Все треки

Последние публичные треки, созданные нашими пользователями

Песня Гамаюн

Антон Васьков folk, Epic folk-metal with female vocals; acoustic intro with fingerpicked lute and low drones, then double-kick and distorted guitars crash in. Verses ride on galloping rhythm and folk flute motifs; chorus soars with choral harmonies and bowed strings. Mid-song breakdown drops to drums and voice, then full band returns in a triumphant, ascending finale., metal, female vocals

53
Истина

Sem Lin Melodic rock, piano, slow temp, male vocal

50
Василиса Примудрая

Антон Васьков folk, Hybrid deathcore folk epic; down-tuned guitars lock with tremolo balalaika motifs, double-kick barrages, and choral war-cries. Female growls lead with towering authority; male growls answer like a battle-host. Verses stay tense and rhythmic over droning folk strings; chorus erupts with open chords, half-time slam accents, and layered pagan-style chants. Brief atmospheric break with jaw harp and low throat drones before a final breakdown.

59
Песня времени

Андрей_Ш string quartet, intimate chamber music, refined harmonies, slow blues ballad, heartfelt guitar, melancholic, emotional

76
Путь -дорожка дальняя...

Николай17 Passionate Russian Gypsy romance with emotional vocals. Features accordion, violin, and guitar. Deep, soulful singing about love and longing. Melancholic, romantic arrangement. Authentic Gypsy style with dramatic expression.

62
Рыцарь Артуриос и сон Филианоры (Edit)

Мечтатель Артур Epic dark-orchestral symphony, male vocals; low strings and choirs build a brooding march, brass swells underline the tragedy, then explode in a soaring chorus with timpani and bell hits; middle section drops to solo cello and distant choir before the final, crushing reprise

93
Стокгольмский синдром

Denis Marakan male vocal, female vocal

120
🎼РОМАНС В ЗАКЛËПКАХ🔖

Нит (power metal and symphonic metal, powerful voice of rock opera,epic mezzo-soprano, rock, heavy metal, melodic, romantic, piano), female vocal

172
Любимая под стробоскопом

Ilya1998 metal, Aggressive cyber-disco: distorted metal guitars chug over a four-on-the-floor kick, buzzing techno bass and bright disco Hi-hats. Male vocals that shift from hushed, intimate verses to shouted, anthemic choruses. Synth leads mirror the vocal hook, and a vocoder doubles key lines in the hook for a neon-future sheen. Bridge strips back to bass and claps, then explodes into a final, heavier chorus., disco, techno

75
Фронтовая медсестра

Вадим Прохоров (Male vocalist) The lead vocals are a raw, weathered, and emotional Russian male baritone, singing with a sense of trauma and vivid memory, close-mic'd as a personal confession. (Female vocalist) The voice of the nurse is clear, young, determined, yet trembling with strain and fear, cutting through the chaos. The music is a slow, haunting Russian military ballad. It begins with a somber, clean acoustic guitar melody. A deep, melancholic cello line carries the weight of the memories. A distant, echoing piano and a subtle, shimmering string pad create a cinematic, tragic atmosphere. The drums are minimal: a faint, heartbeat-like kick drum and a distant, sporadic military snare that mimics the sound of faraway explosions. The style is a dark, tragic folk elegy with a narrative, story-telling vibe. The mood is poignant, sorrowful, deeply emotional, and immersive, like a soldier's flashback.

76
Астральный проводник

darkpsy tech trance, harder edge, driving bassline, underground

78
Сто шагов назад

Ilya1998 Dark warehouse techno, 132 BPM, Russian male vocals. Monolithic kick and rolling bassline, metallic percs and filtered noise sweeps. Verses spoken half-whisper close to the mic, chorus shouted and wide with slapback delay. Sparse, detuned pad swells in the bridge, then a brutal drop back into the main riff., techno

43
Без тебя меня нет

Ilya1998 metal, Aggressive techno-metal hybrid, Russian male vocals; distorted palm-muted guitars lock to a relentless four-on-the-floor kick, buzzing saw bass and industrial stabs. Verses stay tight and syncopated, half-screamed, riding tom-heavy grooves; chorus explodes with open chords, wide synth pads, and shouted gang vocals on the hook. Mid-song breakdown strips to kick, bass, and whispered vocal, then slams back in with double-time drums and layered screams., techno

52
Я люблю тебя, Надя

Ilya1998 Dark warehouse techno pulse, 132 BPM, male vocals in Russian. Monotone, breathy verse delivery over driving kick and cold synth stabs; hook blooms with widened pads, octave vocal doubles, and metallic risers. Robotic whispers and distorted ad-libs circle the main lead, with a late-song filter sweep that slams back into the full groove for the final chorus., techno

