Все треки

Наталья Ромадова • современный рок-звук, который можно охарактеризовать как смесь поп-рока, альтернативы и кинематографичной музыки. Настроение (*Mood*): Страстное, напряженное,опьяняющее,немного темное и драматичное. Мотивация текста—это история внезапной, всепоглощающей страсти, потери контроля и капитуляции перед чувствами. Темп: Средний, около 95–105 BPM. Это позволяет сохранить танцевальный грув в куплетах и дать хору мощно прозвучать. Музыкальные инструменты: Ритм-секция Мощная, прямая бочка (`four-on-the-floor`) и четкий снэйр. Бас-гитара играет не просто подложку, а ведет свою мелодическую линию, часто дублируя гитарный рифф.Гитары: Основной элемент— запоминающийся,слегка грязный дисторшн-рифф в куплетах.В припеве гитары становятся шире и объемнее,играя мощные аккорды. Синтезаторы/Пэды: Используются для создания атмосферы и глубины,особенно в паузах между фразами и во вступлении. Голос:Мужской вокал должен быть экспрессивным., rock, electronic

vladzak57 • 90s German pop-rock, acoustic guitar strumming, electric guitar chorus, bass guitar octaves, live snare crack, tom fills, harmony chorus vocals, layered backing vocals, organ pads, analog tape saturation, room reverb, wide stereo mix, midtempo 108 bpm, steady backbeat, bittersweet defiance, anthemic lift, pop rock, 92 BPM, acoustic guitar strumming, electric guitar arpeggios, piano octave doubles, warm bass guitar, live drum kit, tambourine accents, layered vocal harmonies, call and response chorus, tape saturation, plate reverb, wide stereo chorus, 90s radio polish, bittersweet longing, uplifted release

Roman222 • House and drum and bass hybrid with a fast four-on-the-floor pulse, chopped breakbeat lifts, rolling sub pressure, and bright piano stabs; verse rides sparse kick, bass, and clipped synth ticks, pre-chorus opens with filtered risers and vocal chops, chorus drops into wide bass hooks and sparkling keys. Lead vocal is intimate and punchy with doubled hook lines, ad-lib echoes, and short delay throws. Vinyl crackle, reverse swells, and snare rolls bridge sections. Bright, glossy, club-ready mix., electronic, drum and bass

max_41540767 • Folk metal with driving mid-tempo double-kick, acoustic guitar and violin in the verses, distorted rhythm guitars and tom-heavy lift in the chorus; verse stays earthy and close-mic, pre-chorus opens with layered harmonies and rising snare, chorus hits with gang shouts and a soaring lead line. Male vocals with warm doubled lines, a few rough shouted ad-libs on the hook. Ear candy: wind chimes into the first verse, reversed swell before the chorus, and a final violin run into the last refrain. Wide, powerful, and живой mix with a rough folk edge., folk, metal

Денис Ткаченко • Pop ballad, mid-tempo and sorrowful with steady kick, piano arpeggios, warm pad swells, and subtle string lifts; verse stays intimate and close-mic, pre-chorus opens with rising harmonies, chorus lands wider with stacked doubles and a singable hook; bridge strips to piano and breathy vocal, then final chorus adds soft drums, choir-like oohs, and a gentle cymbal bloom; bright but wounded mix, emotional and radio-clear., pop

MSIb860 • 2010s maximalist electropop, layered synthesizer stacks with sawtooth lead patches and wide-stereo pad chords, punchy four-on-the-floor kick drum with sidechain-compressed bass, gated snare with heavy 48kHz digital reverb, pitched-up vocal chops as rhythmic texture, commercial loudness-war brick-wall limiting on the master bus, high dramatic soprano with precise diction and belted chest-voice peaks, melismatic runs on phrase endings, auto-tune applied transparently for pitch lock, sudden dynamic drops to sparse piano-and-vocal breakdowns before full-band explosive reentry.

DDdddDD • nu-metal, 68 bpm in the verses, 120 bpm in the choruses, clean vocals, no short shouts, male emotional screeching, beautiful slow strumming on an acoustic guitar, leading bass guitar, accented bass drum hit, fake seven-string riff, slowed-down vocals, reverb in a closed room, saturation of the recording, lowering effects, pause, changing the tempo, syncopated low-frequency accents, anxious persistence, unstable momentum

Александр 9 • Russian chanson, birthday tribute, male husky vocal, accordion stabs, balalaika tremolo, brushed snare, upright bass, horn counterlines, tape saturation, room mic grit, call-and-response chorus, verse tension, singalong refrain, bittersweet warmth, celebratory swing, mid-tempo 92 BPM

