Все треки
Последние публичные треки, созданные нашими пользователями
Alex 86 • folk, Warm indie-folk trio with up-close male vocals; soft fingerpicked guitar and round bass pulse set an intimate mood. Verses stay hushed and confessional, nearly spoken; first chorus brings in brushed percussion and gentle double-tracked harmonies. Each chorus gains a touch more strum and harmony, ending on a held, ringing chord that hangs in the air., soft, light, male vocals, dynamic, warm, acoustic
Диласо • Стиль шансон, звучание гитары и аккордеона, эстрадный шансон, музыкальное вступление. Вокальные переходы от куплета к припеву, особая «душевность», переходящая в надрыв. В конце песни звучит музыкальная часть отбивки. Мужской и женский вокал, дуэт, низкие выразительные и чарующие голоса, тембр бархат, шансона. Песня вдохновляющая и проникновенное по настроению несёт любовь и добро.
evgenia2 • Male vocals over driving road chanson bass and emotional electronic layers; steady midtempo groove with pulsing low end, shimmering synth pads, and subtle arpeggios. Verses intimate and close-mic, almost spoken; chorus opens with soaring, gritty vocal, widened by distant choirs and reverb swells. Bridge strips back to bass and pad, then full-track lift on final chorus with ad-libbed cries and echoing delays. Bassbit90s
Alex 86 • folk, Warm indie-folk trio with up-close male vocals; soft fingerpicked guitar and round bass pulse set an intimate mood. Verses stay hushed and confessional, nearly spoken; first chorus brings in brushed percussion and gentle double-tracked harmonies. Each chorus gains a touch more strum and harmony, ending on a held, ringing chord that hangs in the air., soft, light, male vocals, dynamic, warm, acoustic
Алекс 890 • pop, Russian chanson-pop ballad with male vocals, sorrowful strings and intimate piano; verses stay close and conversational, then the chorus swells with dramatic violin lines and backing harmonies, building from fragile confession into a soaring, heart-wrenching hook, classical
вино не допитое
Миша Симбиоз • Clean male gravelly vocal,Create a cinematic trip-hop track. BPM 80. Slow, heavy beat with vinyl crackle. Deep sub-bass enters only in choruses. Lead instrument: minimal piano with a repeating two-note motif. Strings in climax — dry, cutting. Male vocals: tired, intimate, slightly rough. Almost whispered in verses, opens up in choruses but never shouts. Structure: piano intro , verse 1 with voice + piano only, first chorus with beat and bass, verse 2 returns to piano, second chorus with full band, breakdown with only voice and piano, final climax with everything, piano outro to silence. Mood: lonely, beautiful, 4am, empty streets, black-and-white cinema.
Любовь и судьба.
Светик3 • pop,, classical, hip hop
Павел Байдалин • Pop, danses,Pop
мс Хоттабыч • rap, Dark playful trap beat, mid-tempo, Russian club energy; rubbery 808s and crisp hi-hats, eerie pluck synths in verses, hook explodes with chanting gang vocals and wide reverb, male vocals half-rapped half-shouted, ad-libs tucked deep for rowdy, meme-ready chaos
Мэри П • house, synthwave, classical
Марья Власова • Russian folk rap, folk blues fusion, acoustic balalaika riffs, slide guitar licks, bottleneck guitar, upright bass walking, brushed snare groove, stomp claps, live room ambience, tape saturation, spring reverb, mono drum bus, call-and-response phrasing, minor key blues, laid-back pocket, midtempo swing, barroom grit
Светик3 • pop, country
мс Хоттабыч • country, Warm acoustic country ballad with gentle swing; male vocals over strummed guitar, soft brushed snare, and mellow bass. Fiddle lines answering key phrases, steel guitar swells in the chorus. First verse intimate and close-mic’d, chorus widens with stacked harmonies and a brighter kit. Bridge drops to just guitar and vocal, then a final, fuller chorus with ad-lib tails and a tender ring-out.