54
С днём рождения, мама

ДЭН ВЭЙ ИИ rock, Disco-rock pop groove, four-on-the-floor kick with bright rhythm guitars and a shiny funk bass; verse keeps it tight and close, then chorus explodes with big male vocals, stacked gang shouts, and glittery synth stabs. Middle eight pulls back to toms and claps before a final key-lift chorus., disco, pop

68
Nach der Liebe
1,783
Я люблю тебя, Надя

Ilya1998 Driving warehouse techno groove, distorted kick and buzzing bassline, cold metallic synth stabs. Male vocals half-sung, half-chanted, almost spoken in the verses; chorus opens into wide echo, stacked shouts and distant female response chops. Arrangement builds in hypnotic loops; one stripped-back break with just pulse and vocal before final drop., techno

62
Ржавчина на клятвах

Ilya1998 Groovy mid-tempo metal with chugging low-tuned guitars, tight double-kick patterns, and gritty male vocals that shift from tense whispers in the verses to soaring, raw power in the choruses; sharp, palm-muted riffs under the hook, with a brief harmonized guitar lead in the bridge and gang shouts on key lines for maximum impact.

54
Бэкап

RiiD metalcore, breakdowns, screaming and singing, hardcore punk influence

68
Рассвет

AlexMelody Гитара, pop

101
Шопот Мары

Антон Васьков Dark Slavic folk ballad with female vocals, Low drones

90
Рок

Арчи piano sonata, solo piano, emotional expression, classical form, blues rock fusion, powerful guitar solos, rock energy, blues feel

91
ПСЫ войны

Рамс Местический рок метал, rock, metal

100
Поэт
126
Power (RUS)

Никсон ​Modern Dark Electro-Orchestral, Heavy 808 Glides, Sharp Spiccato Violins, Ethereal Clean Female Vocals, High Energy Trap Beats, Cinematic Production, Sophisticated, Polished, 126 BPM, Melodic Bass

63
Славный бой и чёрный трон

Антон Васьков metal, Melodic death metal with epic tremolo riffs, double-kick barrages, and soaring minor-key leads; male vocals shifting between deep growls in verses and ragged melodic screams in the chorus. Guitars weave harmonized lines over a dense rhythm wall; brief clean-guitar break in the bridge before a final, ascending full-band onslaught., melodic death metal

53
Power

Никсон ​Modern Dark Electro-Orchestral, Heavy 808 Glides, Sharp Spiccato Violins, Ethereal Clean Female Vocals, High Energy Trap Beats, Cinematic Production, Sophisticated, Polished, 126 BPM, Melodic Bass

73
Бено: Несокрушимый

MornaLisse Dark Aggressive Hip-Hop, Gritty Male Vocals, Heavy Distorted 808 Bass, Ethnic Chechen Music Elements (Pondur), High Energy, Cinematic Trap, Fast Rhythmic Flow, Triumphant Atmosphere, 130 BPM.

101
Бено: Сталь Орга

MornaLisse Modern Energetic Hip-Hop, Male Deep Aggressive Voice, Heavy 808 Bass, Dark Cinematic Trap, Ethnic North Caucasian instruments (Dechig-Pondur) background, Fast Flow, Triumphant, Powerful, 120 BPM

93
Небесная тропа

Evadams Ethereal world-folk with handpan pulses and frame drum grooves, breathy ethnic flutes circling a crystalline female vocal; verses float in a meditative minor mode, then bloom in an uplifting, chant-like chorus with airy harmonies and subtle reverb tails, creating a slow-rising, trancey energy arc

67
Гуляй, Масленица!

Антон Васьков Folk metal at brisk tempo: twin male/female vocals trading lines; galloping distorted guitars doubled by bright folk flute and cimbalom; pounding toms under group shouts like battle chants. Verses stay tight and riff-driven, chorus explodes with big open chords, octave harmonies, and crowd “hey!” accents; brief breakdown with drum-and-voice stomp before final full-band reprise.

73
Солнцестояние крови и огня

Антон Васьков Blazing pagan metal assault with tremolo-picked guitars, double-kick barrages, and folk-tinged lead lines; female vocals soar in the choruses while deep male growls drive the verses. Intros start with a unison riff that explodes into full-speed blast beats, then open into an anthemic, chant-style hook with layered gang vocals and subtle choir pads swelling under the final chorus.

