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Последние публичные треки, созданные нашими пользователями

А я хочу назад

Алекс 890 pop, 90s Russian pop-dance nostalgia, male vocals; warm analog synths, airy pads, and steady dance kick with bright snare. Verses stay tender and intimate over soft keys and subtle bass, chorus blooms with wide backing vocals and glittery arps, hook repeats for singalong. Short instrumental riser into final chorus, gentle fade on last line.

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Электрошрамы

Владимир38 Aggressive festival dubstep banger, male vocals; ominous pads and filtered intro that explodes into snarling bass swerves and metallic growls. Verses ride a half-time stomp with tight vocal chops; chorus drops into huge, syncopated wobble patterns and stacked shout-alongs. Second half adds glitchy fills, pitched screams, and wide crowd chants for a mosh-ready climax.

99
Встреча 2
82
Знакомьтесь — Робин Гуд

Максим199454 rap, Dusty boom-bap с жирным русским грувом, мужской речитатив вплотную к микрофону, тёплый винтажный клавишный луп и редкие духовые слои в припеве. В куплетах плотная рифма в размеренном покате, припев поётся полу-рэпом с толстым бек-вокалом и выкриками. Во второй половине лёгкий подъём драмов и подпевок, но общее ощущение остаётся камерным, уличная исповедь один на один., hip hop

83
Бунт в ЖВК
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Этот мальчик

ОННа Female soft breathy vocals, intimate whisper, a cappella intro, finger snaps rhythm, minimalist folk blues piano, soulful, emotional storytelling, spacious, 70bpm.

489
Глубже Бита

Владимир38 Aggressive festival dubstep banger, male vocals. Intro builds with eerie pads, filtered kick, and risers; drop slams with metallic growls, syncopated drums, and sub wobble. Verses ride a half-time groove, tight and close-up; chorus explodes with shouted hook, layered gang vocals, and chopped vocal glitches answering the lead. Sparse melodic bridge before a second, heavier drop.

122
Люблю любить.

vladzak57 Любовная, радостная баллада!

85
Солдат

Пумас blues, spoken word cadence, stripped-down trio, single guitar focus, fingerpicked electric guitar, tube amp breakup, dead-center kick, room mic bleed, slapback delay, spring reverb, tape saturation, dry drum pocket, sparse arrangement, call and response, late-night barroom, 1960s club sound

140
Пасха

Vldmr83 pop, rock, jazz, electronic

129
Зеркала

NatroN A dynamic rock track led by a commanding . The verses build tension with tight drums and rhythmic guitar, swelling into an explosive chorus layered with powerful harmonies. At the bridge, a fierce electric guitar solo takes center stage, driving energy to the finale.

101
Свет мёртвой звезды (памяти БП)

AlenaArdens Russian alt-rock ballad, slow to mid tempo 72 BPM. Thick, dense mix, wide stereo. Real female voice, not trained, raw, cracks, gasps for air, close to microphone. Verses: intimate, almost spoken, trembling, clean electric guitar arpeggios, warm tape saturation, sparse piano, room reverb. Chorus: heavy distorted guitars enter, thick power chords, layered sub bass, low toms, soft kick like a heartbeat, voice breaks and strains, desperate, not screaming but pushing, wide backing harmonies. Bridge: swelling strings, high synth lead, guitar feedback, voice holds back a scream, everything builds. Then drop to near-silence — only clean guitar, whispered voice, room tone. Outro: exhausted, empty, fading to train rumble and tape hiss. No hi-hats, no perfect pitch. Melancholic, painful, real, immersive. Cold post-Soviet atmosphere, winter, empty apartment, distant train.

98
Ты помнишь, как я жил (Edit)

AndreyFirst rap, Moody Russian hip-hop, minor-key piano loop over tight drums and deep sub, male vocals. Verses stay close and confessional, almost whispered, then the hook explodes with doubled leads and distant choir pads. Occasional vinyl crackle and filtered drops before the chorus to frame the lyrics; last hook adds ad-libs and octave harmonies for a raw, cinematic climax., hip hop

78
БУЛОЧКА

Гранитная Intro, electronic, pop, trap, dance, arabic, folk, 140bpm

69
Жди меня, моя жена

База metal, Epic pop-metal ballad with Russian male vocals; intro starts on clean electric arpeggios and soft piano, then explodes into double-time drums and chunky rhythm guitars on the chorus. Verses stay intimate with low vocal register and sparse toms; choruses soar with stacked harmonies and sustained power chords. Bridge drops to half-time with ambient lead guitar swells, then final chorus modulates up for a triumphant, cathartic payoff., pop

77
Пуля За Любовь

База rap, Moody Russian hip-hop ballad with male vocals; sparse minor-key piano over head-nodding drums and warm sub-bass. Verses sit close and confessional with subtle tape saturation and filtered hats; hook blossoms with wide vocal doubles, airy pads, and distant choir stabs. Final chorus intensifies with ad-lib stacks and a slightly swung groove for a raw, emotional climax., hip hop

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Я буду жить.
112
Алтай нагнет как кардан

База rap, Hard-hitting East European hip hop: dark minor-key piano loop, deep sub-bass, crisp trap drums. Male vocals, aggressive but articulate flow; verses tight and punchy. Hook explodes with stereo crowd chants, octave-doubled lead, and filtered risers into each chorus. Occasional chopped vocal stabs between lines to keep momentum high., hip hop

75
Ритм это пульс страны!

