Все треки

RusMos • folk, Folk-metal meets festival EDM: raw male vocals over galloping hardstyle kick and snarling distorted bass. Fiddle and tin whistle carry a fierce, modal hook; verses stay tight and percussive, pre-chorus climbs with claps and stomps. Chorus explodes into chant-style gang vocals, then drops into a breakdown with accordion and chugging guitar riff before a final, towering stadium reprise., folk metal, hardstyle, edm, accordion, male vocals, raw, electric

Огонек • Dark Slavic folk, folk rock, emotional fem voice, guitar

Tema can fly • Style: heavy rock / industrial — gloomy, aggressive atmosphere, emphasis on alienation and protest. Rhythm: hard, marching, with clear accents on strong parts. The tempo is average (≈90-100 BPM). The drums set a "walking" groove: a barrel on 1 and 3, a snare drum on 2 and 4. Guitars play powerful power chords with distortion, rhythmically and synchronously with the percussion. In the outro, the rhythm slows down, creating a fade-out effect. Vocals: low, assertive, almost recitative in the verses; in the chorus — more expressive, with increased dynamics. Dense diction and clear pronunciation of consonants are used for aggressive sounding. In the outro, the voice turns into an echo-effect whisper, emphasizing the desolation motif. Introduction (intro): 8 bars of heavy guitar chords with reverb and distortion. The drums begin on the 3rd beat, gradually increasing the density. The sound is gloomy and oppressive — it sets the tone for the whole composition.

Tema can fly • Style: heavy rock / industrial — gloomy, aggressive atmosphere, emphasis on alienation and protest. Rhythm: hard, marching, with clear accents on strong parts. The tempo is average (≈90-100 BPM). The drums set a "walking" groove: a barrel on 1 and 3, a snare drum on 2 and 4. Guitars play powerful power chords with distortion, rhythmically and synchronously with the percussion. In the outro, the rhythm slows down, creating a fade-out effect. Vocals: low, assertive, almost recitative in the verses; in the chorus — more expressive, with increased dynamics. Dense diction and clear pronunciation of consonants are used for aggressive sounding. In the outro, the voice turns into an echo-effect whisper, emphasizing the desolation motif. Introduction (intro): 8 bars of heavy guitar chords with reverb and distortion. The drums begin on the 3rd beat, gradually increasing the density. The sound is gloomy and oppressive — it sets the tone for the whole composition.

Tema can fly • Style: heavy industrial metal with elements of Neue Deutsche Härte (German heavy rock). Hard guitar riffs, synthesizer pads, and industrial sound effects are typical. Rhythm: clear, marching, with an emphasis on a strong share; The size is usually 4/4; the tempo is medium (about 90-110 BPM), creating a feeling of heaviness and pressure; The drums play a smooth, mechanical part (barrel for 1 and 3, snare drum for 2 and 4); The guitar riffs are syncopated, with pauses and accents that enhance the drama. Vocals: low, rough, almost recitative in verses; The choruses are more expressive, with enhanced delivery and emotional coloring.; a characteristic feature is monotony interspersed with sharp bursts of volume.; clear articulation, deliberately "chopped" phrases; Use of effects: echo, reverberation, sometimes distortion on the voice in the outro; multiple repetitions of short phrases in the finale (outro) with a gradual fading of sound and echo.

vladzak57 • Вальс

MEDjik • Pop rock , drum and bass, melodic, melancholic, progressive, country, experimental, pop rock hip hop, synthpop,

Альмира • Dark horror rock, epic and confident mood. Intro: loud ticking of a clock, creepy lullaby music box melody. Verse: male vocal, stern, confident, slightly eerie, low pitch. Instrumental break: choir singing ominous "Ah" or "Oh", background clock ticking continues. Bridge: use of "fear machine" sound design (industrial dread, deep mechanical breathing, creaking metal). Outro: clock ticking fades out with distorted lullaby notes. Slow tempo, heavy bass, cinematic percussion.

