Все треки
Последние публичные треки, созданные нашими пользователями
мс Хоттабыч • rap, Bouncy club hip-hop, mid‑tempo groove with thick sub bass and sharp trap hats. Playful male vocals, swagger-heavy delivery; verses sit tight in the pocket, chorus opens up with gang shouts and stacked hooks. Dark, cartoonish synth lead on the hook, occasional spooky FX stabs for fairy‑tale flavor. Big, glossy mix aimed at party systems., hip hop
Себостьян • Rowdy Russian folk-punk energy with male vocals, stomping drums and drunken-choir gang shouts on the hook, wheezing carnival accordion riffs, tempo pushes faster in the choruses, shout-along bridge with half-spoken, half-screamed lines and a rough barroom singalong vibe
Себостьян • Rowdy Russian folk-punk energy with male vocals, stomping drums and drunken-choir gang shouts on the hook, wheezing carnival accordion riffs, tempo pushes faster in the choruses, shout-along bridge with half-spoken, half-screamed lines and a rough barroom singalong vibe
Gais102 • Epic Nordic Folk, Dark Viking Ballad, Deep Male Vocals, Tagelharpa, Heavy Drums, Rain and Wind, Slow Tempo, Cinematic, Mystical, Grim, Storytelling, Atmospheric, Emotional Resolution, No Bright Sounds
Светлана16 • electronic, disco, techno
Светлана16 • electronic, disco, techno
Mashinist 159 rus • electronic, folk, blues
Себостьян • Driving Russian rock ballad, midtempo build. Clean electric arpeggios under intimate male vocals in the verse, then crunchy guitars and wide drum groove in the chorus. Big anthemic hook with gang-style “эй-эй-эй” responses; second chorus hits harder with doubled vocals and overhead cymbals. Brief bridge strips back to toms and bass, then final chorus explodes with soaring lead guitar fills and a held vocal ad-lib on the title line.
мс Хоттабыч • Laid-back roots reggae groove, swung offbeat skank guitar, warm round bass, roomy live drums; male vocals with playful call-and-response shouts. Verses stay chatty and close-up, chorus blossoms with gang vocals and bright organ stabs, gentle dub delays on key phrases in the outro., reggae
Себостьян • Driving Russian rock ballad, midtempo build. Clean electric arpeggios under intimate male vocals in the verse, then crunchy guitars and wide drum groove in the chorus. Big anthemic hook with gang-style “эй-эй-эй” responses; second chorus hits harder with doubled vocals and overhead cymbals. Brief bridge strips back to toms and bass, then final chorus explodes with soaring lead guitar fills and a held vocal ad-lib on the title line.
Hobbi • pop, reggae, trap, disco
Hobbi • pop, reggae, trap, disco
мс Хоттабыч • jazz, Smoky small-club jazz trio: upright bass walks lazily, brushed drums, warm nylon-string guitar. Male vocals, close to the mic, almost spoken. Verses stay minimal and conversational; chorus blooms with soft backing “doo-dah” harmonies. Occasional half-bar stops to let punchlines land, subtle swing throughout.
Валерий Андоний • pop danse
Nostromo • Industrial, sinthwave, techno
Hobbi • Rap, Trap, Industrial, Dark, Electronic
Hobbi • Rap, Trap, Industrial, Dark, Electronic
Kindheartedness • A modern hip hop track kicks off with a tight, punchy drum groove and layered sampled textures. Subtle synths and melodic bass lines weave through, giving a rich, urban feel. Verses flow atop minimalist beats, while the hook explodes with vocal harmonies and crisp hi-hat patterns.
Predvehni • electronic, indie, house, techno, drum and bass, ambient, synthwave, trap,pse Trans
Левий • Arabic symphony with a full string section, oud melodies, qanun arpeggios, ney solos, and brass fanfares over taiko-style frame drums and orchestral timpani. Phrygian modal harmony, lush violins, deep contrabass, reverberant hall space, layered woodwinds, and dramatic crescendos with intricate ornamental runs., Enchanted witch fantasy in English with eerie minor-key celesta, glassy music box, and modal string drones. Fingerpicked nylon guitar, bowed psaltery, low male choir, and hollow taiko hits create a ritual pulse. Vintage tape hiss, cavernous reverb, and whispered vocal textures give it a dark folkloric, spellbound atmosphere.
