Все треки

Алёна Варшавская • Веселая, заводная, современная, с танцевальным стилем, хип хоп.

ЕленаЕ • Gentle Russian emo-rap ballad, male vocals; soft detuned keys, airy pads, and subtle sub bass. Verses spoken-melodic in an intimate close-mic tone, sparse trap-influenced drums entering gradually. Chorus opens with wider reverb, layered octave doubles, and delicate backing hums. Overall a slow sway feel, building slightly in the second hook then fading into a minimalist outro with just piano and vocal ad-libs.

Ратибор Ясный • folk, rock, contralto., indie, rock, country, folk, country, folk, пост панк, Хор казаков, мужское хоровое, бэк вокал, баян, балалайка

Лес • High-energy festival EDM with Russian female vocals, sidechained supersaws and a thick four-on-the-floor kick. Verses stay minimal over pulsing bass and claps; chorus explodes with wide leads, octave vocal doubles and crowd-style chants. Short filtered build-ups launch into bright, massive drops with airy risers and sub sweeps., electronic

Себостьян • Moody Russian pop ballad with male vocals, lush orchestral strings swelling over a steady mid‑tempo groove; intimate piano and soft pads in the verses, drums and bass blooming in the chorus, subtle backing choirs on the hook, final chorus lifts with wider stereo strings and a soaring vocal ad‑lib tail

Себостьян • Moody Russian pop ballad with male vocals, lush orchestral strings swelling over a steady mid‑tempo groove; intimate piano and soft pads in the verses, drums and bass blooming in the chorus, subtle backing choirs on the hook, final chorus lifts with wider stereo strings and a soaring vocal ad‑lib tail

Лес • live-club blues, slow shuffle blues, electric blues trio, call and response guitar blues, conversational vocal blues, bent note vocals, Hammond B3 comping, muted Telecaster licks, brushed snare backbeat, walking bassline, tube amp saturation, room mic bleed, spring reverb, analog tape compression, warm mono mix, laid-back groove, bittersweet swagger, midtempo shuffle

Ветер • slow shuffle blues, live club blues, electric blues trio, bent-note guitar, slide guitar riffs, palm-muted bass, brushed snare shuffle, upright bass thump, room mic bleed, tape saturation, spring reverb, mono drum kit, 84 BPM, laid-back groove, call and response, conversational blues, humorous punchline lyrics

Piterrulit • pop, rock

Helganik • rock, r&b, metal, soul, drum and bass, trance, experimental, electric guitar

Pawelitel • Sandess

Vorobei • death metal, horror

Pawelitel • Ok

Сергей Зак • indie rock, laid-back electric blues trio, slow shuffle blues, call-response guitar, bent-note lead guitar, jazz-tinged bassline, brush-snare backbeat, tube amp breakup, room mic bleed, spring reverb, analog tape saturation, dry close-mic mix, 72 BPM, half-time swing, bittersweet nostalgia, restrained lift

Ветер • slow shuffle, wartime ballad, spoken storytelling, bent-note slide guitar, hollow-body electric guitar, upright bass, brush snare, upright piano, room mic mono, tape saturation, spring reverb, metronome click, 1940s radio mix, sepia nostalgia, heroic sorrow

Сила в Нас • Templars rock, sanatorium

Zhenich • Female vocal, catchy pop, house, electronic, minimalist bass, rhythmic, sassy, talk-singing, confident, club, 120 BPM.

Сила в Нас • Powerful, hard rock, power battle

Zhenich • Female vocal, catchy pop, house, electronic, minimalist bass, rhythmic, sassy, talk-singing, confident, club, 120 BPM.

Zhenich • Female vocal, catchy pop, house, electronic, minimalist bass, rhythmic, sassy, talk-singing, confident, club, 120 BPM.

Pawelitel • Flats,piano,Trance, folk, pop, electronic

Zhenich • Female vocal, catchy pop, house, electronic, minimalist bass, rhythmic, sassy, talk-singing, confident, club, 120 BPM.

Nostromo • Deephous, russian folk

Zhenich • Female vocal, catchy pop, house, electronic, minimalist bass, rhythmic, sassy, talk-singing, confident, club, 120 BPM.