Tema can fly • Style: heavy industrial metal with elements of Neue Deutsche Härte (German heavy rock). Hard guitar riffs, synthesizer pads, and industrial sound effects are typical. Rhythm: clear, marching, with an emphasis on a strong share; The size is usually 4/4; the tempo is medium (about 90-110 BPM), creating a feeling of heaviness and pressure; The drums play a smooth, mechanical part (barrel for 1 and 3, snare drum for 2 and 4); The guitar riffs are syncopated, with pauses and accents that enhance the drama. Vocals: low, rough, almost recitative in verses; The choruses are more expressive, with enhanced delivery and emotional coloring.; a characteristic feature is monotony interspersed with sharp bursts of volume.; clear articulation, deliberately "chopped" phrases; Use of effects: echo, reverberation, sometimes distortion on the voice in the outro; multiple repetitions of short phrases in the finale (outro) with a gradual fading of sound and echo.

Виктор Быковский • Whispered spoken-word intro over sparse felt piano, breathy close-mic vocal, and faint room tone, then gradually opening into rising strings, brushed drums, and warm acoustic guitar. Build to a soul-lifting chorus with fuller harmonies, uplifted dynamic arc, and lush reverb, all in a reflective Russian art-song / folk-ballad style.

Alex 86 • Melancholic Russian chanson ballad; intimate male vocal up close over nylon guitar and sighing accordion, warm upright bass and brushed snare in a slow sway. Verses spoken-sung in a low, confessional register; choruses open with longer vowels and soft female harmonies answering key phrases. Final chorus drops to near-spoken, smoky barroom tone, then gently swells on the last title line with a small accordion lift and tender stacked harmonies., low, warm, gentle, soft, chanson, ballad, vocal, harmony, accordion

Alex 86 • Melancholic Russian chanson ballad; intimate male vocal up close over nylon guitar and sighing accordion, warm upright bass and brushed snare in a slow sway. Verses spoken-sung in a low, confessional register; choruses open with longer vowels and soft female harmonies answering key phrases. Final chorus drops to near-spoken, smoky barroom tone, then gently swells on the last title line with a small accordion lift and tender stacked harmonies., low, warm, gentle, soft, chanson, ballad, vocal, harmony, accordion

СЕРРЕСС • folk, power metal, piano, male vocals, emotional

Добрая планета • Chanson, rock, 120bpm

Константин1986 • rock

vladzak57 • Вальс, русский шансон, pop

Alex 86 • folk, Bouncy bright pop-folk groove, mixed male and female vocals; springy acoustic guitar chops and playful claps, light kick and warm bass pulsing under a mid‑tempo danceable bounce. Verses are close and cheeky, male lead on first verse, female lead on second; choruses explode into stacked girl‑gang harmonies plus unison answer lines from the guy. Plucky side‑panned synth arps and a tiny whistle hook glue the sections, final chorus strips to claps then slams back in with extra ad‑libs and call‑and‑response., bounce, playful, bright, warm, pop, female vocals, acoustic, vocal, light

Nikko3 • Classic FM, pop melodic, medium‑slow tempo, an atmosphere of reminiscing about good days with a touch of sadness in a minor key. Instruments: piano, violin, cello, duduk, harp, drums, classical guitar. Emphasise the smooth melody of the piano, accompanied by the light sound of the violin and cello. Add the classical guitar during the choruses. In the bridge section, put an accent on the harp. At the beginning of the composition, emphasise the duduk. The vocal should be either a rich mezzo‑soprano or a powerful alto, in the style of Adele. Vocal range — 3 full octaves, from low C3 to high C6. Richness of low notes. Register flexibility — chest resonance combines with head resonance, which is especially noticeable in transitions between verses and choruses. Use harmonics (flageolets) and glissando.