TRENIN Deep house Performance style: 3D-audio. Rhythm: crisp, march‑like emphasises determination and discipline, fitting the military theme. The lines follow a steady rhythmic pattern; verses and chorus create a rhythmic contrast. Tempo: moderate, around 100–120 beats per minute (in the style of a marching march) — dynamic enough to maintain tension, yet slow enough to preserve solemnity. Vocals: powerful, assertive, with accentuated diction — suits the patriotic message and command‑like intonation (especially in the chorus). Choral backing parts in the choruses are possible to create the effect of a “collective voice”. Instrumentation: brass section and drums (for the marching rhythm), complemented by electric guitars for a denser sound; possible synth pads for an epic feel. Atmosphere: heroic, patriotic, tense — a blend of duty, danger and belief in victory; both harsh and inspiring at the same time.

92
Прими меня какой я есть

База rap, Warm sentimental hip-hop ballad, midtempo with mellow piano loop and soft boom-bap drums; male vocals up close and confessional. Verses stay intimate over sparse keys and subtle bass swells; chorus opens with stacked harmonies and airy pads. Light vinyl hiss, gentle backing ad-libs, and a simple melodic hook to keep it catchy and heartfelt., hip hop

78
Прими меня какой я есть

База rap, Warm sentimental hip-hop ballad, midtempo with mellow piano loop and soft boom-bap drums; male vocals up close and confessional. Verses stay intimate over sparse keys and subtle bass swells; chorus opens with stacked harmonies and airy pads. Light vinyl hiss, gentle backing ad-libs, and a simple melodic hook to keep it catchy and heartfelt., hip hop

83
Леший на колесе

База Moody electronic club track with male vocals in Russian, sharp syncopated drums and a rubbery bass line. Verses stay minimal with filtered synth plucks, then the chorus explodes into wide pads, detuned leads, and gang-shouted backing vocals. Add glitchy vocal chops around the hook, dynamic stop‑downs before drops, and a distorted riser into the final chorus., electronic

92
Доча, Я Тебя Люблю

База rap, Warm, mid-tempo hip-hop beat with mellow keys and soft strings, subtle vinyl crackle; male vocals with intimate close-mic tone. Verses conversational and tight, drums laid-back but knocking; hook opens wider with stacked harmonies and airy pads. 808s round and deep, light percussion details gluing everything together, final chorus adds ad-libs and extra backing layers for a tender, uplifting finish., hip hop

93
Колесо Атам

База Playful folk-pop groove with bouncy acoustic guitar, light percussion, and whistled hooks; verses feel like a rambling road trip story, chorus blooms with stacked gang vocals, handclaps, and a stomping kick; male vocals, bright and cheeky delivery with a singalong earworm refrain

93
Весна.

IGARIK Acoustic Guitar, Nylon String Guitar, Fingerstyle, String Section, Chamber Pop, Cinematic, Orchestral, Evocative, Bittersweet, Building, 85 BPM

111
Звёзды зовут.

TRENIN Deep house The composition is in an epic, patriotic style with a marching rhythm (≈120 BPM) that conveys heroism and unity. A powerful male voice, sometimes joined by a choir, delivers broad, expressive melodies with clear diction. The rich orchestral sound features brass (trumpets, trombones, French horns) for a heroic timbre, drums and timpani for rhythm, and strings for depth and emotion. The solemn, inspiring atmosphere evokes pride and faith in one’s strength — a hymn to courage and the future.

84
Весна.

IGARIK Acoustic Guitar, Nylon String Guitar, Fingerstyle, String Section, Chamber Pop, Cinematic, Orchestral, Evocative, Bittersweet, Building, 85 BPM

118
Просто, мудро жить…Анна Ахматова

AhraVv И Iris Acoustic folk ballad, female vocal, calm and meditative mood, slow tempo (100 BPM), gentle fingerstyle acoustic guitar, soft cello in background, whisper-like singing in chorus, poetic and introspective atmosphere, reminiscent of Russian romantic poetry, warm analog sound

105
Свет Воскресения.