Sergilio • trance music, uplifting trance, 138 BPM, euphoric melody, rolling bassline, supersaw lead, emotional breakdown, big room breakdown, trance buildup, dance anthem, female vocal trance voices

Dukem • aggressive, nu-metal, alternative metal, male vocals, emotional, heavy guitar riff, breakdown

Dukem • aggressive, nu-metal, alternative metal, male vocals, emotional, heavy guitar riff, breakdown

Tema can fly • Style: soft "airy" sound with light vibrato and emotional accents at the climax (in the spirit of Skyrim). Rhythm: moderate, meditative (70-80 BPM) — from restrained, measured drum set beats to energetic grooves in dramatic moments. A heavy rhythm guitar sets a dense rhythmic framework. Vocals: in the style of Olga Jankowska, lyrical, soulful and slightly melancholic; soft "airy" sound with light vibrato on long notes and emotional accents in the climaxes. The atmosphere is epic, but intimate — a moment of silence after the battle: a look at the snow-capped mountains, memories of the journey. Bright sadness and resilience, the feeling that memory "will never fade away" (will never fade away). The piano adds expressiveness and depth, synthesizers create a fantasy background, strings (cello, viola) — warmth and depth of sound.

Tema can fly • Style: soft "airy" sound with light vibrato and emotional accents at the climax (in the spirit of Skyrim). Rhythm: moderate, meditative (70-80 BPM) — from restrained, measured drum set beats to energetic grooves in dramatic moments. A heavy rhythm guitar sets a dense rhythmic framework. Vocals: in the style of Olga Jankowska, lyrical, soulful and slightly melancholic; soft "airy" sound with light vibrato on long notes and emotional accents in the climaxes. The atmosphere is epic, but intimate — a moment of silence after the battle: a look at the snow-capped mountains, memories of the journey. Bright sadness and resilience, the feeling that memory "will never fade away" (will never fade away). The piano adds expressiveness and depth, synthesizers create a fantasy background, strings (cello, viola) — warmth and depth of sound.

Tema can fly • Style: soft "airy" sound with light vibrato and emotional accents at the climax (in the spirit of Skyrim). Rhythm: moderate, meditative (70-80 BPM) — from restrained, measured drum set beats to energetic grooves in dramatic moments. A heavy rhythm guitar sets a dense rhythmic framework. Vocals: in the style of Olga Jankowska, lyrical, soulful and slightly melancholic; soft "airy" sound with light vibrato on long notes and emotional accents in the climaxes. The atmosphere is epic, but intimate — a moment of silence after the battle: a look at the snow-capped mountains, memories of the journey. Bright sadness and resilience, the feeling that memory "will never fade away" (will never fade away). The piano adds expressiveness and depth, synthesizers create a fantasy background, strings (cello, viola) — warmth and depth of sound.

Seawolf • High-velocity drum and bass at 175 BPM, male vocals. Razor-edged reese bass drives under surgical breakbeats and icy Nordic-style choral stabs. Verses are clipped, percussive Russian rap lines locked to the snare; chorus widens into long, anthemic topline with stacked gang shouts and distant war-horn layers. Metallic swells, sub drops, and pitch-rising risers punctuate “battle” phrases. Final chorus adds call-and-response crowd chants for a triumphant, festival-sized climax., rhythmic, male vocals, drum and bass

Seawolf • High-velocity drum and bass at 175 BPM, male vocals. Razor-edged reese bass drives under surgical breakbeats and icy Nordic-style choral stabs. Verses are clipped, percussive Russian rap lines locked to the snare; chorus widens into long, anthemic topline with stacked gang shouts and distant war-horn layers. Metallic swells, sub drops, and pitch-rising risers punctuate “battle” phrases. Final chorus adds call-and-response crowd chants for a triumphant, festival-sized climax., rhythmic, male vocals, drum and bass

Николай С • Hi-fi, stereo, surround sound, distortion, trance-heavy metal with synth

vazdar • Acoustic Indie-Pop,Lo-Fi Hip-Hop,a soft guitar playing, the sounds of crickets in the background and relaxed, almost conversational vocals.

