Все треки
Последние публичные треки, созданные нашими пользователями
nero11001 • folk, Gritty folk-electronic fusion: fingerpicked acoustic guitar and dusty male vocals over subtle pulsing synths and soft sub bass. Verses stay intimate and close-mic’d, with brushed percussion and distant organ swells. Chorus widens with stacked harmonies, airy pads, and a simple four-on-the-floor kick that lifts the hook. Final section strips back to guitar and voice, letting the last lines hang in roomy reverb., electronic
исса • Rock roll, rock ballad, emotive, slow build with electric guitar and string selections and male vocals, bass.
исса • indie, rock, rock ballad, emotive, slow build with electric guitar and string selections, male vocals,
Ivan007 • electronic, hip hop, country
Windriver • Dark Folk, Orchestral, Female Vocals, Melancholic then Aggressive
Антон Васьков • metal, Aggressive nu metal with male growl/scream vocals, drop-tuned guitars, and a relentless mid-tempo stomp. Verses are riff-driven and tight; choruses widen with gang shouts and a hooky, chant-like line. Add a dissonant bridge that collapses into a chaotic, whammy-heavy guitar solo, then return to the final chorus at maximum intensity., nu metal
Воробьев Андрей Ег • hip hop, r&b
Alex Hellmark • pop, electronic, r&b, bass, guitar, violoncello, organ,
Moonsun • pop ballad, emotional vocals, piano-driven, heartfelt lyrics
Zhenich • Russian pop, 2000s Eurodance, female vocals, melodic synth, danceable, 130 BPM, minor key
Zhenich • Emotional pop ballad, acoustic piano, soft strings, soulful female vocals, slow tempo
Zhenich • Emotional pop ballad, acoustic piano, soft strings, soulful female vocals, slow tempo
Zhenich • Russian Pop, Female Vocal, Deep House, Slap House, Energetic, Sad Dance.
Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL
Zhenich • Russian Pop, Female Vocal, Deep House, Slap House, Energetic, Sad Dance.
Ariada Elard • electronic
Альберт Миракян • classical
Ратибор Ясный • Create a delightful track, a composition without words in which a beautiful overdrive of an electric guitar with reverb, chorus, echo, gradually complements another guitar part of a solo guitar, the rhythm guitar is connected, the bass is virtuosic and powerful, beautiful passages of drums, keyboards add interesting beautiful background and fill the voids, a lot of string instruments . The position slowly increases, reaches the epic top and just as gradually goes down. The song should have 3 verses and three choruses, have a bridge after the second verse. Introduction, along with the guitar, add a beautiful melodic whistle. Live sound. Rock ballad style, with elements of post-rock
Свет2 • blues rock, 92 BPM, electric guitar call response, harmonica riffs, piano comping, upright bass, brushed snare, tube amp saturation, room mic bleed, spring reverb, mono drum kit, live-club recording, 1960s analog tape, half-time shuffle, smoky defiance
Стрелецкий • Стимпанк,, chanson, electric blues trio, live-club blues, 1960s analog tape, ribbon mic vocals, smoky barroom organ, staccato guitar fills, call-and-response guitar blues, muted upright bass, brushed snare shuffle, slapback echo, plate reverb, tube amp saturation, close-miked drum kit, minor key verses, bittersweet swagger
Алекс 890 • pop, Delicate classical-pop ballad with female vocals; intimate piano and soft guitar arpeggios under a lyrical lead, violin answering phrases like a second voice. First verse stays hushed; chorus blooms with brighter chords and subtle string harmonies. Second verse adds gentle rhythmic pulse from piano, final chorus lifts into a ringing, sustained vocal climax before resolving in a fragile, lingering outro., classical
DJ ALEXANDER • r&b, pop, Modern Russian folk fusion with balalaik…
Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL
RusMos • Lyrical Dark Epic, powerful cinematic drums, heavy 808 bass, ethereal female vocals, deep male vocals, sad atmospheric strings, haunting piano, slow emotional build-up, epic drop, Russian lyrics, dark folk, witch house elements
DJ ALEXANDER • pop, r&b, soul, blues, electric blues, Russian folk motif, modal guitar riffs, call-and-response guitar, bottleneck slide, walking bass, brushed snare, Hammond organ swells, tube amp breakup, room mic bleed, tape saturation, live club acoustics, minor key lament, 92 BPM shuffle, laid-back groove
