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Последние публичные треки, созданные нашими пользователями

Будильник — враг

Vlad97 rap, Laid-back boom-bap with warm vinyl crackle and round bass; male vocals in a dry, upfront mix. Verses stay conversational with lazy swing drums and soft electric piano chords; hook widens with stacked doubles, subtle call-and-response ad-libs, and a brighter snare. Final chorus adds extra harmonies and a tiny tape-stop for a wry, satisfied outro., hip hop

81
Ну здравствуй, грешница

Алекс 890 pop, Dramatic Russian chanson meets pop ballad: mid-tempo 6/8 groove, rich string section and piano carry the harmony, with subtle acoustic guitar. Male vocals, rough and smoky, very upfront in the mix; soft backing choir in choruses. Arrangement swells through each hook, then drops to intimate low dynamics in verses for tension and confession., classical

89
В кайф #5

Hideshadow Rap, hip-hop, acoustic guitar, strings, synrh, scratching, "polishing" the finished mix to commercial sound quality

639
М 3

Denis Marakan Z Bird sounds, live sounds, reverberation of nature, Yakut tambourine singing, dubstep, drum and bass, folktronics

125
Маленькая кошечка

Mashinist 159 rus [Style: Pop ballad, piano and strings, female child solo vocals age 6, children's choir ages 6-12 backing, sweet and innocent tone, 90 BPM] [sweet voice], [clear articulation], [innocent tone]

106
Далеко.

Далеко.

Кавер-версия

Сергей Гуров Acoustic concert, acoustic version, acoustic guitar, rock acoustic.

116
Мне 50

Hatabych rock, male voice, violin, 140 bpm

123
Привет всем ухилянтам

мс Хоттабыч High-BPM hybrid of rolling drum & bass and hypnotic techno; male vocals half-rapped, half-chanted. Sparse, pulsing bassline and detuned rave stabs in the verses, chorus explodes with bright synth lead and crowd-style gang shouts. Short vocal chops and filtered risers fill transitions; breakdown strips to kick and bass then slams back with wide stereo hats and distorted claps., techno, drum and bass

82
В танце

Пончик 999 psychedelic Russian folk, experimental sounds, trippy atmosphere, 60s vibe, cinematic dubstep, film score elements, epic soundscapes,, contemporary classical, experimental sounds, modern techniques

191
Распорядок меня
109
Плазмы на стенах

Алекс 890 metal, Gritty alt-pop metal, midtempo stomp. Raspy male vocals over detuned guitars and sparse synth pads. First verse starts almost spoken with palm-muted chugs; pre-chorus adds toms and tense bass drones. Chorus slams in with wide power chords, shouted gang backups, and a simple, anthemic topline. Bridge drops to half-time with distant choir pads, then final chorus hits harder with octave guitars and a rising feedback tail., pop

92
Господи, скажи

Алекс 890 pop, Cinematic pop-oratorio with choirs, tolling bells, and soaring strings; gentle piano and solo female vocals in the verses, then full choir and timpani swells in the chorus. Sparse first verse, then each section adds brighter strings, higher harmonies, and resonant chimes, building into a prayerful, anthemic climax before a soft, reverent fade., classical

105
Ломая код (Edit)

Tema can fly Style: cyber-rock / electronic alternative with elements of synthwave — in the spirit of the Cyberpunk 2077 soundtrack. Rhythm: Moderate tempo (≈90-100 BPM), clear beat with electronic drums and bass. There is a restrained rhythm in the verses, and an amplification of drums and synthesizers in the choruses. The speed of singing: verses and bridge — medium tempo, recitative‑melodic delivery; The choruses are a little more energetic, with an emphasis on strong parts. Vocals: female the verses are muted, with a sub—tone and a slight echo (the effect of "whispers on the net"); in the choruses — more powerful, with a mix and light compression (emotional outburst); The final lines are fading, the effect of digital decay (echo, reverberation, gradual "disappearance" of the voice). The overall pitch is emotionally intense, with cybernetic detachment, but with a bursting inner pain. It corresponds to the image of Vi and the aesthetics of Night City.

84
Ломая код (Edit)

Tema can fly Style: cyber-rock / electronic alternative with elements of synthwave — in the spirit of the Cyberpunk 2077 soundtrack. Rhythm: Moderate tempo (≈90-100 BPM), clear beat with electronic drums and bass. There is a restrained rhythm in the verses, and an amplification of drums and synthesizers in the choruses. The speed of singing: verses and bridge — medium tempo, recitative‑melodic delivery; The choruses are a little more energetic, with an emphasis on strong parts. Vocals: female the verses are muted, with a sub—tone and a slight echo (the effect of "whispers on the net"); in the choruses — more powerful, with a mix and light compression (emotional outburst); The final lines are fading, the effect of digital decay (echo, reverberation, gradual "disappearance" of the voice). The overall pitch is emotionally intense, with cybernetic detachment, but with a bursting inner pain. It corresponds to the image of Vi and the aesthetics of Night City.

