Все треки

Galina К • русская народная песня, оркестр, баян, гитара, allegro,

Алёна Богея • female vocal, gothic tango, dark mystical atmosphere, haunting vocals, dramatic strings, ominous piano, church bells, pipe organ, deep bass pulse, syncopated rhythm, 100–110 BPM, echo effects, vocal harmonies, ritualistic percussion, eerie synth pads, moonlit mood, supernatural vibe

Свет2 • Epic rock ballad, slow to mid tempo (75 BPM), minor key (D minor), cinematic orchestral elements, emotional male vocals with rasp and vulnerability, powerful electric guitar solos, driving drums with heavy reverb, piano intro, building intensity towards the end, hopeful yet melancholic atmosphere

Ivan007 • Dark club-ready deep house groove, Russian male vocals with a cool, detached delivery. Sparse verses ride on a pulsing bassline and dry, tight drums. Chorus explodes with wide synth pads, airy top-line hook, and crowd-style backing chants. Sub drops and filtered builds between sections to keep the floor moving until dawn.

Ivan007 • Dark club-ready deep house groove, Russian male vocals with a cool, detached delivery. Sparse verses ride on a pulsing bassline and dry, tight drums. Chorus explodes with wide synth pads, airy top-line hook, and crowd-style backing chants. Sub drops and filtered builds between sections to keep the floor moving until dawn.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077 (70 %) + aggressive industrial metal (30 %). Futuristic dystopia with neon aesthetics, tech sounds and a sense of urban confrontation. Tempo: 125–135 BPM — steady march‑like rhythm with sharp accelerations in transitions and the bridge. Instruments: electric guitars (distorted power chords, heavy riffs, synth‑guitar effects); bass guitar (punchy low lines, slap technique in choruses); drums (powerful acoustic kit) + electronic pads and industrial percussion; synthesizers (arpeggios, atmospheric pads, digital noise, error glitches); sound effects (engine rumbles, gunshots, metal scrapes, alarm signals). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge. Dynamics from mf (verses) to ff (final chorus), with peak emphasis on key words (“steel”, “fight”). Effects: reverb, delay, chorus, overdrive, radio‑voice effect in the final verse. Backing vocals (octave doubles) in choruses and finale; echo fade‑out in the outro.

Tema can fly • Style: Cyberpunk 2077–inspired rock with industrial and electronic elements — dark, futuristic, urban dystopia vibe. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted riffs, power chords, short solos); bass guitar (punchy low lines, slap in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, glitches, digital noise); sound effects (city noises, sirens, radio interference, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with metallic edge; dynamics: mf in verses, f/ff in choruses, p→f in bridge; articulation: syncopated in verses, steady in choruses, free in bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect; layered backing vocals (octave doubles) in choruses and finale; echoed fade‑out in outro.

Tema can fly • Style: Cyberpunk 2077–inspired rock with industrial and electronic elements — dark, futuristic, urban dystopia vibe. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted riffs, power chords, short solos); bass guitar (punchy low lines, slap in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, glitches, digital noise); sound effects (city noises, sirens, radio interference, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with metallic edge; dynamics: mf in verses, f/ff in choruses, p→f in bridge; articulation: syncopated in verses, steady in choruses, free in bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect; layered backing vocals (octave doubles) in choruses and finale; echoed fade‑out in outro.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Tema can fly • Style: Cyberpunk rock with electronic and industrial elements — dark, aggressive, futuristic. Tempo: 128–132 BPM, steady with slight accelerations in transitions. Instruments: electric guitar (distorted power chords, sharp riffs, short solos); bass guitar (deep, punchy lines, slap technique in choruses); drums (aggressive acoustic kit) + drum machine (hard electronic beats); synthesizers (arpeggios, atmospheric pads, digital noise, signals, glitches); sound effects (city noises, radio interference, engine rumbles, gunshots). Vocals (Yulia Gorokhova): confident, slightly hoarse tone with a metallic edge; dynamics from medium (mf) to loud (f/ff), peaking on key words and chorus climaxes; articulation varies: syncopated and chopped in verses, steady and march‑like in choruses, free in the bridge; effects: reverb, delay, chorus, light distortion, radio‑voice effect in the final verse; layered backing vocals (octave doubles) in choruses and finale.