Roman222 • Drum and bass with fast broken beats, rolling sub-bass, sharp filtered synth stabs, and a tense but uplifting drive; verse rides tight minimal drums and pulsing bass, pre-chorus strips to clipped pads and rising snares, chorus opens wide with stacked vocal doubles and a punchy synth hook. Whispered lead in verses, doubled and lifted in choruses, with delay throws on key words and short reverse swells into each drop. Bright, glossy mix with deep low-end impact., electronic, drum and bass

MSIb860 • 2010s maximalist electropop, layered synthesizer stacks with sawtooth lead patches and wide-stereo pad chords, punchy four-on-the-floor kick drum with sidechain-compressed bass, gated snare with heavy 48kHz digital reverb, pitched-up vocal chops as rhythmic texture, commercial loudness-war brick-wall limiting on the master bus, high dramatic soprano with precise diction and belted chest-voice peaks, melismatic runs on phrase endings, auto-tune applied transparently for pitch lock, sudden dynamic drops to sparse piano-and-vocal breakdowns before full-band explosive reentry.

Plys1 • Лёгкий быстрый поп, lounge chill, soul

AnabyOz HawK • Power deadcore fused with metal, chorus scream,more breakdown, and alternative-metal: drop-tuned guitars with tight palm-mutes, powerful voice, and open-chorus power chords, chorus hits with layered harmonies and raw distortion, the closest possible personal(clone) voice, verse 1 and verse 2 with melodic-rock

vladzak57 • 90s German pop-rock, acoustic guitar strumming, electric guitar chorus, bass guitar octaves, live snare crack, tom fills, harmony chorus vocals, layered backing vocals, organ pads, analog tape saturation, room reverb, wide stereo mix, midtempo 108 bpm, steady backbeat, bittersweet defiance, anthemic lift, pop rock, 92 BPM, acoustic guitar strumming, electric guitar arpeggios, piano octave doubles, warm bass guitar, live drum kit, tambourine accents, layered vocal harmonies, call and response chorus, tape saturation, plate reverb, wide stereo chorus, 90s radio polish, bittersweet longing, uplifted release

GrizAi • dark bass house, deep house, heavy sub bass, fat distorted 808, warm kicks, low-end focus, minimal highs, groovy, sensual, female vocals, soft breathy clean no screaming, hypnotic, seductive, warehouse vibe, midnight club, slow heavy groove, obsessive love, F minor, 124 BPM

Виталий Ревякин • Female vocals, vocal and instrumental music, symphony orchestra, acoustic guitar, patriotic song, touching, piercing music for the soul, musical interludes at the beginning and end of the song and between verses

Anna Cherkashina • Ритм: Медленный, вязкий грув, 6/8 или медленные 4/4. Ударные — не «бочка-рабочий» на каждый удар, а глубокий, ленивый бит с акцентом на «три», чтобы тело двигалось в такт. · Гитара: Много реверберации (эхо), тягучие ноты (сустейн), соло-партии не виртуозные, а «плачущие». Тремоло-эффект на бридже будет звучать как дрожь. · Бас: Главный герой. Он не просто держит ноту, а ведет мелодию, глубокий и обволакивающий, почти как сердцебиение. · Клавиши/Синтезатор: Низкие «пэды» ( pads ) для ощущения бездны. Можно добавить звук одинокого пианино или даже аккордеона, чтобы подчеркнуть надрыв («Шепотом в пламя»). · Вокал: Чувственный, интимный, с придыханием. Не оперный крик, а опасный шепот, который чередуется с хриплым криком на припеве («Это экстаз!»). Идеально — низкий мужской баритон или низкий женский альт.

Anna Cherkashina • Стиль песни (как у «Nothing Else Matters») Общая атмосфера: Медленная, тяжелая баллада. Не агрессивная, а глубокая — как разговор с самим собой в 3 часа ночи. Гитары — чистые в куплетах, с нарастающим овердрайвом в припевах. Соло не виртуозное, а поющее — такое же усталое и красивое. Вокал: James Hetfield в лучших балладах — низко, грудью, почти с рыком на грани срыва, но без крика. В куплетах — интимно, как будто поёшь только ему в ухо. В припеве — распахнуто, но не громко, а шириной голоса. Финал — почти шёпотом, но тяжелым. Текст: Короткие фразы. Очень личные, без лишней поэзии. Повторы как заклинания. Главное — не объяснять любовь, а называть её. Она здесь — не спасение, а то, ради чего терпят усталость и грусть без причины. Ритм: Размеренный, как сердцебиение после долгого дня. Нет спешки. Каждое слово — на выдохе., rock

max_48307662 • indie folk, atmospheric ballad, acoustic guitar, ambient cello, melancholic, emotional female vocals, cinematic, slow tempo, 75 BPM, cozy night vibe

Гатауллин Артур - Уфа • Orchestral mystical, meditative cinematic style, 78 BPM (beats per minute), string ostinato, low droning cello sounds, pop/stage cosmic male lead vocal with notes of hope, male monk choir, whispered backing vocals, frame drum pulse, tabla accents, bowed psaltery, modular bassline, tape saturation effect, plate reverb, wide hall ambience, minor key, solemn conclusion; an energetic chant‑like refrain with space sounds, planets, and stars, taiga birdsong, taiga forest noise, slow footsteps on soft curly moss.

