Все треки

Tema can fly • Style:a hybrid of industrial, aggressive metal and dark ambient music interspersed with "toy" melodies.Rhythm: the main pulsation is a hard, mechanical beat of 140-160 BPM, as in Doom Eternal; layered percussion: rumbling barrels (as in Painkiller), syncopated industrial percussion (as in Quake 4), sharp breakdowns; episodic slowdowns up to 80-90 BPM with an ambient background, where "childish" motifs sound disturbing and distorted. Atmosphere:the hellish, apocalyptic aggression of Doom Eternal: growling guitars, synthesizer sirens, "unmusical" sounds (metal grinding, engine roar); the dark industrial oppressiveness of Quake 4: booming reverberation, mechanical cycles, low‑frequency hum; demonic obsession of Painkiller: organ moves, chorus effects, sudden crescendos; sinister infantilism:clean but frustrated "childish" themes that sometimes cut through the mix, then dissolve into noise, creating the effect of distorting innocence.

Ната Мазур • Dark French Pop, moody Chanson-rock, deep raspy male vocals, whispered verses, explosive emotional chorus, cinematic atmosphere, heavy bass, smoky grit, sophisticated masculine delivery, intense romantic tension. Стиль: Французский темный поп / Шансон-рок) Чтобы получить голос в духе Сержа Генсбура (хриплый шепот) или мощный современный рок:

Ната Мазур • Dark French Pop, moody Chanson-rock, deep raspy male vocals, whispered verses, explosive emotional chorus, cinematic atmosphere, heavy bass, smoky grit, sophisticated masculine delivery, intense romantic tension. Стиль: Французский темный поп / Шансон-рок) Чтобы получить голос в духе Сержа Генсбура (хриплый шепот) или мощный современный рок:

Igor-Push • Minimal Tech House, Deep House, Progressive Trance, Dubstep Elements, Wobble Bass, Sub Drops, Hypnotic, Binaural Beats, Deep Sub Bass, Meditative, 120 BPM (with Dubstep sections at 140 BPM half‑time feel), Instrumental, Wide Stereo, Psychoacoustic, Dark Minimal, Groovy, Atmospheric, Modular Synth, Granular Textures, Polyrhythmic Percussion, Found Sound, Footstep Rhythms, Arpeggiated Synths, Euphoric Pads, Trance Gates, −14…−12 LUFS, Alpha/Theta/Delta binaural wave illusions, Shepard tone effects, Generative Sequencer Patterns

мс Хоттабыч • Hyperactive drum & bass meets industrial-leaning techno; fast 2-step breaks over a relentless four-on-the-floor pulse, metallic stabs and distorted Reese bass. Male vocals, half-rap half-shouted hooks with crowd-chant energy; chopped call-and-response ad-libs. Drops hit hard on the “мика-мика микаэлла” hook, with risers, filtered build-ups, and glitchy vox chops weaving through the beat., techno, drum and bass

divey • high-energy disco 1980s, dance pop, electronic, synth, four-on-the-floor kick drums, shimmering analog synthisizer, catchy rhythm bassline, sampler, arpeggiator, synth brass, rhythm guitar, male and female vocals, duet

Seawolf • Fast, hard drums and 175 beats per minute bass guitar, male rough vocals. Reese's razor-sharp bass and dense breakbeats to the chords of the Old Norse rhythm. The verses are jerky and rhythmic; the chorus begins with long notes of the anthem, accompanied by the screams of an owl and a wolf and the distant sounds of a crackling campfire, drums and bass, drum and bass

Егорган • Deep house, piano, melodic guitar, italo disco

Igor-Push • Minimal Tech House, Deep House, Progressive Trance, Dubstep Elements, Wobble Bass, Sub Drops, Hypnotic, Binaural Beats, Deep Sub Bass, Meditative, 120 BPM (with Dubstep sections at 140 BPM half‑time feel), Instrumental, Wide Stereo, Psychoacoustic, Dark Minimal, Groovy, Atmospheric, Modular Synth, Granular Textures, Polyrhythmic Percussion, Found Sound, Footstep Rhythms, Arpeggiated Synths, Euphoric Pads, Trance Gates, −14…−12 LUFS, Alpha/Theta/Delta binaural wave illusions, Shepard tone effects, Generative Sequencer Patterns

Алекс Север • Hard-hitting Russian trap-rock hybrid: distorted guitars lock with heavy 808-style low end, crisp hi-hats, male vocals flipping between melodic hooks and rapid-fire bars. Verses stay tense and minimal, chorus explodes with stacked gang shouts and wide synth pads, final hook rides out over a filtered beat and distant tire-screech FX.