Песня души моей
Альберт Миракян • , classical
Андрей 0304 • Raspy , whisper, acoustic guitar,folk, indie, blues
RusMos • Dark Epic Alternative Witch House, heavy 808 bass, powerful industrial drums, male and female dual vocals, haunting atmosphere, slow but aggressive tempo, cinematic strings, ghostly piano, reverb, dark folk elements, Russian lyrics
Песня про весну
Альберт Миракян • folk, indie
ElektroEnergetik • hip hop, soul, reggae
Marchelli_83 • Post-Punk, spoken word, psychedelic, guitars, synthesizers, choir
С новым годом с Рождеством
Альберт Миракян • pop, classical, disco
RusMos • Epic Slavic fantasy scene, a young sorceress or bereginia in an embroidered kosovorotka and a wreath of wormwood and bluebells, standing inside a stone circle at night. Ancient glowing runes swirl around her. One hand raised in a spellcasting gesture, the other holding a cracked skull or a golden bell. Behind her — a vision of massive drum made of an oak trunk, burning ritual herbs, and low storm clouds. Style: dark fantasy, Slavic neofolk, contrast of deep shadow and fiery light, powerful low bass and drum beat visualized as shockwaves in the grass, cinematic firelight, deep red and ochre accents. The beat and bass feel like earth vibration. —ar 16:9 —v 6
vazdar • cabaret-Pop,reggae,theatrical, fast tempo, comedic accents,Retro Funk
Zhenich • Trip-hop, Lo-fi Hip-hop, Melancholic, Atmospheric, Male Spoken Word, Emotional, 90s vibes
Макс-Л • TWO ACOUSTIC GUITARS PLAY AS IN THE ORIGINAL, THEN A LIGHT BASS AND WEAK PERCUSSION ARE ADDED, PREFERABLY AS IN THE ORIGINAL.A RUDE VOICE
Zhenich • Trip-hop, Lo-fi Hip-hop, Melancholic, Atmospheric, Male Spoken Word, Emotional, 90s vibes
TRENIN Deep house • Rhythm: smooth, with elements of a round‑dance pattern, $4/4$ time signature. In the verses — steady, meditative; in the choruses — with light syncopations. Tempo: 90–100$ BPM (andante), creates a solemn atmosphere. Vocals: polyphony (3–4 voices). In the verses — restrained sound in the lower and middle registers; in the choruses — brighter, with legato transitions. Intonations are melismatic, with a folk flavour. Instruments: gusli (melodic foundation), zhaleika (countermelodies), bayan (harmonic support), tambourine (rhythm), small bells (in the choruses). Light reverb creates a sense of open space.
мс Хоттабыч • pop, Dark Russian pop ballad with male vocals, icy synth pads, sparse piano, and a slow, pulsing beat. Verses stay close and confessional with low-register delivery, choruses open into soaring melodies and stacked harmonies. Subtle bass swells and reverse FX underline the weight of time; final chorus strips to voice and piano, then blooms on the last hook.
Marchelli_83 • African beat, Osibisa style, Congo drums, wood spoons beat, tambourine, ethnic choir
Переборы проводов (сл. В. Галаган)
SоколоV • slow blues ballad, 72 BPM, minor key, barroom blues, electric blues trio, call and response guitar, overdriven tube amp, fretless bass, brushed snare, sparse piano chords, close mic vocals, tape saturation, plate reverb, intimate despair, dynamic lift, halftime backbeat
Natali_YA • Style of music: Dark folk, atmospheric, slow tempo, emotional, haunting, female vocals, minimalistic, cinematic, with build-up to an emotional climax. Instruments: Acoustic guitar (soft, melancholic), cello (deep, sorrowful), piano (sparse), ambient pads, subtle strings in the final part. Vocal: Female, emotional, intimate in verses, powerful and raw in the final part, almost screaming with pain, but controlled. Mood: Intimate, painful, nostalgic, then explosive emotional release. Like a confession that turns into a scream.
Marchelli_83 • Jungle, progressive rock, guitars, organ Hammond, Rolland synthesizers, choir
father mc nulti • cinematic synthwave, industrial techno, 132 BPM, four-on-the-floor kick, syncopated percussion, modular synth sequences, distorted drum machines, hammered dulcimer ostinato, electric guitar harmonics, stereo delay, gated reverb, sidechain pumping, 1980s drum machine sheen, analog saturation, breakdown drop, nocturnal resolve