57
Эй девушка 4ydak48@vk.com Анатольевичьъ

Анатольевичьъ 190BMP steady 4/4 beats with a pronounced bass kick, Violin Mass in — a combination of melodic house music with electronic effects; "Game Time" is an energetic beat with synthesizer accents; "Black Hole" is a dark atmosphere with dense bass and minimalistic elements, голос должен быть заводящий и дразнящий , девушка и парень поют в стиле R&B по очереди, male vocal

58
Велесовый След

Антон Васьков folk, Dark folk metal with female vocals; low-tuned guitars in a slow, stomping riff, layered with droning hurdy-gurdy and deep frame drums. Verses stay tense and ritualistic, close-mic vocal, tom-driven groove, and distant throat-chant pads. Chorus explodes with wide distorted guitars, choir harmonies, and pounding floor toms. Bridge drops to bare drones, whispered invocations, then full-band surge with double-kick accents and a long, held final note., folk metal, female vocals

76
Сила Рода.

Огонек folk, Epic Slavic folk metal with female vocals; guitar, Strong female vocals

176
Хрустальные глаза

ВАХА folk, Hybrid of driving techno pulse, snarling metal guitars, gritty funk bass, and touches of dark folk melody; male vocals half-sung half-growled. Verses stay tight and rhythmic over chugging riffs and percussive banjo plucks; chorus explodes with gang shouts, distorted harmonies, and a four-on-the-floor kick. Bridge drops to a trancey synth pattern then slams back with double-time drums and roaring guitars for the final hook., funk, country, techno, metal

93
Позывной а не имя 3

Рамс Хард рок, Панк-рок, метал, местика, опера,

103
Только ты .. (Edit)

Xэпри pop,-rock, disco-шансон, fe, fe, блюз, данс - поп, female vocal

64
Богатырь и Мара

Антон Васьков Rock, Big modern Slavic rock anthem with female vocals

78
Кащей на троне костей

Антон Васьков folk, Epic Slavic folk metal with female vocals; tremolo guitars double a dark folk melody over double-kick drive, accented by hammered dulcimer and low strings. Verses stalk in a mid-tempo march with growl underlayers shadowing the lead; choruses explode with soaring harmonies and gang shouts on key phrases. Bridge drops to drum-and-droning-choir tension, then returns in a half-time stomp for a crushing final refrain., female vocals, folk metal

81
Не верь никому.. (Edit)

Викинг Piano. Symphonic metal. Powerful female vocals.

105
Мара над полем

Антон Васьков folk, Haunting Slavic dark folk ballad with female vocals; low drones of hurdy-gurdy and bowed strings under a slow, heartbeat-like frame drum pulse; intimate, almost whispered verses that sit close to the mic with subtle reverb; chorus widens into layered, sorrowful harmonies and distant choir swells; occasional hollow flute phrases echo like night wind, with a final fragile decrescendo into silence, ballad, female vocals

82
Ветер шепчет

Ветер шепчет

Кавер-версия

Rashid minimalist cinematic, sparse piano, emotional depth, intimate, male vocal, drum and bass

121
Красная книжка

Алекс 890 metal, Hybrid of dramatic symphonic metal and Russian art song: tense strings and low brass under distorted guitars, double-kick in the chorus. Male vocals shifting from half-spoken grit in the verses to soaring sustained notes on the hook. Choirs shadow the main vocal on key lines, with a brief stripped-back bridge of piano and cello before the final, heavier chorus explodes., classical

72
Тёмное братство над Скайримом

JoyX metal, Brutal death metal with downtuned, chugging guitars and relentless double-kick; guttural male vocals up front, occasional shrieked highs in the hook. Verses are blast-beat storms with dissonant tremolo riffs, chorus drops into a stomping half-time groove for a shout-along hook. Sparse, ominous clean guitar intro; bass grinds under dense walls of distortion, with brief chromatic runs that mirror the lyric’s rising levels and escalating carnage., death metal

49
Мать всех ведьм

Антон Васьков folk, Dark folk metal with female vocals; low-tuned acoustic guitar and droning hurdy-gurdy under tremolo-washed distorted riffs, floor toms and tribal percussion driving a stomping mid-tempo. Verses whispered then snarled in a storytelling cadence; chorus explodes with soaring harmonies and distant choral shouts, layered over a roaring wall of guitars and bowed strings. Bridge drops to a ritual chant over taiko-like hits and rising feedback, then final chorus returns bigger and darker, with sustained high notes and heavy reverb., female vocals, folk metal

81
Утро, солнце и обезьяна

sps rap, Gritty electronic rock-rap mashup: distorted guitars over chunky, syncopated drums and buzzing analog bass; male vocals half-rapped, half-sung with a sly, conversational flow. Verses stay tight and talky, hook explodes with shouted gang vocals and a stomping four-on-the-floor. Occasional glitchy synth stabs and filtered breaks keep it playful and chaotic, big crowd-chant energy on the final chorus., rock, electronic

74