моральная агрессия • Opera vocals, scream, classic, heavy metal, psychedelic, drums, electric guitar solos,male strong chorus

Алекс Север • Hard-hitting Russian trap-rock hybrid: distorted guitars lock with heavy 808-style low end, crisp hi-hats, male vocals flipping between melodic hooks and rapid-fire bars. Verses stay tense and minimal, chorus explodes with stacked gang shouts and wide synth pads, final hook rides out over a filtered beat and distant tire-screech FX.

Мария Власова • new age, 92 BPM, handpan ostinato, syncopated polyrhythms, ghost notes, felt piano motifs, bowed cello drones, analog synth wash, wide stereo image, plate reverb, tape saturation, sidechain pumping, warm sub bass, offbeat kick pattern, 3/4 pulse, bittersweet nostalgia, nocturnal calm

Егорган • Bossa-nova, piano, melodic trumpet, guitar

kuprumserga • Style: acoustic pop-rock with elements of indie folk. The vocals should be soft, soulful, with an emphasis on sincerity and emotional depth. The musical accompaniment should be minimalistic, with an acoustic guitar, possibly accompanied by light percussion and soft strings (violin or cello) to create an atmosphere of contemplation and gentle sadness. Vocal: avoid excessive expression, sing with inner peace, and pause between phrases to enhance the dramatic effect. Arrangement: Use an acoustic guitar with a warm, natural sound. In the chorus, you can add light backing vocals or harmony to create volume. Tempo: Use a moderate, non-rushed tempo to ensure that the lyrics are clearly audible and understandable. Emotions: convey a sense of philosophical exploration, inner struggle, and acceptance.

Макс-Л • nostalgic pop rock, 80s influenced, synthesizers and guitars, retro, acoustic guitar, bass, electric guitar, Two solo electric guitars, one rhythm guitar, electric bass

Marchelli_83 • Melodic Ballad in disco style

kuprumserga • *Genre:* lyrical pop ballad or acoustic. - *Tempo:* slow, measured. - *Arrangement:* piano, acoustic guitar, soft strings, possibly light percussion. - *Mood:* thoughtful, a little melancholic, but with hope in the end.

Jura • [Genre: Euro‑House, Eurodance, Hard Trance, Dancepop, Electronic Fusion] [Mood: Energetic, Aggressive, Festival‑Ready, Rave, Uplifting, Catchy] [Tempo: 138 BPM][Key: F♯ minor] [Energy Curve: High‑energy intro → catchy hooks → massive build‑ups → big drops → euphoric breakdown → final drop → energetic outro] [Instrumentation: punchy euro‑house kicks (aggressive, sidechained); sharp hi‑hats and claps (fast 16th‑note patterns); catchy synth hooks (melodic, memorable, 80s/90s eurodance vibe); hard trance leads (driving, distorted, sawtooth waves); bassline (thick, boosted, sub‑heavy, 8‑bar patterns); arpeggios (fast, uplifting, trance‑style); vocal stabs and chops (short, chopped female vocal samples, no lyrics);orchestral hits (epic, short stabs on transitions); white noise sweeps and risers;crowd roar samples (festival atmosphere)] [FX: heavy sidechain compression on synths and pads; distortion and saturation on leads and bass; long reverb on vocal stabs; delay on hi‑hat rolls; sub

ATWST • [Trap, dark aggressive street trap, 140 BPM, key of C# minor, heavy distorted 808 slides, rapid triplet hi-hats, punchy layered snares, moody synth atmospheres, urban night grit, cinematic tension builds]

Sergilio • The intro features a stately pipe organ executed in Baroque style, then evolves into an energetic trance track with a driving, rolling bassline. Layers of aggressive rave synths and sharp percussion develop, while a Gregorian choir adds epic harmonies beneath the dance rhythms, drum and bass, hard bass

Hadeneiro • The song opens with a moody atmospheric intro, layering sparse electric guitar with airy synth textures. Verses use minimal trap-inspired beats and deep bass, creating a hypnotic flow. The chorus swells with richer synth pads and dynamic percussion, while the bridge features a breakdown with vocal effects and echoing guitar licks before returning to a powerful final chorus, fading out with gentle electronic elements.

Zhenich • Сильный женский голос, очень трогательная песня, проникновения,, pop, funk, house

Макс-Л • Two acoustic guitars with electric guitar overtones. No bass and no drummer. A raspy voice.

Макс-Л • быстрый рок 90-х.ритм- гитара с глушением. бас- гитара мощная присутствует слэп. ударники простые.

TeaF • Genre: Fusion EDM + Hip-Hop + Traditional Chinese Elements+808 bass Key Features: Vocals: Energetic rap-style verses with catchy chorus chanting "Oh My Panda Home." Instrumentation: Combination of traditional erhu solos with modern EDM synths and hip-hop beats. Effects: Scratches, pitch shifts, reverb on vocals; ethnic percussion loops. Dynamic Structure: Includes build-ups and drops typical for EDM genre. Language Mix: Mandarin Chinese verses with English phrases integrated naturally. Themes: Celebrates pandas' cuteness, environmental awareness, and cross-cultural collaboration.

