta Rap Street hard rough rap

Святоша • Russian Gangsta Rap Street hard rough rap

Норина Наталья • rock, indie, electronic, Not too hard, but with pressure, Сhоrus Tougher

Ветров Лёха • rap, Hybrid of moody strings and piano over a head-nodding boom-bap groove; soft orchestral swells in the pre-chorus, then drums and bass hit hard in the hook. Male vocals with a storytelling rap delivery in the verses, sung melodic chorus with stacked harmonies. Occasional harp runs and choir pads to lift the hopeful ending., hip hop, classical

Андрей 0304 • Melancholy, acapella, raspy male vocal,folk, indie, blues

IGARIK • Deep house, New age, drill, powerful vocals, uplifting, buzz bass, future bass, gospel choir, choir-driven, drums pounding, trump, soul, soulful choir, cinematic, experimental synth, Binaural frequency 528hz, cinematographic

Алёна Варшавская • Танцевальная песня - молитва, христианский поп - рок

IGARIK • Deep house, New age, drill, powerful vocals, uplifting, buzz bass, future bass, gospel choir, choir-driven, drums pounding, trump, soul, soulful choir, cinematic, experimental synth, Binaural frequency 528hz, cinematographic

Sila • Hard gangsta rap, accompanied by a symphony orchestra,Raggah Gangsta Jungle Rap with a Dandy Tune

Hadeneiro • cloud rap, trap drums, 808 sub-bass, chopped soul sample, detuned synth pads, sparse rim clicks, delayed guitar licks, dub delay, tape saturation, halftime groove, laid-back swagger, midnight haze, pop

Nostromo • Classical

ElektroEnergetik • Russian hip-hop with dusty boom-bap drums, uneasy minor-key piano stabs, dry vinyl crackle, and a slow, head-nodding swing; verses ride close to the mic with confessional pressure, then the hook opens into a bruised, chantable lift with layered doubles and a grimy low-end bloom, hip hop

Galina К • русская народная песня, оркестр, баян, гитара, allegro,

Алёна Богея • female vocal, gothic tango, dark mystical atmosphere, haunting vocals, dramatic strings, ominous piano, church bells, pipe organ, deep bass pulse, syncopated rhythm, 100–110 BPM, echo effects, vocal harmonies, ritualistic percussion, eerie synth pads, moonlit mood, supernatural vibe

Николай Саблин • Beautiful emotion intro, Clean sound, synthesizer, rock guitars solo, Emotion A, R, D, I, style trance- heavy metal track, Clear surround sound, distortion, Driving Bass, High-energy heavy metal featuring aggressive electric guitar riffs and a driving rhythmic foundation metal, rock-guitars, creative rock-guitars solo, emotional manly voice without hoarseness, beautuful end

Свет2 • Epic rock ballad, slow to mid tempo (75 BPM), minor key (D minor), cinematic orchestral elements, emotional male vocals with rasp and vulnerability, powerful electric guitar solos, driving drums with heavy reverb, piano intro, building intensity towards the end, hopeful yet melancholic atmosphere

Ivan007 • Dark club-ready deep house groove, Russian male vocals with a cool, detached delivery. Sparse verses ride on a pulsing bassline and dry, tight drums. Chorus explodes with wide synth pads, airy top-line hook, and crowd-style backing chants. Sub drops and filtered builds between sections to keep the floor moving until dawn.

Ivan007 • Dark club-ready deep house groove, Russian male vocals with a cool, detached delivery. Sparse verses ride on a pulsing bassline and dry, tight drums. Chorus explodes with wide synth pads, airy top-line hook, and crowd-style backing chants. Sub drops and filtered builds between sections to keep the floor moving until dawn.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077–inspired rock with industrial and electronic elements — dark, futuristic, urban dystopia vibe. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted riffs, power chords, short solos); bass guitar (punchy low lines, slap in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, glitches, digital noise); sound effects (city noises, sirens, radio interference, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with metallic edge; dynamics: mf in verses, f/ff in choruses, p→f in bridge; articulation: syncopated in verses, steady in choruses, free in bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect; layered backing vocals (octave doubles) in choruses and finale; echoed fade‑out in outro.