Вячеслав Чаплыгин • German rock style/Future Rave /Cyberpunk hybrid, deep hard male vocals, femali deep dramatic vocal, dark strings, low synth bass, medieval atmosphere, dark neon atmosphere, distorted rave bass, industrial percussion, glitch effects, sci-fi cinematic intro, heavy build-ups, aggressive drops, robotic chants, cyberpunk soundtrack energy, massive mainstage power, 10/10 intensity, male vocals, factory soundscapes, gothic atmosphere, heavy distorted guitars, electronic background textures, spoken aggressive phrases, short brutal song title, themes of control and domination, ironic masculinity, sadomasochistic undertones, sharp dynamic shifts, marching drums, machine-like performance, commanding the listener, chanted hooks, shock value lyrics, industrial noise elements, emotional detachment, visceral and visual language, mechanical breathing effects, symbolic and cryptic metaphors, low-pitched vocals with distortion.

Ivan007 • Dancefloor disco with a club-ready pulse and a light electronic edge: four-on-the-floor kick, crisp claps, pulsing sidechained synth bass, Nile-era guitar chops, bright string stabs, and filtered analog arpeggios. Glossy top-end, tight compression, stereo delay throws, and a driving 124 BPM groove built for peak-time energy.

Ivan007 • Dancefloor disco with a club-ready pulse and a light electronic edge: four-on-the-floor kick, crisp claps, pulsing sidechained synth bass, Nile-era guitar chops, bright string stabs, and filtered analog arpeggios. Glossy top-end, tight compression, stereo delay throws, and a driving 124 BPM groove built for peak-time energy.

Plut93 • rock, punk rock , electric guitar, drums, energetic, fast tempo

vladzak57 • Рок баллада, гимн воинам. Вокал души

Hadeneiro • pop rap, trap bounce, 90 BPM, syncopated 808 kick, rubbery sub-bass, chopped electric guitar, muted piano chords, airy synth plucks, dry snare clap, halftime groove, vocal adlibs, plate delay, parallel compression, stereo width, laid-back swagger, hook-driven chorus

Sergilio • > **Genre:** Ethnic, Instrumental, New Age > **Instruments:** Pan flute, light percussion, atmospheric pads, nature sounds > **Mood:** Uplifting, mystical, free, serene > **Theme:** Soaring eagle, ancient Mayan and Peruvian influences, vast landscapes > **Description:** A melodic instrumental track inspired by the ethnic music of the Maya and Peru. The pan flute leads the melody, capturing the feeling of an eagle's flight over mountains and jungles. Gentle percussion and atmospheric textures create a peaceful yet powerful soundscape.

Helga_Artai • Folk song, ditty,, cheerful, traditional.pop,  driving accordion and balalaika. professional stereo width

Ivan007 • hip hop, electronic, country, techno

Ivan007 • hip hop, electronic, country, techno

TEC • [Genre: Pop Metal Ballad] [Tempo: 70 BPM — slow, emotional, heartfelt] [Key: G major — warm, hopeful, with emotional depth] [Mood: romantic, longing, hopeful, bittersweet, comforting] [Atmosphere: long‑distance relationship, nighttime communication, digital and physical letters, sense of connection across cities],Upbeat pop track at 130 BPM starts with punchy kick, snappy claps, and bright synth stabs. Verses ride a strong pulsing bass, building energy toward the massive chorus—layered with euphoric vocal stacks, crisp hi-hats, and rhythmic synth hooks. Bridge adds tension with filtered pads before driving back into a hands-in-the-air, anthemic final chorus.

rePulse • Doom metal, dark phonk, epic, melodic dubstep, violin, emotional slavik folk

Ната Мазур • Style: 1970s French Chanson, Jo Dasin style.Vocal: Deep charismatic male baritone with intimate spoken-style verses. Lush female backing vocals in the chorus, singing soft "oohs" and "aahs" and harmonizing with the lead singer.Music: Slow tempo, melancholic piano, sweeping romantic strings, soft drum brushes, 70s vintage production.Atmosphere: Nostalgic, elegant, dreamlike. 1970s French Chanson, JoDasin style, romantic male baritone, slow tempo, lush orchestral strings, cinematic melancholic pop, female backing vocals harmony, 68 BPM.