TEC • pop metal, modern pop rock, 135 BPM, D major, distorted guitar riffs, funky guitar chords, double kick chorus, punchy rock drums, snare accents, cymbal crashes, overdriven bass, bright analog synths, stadium chorus stack, gated snare, dry close-mic mix, 80s arena rock, summer rebellion, carefree euphoria, verse breakdown, explosive final chorus

kuprumserga • Style: folk songs, urban romance and variety chanson. Performed by a children's choir to preserve the soulfulness and simplicity of the genre, but at the same time to make the sound bright and suitable for children's performance. - **Arrangement:** - Light acoustic guitar or accordion. - Unobtrusive drums (brushes, light percussion). - Piano or synthesizer with a soft timbre. - Bass - acoustic or soft electric. - **Vocal delivery:** - A clear, bright timbre of a children's choir. - Without the "street" intonations typical of adult chanson. - Elements of a folkloric manner are possible (for example, a slight vibrato on long notes). - **Harmony:** - Simple but expressive chords (Am, Dm, E, G, C). - The use of plagal turns to create a "folk" flavor. - **Dynamics:** - A moderate tempo, not too fast. - In the chorus, the sound is amplified, and there may be a solo voice over the chorus.

Каспер • лирический шансон, мелодичная гитара, теплый голос, задушевная атмосфера

Макс-Л • nostalgic pop rock, 80s influenced, synthesizers and guitars, retro, acoustic guitar, bass, electric guitar, Two solo electric guitars, one rhythm guitar, electric bass, accordion

Алекс 890 • pop, Dramatic pop-soul ballad with male vocals over intimate nylon guitar and a soft, Eastern-tinged solo violin line. Verses stay hushed and fragile, close-mic’d vocal with subtle string pads. Chorus swells with wide reverb, soaring violin countermelodies, and a warm, deep bass. Final repeat strips back to guitar and a single aching violin for a raw, exposed ending., classical, soul

УгоLёк • Dreamy Indian dance fusion, 110 BPM, atmospheric and uplifting, male vocal with reverb, sitar arpeggios, tabla groove, lush synth pads and shimmering textures, light electronic beats, structure: intro–verse–pre‑chorus–chorus–verse–chorus–bridge–chorus–outro

КАЛЕКА • Slavic pagan neofolk, atmospheric dark folk. Bassoon, Celtic harp, shamanic frame drum, analog synth pads. No electric guitars. Low female contralto vocals, haunting and ritualistic. Male choir in choruses, powerful unison. 110 BPM, steady drum. Mysterious, airy, spring equinox, forest magic. Ancient Slavic celebration Voronets. Raven mythology, living water and dead water. Clear production, natural reverb, forest ambiance.

ATWST • [Melodic Techno, Progressive, Atmospheric, Emotional Uplift, 128-132 BPM, 4/4 driving kick from the start]

Владимир 50 • Хип-хоп, детский вокал, детский бэк -хор

Владимир 50 • Russian pop, synth-pop, 82 BPM, martial snare rolls, brass fanfares, choir pads, muted piano ostinato, tremolo strings, low brass pulses, taiko accents, gated snare, sidechain compression, minor key, bittersweet defiance, elegiac lift, verse-hook structure,emotional

Влад Мигаль • Russian pop, synth-pop, romantic pop jazz, accordion countermelody, saxophone solos, glossy digital reverb, tape-saturated drums, sidechained sub-bass, soaring chorus lift, intimate verses, autumn nostalgia, urban romance, 92 BPM, syncopated percussion, stereo width, layered synth pads, crescendo breakdown, radio-ready polish

Сергей Анвешин • Mood & Atmosphere: nostalgic, flute, Symphonic epic ballad, female vocal

ARKADYI • Slow 70-80 BPM Russian folk-chanson, male raspy vocals over dry acoustic guitar and balalaika, soft bowed violin lines and distant autumn ambience (wind, crows, leaves). Intro is sparse guitar and balalaika, verse sits close and storytelling; chorus swells with violin and low backing hums. Outro strips back to a single guitar figure and fading autumn sounds, leaving the last line almost spoken.

AhraVv И Iris • Glossy Slavic dance-pop at 120 BPM, four-on-the-floor kick and bright sidechained synths, bouncy bass and crisp claps. Verses stay tight and percussive; chorus blooms with wide pads, stacked gang-style chants, and catchy topline. Add subtle vocal chops in the turnarounds; keep the hook instantly repeatable and club-ready.