Светлана16 • pop, electronic, disco
Светлана16 • pop, electronic, disco
Hobbi • hip hop, disco, rap
Hobbi • hip hop, disco, rap
vladzak57 • Russian chanson
LiS • Driving rock with crunchy overdriven electric guitars, power-chord riffing, and a punchy live drum kit. Tight kick, snare crack, and tom fills anchor the groove, while electric bass locks to the roots with slight drive. Layered guitar harmonies, room mic ambience, and a big chorus lift the track., Dark witch fantasy in English-language form, blending eerie folk textures with occult ambient and medieval darkwave. Hurdy-gurdy drones, bowed psaltery, detuned pipe organ, frame drums, and whispered choir pads drift through heavy reverb, tape hiss, low drones, and minor-key modal melodies for a ritualistic, shadowy atmosphere., Altai-inspired throat singing with deep khöömei-style drones, khomus jaw harp overtones, and frame drum pulses under spacious wind textures. Add bowed horsehead fiddle, low tanbur plucks, and sparse hand percussion, all in a raw folk-ambient mix with open-air room reverb and earthy, resonant bass tones.
Hobbi • rap, Slick disco-rap blend at club tempo, bouncy bass and glassy funk guitar over a tight four-on-the-floor. Male vocals with a sly, nasal “mole voice” character; verses stay close and rhythmic, chorus widens with stacked hooks and call‑and‑response ad-libs. Occasional synth stabs and riser sweeps lift into each hook, keeping the dancefloor energy peaking., hip hop, disco
vladzak57 • Russian chanson
Hobbi • rap, Glossy nu-disco groove with hip-hop drums and bouncy bass, male vocals half-rapped half-sung in a relaxed Mole-style tone. Verses keep it tight and percussive, pre-chorus adds syncopated claps and airy pads, chorus blooms with stacked gang vocals and bright synth leads. Subby low end glues the track, with quick DJ-style drops before each hook to spike the energy., hip hop, disco
Hobbi • rap, Glossy nu-disco groove with hip-hop drums and bouncy bass, male vocals half-rapped half-sung in a relaxed Mole-style tone. Verses keep it tight and percussive, pre-chorus adds syncopated claps and airy pads, chorus blooms with stacked gang vocals and bright synth leads. Subby low end glues the track, with quick DJ-style drops before each hook to spike the energy., hip hop, disco
Ночное шоссе
Егорган • Deep house, piano, melodic acoustic guitar
Валерий Андоний • jazz, Light jazz-pop with upright bass, brushed drums, and warm piano comping. Male vocals in an easy swing; verses stay intimate with close-mic croon, chorus opens into brighter harmonies and soft brass pads. Subtle sax fills answer vocal phrases, energy gently lifts toward a playful April 1st tag, then eases out on a cozy, held final chord., pop
Alex 86 • Melancholic Russian chanson ballad in a slow barroom sway: intimate nylon-string guitar and soft, sighing accordion up front, brushed snare and warm upright bass pulsing gently underneath. Male lead vocal, close and storyteller-like, with soft female harmonies wrapping around the choruses. Dynamics stay low and smoky, last chorus blooming into a warm breathy swell on the final line, then easing into a half-spoken, intimate farewell., chanson, warm, male vocals, breathy, slow, gentle, dynamics, low, vocal, soft, ballad, accordion
Светик3 • hip hop
Sergilio • powerful viking metal, power metal, epic melodies, soaring vocals, fantasy themes, heroic, rolling bass, driving bass line, deep bass 808, epic folk choral, fast tempo
vladzak57 • Романс
vladzak57 • Романс
Tema can fly • Style: A hybrid of industrial metal (Doom Eternal), dark ambient (Painkiller: Orphanage) and futuristic synthpop (Quake 4). Rhythm: dynamically changing: the beginning is 90 BPM, pulsating bass, rare beats, disturbing sounds of the shelter (creaking, ticking, distorted children's voices); fight — acceleration to 140-160 BPM: double bass drum (Doom Eternal), electronic beats and glitch (Quake 4), tremolo guitar riffs. Atmosphere (battle scene): gloomy and creepy: ghostly choirs, reverse reverberation on children's voices, toy melody in a lowered structure (Painkiller); Aggressive: heavy distortion guitars, metal screeching, explosions (Doom Eternal); cool and technological: arpeggio synthesizers, sequencer lines, industrial noises (Quake 4); dynamics: alternating dense sections and "dips" with residual ambient elements.
