Все треки

vladzak57 • double time rap

Dukem • Style: Russian indie rock, bard punk, hypnotic spoken word, lo-fi, melancholic male vocals, Naik Borzov vibes, riding on a star, mid-tempo 85 BPM, acoustic guitar arpeggio, dreamy but edgy, slight vocal distortion, space echo reverb. Structure: - Intro: soft guitar picking, space wind - Verse 1: quiet half-spoken, intimate - Chorus: swaying rhythm, voice slightly louder, melancholic - Verse 2: light irony in voice - Guitar solo: short, clumsy but soulful - Chorus repeat - Bridge: spoken word, pauses between lines, intimate - Outro: fading voice, last chord decays

Dukem • Style: Russian indie rock, bard punk, hypnotic spoken word, lo-fi, melancholic male vocals, Naik Borzov vibes, riding on a star, mid-tempo 85 BPM, acoustic guitar arpeggio, dreamy but edgy, slight vocal distortion, space echo reverb. Structure: - Intro: soft guitar picking, space wind - Verse 1: quiet half-spoken, intimate - Chorus: swaying rhythm, voice slightly louder, melancholic - Verse 2: light irony in voice - Guitar solo: short, clumsy but soulful - Chorus repeat - Bridge: spoken word, pauses between lines, intimate - Outro: fading voice, last chord decays

Сергей Федорович • Catchy hybrid of gangster rap, glitch-hop, and raiser-house at a driving club tempo, with punchy 808 kick, distorted sub-bass, chopped breakbeats, and syncopated glitch edits. Humanized hooligan male lead with gritty delivery, plus stacked background vocals, filtered synth risers, stutter fills, and big sidechained drops built to make you move.

Смирнов Анатолий • Я Pop, Russian Chanson, male vocals, echo, Explosive powerful vocals, Piano, Atmospheric, emotional, Add Bits

InnaWav • Cosmo-gothic indie pop with male vocals; spacious synth pads and pulsing bass under a steady mid-tempo groove, verses in a hushed near-whisper that bloom into anthemic, echo-drenched choruses; icy arpeggios and choral swells add sacred drama while a reverbed drum kit and distant guitar delays drive a slow, inevitable rise to a cathartic final hook

InnaWav • Cosmo-gothic indie pop with male vocals; spacious synth pads and pulsing bass under a steady mid-tempo groove, verses in a hushed near-whisper that bloom into anthemic, echo-drenched choruses; icy arpeggios and choral swells add sacred drama while a reverbed drum kit and distant guitar delays drive a slow, inevitable rise to a cathartic final hook

Серж170 • hard rock, arena rock, male lead vocals, stacked choir chorus, reverb soaked snare, distorted power chords, palm muted riffs, double kick drums, overdriven bass guitar, solo guitar breaks, tape saturation, wide stereo mix, gated tom fills, anthemic chorus, 72 BPM, late 80s production

Ирина Пожогина • pop, electronic

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar

Yurec • ska punk, Russian protest rock, 160 BPM, brass stabs, upstroke guitar, punchy snare backbeat, walking bassline, shouted male vocals, ragged lead rasp, group chant chorus, spoken bridge rap, overdriven live room, tape saturation, mono horn punch, gang vocals, sarcastic city satire, anti-system energy Russian pop, synth-pop, club trap, anthemic chorus chant, rap-sung delivery, shouted lead vocals, gritty male baritone, razor diction, crowd shouts, syncopated 808 slides, distorted synth stabs, gated snare, stadium handclaps, sidechain pumping, punchy kick drums, tension-free dropouts, verse chorus build,

Настенька Ф • Female vocals, slap house, acoustic guitar riff, punchy bass, sassy, cathy hook, russian pop, high energy, 124 ВРМ, modern radio hit

Настенька Ф • Female vocals, slap house, acoustic guitar riff, punchy bass, sassy, cathy hook, russian pop, high energy, 124 ВРМ, modern radio hit

Настенька Ф • Female vocals, pop rock, Alternative pop, energetic, electric guitar, punky, bold, fast tempo, Angry

Настенька Ф • Female vocals, pop rock, Alternative pop, energetic, electric guitar, punky, bold, fast tempo, Angry

Настенька Ф • Russian pop, Caucasus style, sunth accordion, upbeat dance rhythm, family emotional vocals, oriental motifs, 105 ВРМ

Настенька Ф • Russian pop, Caucasus style, sunth accordion, upbeat dance rhythm, family emotional vocals, oriental motifs, 105 ВРМ

Настенька Ф • Стиль (Style Prompt): Slap House, Deep House, Russian Pop, Male Vocals, Club, Bass Boosted, Energetic, Catchy.

Настенька Ф • Стиль (Style Prompt): Slap House, Deep House, Russian Pop, Male Vocals, Club, Bass Boosted, Energetic, Catchy.