Марья Власова • blues rap fusion, 92 BPM, laid-back swing, brushed snare shuffle, syncopated kick drum, walking bass line, staccato electric guitar licks, muted trumpet accents, Hammond B3 comping, call and response riffs, live-room bleed, tape saturation, spring reverb, mono drum overheads, barroom groove, punchy backbeat
мс Хоттабыч • Cold warehouse techno groove, relentless four-on-the-floor kick, distorted bass stabs and metallic synth arps. Male vocals, half-spoken, half-shouted with gang-style backing on the hook. Energy builds from tight, minimal verses into a huge, chantable chorus, with a short filtered break before the final drop., techno
Алекс 890 • metal, Dark folk-chanson fused with symphonic metal and pop polish: raspy male vocals over minor-key acoustic guitar and upright bass, with distant strings and choir pads swelling into a heavy, downtuned riff on the chorus. Verses stay sparse and storytelling; choruses hit hard with pounding toms, distorted guitars, and a simple, haunting top-line. Subtle accordion colors the midrange, final chorus climbs in intensity then drops to a dry, intimate last line., classical, pop
вмыкАешь
Миша Симбиоз • Genre: Dark Ambient / Industrial / Spoken Word BPM: None. Free atmospheric flow. Vibe: Cold, heavy, hypnotic. A frozen memory from the 90s. A dream you cannot wake from. --- SOUND DESIGN RULES: · No melodic leads. No drum beats. No rhythm loops. · Only textures, drones, field recordings, sparse industrial hits. · Vocals: male, calm, spoken, almost monotone. No acting. · Transitions are key — let the atmosphere breathe and shift
Piterrulit • rock, pop,агрессия, metal, electronic
kuprumserga • The song is written in the style of a modern pop ballad with elements of soft rock. The main emphasis is on sincerity and emotional depth. * **Tempo:** medium (70-80 BPM), 4/4 time signature. * **Verse:** sounds intimate and confiding. It features an acoustic guitar, a soft bass line, and light keyboards. The rhythm section is unobtrusive (drums). * **Chorus:** becomes powerful and anthemic. Full-fledged drums, a clean electric guitar, and background strings (violins, cello) enter, creating an epic sound. * **Bridge:** a dynamic decline to a minimum — vocals accompanied by piano, possibly with a cello solo to enhance the drama. * **Vocal:** expressive, with a slight hoarseness that emphasizes the masculinity of the lyrics. The overall dynamic is built on the principle of "from small to large," culminating in the finale. The atmosphere is one of dignity, inner strength, and light-hearted nostalgia.
evgenia2 • Big-room dance floor banger with female vocals, thick sidechained bass and sharp four-on-the-floor kick; bright synth stabs around a slick electric guitar hook that explodes into a flashy solo after the second chorus. Verses are tight and percussive, pre-chorus lifts with rising pads, chorus hits wide with stacked gang vocals on key phrases and playful ad-libs. High-energy arrangement that keeps the club moving from start to finish.
ATWST • [Genre: Cinematic Epic Rock Ballad, military anthem style with orchestral elements, powerful deep male vocals, slow build-up to intense chorus, 80-100 BPM, minor key with triumphant resolve]
Жизни опыт
Николай Саблин • [fast track] Trance- heavy metal track. Pad. Clear surround sound, distortion, Driving Bass, High-energy heavy metal featuring aggressive electric guitar riffs and a driving rhythmic foundation meta , emotional manly voice without hoarseness, beautuful end
kuprumserga • The song is performed in the genre of acoustic ballad with elements of folk and pop-rock. The main emphasis is on sincerity, melodiousness and soulfulness. The vocals are soft, expressive, with a warm timbre. **Arrangement:** - **Introduction:** acoustic guitar, then piano. - **Verses:** minimalism - guitar, light percussion (kakhon, shaker), soft strings in the background are possible. - **Chorus:**** richer - bass guitar, drums, synth pads, active strings. - **Bridge:** fading out, piano or violin/cello solo. - **Finale:** returning to the intro sound, possibly with vocal echoes. **Instruments:** acoustic guitar, piano, bass, light percussion, strings. The atmosphere is light, slightly melancholic, but with a sense of hope and inner strength. The arrangement is not overloaded to preserve the purity and sincerity of the sound.
ЛюдмилаTango • Лиричная, танцевальная, мажорная мелодия, красивое вступление и проигрыш с изменением тональности к третьему куплету на тон выше, pop, шлягер
kuprumserga • Style: This is an energetic hybrid of Indian pop music and modern EDM. The track sounds large-scale, festive and melodic, combining a dance groove with an oriental flavor. Arrangement * **Intro:** atmospheric pads, sound of a sitar or tambour, light beat. * **Verse:** soft bass (sub bass), muted cymbal, lyrical vocals. * **Pre-chorus:** the tension builds up with the strings and the accelerating rhythm. * **Chorus:** the energy peaks with a powerful drum machine, a bright synth lead (mimicking a bansuri), dense strings, and expressive vocals. * **Bridge:** the energy drops, leaving only pads and atmospheric sounds. * **Final Drop:** the chorus is repeated with maximum power and added vocal effects.
