Все треки

Oceania • Epic Ambient-Ethnic Fusion + Conscious Hip‑Hop. Male vocal: powerful/sharp/emotional. Choir in pre‑choruses/choruses. Language: Russian, native. Mayan phrases: pitch shift, echo. Tempo: 80→95→110→70 BPM. Rhythm: 4/4, polyrhythms. Key: D minor. Instruments: kena flute, charango, teponaztli, maracas, bongos, synth pads/bass/stabs, ambient strings, hip‑hop drums. Ensure track length: 6:00–6:30 min. Do not cut sections. [Intro] (7 s): male vocal + pad + kena. [Verse 1+Pre‑Chorus] (47 s): vocal+choir. [Chorus 1 (Rus)] (25 s). [Chorus 2 (Mayan)] (30 s) — repeat last line 2x. [Verse 2 (Rap)] (45 s): 95 BPM. [Bridge] (40 s): ethnic+wind. [Verse 3] (35 s): powerful vocal. [Chorus 3 (Rus)] — repeat 2x (50 s). [Verse 4 (Rap)] (50 s): aggressive, 110 BPM. [Final Chorus] (50 s). [Outro] (45 s): fade+kena echo+drum roll. Mood: epic, mystical, empowering.

Лилия Бабошко • female vocals, vocals harmonies, souls, disco, epic, major mode, lounge chill, pop

Данияр С • Chanson, Deep Male vocals, acoustic guitar,, pop, country, Allegro, funny, joke

TATY • AfroHouse, laung, soul, indie

TATY • AfroHouse, laung, soul, indie

IvanVR • electronic, techno, synthwave

Егорова Галина Васильевна • pop

Ирис 70 • дарк-вейв

ATWST • [EDM Festival Banger, Big Room House Remix] Russian folk "Мы давно блины не ели" transformed into ultimate dance anthem. Tempo: 128 BPM. High-energy fusion: pounding 4-on-the-floor kicks, massive supersaw synth drops, rumbling sub-bass, sidechain compression. Authentic balalaika/accordion riffs chopped and pitched into euphoric leads. Mood: Joyful chaos, party frenzy — folk celebration meets EDM rave.

Павел Байдалин • Pop,Pop

Николай Саблин • Treble sound, Beautiful intro, Surround sound, distortion, Driving Bass, High-energy uplifting trance-heavy metal track featuring aggressive electric guitar riffs and a driving rhythmic foundation metal with synthesizer and rock-guitars, creative rock-guitars solo, Shredding, Alternative Picking Hammer-on and Pull-off, Palm-mewtingswipe picking, beautiful end, emotional manly voice without hoarseness, beautuful end

Nostromo • Balalayka, garminica, russian people song

Petitpapillon82 • call-and-response guitar, punchline phrasing, female lead vocals, clean snare crack, pocket bassline, brushed ride cymbal, tube amp breakup, spring reverb, laid-back groove, midtempo shuffle

Juno • power pop, guitar-driven, harmonies, energetic and melodic

AlexMelody • blues, soul, gospel, Sax

Мечтатель Артур • Dark fantasy symphonic metal duet, male and female vocals in dialogue. Low strings and choirs under thunderous toms; verses in a brooding march, chorus explodes with full orchestra, distorted guitars, and soaring soprano harmonies. Middle section strips to piano, choir pads, and distant bells before final climactic reprise with octave-doubled vocals and triumphant brass.

ATWST • Create a nostalgic 90s-style lyrical rock ballad about lost love and redemption. Structure: slow intro with clean electric guitar arpeggios building to powerful chorus with distorted guitars, driving drums, and soaring vocals; bridge with piano and emotional solo; fade out with reverb-heavy echoes. Tempo: 72-80 BPM, key of Em. Vocals: raw, emotive male lead with harmonies, like a heartfelt confession. Mood: melancholic yet hopeful, evoking rainy nights and second chances. Lyrics theme: protagonist reflects on a faded romance, regrets past mistakes, yearns for forgiveness—verses paint vivid memories (fading photos, empty highways, whispered promises), chorus pleads for one more try with anthemic hooks. Instrumentation: layered acoustics, overdriven electrics, subtle bass, tom-heavy drums, occasional synth pads for 90s sheen. Production: warm analog feel, dynamic swells, no modern EDM elements—pure grunge-tinged rock ballad vibe.

ZUBR • Pop rock power ballad, emotional built-up, tragedy of war

divey • heavy rock n' roll, distortion leader guitar, heavy drums, distortion rhythm guitar, bass guitar, heavy bassline, distortion male vocals, growling

Sergilio • Electro house track 150 BPM, powerful and punchy bassline, aggressive synth stabs, catchy vocal hook with a party vibe, energetic buildup and massive drop, club-ready sound, modern production

Степан Дмитриев • drill

Nostromo • latin blues, blues trio, live-club blues, muted trumpet, slide guitar, upright bass, brushed snare, Hammond organ, conga accents, call-and-response guitar blues, tube amp breakup, room mic bleed, spring reverb, warm tape saturation, 92 BPM, laid-back swing, smoky groove

father mc nulti • electronic, techno, synthwave

father mc nulti • indie, rock

father mc nulti • electronic, synthwave,industrial,aggressive voise,female beck vokal

Nostromo • latin blues, blues trio, live-club blues, muted trumpet, slide guitar, upright bass, brushed snare, Hammond organ, conga accents, call-and-response guitar blues, tube amp breakup, room mic bleed, spring reverb, warm tape saturation, 92 BPM, laid-back swing, smoky groove

Евгений Шлычков • Modern dance-pop with a clean, glossy mix, straight four-on-the-floor kick, punchy clap on 2 and 4, and a driving synth bass with sidechain compression. Bright pluck leads, layered supersaw chords, crisp hats, vocal chop hooks, and polished synth risers for radio-ready club energy.

