Все треки
Последние публичные треки, созданные нашими пользователями
AlexMelody • Баллада с элементами блюза, Темп: 60–70 BPM (медленно, с чувством). Настроение: драматичное, исповедальное, с нотками внутренней борьбы. Инструменты: электрогитара (с эффектом дисторшн в припевах), саксофон, фортепиано, контрабас, ударные (мягкие, с акцентом на малый барабан и тарелки), губная гармошка. Ритм: в куплетах — акцент на фортепиано и гитаре, в припеве — усиление ритма ударными и дисторшном на гитаре. Финал — затухание до фортепиано и голоса.
Андрей Поляковский • pop, rock, folk
На обрывках билетов.
Сергей Федорович • a catchy song, pop-rock, post-punk, slow tempo, played on an acoustic guitar, melancholic mood, the entire song is performed in a calm manner that creates a hypnotic effect, with a humanized, velvety, calm male voice
Сергей Федорович • A calm track led by warm, expressive male vocals and a single acoustic guitar played with gentle, flowing fingerpicking. The intimate arrangement creates a soothing atmosphere, with nuanced phrasing in both voice and guitar filling quiet spaces. No additional instrumentation., female singer, chill, math rock
Владимир Балахонов2 • electronic
Мария Власова • Bright K-pop with a playful, catchy hook built on glossy synth leads, punchy programmed drums, and tight sub-bass. Bouncy plucked keys, quirky vocal chops, handclaps, and crisp hi-hats drive the groove. Layered harmonies, pitch-bent ad-libs, and upbeat chord stabs add a humorous, lighthearted texture.
Diego Voideh • [Genre: Armenian Ambient] — эмбиент в стиле Пола Багдадляна: медленная лирическая баллада (50-60 bpm), бесконечные атмосферные текстуры, никаких чётких ритмов. Вокал мужчины — точная имитация Пола Багдадляна: хриплый тенор с армянским акцентом, вибрато, горловые обертоны, растворяющийся в ревербе (как "Սիրում եմ քեզ" в космосе). [Структура: Intro (дудук+скрипка, 40 сек) - Куплет 1 (вокал+пэды) - Припев (эхо вокал) - Куплет 2 - Припев с эхом - Бридж (скрипка соло, 30 сек) - Аутро (fade out 1 минута)] [Инструменты]: - Дудук (армянский, бесконечный реверб, "дышит" как ветер в горах) - Низкотональная скрипка (плачет с долгими "вздохами", вибрато, портаменто — соло в бриджах, дуэт с дудуком) - Глубокие эмбиент-пэды (тёплые, обволакивающие, как ночное небо) - Пианино (редкие, одиночные ноты с долгим затуханием) - Sub-бас (едва слышимый, пульсирующий фон) (атмосферные эффекты) - БЕЗ перкуссии, БЕЗ чёткого ритма — только текстуры и дыхание. [Атмосфера: Armenian Ambien
Yelizazdra_FanyaOZZ • rap, Smoky ambient-trap beat with distant pads and detuned bells, sub-heavy low-end and skittering hi-hats. , half-mumbled flex flow in the verses, then a sticky, chant-style hook with stacked doubles and hazy ad-libs. Auto-tuned topline floats over the chorus while the beat sidechains and swells, then strips down to bass and snaps for an intimate bridge before the final drop., ambient, English-language rap with punchy 808 kick, snapping snare, and rolling trap hi-hats at mid-tempo. Hard sub-bass, chopped synth stabs, and sparse piano or guitar loop with heavy low-pass filtering. Tight vocal delivery, ad-lib layers, subtle distortion, and wide reverb throws on transitions for a clean but aggressive modern mix.
Tema can fly • Style: industrial metal with elements of electronica and folklore. Rhythm: dynamic, with tempo changes (130-180 BPM). It is based on mechanical beats (Painkiller), complemented by syncopated beats and breakdowns (Doom Eternal), interspersed with marching rhythm (Quake 4). Sound effects: the sound of a chainsaw (as a rhythmic/melodic element); wolf howl with reverberation; footsteps, twigs cracking, heavy breathing; metal rasps and percussion (industrial); Demonic choir (low male voices). Aesthetics: A dark fairy tale with a cyber‑gothic aesthetic. Folklore motifs (a children's song) are distorted beyond recognition, combined with technological textures. Visually, there is a horror—style forest, Little Red Riding Hood with a chainsaw, and a wolf with demonic features. Atmosphere: aggressive, chaotic, but with a cold technological background. The Adrenaline of Battle (Doom Eternal) + ominous mechanicality (Painkiller) + Futuristic horror (Quake 4).