Бурундук • break dance 80's

АрсенАпро • Soft Rock, 70s Classic Rock, Romantic Ballad, Clean Guitar, Twelve-String Guitar, Saxophone, Piano, Atmospheric, Melodic, Male Vocals

ТатьянКаА • folk ballad, acoustic guitar, female vocal, low, warm, hopeful, melancholic, 80 BPM, soft drums, piano, intimate, Russian

ТатьянКаА • folk ballad, acoustic guitar, female vocal, low, warm, hopeful, melancholic, 80 BPM, soft drums, piano, intimate, Russian

Игорь Шпенков • reggae

Галина Тара • Dark Slavic folk ballad, slow tempo, ethereal female vocal, slightly raspy, deep, mystical. Instruments: acoustic guitar, cello, soft piano, distant bells, wind sounds. Atmosphere: ritualistic, healing, nocturnal. Melody: flowing, sorrowful but not broken, with a sense of quiet strength. Inspired by ancient rites and forgiveness. ---

Игорь Шпенков • reggae, folk

Айсeдора • volga folk-pop, protest chant, 92 BPM, bayan stabs, hand drum procession, frame drum accents, group shouts, reed flute countermelody, tape saturation, mono room mics, spring reverb, vintage soviet mix, bittersweet defiance, wry humor, call-and-response chorus, minor key, marching snare, acoustic bass, rustic percussion, r&b, Altai folk fusion, 132 BPM, gorlovoe throat singing, monks choir drones, frame drum ostinato, jaw harp plucks, dombra tremolo, balalaika chopping, deep hand percussion, modular bass pulse, chopped vocal samples, tape saturation, plate reverb, wide stereo mix, ritual intensity, peak energy

Айсeдора • rnb soul, ambient new age, mystical downtempo, 79 BPM, monk choir drones, male whispers, tribal hand percussion, muted electric piano, fretless bass, brushed snare, chopped samples, plate reverb, tape saturation, wide stereo field, sparse intro, half-time groove, quiet-loud contrast, bittersweet longing, Russian language romantic pop, folk pop ballad, ethnic electronic, accordion lead, balalaika picking, frame drum patterns, tribal percussion ensemble, arpeggiated synths, modular bassline, chopped vocal samples, layered vocal harmonies, tape saturation, plate reverb, analog delay throws, 79 BPM, singalong chorus, bittersweet longing, devotional lift

Вицык • French chanson, cinematic chanson, 78 BPM, accordion stabs, brushed snare, upright bass, nylon guitar arpeggios, string quartet swells, monastic male choir, whispered spoken interlude, tape saturation, plate reverb, chamber room ambience, analog warmth, minor key lament, bittersweet revelation, slow build, restrained crescendo

Lex music • Russian underground hip-hop, dark urban atmosphere, moody and introspective, close to Husky’s style; minimal but heavy beat, 94 BPM, deep 808 bass, sparse hi-hats, atmospheric pads and subtle noise textures; deep male vocal with raw, slightly hoarse delivery, spoken-word approach in verses, more melodic in chorus; moderate reverb and tape saturation for a gritty, cinematic feel; dynamic structure with tension build-up in pre-chorus and release in chorus; Russian lyrics; street-poetry vibe, emotional but restrained, theme of relief after a long day and quiet love.

MSIb860 • Vocal progressive house, melancholic trance, emotional, airy female vocal, ethereal synth textures, deep driving low end, spacey plucks, nostalgic, beautiful chord progression, 124 bpm

MSIb860 • Trip-hop with progressive downtempo pulse at 100 bpm, swung drums and half-time dubstep drops; verse rides warm pads and acoustic guitar, pre-chorus opens with plucky synth motifs, chorus blooms into emotional bass swells and harp glides. Breathy female vocal chops, delayed echoes, reversed swells, sparkling chimes, and sidechain breathing. Wide, lush, cinematic mix with intimate low-end warmth., acoustic, warm, romantic, emotional, uplifting, dubstep, harp, beautiful, bassline