101
Медведь Офелия

Лиса и Медведь Dark embient, deep sound, sinister vibes, booming bass drum, wooden percussions, triangle, electro guitar, cello, trumpet, male and female vocals duet

106
Лиса Шапочка (Edit)

Лиса и Медведь Dark blues, primal, deep blues sound, electro guitar, raw vibes, guitar riff, theremin, ghentle drum brushes, flute, female blues vocal, husky contralto

97
Disco Diva

divey High-energy eurodisco 1980s. Classic 80' minor key chord progression, 120BPM. Catchy hook melodic. Repetitive chorus, simple english lyrics, flirty romantic mood. Dancefloor anthem, glossy retro production, infectious and hypnotic. Strong four-on-the-floor heavy drum machine, rhythmic bassline, analog synth, arpeggiator, sampler. Female vocal with slightly sensual, bright and confident tone.

111
Я остаюсь ( Remix)

Я остаюсь ( Remix)

Кавер-версия

Jura Future House, Tropical House , Pop‑EDM , Car Bass , male vocal, female vocal, Bass Boosted ,Vocal House, extreme sub bass below 30 Hz,

162
Baby Baby ( Remix]

Baby Baby ( Remix]

Кавер-версия

Jura Euro Hard House,Car Bass, Hardbass, Dancepop, Frenchcore, average pace, Bass Boosted, vocal house, Car house,festival ready, big drops, electronic fusion, aggressive kicks, fast tempo, rave energi

120
Под ногами
106
Света...

Андрей А Soul-piercing female lead vocal with lush vibrato and close-harmony backing, blending Provence folk color with gypsy chanson and polished pop. Fingerpicked nylon guitar, accordion, acoustic bass, brushed drums, lyrical saxophone lines, airy flute countermelodies, and choral inserts with cathedral reverb for a rich, emotional texture.

102
Лёва, зажигай!

Екатерина 31 Bouncy disco-indie-R&B groove, male vocals, glassy rhythm guitar over tight bass and four-on-the-floor kick. Verses stay intimate with close-mic vocal and soft electric piano; chorus explodes with claps, bright synths, and stacked harmonies. Middle lift drops to half-time R&B feel, then slams back into full disco energy for the final hook., r&b, disco

98
Дорогая Наташа

Екатерина 31 pop, Shiny disco-indie pop groove with female vocals, bright rhythm guitar and playful bassline; verses sit on a tight four-on-the-floor pulse with airy synth sprinkles, chorus explodes into wide gang vocals and glittery pads, bridge strips back to claps and bass before a final big-hook reprise, disco

94
Интима не предлагать!

Blindur Topkasson Industrial dance, dance metal, bass solo, dance mix, strong female vocal, vocalise

92
Нарисуйте мне мир

Алекс 890 pop, Tender pop-ballad with classical touches, male vocals. Intimate guitar arpeggios set a gentle pulse; warm solo violin weaves countermelodies around the voice. Verses stay close and hushed, chorus blooms with wider chords and lifted melody. Subtle strings swell in the second chorus for emotional lift, then song ends on a soft guitar and violin unison resolving to a calm, hopeful tone., classical

95
Колесница судьбы

NatroN Hard rock driven by male vocals, overdriven electric guitars, and heavy distortion. Thick palm-muted riffs, crunchy power chords, punchy live drums with snare crack and open hi-hats, plus a gritty bass guitar locking to the kick. Vocals are forceful and front-and-center with room reverb, soaring choruses, and a raw, arena-ready mix

102
С Днём рождения, родной

ViSKy soft acoustic pop, tender female vocals, emotional ballad, warm piano, gentle strings, light pads, slow tempo 70 BPM, heartfelt, intimate, a touch of folk, reverb, no drums or very soft brushed snare, Russian folk influence subtle

119
" Не надо приходить на пепелище "автор текстаВиктория Бойко

Виктория Бойко Intimate Russian-style author’s song with fingerpicked steel-string guitar and a harsh, driving strum pattern, tight percussive muted hits, and dry close-mic vocals. Sparse arrangement, occasional second guitar harmonics, low room ambience, and a tense mid-tempo pulse that keeps the rhythm rigid and forward.

138
Ты остров мой

Ты остров мой

Кавер-версия

Michael 210 synth,electronic,Rhythmically, 80s,, disco

201
A dilemma

Asya Aslan Emotional deep driving trance, powerful emotional vocals, dark, expressive, female high voice, pop, medium tempo, epic ballad

97
Саня,ты с нами ...

Nataliaaa Duet, male and female vocals, electronic, synth, emotional

101
Миссия космос

Alex1212 deep house , chill ambient, minimal techno

92
Запах гор

Alex1212 deep house, g house synthwave

112
Миссия жизнь

Alex1212 Deep electronic with a driving 128 BPM pulse, sub-heavy kick, rolling 16th-note sequenced bass, and layered analog synth arpeggios through low-pass filters. Crisp hi-hats, metallic percussion, sidechained pads, glitch edits, and dubby delay tails create a dark, immersive club texture.