ATWST • [EDM Festival Banger, Big Room House Remix] Russian folk "Мы давно блины не ели" transformed into ultimate dance anthem. Tempo: 128 BPM. High-energy fusion: pounding 4-on-the-floor kicks, massive supersaw synth drops, rumbling sub-bass, sidechain compression. Authentic balalaika/accordion riffs chopped and pitched into euphoric leads. Mood: Joyful chaos, party frenzy — folk celebration meets EDM rave.

Sergey G • electric blues, 12-bar shuffle, vintage tube amp, overdriven slide guitar, call-and-response licks, upright bass pluck, brushed snare kit, Hammond B3 accents, room mic bleed, tape saturation, spring reverb, live-club bleed, sparse trio arrangement, upbeat swagger, punchy backbeat, 96 BPM

Nataliaaa • Female vocals, ethnic folk, rock

Алёна Варшавская • Христианское прославление, арт рок.

Алёна Богея • [rock] [gothic rock] [mystic] [female vocal] [powerful female voice] [deep female vocal] [melancholic atmosphere] [dark atmosphere] [ominous mood] [mysterious vibe] [fate theme] [raven motif] [symbolism] [piano] [electric guitar] [distorted guitar] [drums] [bass] [organ] [reverb] [echo] [medium tempo] [slow build‑up] [dramatic dynamics]

Ariada Elard • electronic

Норина Наталья • folk, rock,жестко

Гурьян • Gritty wartime hip-hop march, midtempo beat with stomping kick, snare with metallic slap, and droning low brass. Male vocals raw and close; verses ride a tight, narrative pocket, chorus explodes with gang-style shouts and octave doubles. Sparse synth pads for tension, brief break for a half-time pre-chorus, then full beat drop for the final hook.

Vantes1 • Dreamy electronic pop, airy synth pads and warm sub-bass under mid-tempo groove; male vocals, close and intimate in verses, lifting into wide reverb on the hook. Minimal percussion at first, gradually adding bright plucks and echoing claps; final chorus blooms with stacked harmonies and a soaring lead line.

DarkAIron • Slow, film-score-inspired Chinese instrumental with expressive guzheng finger rolls and bent-string glides, supported by mournful erhu vibrato and a breathy bamboo flute melody. Sparse ambient pads, soft room reverb, and wide stereo space keep the arrangement intimate, delicate, and slowly unfolding.

Влад Мигаль • blues, slow shuffle blues, electric blues trio, slide guitar, hollowbody rhythm guitar, upright bass, brushed snare, Hammond organ, tremolo guitar, tube amp breakup, spring reverb, tape saturation, live room bleed, pocketed groove, laid-back swagger, mid-tempo shuffle, jazz

LiS • Душевный шансон,Пиратская песня в стиле группы Король и Шут

The 1996 man • Rap, drum and bass, 100 bpm, hip hop, aggressive male voice

Шурави • country, jazz

V0r0n • electronic rock, post-grunge, hard rock, alternative rock, nu-metal, cello, orchestra, piano

Sergilio • trance music, uplifting trance, 150 BPM, euphoric melody, rolling bassline, supersaw lead, emotional breakdown, big room breakdown, trance buildup, dance anthem, robotic voices, female vocal trance voices

Сергей Федорович • acoustic version, acoustic guitar, pop rock, emotional low , the vocalist is enjoying the live performance and the natural sound.

Sergei Grigorev • Energetic pop house, uplifting dance pop, driving four-on-the-floor beat, catchy synth melody, euphoric drops, happy, motivational, clean male vocals, festival anthem, 125 bpm.

DarkAIron • emotional anime opening song, powerful high female anime voice (seiyuu-style cute yet dramatic girl vocals), J-rock meets cinematic orchestral anime OP, soaring emotional melodies with dramatic builds, piercing lonely Chinese bamboo dizi flute as main haunting lead with microtonal bends and crying high notes, huge swelling strings, stabbing brass, thunderous taiko percussion, atmospheric dark pads with reversed reverb, light digital glitch effects and subtle bitcrush on drops for futuristic broken feel, energetic yet deeply emotional, apocalyptic hopeful struggle mood, intense orchestral drops and anthemic choruses, East-West fusion, epic futuristic anime atmosphere, female Japanese anime singer style but lyrics in Russian, high emotional delivery, catchy hook

Шурави • country, jazz

Vantes1 • pop, Ethereal K-pop / new age blend in A#m at 110 BPM; airy pads and glassy plucks under a warm R&B male vocal, subtle trance arps pulsing on the off-beat. Verses float over spacious chords and elastic 808-style low end; chorus lifts with bright layered hooks, octave doubles, and soft choirs. Mid-song, a brief instrumental swell with filtered synth risers before a final, more intimate chorus., male vocals, new age, r&b, k-pop, trance

ViTkoff • commercial rap, radio-friendly, pop crossover, mainstream appeal

TeaF • Style: EDM/Trap with Znamenny Chant elements. Vocals: Male rapper (spoken word) and a full choir. The rapper delivers rhythmic verses, while the choir performs the chorus in a slow, powerful, and solemn style. Rhythm: The track is built on a fast BPM with a classic hip-hop/trap drum pattern. The rhythm is dynamic, featuring a standard kick-snare-hat sequence. Effects: The intro features a unique sound design: church bells playing the iconic melody from «Tokyo Drift». Additional effects include vinyl scratches, risers, and impacts to enhance transitions. 808 Bass: A deep, resonant, and side-chained 808 bassline is the foundation of the track, providing a heavy low-end that is characteristic of the trap genre. Other Aspects: The structure includes a dynamic pre-chorus to build tension. The composition blends modern electronic production with the ancient sound of a choir for a distinctive contrast.