Tema can fly • Style: industrial metal with elements of electronica and folklore. Rhythm: dynamic, with tempo changes (130-180 BPM). It is based on mechanical beats (Painkiller), complemented by syncopated beats and breakdowns (Doom Eternal), interspersed with marching rhythm (Quake 4). Sound effects: the sound of a chainsaw (as a rhythmic/melodic element); wolf howl with reverberation; footsteps, twigs cracking, heavy breathing; metal rasps and percussion (industrial); Demonic choir (low male voices). Aesthetics: A dark fairy tale with a cyber‑gothic aesthetic. Folklore motifs (a children's song) are distorted beyond recognition, combined with technological textures. Visually, there is a horror—style forest, Little Red Riding Hood with a chainsaw, and a wolf with demonic features. Atmosphere: aggressive, chaotic, but with a cold technological background. The Adrenaline of Battle (Doom Eternal) + ominous mechanicality (Painkiller) + Futuristic horror (Quake 4).
Dimonchik • dream,, electronic, techno, male voice, female voice
Yelizazdra_FanyaOZZ • Hard-hitting English-language rap production with punchy 808 kick and sub-bass, crisp snare on the backbeat, tight hi-hat rolls, and gritty kick patterns under rapid-fire vocal delivery. Add dark minor-key synth stabs, chopped vocal ad-libs, subtle tape saturation, and a dry, upfront mix with controlled low-end impact., trap, ambient
Diego Voideh • ambient whisper
Тамир • rap, Epic hybrid of dubstep drops, high-BPM drum and bass verses, and trap-infused rock guitars; huge stacked choirs on the hook, male vocals in the lead with a massive multi-voice gang chant. Intro starts with distant choirs and filtered drums, exploding into distorted bass stabs and double-time percussion. Choruses soar with arena rock chords and crashing cymbals; verses stay tense with half-time 808-style low end, syncopated hi-hats, and glitchy fills. Final chorus modulates up with extra harmonies and a triumphant, rising synth lead., dubstep, rock, drum and bass
Тамир • rap, Epic hybrid of dubstep drops, high-BPM drum and bass verses, and trap-infused rock guitars; huge stacked choirs on the hook, male vocals in the lead with a massive multi-voice gang chant. Intro starts with distant choirs and filtered drums, exploding into distorted bass stabs and double-time percussion. Choruses soar with arena rock chords and crashing cymbals; verses stay tense with half-time 808-style low end, syncopated hi-hats, and glitchy fills. Final chorus modulates up with extra harmonies and a triumphant, rising synth lead., dubstep, rock, drum and bass
Себостьян • ЕВРЕЙСКИЙ СТИЛЬ
Sapsan65 • pop, Bouncy Russian pop with male vocals; bright acoustic guitar on the verses, fizzy synths and claps lifting the chorus. Mid‑tempo four-on-the-floor groove, playful bass line, gang‑vocal shouts on the hook. Second chorus adds stacked harmonies and a simple lead synth counter-melody; keep the mix glossy and radio-ready.
Вадим 159 • Весёлый шансон
Sapsan65 • Groovy Russian bar-song vibe, mid‑tempo band with acoustic guitar, chunky bass, live drums, and bright brass stabs; verses stay storytelling and relaxed, chorus jumps with gang vocals and claps, a tipsy organ sneaks in on the bridge for a warm, nostalgic glow
Татьяна Дмитриева • rap guitar
Dimonchik • male vokals, female vokals, hard rock, country, violin
Себостьян • Fast, brassy ska‑punk big band: bright trumpets, rowdy trombones, marching snare and toms, tuba bass line. Female vocals spitting sharp, ironic lines; gang shouts on hook. Energy keeps climbing, last chorus explodes with shout‑along ad‑libs and horn stabs.
Себостьян • Bright orchestral pop with punchy drums, playful piano riffs, and a singing violin top line; female vocals riding an upbeat groove. Verses stay light and bouncy, chorus opens wide with stacked harmonies and a big, confident hook. Bridge drops to piano and soft brass swells, then returns to a full, dancing finale.
Себостьян • Bright orchestral pop with punchy drums, playful piano riffs, and a singing violin top line; female vocals riding an upbeat groove. Verses stay light and bouncy, chorus opens wide with stacked harmonies and a big, confident hook. Bridge drops to piano and soft brass swells, then returns to a full, dancing finale.
Asya Aslan • Powerful emotional driving music, female high voice, dark, medium expressive tempo, pop, Arabic deep house, Russian, female vocals
AhraVv И Iris • Hybrid breakbeat-techno at 150 BPM, male vocals barking short Slavic shouts. Intro starts with distant balalaika motifs and airy zhaleika phrases over filtered, chopped drums. Build-Up tightens with rising distortion, bass teasing in syncopated stabs and crowd-style call-and-response chants. First Drop hits with aggressive breakbeats, pounding techno low-end, and layered gang vocals on the hooks. Breakdown strips back to ritual percussion, echoing folk phrases, and haunting zhaleika lines. Drop 2 returns heavier, with distorted balalaika riffs and shouted slogans in tight rhythmic patterns. Outro slowly deconstructs into a lone folk melody and decaying reverb tails.