Лес • Russian pop rock, theatrical punk rock, distorted electric guitars, octave bass lines, tom tom marches, brisk acoustic strums, gang chant hooks, pipe organ stabs, snare build breaks, overdriven drum bus, tape saturation, stereo room mics, verse dropouts, double-time chorus, minor key, defiant nostalgia, haunted swagger, 148 BPM, arena chant breakdown

Marchelli_83 • Punk

Mikhail Banni Zaitsev • techno

Dukem • Genre: Post-grunge, alternative metal, hard rock, 2000s radio rock Tempo: Mid-tempo (85-95 BPM) Mood: Angsty, cathartic, brooding, tense with explosive release Vocal style: Clean but strained tenor, emotional rasp in choruses, melodic verses, no screaming but high tension, similar to Adam Gontier Guitar: Palm-muted verses, power chords with distortion in choruses, simple but heavy riffs, occasional harmonics Bass: Low-end heavy, following guitar rhythm Drums: Steady rock beat with punchy snare, crash cymbal accents in choruses Structure: Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro Dynamics: Quiet verses to loud choruses, sudden transitions Production: Polished but aggressive, compressed, radio-ready, big reverb on vocals in chorus Language: Russian

Dukem • Genre: Post-grunge, alternative metal, hard rock, 2000s radio rock Tempo: Mid-tempo (85-95 BPM) Mood: Angsty, cathartic, brooding, tense with explosive release Vocal style: Clean but strained tenor, emotional rasp in choruses, melodic verses, no screaming but high tension, similar to Adam Gontier Guitar: Palm-muted verses, power chords with distortion in choruses, simple but heavy riffs, occasional harmonics Bass: Low-end heavy, following guitar rhythm Drums: Steady rock beat with punchy snare, crash cymbal accents in choruses Structure: Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro Dynamics: Quiet verses to loud choruses, sudden transitions Production: Polished but aggressive, compressed, radio-ready, big reverb on vocals in chorus Language: Russian

Shuvin • pop, rap

Лес • big beat, breakbeat, 128 BPM, distorted bass, chopped synth riffs, ragga-style breaks, reversed break fills, live drum breaks, crunch compression, stereo bus saturation, warehouse reverb, filter cutoff drops, snare roll builds, shouted chant hooks, aggressive adrenaline

Dj Airoosh • Big room, 130bpm

Dj Airoosh • Big room, 130bpm

Dj Airoosh • Big room, 130bpm

Shuvin • pop,rap

Shuvin • pop, рэп

Shuvin • pop, rap, rock

Лес • Russian pop rock, theatrical punk rock, distorted electric guitars, octave bass lines, tom tom marches, brisk acoustic strums, gang chant hooks, pipe organ stabs, snare build breaks, overdriven drum bus, tape saturation, stereo room mics, verse dropouts, double-time chorus, minor key, defiant nostalgia, haunted swagger, 148 BPM, arena chant breakdown

Владимир 50 • Italian opera

Dj Airoosh • Big room, 130bpm

Jura • [Genre: Symphonic Metal, Epic Orchestral Fantasy, Cinematic Rock] [Mood: Uplifting, Mystical, Expansive, Philosophical, Triumphant] [Tempo: 100 BPM (with dynamic shifts)] [Vocal Style: Female Lead: angelic, powerful soprano ;Soft Choir: ethereal, celestial harmonies;Dark Choir: deep, resonant chants;Folk Vocals: ancient, ritualistic backing] [Energy Curve: Mystical intro → epic build‑ups → powerful metal sections → cinematic climax → peaceful outro] [Instrumentation: soaring strings (violins, violas, cellos, double bass); powerful brass (trumpets, french horns, trombones); soft and dark choirs; folk instruments (Uilleann pipes, flute, acoustic guitar); heavy metal guitars and drums; grand piano; celestial synth pads; sound effects (wind, birdsong, distant church bells, ocean waves)] [FX: massive cathedral reverb on vocals;long delay trails on soaring melodies; orchestral hits on key transitions; vocal layering and harmonies; sidechain compression on pads dur, electronic

Jura • [Genre: Epic Heroic Choral Action] [Mood: Triumphant, Majestic, Heroic, Uplifting][Tempo: 125 BPM] [Key: E minor → B major (for the chorus lift)][Vocal Style: Female Lead: powerful, soaring soprano (epic, cinematic); Male Choir: deep, resonant chants (heroic proclamations);Mixed Choir: grand, triumphant harmonies (full ensemble); Whisper Voices: ethereal backing (mystical atmosphere)] [Instrumentation: full symphonic orchestra (strings, brass, woodwinds); timpani and war drums; celestial harp and piano accents; grand pipe organ; sound effects (battle horns, distant war cries, thunder, wind)] [FX: massive cathedral reverb on vocals; long delay trails on high soprano notes; orchestral hits on key transitions; vocal layering and harmonies; sub bass pulses under heavy sections;natural reverb on brass and drums]

Александр Зернов • A hauntingly beautiful Ambient Pop ballad. Deeply emotional, breathy female vocals with rich reverb. The track opens with a delicate, lonely piano melody and soft cello. It slowly expands into a lush cinematic soundscape with shimmering synth pads and warm orchestral strings. Intimate, sad, and transcendental. 75 BPM.