MSIb860 • Melodic progressive house with 128 BPM four-on-the-floor drive, rolling sidechained bass, warm lush pads, and a bright plucky lead; verse leans intimate and sparse, pre-chorus opens with rising chord stacks and filtered tension, chorus blooms into wide harmonic lifts and euphoric topline. Male vocal with close-mic verses, doubled chorus lines, airy delay throws, and soft gang harmonies. Ear candy: reverse swells into the drop, glassy arps between phrases, sparkling risers in transitions. Wide, glossy, romantic, and cosmic, trance, emotional, romantic, progressive house, vocal, beautiful, warm, bassline, uplifting

Бэтта • heavy rock, pop, romantic ballad, cinematic soundscape, 82 BPM, swung half-time groove, syncopated kick pattern, deep bass drones, distorted baritone guitar, tom-heavy fills, analog synth pads, brushed snare, plate reverb, tape saturation, ghosted vocal delay, cold lead vocals, layered vocal harmonies, bittersweet longing

Бурундук • polka, folk

Игорь Шпенков • rock, metal

DDdddDD • Russian punk rock, Siberian punk rock, 84 BPM verses, 104 BPM choruses, detuned acoustic guitar, stomp-clap percussion, growling male shouts, ragged gang vocals, verse build-up, escalating density, raw room sound, tape saturation, mono kick, overdriven midrange, shouted chorus hooks, defiant catharsis, streetwise grit

Донжон • A dynamic rock-metal track kicks off with a commanding electric guitar riff, paired with precise bell-like arpeggios that add a haunting metallic edge. The bass guitar anchors the groove with gritty, driving lines. Each section surges in intensity, layering punchy drums and soaring guitar leads.

Шико • dark ambient, russian folk, ritual drone, slow hypnotic tempo, deep male vocals, dragging melody, low overtone throat singing backing vocals, ancient slavic instruments, wheel lyre, gusli, shor, shamanic frame drum, thudding percussion, crackling fire, distant howling wind, eerie forest atmosphere, dark woods soundscape, non-melodic sub-bass, 50 BPM, funeral doom folk, archaic chants, low chanting, echo reverb, delay effect, mysterious ritual, pagan mysticism, cinematic sound design, haunting, somber, grim, cavernous space, ghostly whispers, long pads, analog synthesizer drones, field recordings, crow caws, dark folklore, slavic mythology, moody, depressive, heavy atmosphere, hypnotic repetition, slow progression, layered vocals, bass-heavy, raw mixing, lo-fi aesthetic, mystical texture, dense soundscape

MSIb860 • Progressive breakbeat with melancholic dubstep pulse at 126 bpm, deep driving low end, spacey plucks, ethereal synth haze, and a nostalgic chord lift; verse rides sparse clicks and sub pulses, pre-chorus opens into filtered arps and rising harmony stacks, chorus hits with half-time weight and a cold metallic hook. Robotic male vocal, close-mic and steel-toned, with pitch-locked doubles, delay throws on key words, and ghostly ad-libs. Reversed swells, glassy risers, and wide shimmer fills bridge the sections; mix is cinematic, glossy, and emotionally heavy., deep, dubstep, tone, low, beautiful, emotional, breakbeat.

Галина Тара • Epic cinematic folk, slow-mid tempo. Female vocal: deep, warm, slightly raspy, spiritual, not shrill. Instruments: acoustic guitar, cello, soft piano, distant strings. Atmospheric, haunting, meditative. Builds gently to an uplifting, sacred climax. Inspired by prayer and inner light.

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar

MSIb860 • Combine Disco/Future Bass with Synthwave for a cosmic adventure. Energetic synth leads and futuristic bass drops create a sense of exploring uncharted galaxies, with electronic drums driving the journey. (Genres: Disco/Future Funk deep bass, Synthwave; Vibe: Energetic, Uplifting, Mysterious; Instruments: Synth Leads, Bass, Electronic Drums; Vocal: alto F# )

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, три гитары , басс , хором, терция , октава,

Roks life • Pop-rock with metal edge, mid-tempo driving groove and stomping half-time chorus; verse rides tight palm-muted guitars and steady kick, pre-chorus lifts with snare rolls and rising harmony stacks, chorus hits wider with thick power chords and hooky gang vocals. Male vocals with gritty lead, doubled choruses, short delay throws on key words, electric violin lines threading between phrases, engine-start swell, reverse cymbal risers, huge bright-punchy mix., metal, rock, pop

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии double bass, bass guitar, bass parts, male vocal, male vocal

Ратибор Ясный • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии, акардеон , Магдалина и соло гитара . double bass, bass guitar, bass parts, male vocal, male vocal folk, rock, contralto., indie, rock, country, folk, country, folk