Tema can fly • Style: Cyberpunk 2077–inspired rock with industrial and electronic elements — dark, futuristic, urban dystopia vibe. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted riffs, power chords, short solos); bass guitar (punchy low lines, slap in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, glitches, digital noise); sound effects (city noises, sirens, radio interference, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with metallic edge; dynamics: mf in verses, f/ff in choruses, p→f in bridge; articulation: syncopated in verses, steady in choruses, free in bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect; layered backing vocals (octave doubles) in choruses and finale; echoed fade‑out in outro.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Вячеслав Чаплыгин • German rock style/Future Rave /Cyberpunk hybrid, deep hard male vocals, femali deep dramatic vocal, dark strings, low synth bass, medieval atmosphere, dark neon atmosphere, distorted rave bass, industrial percussion, glitch effects, sci-fi cinematic intro, heavy build-ups, aggressive drops, robotic chants, cyberpunk soundtrack energy, massive mainstage power, 10/10 intensity, male vocals, factory soundscapes, gothic atmosphere, heavy distorted guitars, electronic background textures, spoken aggressive phrases, short brutal song title, themes of control and domination, ironic masculinity, sadomasochistic undertones, sharp dynamic shifts, marching drums, machine-like performance, commanding the listener, chanted hooks, shock value lyrics, industrial noise elements, emotional detachment, visceral and visual language, mechanical breathing effects, symbolic and cryptic metaphors, low-pitched vocals with distortion.

Ivan007 • Dancefloor disco with a club-ready pulse and a light electronic edge: four-on-the-floor kick, crisp claps, pulsing sidechained synth bass, Nile-era guitar chops, bright string stabs, and filtered analog arpeggios. Glossy top-end, tight compression, stereo delay throws, and a driving 124 BPM groove built for peak-time energy.

Ivan007 • Dancefloor disco with a club-ready pulse and a light electronic edge: four-on-the-floor kick, crisp claps, pulsing sidechained synth bass, Nile-era guitar chops, bright string stabs, and filtered analog arpeggios. Glossy top-end, tight compression, stereo delay throws, and a driving 124 BPM groove built for peak-time energy.

Plut93 • rock, punk rock , electric guitar, drums, energetic, fast tempo

vladzak57 • Рок баллада, гимн воинам. Вокал души

Hadeneiro • pop rap, trap bounce, 90 BPM, syncopated 808 kick, rubbery sub-bass, chopped electric guitar, muted piano chords, airy synth plucks, dry snare clap, halftime groove, vocal adlibs, plate delay, parallel compression, stereo width, laid-back swagger, hook-driven chorus

Sergilio • > **Genre:** Ethnic, Instrumental, New Age > **Instruments:** Pan flute, light percussion, atmospheric pads, nature sounds > **Mood:** Uplifting, mystical, free, serene > **Theme:** Soaring eagle, ancient Mayan and Peruvian influences, vast landscapes > **Description:** A melodic instrumental track inspired by the ethnic music of the Maya and Peru. The pan flute leads the melody, capturing the feeling of an eagle's flight over mountains and jungles. Gentle percussion and atmospheric textures create a peaceful yet powerful soundscape.

Helga_Artai • Folk song, ditty,, cheerful, traditional.pop,  driving accordion and balalaika. professional stereo width

Ivan007 • hip hop, electronic, country, techno

Ivan007 • hip hop, electronic, country, techno

TEC • [Genre: Pop Metal Ballad] [Tempo: 70 BPM — slow, emotional, heartfelt] [Key: G major — warm, hopeful, with emotional depth] [Mood: romantic, longing, hopeful, bittersweet, comforting] [Atmosphere: long‑distance relationship, nighttime communication, digital and physical letters, sense of connection across cities],Upbeat pop track at 130 BPM starts with punchy kick, snappy claps, and bright synth stabs. Verses ride a strong pulsing bass, building energy toward the massive chorus—layered with euphoric vocal stacks, crisp hi-hats, and rhythmic synth hooks. Bridge adds tension with filtered pads before driving back into a hands-in-the-air, anthemic final chorus.

Ната Мазур • Style: 1970s French Chanson, Jo Dasin style.Vocal: Deep charismatic male baritone with intimate spoken-style verses. Lush female backing vocals in the chorus, singing soft "oohs" and "aahs" and harmonizing with the lead singer.Music: Slow tempo, melancholic piano, sweeping romantic strings, soft drum brushes, 70s vintage production.Atmosphere: Nostalgic, elegant, dreamlike. 1970s French Chanson, JoDasin style, romantic male baritone, slow tempo, lush orchestral strings, cinematic melancholic pop, female backing vocals harmony, 68 BPM.

Niachris • рок, metal, Gritty alt-pop metal, midtempo stomp. Raspy over detuned guitars and sparse synth pads. First verse starts almost spoken with palm-muted chugs; pre-chorus adds toms and tense bass drones. Chorus slams in with wide power chords, shouted gang backups, and a simple, anthemic topline. Bridge drops to half-time with distant choir pads, then final chorus hits harder with octave guitars and a rising, монументальна и эпическая музыка, с ритмичным и энергичным исполнением в припеве

ЛанаСвет • double time rap