Dukem • Genre: Post-grunge, alternative metal, hard rock, 2000s radio rock Tempo: Mid-tempo (85-95 BPM) Mood: Angsty, cathartic, brooding, tense with explosive release Vocal style: Clean but strained tenor, emotional rasp in choruses, melodic verses, no screaming but high tension, similar to Adam Gontier Guitar: Palm-muted verses, power chords with distortion in choruses, simple but heavy riffs, occasional harmonics Bass: Low-end heavy, following guitar rhythm Drums: Steady rock beat with punchy snare, crash cymbal accents in choruses Structure: Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro Dynamics: Quiet verses to loud choruses, sudden transitions Production: Polished but aggressive, compressed, radio-ready, big reverb on vocals in chorus

Dukem • Genre: Post-grunge, alternative metal, hard rock, 2000s radio rock Tempo: Mid-tempo (85-95 BPM) Mood: Angsty, cathartic, brooding, tense with explosive release Vocal style: Clean but strained tenor, emotional rasp in choruses, melodic verses, no screaming but high tension, similar to Adam Gontier Guitar: Palm-muted verses, power chords with distortion in choruses, simple but heavy riffs, occasional harmonics Bass: Low-end heavy, following guitar rhythm Drums: Steady rock beat with punchy snare, crash cymbal accents in choruses Structure: Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro Dynamics: Quiet verses to loud choruses, sudden transitions Production: Polished but aggressive, compressed, radio-ready, big reverb on vocals in chorus

Виктор Быковский • Italo disco, synth-pop, 118 BPM, four-on-the-floor kick, snare on two and four, syncopated bassline, sidechained synth bass, arpeggiated Juno lead, chorus guitar stabs, gated reverb snare, analog plate reverb, stereo drum buss compression, neon nocturne, anthemic lift, octave synth countermelody

Владимир 50 • Romantic Italian opera ballad with female vocals and lush orchestration; warm strings and soaring woodwinds under tender piano, gentle harp arpeggios in the verses, then full-bodied brass swells and choir-like backing vocals in the chorus, building from intimate confession to a radiant, triumphant finale, opera

Александр Зернов • Russian Post-Punk, Male gloomy vocals, Lo-fi, Melancholic, Cold wave, 1980s aesthetic, Sad, Slow tempo.

Пивик • Melancholic Russian pop ballad with intimate female vocals over sparse piano and distant strings, verses in a confessional whisper that slowly swell; chorus opens with lush pads, subtle sub-bass, and soft electronic pulses, backing vocals shadow the hook for a haunting, lingering ache

AhraVv И Iris • metal, Dark hybrid EDM-breakbeat track at 128 BPM with female vocals; razor-edged break drums under a pulsing, distorted sub; metallic hits and industrial textures in the verses, then cavernous reverb on hook vocals, eerie chopped phrases, and a brutal bass drop that chews up the low end. Creepy sampled whispers thread through transitions while the chorus goes hypnotic and chant-like over a relentless, warehouse-ready groove., deep, hypnotic, edm, vocal, industrial, breakbeat

Yelizazdra_FanyaOZZ • trap pop, electropop, 808 sub-bass, syncopated snare rolls, chopped vocal ad-libs, analog synth stabs, detuned saw pads, gated snare, radio compression, stereo widener, tape saturation, 124 BPM, minor key hook, anthemic chorus, midnight drive, glitch percussion, podcast intro jingle, sidechain pumping, punchy kick, wide synth brass, dark synthwave, electronic ballad, 92 BPM, minor key, detuned wavetable pads, clean arpeggiated synth, sub-bass sidechain, gated snare, metallic percussion hits, wide stereo image, plate reverb, analog saturation, cinematic build, brooding nostalgia, night-drive tension

evgenia2 • Hyperactive electro-club banger at 155 BPM, punchy kick and rubbery bass stabs, sharp clap groove and bright lead synth riff. Male vocals with chanted gang-style doubles on the hook, glitchy vocal chops between lines. Verses bounce in a playful storytelling flow; chorus explodes with wide stacked harmonies and sub-heavy drops, teasing little breaks for crowd shout-backs., electronic. Remix

InnaWav • Весёлый хор церковных батюшек, динамичная Playful mock-church satire male choral vocals in call-and-response bright acoustic guitar and accordion stomping claps like a village feast big group “amen” shouts on punchlines ending with a tongue-in-cheek dramatic slowdown and layered harmonies

Слепченко Александр • pop, rock, hip hop, metal, techno,bass

Слепченко Александр • pop, techno, drum and bass, lofi