Dukem • power metal, soaring guitars, dual male and female vocals, dramatic orchestration

Dukem • power metal, soaring guitars, dual male and female vocals, dramatic orchestration

Dukem • Heroic heavy metal march, dropped guitars in a minor key, double-kick driving like armor on asphalt. Male baritonal tenor leads with wide, open vowels; gang shouts answer the hook. Verses stay tight and riff-based, chorus lifts with octave guitars and choir-style harmonies; middle section hits a half-time stomp before the final full-speed reprise.

Dukem • Heroic heavy metal march, dropped guitars in a minor key, double-kick driving like armor on asphalt. Male baritonal tenor leads with wide, open vowels; gang shouts answer the hook. Verses stay tight and riff-based, chorus lifts with octave guitars and choir-style harmonies; middle section hits a half-time stomp before the final full-speed reprise.

darkpsy • progressive trance, deep hypnotic groove, 72 BPM, binaural beats texture, theta waves, stereo phase shifting, rolling bassline, ethereal female vocal, atmospheric pads, dark ritual, no loop, hard stop, fade to silence, track ends completely

Alex 86 • rap, Midtempo R&B / hip-hop crossover with female vocals; warm Rhodes chords, round sub-bass, tight trap-inflected drums. Verses ride a relaxed rap-sung flow, close and conversational; pre-chorus lifts with airy pads and subtle guitar. Chorus blossoms into big pop hooks, stacked harmonies, and bright synth bells, then drops back into a head-nod groove., hip hop, r&b, pop

Alex 86 • folk, Bouncy bright pop-folk groove, mixed male and female vocals; springy acoustic guitar chops and playful claps, light kick and warm bass pulsing under a mid‑tempo danceable bounce. Verses are close and cheeky, male lead on first verse, female lead on second; choruses explode into stacked girl‑gang harmonies plus unison answer lines from the guy. Plucky side‑panned synth arps and a tiny whistle hook glue the sections, final chorus strips to claps then slams back in with extra ad‑libs and call‑and‑response., bounce, playful, bright, warm, pop, female vocals, acoustic, vocal, light

Полтоc • classical, rock, violin

Michael 210 • Sunth, guitar, rock

Альмира • Modern Russian folk-infused track with a driving, infectious groove: balalaika and bayan lead the melody, layered with tight kick, snappy clap, syncopated hi-hats, and deep 808 sub-bass. Traditional vocal intonation is framed by punchy synth stabs, hand percussion, and polished pop-hip-hop production., hip hop, самоирония

Sapulia928 • Heavy metal with downtuned palm-muted guitars, thick double-tracked power chords, and a driving kick-snare barrage. Calm male vocals sit upfront with dry close-mic presence, contrasted by soaring lead guitar harmonies, punchy tom fills, tight bass, and a big room drum sound.

Sapulia928 • Heavy metal with downtuned palm-muted guitars, thick double-tracked power chords, and a driving kick-snare barrage. Calm male vocals sit upfront with dry close-mic presence, contrasted by soaring lead guitar harmonies, punchy tom fills, tight bass, and a big room drum sound.

The 1996 man • Experimental, Rap-Rock, Indie-Pop Crunchy palm-muted elektric guitars, Russian folk arranged as a driving acoustic ensemble: balalaika tremolo picking, domra melodies, bayan accordion drones, and tapan-style hand percussion with strong downbeat accents. Add throatier male choral harmonies, bowed strings, and a rough wooden room ambience for an earthy, danceable, traditional texture. Tight elektric bass

Dukem • alternative rock, post-grunge, dark, male vocals, aggressive, emotional, distorted guitar, heavy drums, spoken word outro

Dukem • alternative rock, post-grunge, dark, male vocals, aggressive, emotional, distorted guitar, heavy drums, spoken word outro

AlexMelody • Intimate indie-pop production with fingerpicked nylon guitar, warm upright bass, brushed drums, and soft analog pads. Airy lead vocal layered with close harmonies, tape saturation, subtle chorus on keys, and a gentle half-time groove. Sparse intro blooms into a fuller chorus with delayed percussion and wide stereo ambience.