VerDi • The track should have the 67-69 BPM tempo. Must have the same sound, the same style, but with a new text. Pop, soft piano, soft guitar, r&b, soul, hip-hop, dance rhythm. Must have deep, but soft and very sexy female voice. The melody should have more bass. Must have a very sexy female voices on backing vocals. The melody should be a little slower at the beginning.

Смирнов Анатолий • Электронная танцевальная музыка, глубокий синтезаторный бас, пульсирующий бит 128 BPM, hypnotic synth-lead, build-ups и drops, энергичные арпеджио, reverb и delay эффекты, club-sound, мощный kick, driving rhythm, тональность E minor

моральная агрессия • drums,heavy metal,symphonyc orchestra

ReNuar • [Trip hop], [indie], [dark step], [industrial], [clean], [65 bpm], [4/8], elements of blues, minimal scratch, male [raspy-vocals], хриплый голос.

Tema can fly • Style: a hybrid of aggressive industrial metal (as in Doom Eternal), high‑speed guitar attack with electronic elements (Painkiller) and hard guitar-synthesizer sound (Quake 4). Rhythm: fast, with uneven accents — alternating clear 4/4 beats (in the spirit of Doom) and syncopated fragments (as in Painkiller). The drums are powerful, with industrial samples: the clang of metal, the hum of vacuum, mechanical clicks. Tempo: 160-180 BPM, with sudden slowdowns up to 100 BPM for dramatic pauses. Atmosphere: the ominous, oppressive void of vacuum. In the background there is a low—frequency hum, whistling "cosmic" effects and reverberating ambient substrates (Quake 4). Guitars are distorted, with distortion and feedback; synthesizers are cold, pulsating, with dissonant chords. Periodically, there are sharp sonic booms and echo effects that emphasize the feeling of an airless space.

Tema can fly • Style: a hybrid of aggressive industrial metal (as in Doom Eternal), high‑speed guitar attack with electronic elements (Painkiller) and hard guitar-synthesizer sound (Quake 4). Rhythm: fast, with uneven accents — alternating clear 4/4 beats (in the spirit of Doom) and syncopated fragments (as in Painkiller). The drums are powerful, with industrial samples: the clang of metal, the hum of vacuum, mechanical clicks. Tempo: 160-180 BPM, with sudden slowdowns up to 100 BPM for dramatic pauses. Atmosphere: the ominous, oppressive void of vacuum. In the background there is a low—frequency hum, whistling "cosmic" effects and reverberating ambient substrates (Quake 4). Guitars are distorted, with distortion and feedback; synthesizers are cold, pulsating, with dissonant chords. Periodically, there are sharp sonic booms and echo effects that emphasize the feeling of an airless space.

ШЭРХАН • Create a lively group prank song for April Fool’s Day, perfect for singing together at parties. Style: folk‑pop with Russian folk elements (balalaika, accordion) and modern playful touches. Mood: cheerful, energetic, interactive. Tempo: fast and danceable, 135–145 BPM. ‎Instruments: balalaika (main melody), accordion, tambourine, light percussion, playful whistle effects. Add subtle laughter sounds in the background during chorus and outro. ‎Vocal: ‎* Verses and call‑and‑response lead: clear male voice with friendly, teasing tone; ‎* Chorus and group parts: full choir sound, loud and joyful. ‎Structure: ‎* [Intro]: 15‑second balalaika and accordion groove with whistles; ‎* [Verse 1] → [Chorus] → [Verse 2] → [Call‑and‑Response] → [Verse 3] → [Chorus] → [Outro]; ‎* [Outro]: 12‑second fade‑out with instruments and laughter. ‎Lyrics in Russian — humorous, interactive, about April Fool’s jokes and friendly pranks. Keep energy high and spirit festive!

Oksana Che • folk, pop, rock, disco, house, плясовая веселая ритмичная песня, народная, русская народная, быстрый темп, плясовая, народные инструменты, балалайка, трещерки, треугольник, бубен, хантыйские народные инструменты, бочка 4/4, мажор, вокал женский, ансамбль, исполнение фольклорное, акценты и переходы от припева к куплету, ускорение темпа, умиление ритмичных ударных инструментов, современная обработка музыки

Сергей Федорович • J-pop × Pop-punk hybrid, BPM 152, Key of Em, distorted guitar stab, male dual vocals with powerful chest voice lead + sharp harmony, Verse with bass riff + tight drums, Aggressive double-time rap

Maloy774 • Russian pop, 82 BPM, minor key, sparse piano ostinato, muted electric guitar swells, low string sustains, Rhodes chord voicings, tom-driven half-time drums, subtle synth bass, pre-chorus lift, layered percussion buildup, wide plate reverb, sidechain pumping, intimate verses, dramatic chorus rise, bittersweet nostalgia, broken routine, late-night drive, autumn haze