Михо Шторм • Female vocals
ИИбатя • Rap-Rock, 145 BPM, aggressive live drums, double-kick pedals, heavy distorted guitar riffs, thick overdriven bass guitar, cinematic violin accents, double-time technical rap flow, no melodic singing in verses, powerful layered rock vocals in chorus, wide stereo mix, high-energy dramatic battle vibe
Андрей_Ш • Emotional rock with neoclassical arranging: fingerpicked and strummed acoustic guitars driving the verses, then layered with bowed strings, piano arpeggios, and a full rhythm section. Powerful lead vocal pushed with plate reverb, plus rich choral backing vocals in the choruses for a soaring, dramatic lift, dual-vocal
Psihh • Clear Diction, Robotic Accent, A melodic, more feminine, beautiful melody , Sounds of the sea, trumpet leader and flute, flute solo, 95-110 bpm ,beat 4/4, energy, dance, dynamic track. There is a lot of beautiful music in the theme symphony strings orchestra, piano melismas, and acoustic guitar a rich melody, the atmosphere of space, a warning mood, caution, and confidence Space Ambient,Deep Progressive Trance, Cinematic Sci-Fi,Techno, many, many, melismas harp and beautiful music, long of mystical music, Ethereal Vocals, Pronounced Deep Bass, Cosmic Atmosphere, High Quality. See
haumsa • Arabic symphony with oud and qanun weaving modal melodies over a full Western orchestra. Violins carry long legato lines, cellos and basses underpin with rich low-register drones, while French horns and timpani add regal weight. Frame drums, riq, and darbuka drive intricate rhythmic accents with hall reverb and soaring string countermelodies. rawstyle, intense energy
vazdar • Dark Synth-rock/ Industrial Electro
Ратибор Ясный • rock, Hybrid dubstep-electronic core with syncopated jazz chords and overdriven rock guitars;s riding a half-time bounce that erupts into snarling drops. Verses sit in a smoky, swung pocket with walking bass and brushed cymbals; chorus explodes with sidechained pads, distorted power chords, and stacked gang shouts. Bridge strips to ambient keys and upright bass gliss before a final, high-energy hit., dubstep, jazz, electronic, male vocal
Ратибор Ясный • loss, sad balalaika and flute rock acoustic ballad symphonic
Андрей_Ш • Романс. Баллада. Лирическое исполнение. Хоровое сопровождение. Классическая музыка. Любовная лирика. Медленный темп. Яркие припевы.
Андрей 0304 • accordion
Tema can fly • Style: a hybrid of extreme metal, industrial electronics and orchestral music. Heavy guitar riffs (Doom Eternal, Painkiller) are combined with synthesizer textures and noises (Quake 4), complemented by choruses and strings (Painkiller, Tomandandy). Rhythm: dynamic, with variable tempo (160-170 BPM in the base part, up to 180-190 BPM in the climaxes). The basis is a combination: hard electronic bits (Quake 4); live drums with syncopation and polyrhythmia (Doom Eternal); percussion and pauses to create suspense (Tomandandy). Atmosphere: tense, aggressive and cinematic. Combines: Demonic apocalypse (Painkiller); Merciless Chaos (Doom Eternal); A cold futuristic menace (Quake 4); disturbing suspense and dramatic escalation (Tomandandy). The soundscape is complemented by FX effects: sounds of weapons, industrial noises, echoes of voices and screams.
Tema can fly • Style: a hybrid of extreme metal, industrial electronics and orchestral music. Heavy guitar riffs (Doom Eternal, Painkiller) are combined with synthesizer textures and noises (Quake 4), complemented by choruses and strings (Painkiller, Tomandandy). Rhythm: dynamic, with variable tempo (160-170 BPM in the base part, up to 180-190 BPM in the climaxes). The basis is a combination: hard electronic bits (Quake 4); live drums with syncopation and polyrhythmia (Doom Eternal); percussion and pauses to create suspense (Tomandandy). Atmosphere: tense, aggressive and cinematic. Combines: Demonic apocalypse (Painkiller); Merciless Chaos (Doom Eternal); A cold futuristic menace (Quake 4); disturbing suspense and dramatic escalation (Tomandandy). The soundscape is complemented by FX effects: sounds of weapons, industrial noises, echoes of voices and screams.
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Серж170 • pop with hip-hop elements. Clear pronunciation of words.
мс Хоттабыч • Aggro dubstep-techno hybrid, male vocals with shouted female crowd responses; distorted bass stabs and metallic leads, four-on-the-floor kick in verses that mutates into halftime drops in chorus. Glitchy vocal chops from the hook, laser sweeps before each drop, and a ravey synth line that blooms in the bridge before the final, heaviest slam., dubstep, techno