DJ_Gen4ik • hi nrg/edm

VerDi • Must have the same tempo, the same style, the same sound and must have the new text. Must have the soft and very sexy soft male voice. The melody must have more bass. Must have a very sexy female voices on backing vocals.

Sergilio • Cyberpunk 2077, Dark cinematic, rolling bass, driving bass line, deep bass 808, dark full-on psytrance, dramatic build, film trailer music, heroic, choral epic folk , 160 BPM, powerful deep female voices

iga • Classic romance, slow, thoughtful, percussion, harmonica, acoustic guitar, male layered voice, 90 BPM

The 1996 man • Experimental, Rap-Rock, sab bass, electronic guitar, emotional, mordent

darkpsy • progressive trance, deep hypnotic groove, 72 BPM, binaural beats texture, theta waves, stereo phase shifting, rolling bassline, ethereal female vocal, atmospheric pads, dark ritual, no loop, hard stop, fade to silence, track ends completely

Yuki_Schtiel • Cold Russian post‑punk band live: male vocals — dry baritone leading the crowd. Chorus-drenched guitar, tight bass, and rigid, marching drums. In the verses, the singer holds the tension alone, letting the minimal arrangement build anticipation; the crowd waits, humming low. Then the choruses explode: the audience roars the main melody in unison, amplifying the wider chords and reverb swells. Distant backing shouts from the band now blend with the wall of voices from the floor. The bridge drops to just bass and the singer’s voice — he pauses, then cues the crowd with a gesture. They start the final chorus a cappella, powerfully; the band crashes back in, hitting harder than ever. The song fades on a repeating riff, with the crowd still singing along, their voices gradually trailing off into the echo.

AhraVv И Iris • Big-room festival banger with female vocal chops and soaring female chorus. Bright pulsing synth arps in the intro, sidechained bass pumping under wide pads. Tension-building white-noise risers into an explosive, hands-in-the-air chorus and massive lead drop. Second verse strips back to kick and bass for contrast, then stacks harmonies and crowd chants in the final chorus before a reverb-washed outro., noise, theme, big room, soaring, vocal

Егорган • house disco, piano, melodic acoustic guitar

Дмитрий_Н_24 • [Genre: Epic Orchestral Fantasy] [Mood: Sacred, Mystical, Celestial, Sorrowful yet Hopeful, Divine] [Tempo: 72 BPM (slow, majestic)] [Vocal Style:Female Lead: angelic,

AhraVv И Iris • Big-room festival banger with female vocal chops and soaring female chorus. Bright pulsing synth arps in the intro, sidechained bass pumping under wide pads. Tension-building white-noise risers into an explosive, hands-in-the-air chorus and massive lead drop. Second verse strips back to kick and bass for contrast, then stacks harmonies and crowd chants in the final chorus before a reverb-washed outro., noise, theme, big room, soaring, vocal

Егорова Галина Васильевна • pop

Vantes1 • Airy synthwave ballad with female vocals; soft arpeggiated synths and warm analog pads in the verses, intimate close-mic vocal. Chorus blooms into wide, emotional techno-infused pop with sidechained bass and bright lead hooks, four-on-the-floor driving the lift. Clean electric guitar adds delicate harmonics and call‑and‑response lines; bridge strips back to reverb-drenched chords and vocal before a final soaring chorus stacked with lush harmonies., warm, techno, vocal, soaring, bright, female vocals, electric, ballad, emotional, clean, soft, electronic

TurubanOFF • Acoustic folk, Russian bard, singer-songwriter, male vocals with gentle warmth, fingerpicked acoustic guitar, soft piano, light reverb, intimate, heartfelt, melancholic yet hopeful, mid-tempo 75 BPM, nature ambience, clear vocals.

Zhenich • Lofi Hip Hop, R&B, Chill, Melodic Rap, Smooth Beats, Relaxed, Nostalgic

Игорь555 • pop, ballad, реалистично, легкая грусть, сожаление, Добавь тёплый реверб 20–30% weт ,темп-р 70-90 brm F-major