Свет2 • blues rock, delta blues, electric guitar call-response, bent-note slide guitar, muted palm riffs, Hammond B3 comping, brushed snare shuffle, upright bass pulse, tube amp breakup, room mic bleed, spring reverb, live club ambiance, dry punchy mix, smoky tension, late-night swagger, 92 BPM shuffle

Дмитрий 1976 • rock, Big, melodic metal/rock ballad: clean arpeggiated guitars in the verses, gradually adding distorted rhythm guitars and bass; huge anthemic chorus with soaring male vocals and tight drum groove; halftime bridge with tom-heavy build, then final chorus with stacked harmonies and sustained guitar leads, metal

kuprumserga • Style and arrangement: The track is made in the style of club pop dance with elements of Eurodance and modern *EDM*. The basis is an energetic straight beat 128 *BPM*, powerful bass and bright synth parts. The verses use atmospheric pads and rhythmic arpeggios, and the chorus uses rich chords and memorable lead melodies. The pre-chorus builds in intensity, leading to a bright drop with a powerful kick, claps, and vocal chops. The arrangement is built on contrast: the verses are more melodic, while the choruses and drop are as danceable and driving as possible.

vladzak57 • Ритмичная, нежная поп музыка!

Дмитрий 1976 • Bouncy Slavic pop with playful female vocals, bright synth stabs, and a simple four-chord groove. Verses stay talky and cheeky over light drums; chorus jumps with stacked gang shouts on the name hook. Short clap break before last hook, bass stays warm and rounded to keep it danceable and fun.

Zhenich • Female vocal, catchy pop, house, electronic, minimalist bass, rhythmic, sassy, talk-singing, confident, club, 120 BPM.

NatLion • Style: French romantic 18th century ballad, slow adagio, delicate piano and harpsichord, breathy female vocal, soft sighs between lines, elegant and sensual atmosphere

Aidar_ • In a modern rap style

Пончик 999 • Warm acoustic folk-rap blend with male vocals; fingerpicked guitar and soft brushed drums under a conversational, half-spoken flow. Verses feel intimate and close-mic’d, with subtle upright bass and distant organ swells. Chorus opens wider with strummed chords, group humming, and a steady groove, giving a bittersweet, cinematic lift while keeping everything laid-back and human.

Дмитрий 1976 • rock, Gritty Slavic rock ballad: overdriven guitars in dropped tuning, steady mid‑tempo groove, tom-heavy drums. Verses stay low and tense with spoken-sung male vocals; chorus explodes with wide power chords, octave lead lines, and stacked gang shouts. Brief feedback swell into a bridge that strips to bass and floor tom before the final, anthemic chorus.

Дмитрий 1976 • rock, Crunchy mid‑tempo rock band, male vocals with a faint rasp. Clean guitar arpeggios in the verse, drums enter on toms and snare swells; chorus explodes with overdriven power chords, wide bass, and stacked sing‑along backing vocals on the title hook. Brief fuzzed guitar lick between lines; last chorus adds octave lead and crowd-chant feel on the name “Наташа”.

Дмитрий 1976 • rock, Dark rock ballad with male vocals; tense, creeping verses over palm‑muted guitars and tom-heavy drums, pre-chorus widens with distorted power chords and hovering synth pad. Chorus explodes with high-gain guitars, octave leads, and gang shouts on key phrases. Final repeat pushes raspier vocal fry and crash-heavy kit for a brutal climax, short feedback tail to end.

Nostromo • Mutation funk, spanish guitar

DIMONI • emo rock, 85 BPM, distorted electric guitars, driving drums, bass, piano accents, with emotional, crying tone, raw and vulnerable delivery, intense emotional build-up. Mood: heartfelt, melancholic, cathartic — starts introspective and builds to an explosive chorus. Structure: start with Chorus as a hook, then Verse-Chorus pattern, Bridge with dramatic pause, final Chorus with maximum intensity, Outro fading to piano and voice. Vocal style: emotional, slightly cracked, with moments of near‑whisper and passionate outbursts.

Дмитрий 1976 • rock, Raw Slavic rock ballad with male vocals, overdriven guitars and roomy live drums. First verse sits in a tense, almost whispered lower register, tom-heavy and suspenseful. Chorus bursts open with wide power chords, lifted melodies, and gang shouts on key words. Bridge strips back to floor toms and a droning guitar, then slams back into a final, anthemic chorus with stretched vocal ad-libs and a gritty, saturated mix.

Mareeva Olga • blues rock, slow shuffle blues, electric blues trio, slide guitar riffs, harmonica fills, tack piano comping, upright bass thump, brushed snare groove, room mic bleed, spring reverb, tube amp saturation, analog tape compression, 1960s live club, call and response guitar, dry center mix, sardonic swagger,psychological thriller score, unsettling textures, abstract sounds