Sergilio • [Style: Hard Bass, Phonk, Energetic] [BPM: 150–160] [Mood: Aggressive, Energetic, Club] [Instruments: Heavy 808 bass, punchy kicks, distorted synths, vocal samples] [Vocals: Male, aggressive tone, Russian phonk style]
Марья Власова • electric blues, blues trio, barroom blues, slow shuffle blues, 72 BPM, laid-back groove, call and response guitar, tube amp breakup, slide guitar phrases, upright bass, brushed snare, Hammond organ stabs, spring reverb, tape saturation, mono drum room, dry vocal mic, minor key, smoky regret
Лилия Бабошко • female vocals, vocals harmonies, souls, pop, disko, drums, indie, ambient
Свет2 • blues rock, electric blues trio, call and response guitar, slide guitar licks, greasy baritone guitar, Hammond B3 swells, upright bass walk, brushed snare, spring reverb, tape saturation, room mic bleed, live club feel, slow shuffle, laid-back groove, smoky swagger, metal
Светлана Ладная • Calm military-style song built around fingerpicked acoustic guitar with steady march-like snare rolls, muted toms, and soft bass drum pulses. Sparse low strings and distant brass pads add restrained tension, while a clean bass line and subtle room reverb keep the arrangement intimate, solemn, and disciplined.
Я схожу с ума.
Сергей Федорович • acoustic version, acoustic guitar, pop rock, emotional low male voice, male baritone vocals intimate hoarse chest register ,
Sergilio • progressive house, 126 BPM, four-on-the-floor kick, syncopated bassline, bright saw bass, punchy tom fills, crisp clap stack, tight closed hats, arpeggiated synth lead, euphoric chord stabs, sidechain pumping, wide stereo synths, breakdown build, festival energy, driving momentum
evgenia2 • Female vocals, explosive club-dance energy with heavy bass, punchy four-on-the-floor kick, glossy synth stabs, elastic sub drops, and a flashy electric guitar solo that lifts the chorus like a runway spotlight Remix
Dj Airoosh • Big room,130bpm
Net, ty ne dlya menya...
Максим Борисович • Bass pop, synthwave, drum and bass, drop, прямая бочка,
Sapulia928 • slow blues metal, doom blues, 68 BPM, slide guitar riffs, call and response guitar, baritone guitar, growling tube amp, palm muted power chords, tom heavy drums, room mic drum sound, analog tape saturation, plate reverb, mono bass riff, half time groove, sparse breakdowns, dark swagger
Oceania • Epic Ambient-Ethnic Fusion + Conscious Hip‑Hop. Male vocal: powerful/sharp/emotional. Choir in pre‑choruses/choruses. Language: Russian, native. Mayan phrases: pitch shift, echo. Tempo: 80→95→110→70 BPM. Rhythm: 4/4, polyrhythms. Key: D minor. Instruments: kena flute, charango, teponaztli, maracas, bongos, synth pads/bass/stabs, ambient strings, hip‑hop drums. Ensure track length: 6:00–6:30 min. Do not cut sections. [Intro] (7 s): male vocal + pad + kena. [Verse 1+Pre‑Chorus] (47 s): vocal+choir. [Chorus 1 (Rus)] (25 s). [Chorus 2 (Mayan)] (30 s) — repeat last line 2x. [Verse 2 (Rap)] (45 s): 95 BPM. [Bridge] (40 s): ethnic+wind. [Verse 3] (35 s): powerful vocal. [Chorus 3 (Rus)] — repeat 2x (50 s). [Verse 4 (Rap)] (50 s): aggressive, 110 BPM. [Final Chorus] (50 s). [Outro] (45 s): fade+kena echo+drum roll. Mood: epic, mystical, empowering.
Лилия Бабошко • female vocals, vocals harmonies, souls, disco, epic, major mode, lounge chill, pop
Данияр С • Chanson, Deep Male vocals, acoustic guitar,, pop, country, Allegro, funny, joke
IvanVR • electronic, techno, synthwave
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Ирис 70 • дарк-вейв
ATWST • [EDM Festival Banger, Big Room House Remix] Russian folk "Мы давно блины не ели" transformed into ultimate dance anthem. Tempo: 128 BPM. High-energy fusion: pounding 4-on-the-floor kicks, massive supersaw synth drops, rumbling sub-bass, sidechain compression. Authentic balalaika/accordion riffs chopped and pitched into euphoric leads. Mood: Joyful chaos, party frenzy — folk celebration meets EDM rave.