108
Как маленькие

Dukem Alternative rock, post-grunge, emotional, driving bass, distorted guitar, male vocals, melodic chorus, 130 bpm

98
Как маленькие

Dukem Alternative rock, post-grunge, emotional, driving bass, distorted guitar, male vocals, melodic chorus, 130 bpm

79
Клянусь своим сердцем

Себостьян Warm Soviet-era estrada ballad, midtempo band feel: rich male vocals over lush strings, soft brass pads, and steady brushed drums. Verses stay intimate with close-miked piano and bass; chorus widens into full-orchestra swells, backing harmonies, and tender key changes that lift the emotion. Gentle guitar arpeggios add sparkle, reverb-kissed, with a final rubato outro on solo voice and piano.

70
Ботинок (сл. В. Галаган)

SоколоV Heavy punk and death metal hybrid at breakneck tempo: distorted downpicked power chords, drop-tuned tremolo riffs, blast beats colliding with D-beat grooves, and a thick overdriven bass. Male raspy vocals pushed to the edge, shifting from guttural growls to screamed lines, with raw room reverb and abrasive, tightly compressed mix.

225
Дьяволица

Граф Dance-pop track led by a rich male vocal, with a seductive female backing vocal featuring laughter and spoken phrases woven into the hook. Tight four-on-the-floor kick, punchy synth bass, glossy arpeggiated pads, and sparkling pluck lines. Dark minor-key undertones, phasered percussion, sidechained chorus lift, and a provocative two-voice call-and-response arrangement.

103
Если ты где-то есть

Себостьян rock, Wide Russian alt-rock ballad: clean electric arpeggios in the verse, male vocals close and vulnerable. Pre-chorus builds with toms and bass swells; chorus hits with big open chords, overhead crashes, and soaring harmonies. Second half adds a higher octave lead and subtle synth pad for lift, then drops back to guitar and voice for an intimate outro.

77
Если ты где-то есть

Себостьян rock, Wide Russian alt-rock ballad: clean electric arpeggios in the verse, male vocals close and vulnerable. Pre-chorus builds with toms and bass swells; chorus hits with big open chords, overhead crashes, and soaring harmonies. Second half adds a higher octave lead and subtle synth pad for lift, then drops back to guitar and voice for an intimate outro.

71
Если ты где-то есть

Себостьян Moody Russian rock ballad; male vocals over crunchy mid-tempo guitars and warm bass, drums in a steady march. First verse sparse with roomy reverb, chorus swells with doubled vocals and overdriven guitars. Subtle organ pad underlines the harmony; bridge strips back to vocal and bass then slams back into a final huge chorus.

74
Если ты где-то есть

Себостьян Moody Russian rock ballad; male vocals over crunchy mid-tempo guitars and warm bass, drums in a steady march. First verse sparse with roomy reverb, chorus swells with doubled vocals and overdriven guitars. Subtle organ pad underlines the harmony; bridge strips back to vocal and bass then slams back into a final huge chorus.

69
Апрель

ЛюдмилаTango Танцевальная, с элементами folk, с насыщенными инструментальными темами

95
В ТАНЦЕ

Пончик 999 psychedelic Russian folk, experimental sounds, trippy atmosphere, 60s vibe, cinematic dubstep, film score elements, epic soundscapes

264
Feuer Frei (Instrumental ;Cover cyberpunk 2077: phantom liberty)

Tema can fly Style: industrial metal with cyberpunk elements (IDM, glitch, techno). Heavy guitar riffs are combined with cool synth lines and digital effects in the spirit of Cyberpunk 2077: Phantom Liberty. Rhythm: the base is a marching 4/4 (powerful barrel and snare drum), on top — broken electronic beats and syncopation (as in the theme of Chimera). Polyrhythmic inserts (7/8, 5/4) are possible to sense a system failure. Percussion is a mix of live drums and electronic beats with metallic sounds (clanging, humming of reactors). The atmosphere is aggressive and futuristic. Industrial power (solemn, almost ritualistic) collides with the cold technology of cyberpunk: robotic vocals (vocoder, echo), glitch effects, alarms, sounds of servos and giant robot steps. The general mood is an intense battle in a neon metropolis where metal and cars merge in a single rhythm.

80
Feuer Frei (Instrumental ;Cover cyberpunk 2077: phantom liberty)

Tema can fly Style: industrial metal with cyberpunk elements (IDM, glitch, techno). Heavy guitar riffs are combined with cool synth lines and digital effects in the spirit of Cyberpunk 2077: Phantom Liberty. Rhythm: the base is a marching 4/4 (powerful barrel and snare drum), on top — broken electronic beats and syncopation (as in the theme of Chimera). Polyrhythmic inserts (7/8, 5/4) are possible to sense a system failure. Percussion is a mix of live drums and electronic beats with metallic sounds (clanging, humming of reactors). The atmosphere is aggressive and futuristic. Industrial power (solemn, almost ritualistic) collides with the cold technology of cyberpunk: robotic vocals (vocoder, echo), glitch effects, alarms, sounds of servos and giant robot steps. The general mood is an intense battle in a neon metropolis where metal and cars merge in a single rhythm.

77