Tema can fly • Style: A hybrid of industrial metal (Doom Eternal), dark ambient (Painkiller: Orphanage) and futuristic synthpop (Quake 4). Rhythm: dynamically changing: the beginning is 90 BPM, pulsating bass, rare beats, disturbing sounds of the shelter (creaking, ticking, distorted children's voices); fight — acceleration to 140-160 BPM: double bass drum (Doom Eternal), electronic beats and glitch (Quake 4), tremolo guitar riffs. Atmosphere (battle scene): gloomy and creepy: ghostly choirs, reverse reverberation on children's voices, toy melody in a lowered structure (Painkiller); Aggressive: heavy distortion guitars, metal screeching, explosions (Doom Eternal); cool and technological: arpeggio synthesizers, sequencer lines, industrial noises (Quake 4); dynamics: alternating dense sections and "dips" with residual ambient elements.
Tema can fly • Style: a symbiosis of industrial (Doom Eternal), Gothic metal (Painkiller) and dark orchestral ambient (Quake 4). Rhythm: 120-160 BPM, polyrhythmic barrel in 4/4, hi‑hats in 7/8 (aggression of Doom), complemented by ethnic drums and bells (Quake 4). Tremolo guitar riffs (Painkiller) create a nervous pulse. Atmosphere: ominous antiquity and man-made threat. An abandoned temple with the echo of the voices of spirits, a sense of the presence of otherworldly forces, the growing tension of the battle. The space "breathes" low-frequency hum, and sudden pauses enhance the effect of surprise. Sounds: industrial percussion (rasp, metal plates) + ethnic percussion; distortion guitars and a church organ; Orchestral brass (trombones) and strings (pizzicato); synthesizer arpeggios and sub-bass drone; Effects: reverberation (temple echo), flanger on the organ, glitch on drums, whispers and groans of spirits.
Tema can fly • Style: a symbiosis of industrial (Doom Eternal), Gothic metal (Painkiller) and dark orchestral ambient (Quake 4). Rhythm: 120-160 BPM, polyrhythmic barrel in 4/4, hi‑hats in 7/8 (aggression of Doom), complemented by ethnic drums and bells (Quake 4). Tremolo guitar riffs (Painkiller) create a nervous pulse. Atmosphere: ominous antiquity and man-made threat. An abandoned temple with the echo of the voices of spirits, a sense of the presence of otherworldly forces, the growing tension of the battle. The space "breathes" low-frequency hum, and sudden pauses enhance the effect of surprise. Sounds: industrial percussion (rasp, metal plates) + ethnic percussion; distortion guitars and a church organ; Orchestral brass (trombones) and strings (pizzicato); synthesizer arpeggios and sub-bass drone; Effects: reverberation (temple echo), flanger on the organ, glitch on drums, whispers and groans of spirits.
Alex 86 • Melancholic Russian chanson ballad in a slow barroom sway: intimate nylon-string guitar and soft, sighing accordion up front, brushed snare and warm upright bass pulsing gently underneath. Male lead vocal, close and storyteller-like, with soft female harmonies wrapping around the choruses. Dynamics stay low and smoky, last chorus blooming into a warm breathy swell on the final line, then easing into a half-spoken, intimate farewell., chanson, warm, male vocals, breathy, slow, gentle, dynamics, low, vocal, soft, ballad, accordion
ZUBR • vocal pop rock
ZUBR • electronic, pop, rock
ZUBR • pop, rock, electronic, disco
ZUBR • vocals classic romantic pop guitars
Валерий Андоний • waltz,French accordion