TRENIN Deep house The performance is built on a clear, march-like rhythm, with elements of choral movement, which lends the music a sense of grandeur and order. A tempo of 100 BPM provides a moderately lively yet unhurried character, allowing both the power of the choir and the expressiveness of the soloist to unfold. The vocal structure is based on contrast: the verses are performed by a strong soloist with precise diction, while the choruses are taken up by a mass choir, creating an impression of scale and unity. The instrumental accompaniment is dominated by organ and bells, which impart a ceremonial quality to the sound, while strings add depth and warmth. Subtle accents of timpani emphasize key moments, enhancing the dynamics. The atmosphere of the piece is lofty and spiritually rich. The music evokes feelings of joy, unity, and inner uplift, uniting the listeners in a shared surge of emotion.

134
Этно.

IGARIK Male monastic choir, sacred chant, ethnic electronica, world fusion, dubstep, half-time drums, wobble bass, orchestral strings, brass, woodwinds, ethnic instruments: duduk, erhu, ney, tabla, ethereal female vocal, cinematic, 140 BPM

117
Импульс тьмы

Лес drum and bass, neurofunk, 175 BPM, talking vocal chops, distorted Reese bass, syncopated sub hits, ghost-note snare, half-time breakdown, granular ambience, filtered pad drones, metallic percussion, parallel compression, tape saturation, dark industrial, aggressive drive

102
Старт

Tordex phonk rap, boom bap, 82 BPM, distorted 808 sub-bass, chopped guitar samples, gritty snare snaps, vinyl crackle, tape saturation, mono drum punch, slapback delay, dark club energy, chase momentum, swung hi-hats, halftime groove, sparse electric bass, live-room drum bleed

95
In my heart — number one, on the bike — number two
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Старое дерево

Пончик 999 Moody Russian art-pop ballad, male vocals; sparse piano and distant low strings at first, building to a stormy, drum-heavy chorus with distorted guitar swells and subtle electronic pulses; verses intimate and whispered, chorus opens with soaring, desperate melody and stacked backing harmonies; final section strips back to near a cappella, leaving a long, reverb tail

329
Мираж.

IGARIK Symphonic orchestra, 130 players, classical strings, woodwinds, brass, world percussion: djembe, darbuka, frame drum, cajón, ethno strings: kora, oud, harp, ethereal female vocal, cinematic, polyrhythmic, ritardando, abrupt ending

120
Мираж.

IGARIK Symphonic orchestra, 130 players, classical strings, woodwinds, brass, world percussion: djembe, darbuka, frame drum, cajón, ethno strings: kora, oud, harp, ethereal female vocal, cinematic, polyrhythmic, ritardando, abrupt ending

97
Гагарин Герой!

ZUBR blues rock, space blues, electric guitar riffs, call and response guitar, Hammond B3 organ, brushed snare, walking bass, live room bleed, tube amp saturation, analog tape echo, 1960s mono mix, sparse trio arrangement, dynamic breakdowns, defiant swagger, 96 BPM, swung shuffle

140
Взлёт

Tordex phonk, rap, 90 BPM, muted guitar ostinato, jazz bass slides, rimshot snare, sub-bass glide, dusty drum machine, tape saturation, wide mono spread, slapback delay, nocturnal swagger

96
Мы не угаснем никогда!

Tema can fly Style: epic folk metal / symphonic metal with classical elements. Rhythm: moderate (80-90 BPM), contrasting — from restrained in verses to powerful in choruses; clear percussion (drum kit): The emphasis is on snare drum, bass drum and cymbals. Vocals: a gentle, clear female voice — muffled and soft in the verses, strong and emotional in the choruses; with harmonies and a multi-layered chorus in the climaxes. Arrangement: piano (arpeggios and chords in the verses, rhythmic figures in the choruses) + cello (melodic lines and bass base); heavy guitars with distortion, lute for a folk touch, strings and French horns for epicness. The atmosphere is majestic, heroic and melancholic — a sense of antiquity and spaciousness through natural reverberation, folklore motifs and orchestral accents.

90
Мы не угаснем никогда!

Tema can fly Style: epic folk metal / symphonic metal with classical elements. Rhythm: moderate (80-90 BPM), contrasting — from restrained in verses to powerful in choruses; clear percussion (drum kit): The emphasis is on snare drum, bass drum and cymbals. Vocals: a gentle, clear female voice — muffled and soft in the verses, strong and emotional in the choruses; with harmonies and a multi-layered chorus in the climaxes. Arrangement: piano (arpeggios and chords in the verses, rhythmic figures in the choruses) + cello (melodic lines and bass base); heavy guitars with distortion, lute for a folk touch, strings and French horns for epicness. The atmosphere is majestic, heroic and melancholic — a sense of antiquity and spaciousness through natural reverberation, folklore motifs and orchestral accents.

92