Niachris • рок, metal, Gritty alt-pop metal, midtempo stomp. Raspy over detuned guitars and sparse synth pads. First verse starts almost spoken with palm-muted chugs; pre-chorus adds toms and tense bass drones. Chorus slams in with wide power chords, shouted gang backups, and a simple, anthemic topline. Bridge drops to half-time with distant choir pads, then final chorus hits harder with octave guitars and a rising, монументальна и эпическая музыка, с ритмичным и энергичным исполнением в припеве

ЛанаСвет • double time rap

Андрей_Ш • blues trio, electric blues, 92 BPM, swung eighths, live-club room, overdriven tube amp, bottleneck slide guitar, staccato Hammond organ, thumping upright bass, rimshot backbeat, handclap accents, mono drum kit, close mic grit, spring reverb, tape saturation, raucous swagger

Sapulia928 • heavy metal, distorted guitars, double bass drums, powerful vocals, rock

Sapulia928 • heavy metal, distorted guitars, double bass drums, powerful vocals, rock

MC MON 62 • Rap,hip hop, electronic.

Petitpapillon82 • new age piano solo, emotive playing, minimalist, beautiful, pop ballad, emotional vocals.

Алекс Север • Bright Slavic dance-pop with glossy synth plucks and bouncy four-on-the-floor kick, male vocals upfront. Verses ride a tight, percussive groove with dry claps and subtle bass swells; hook widens with stacked chants, soaring top-line, and sidechained pads. Brief middle build with filtered drums and riser into the final, hands-in-the-air chorus.

SоколоV • Soft rock, hard rock, female belt vocals, acoustic guitar fingerpicking, live drum kit, electric guitar riffing, power chord drive, verse build arrangement, chorus melody-first, plate reverb, punchy close mix, rising energy arc, 92 BPM, call and response guitar, electric blues trio. Студийная запись. Женский хард-рок вокал. Первый и пятый куплеты: голос, акустическая гитара, рояль. Во втором куплете добавляются синтезатор и барабаны. В третьем куплете переход в гитарный рок. Четвёртый куплет в гитарном роке.

Алекс Север • Bright Slavic dance-pop with glossy synth plucks and bouncy four-on-the-floor kick, male vocals upfront. Verses ride a tight, percussive groove with dry claps and subtle bass swells; hook widens with stacked chants, soaring top-line, and sidechained pads. Brief middle build with filtered drums and riser into the final, hands-in-the-air chorus.

Sergilio • > **Genre:** Ethnic, Instrumental, New Age > **Instruments:** Pan flute, light percussion, atmospheric pads, nature sounds > **Mood:** Uplifting, mystical, free, serene > **Theme:** Soaring eagle, ancient Mayan and Peruvian influences, vast landscapes > **Description:** A melodic instrumental track inspired by the ethnic music of the Maya and Peru. The pan flute leads the melody, capturing the feeling of an eagle's flight over mountains and jungles. Gentle percussion and atmospheric textures create a peaceful yet powerful soundscape.

Sergilio • Epic, melodic, instrumental track inspired by the ancient cultures of the Maya and Peru. Ethnic flute leads the melody, evoking the soaring flight of an eagle over sacred mountains and jungles. Deep, rhythmic percussion and atmospheric strings create a cinematic, uplifting mood. The sound is both mystical and powerful, with traditional Andean and Mayan influences. No vocals. Cinematic, inspirational, ethnic, flute-driven.

ATWST • [Chillout, dreamy children's song, soft electronic beats, gentle synth pads, light acoustic guitar plucks, slow tempo 80 BPM, warm ambient atmosphere, playful and relaxing vibe like a sunny meadow lullaby]

SvetLanа • Нашид, исламский стиль

SvetLanа • Традиционный исламский стиль

SvetLanа • Стиль: традиционный арабский нашид (а капелла или с даффом)

Шурави • folk, country, indie, classical acustic gitar

Людмила Дементьева • Авторская песня рассуждение о жизни, красивая мелодия сильный вокал эмоции выразительная музыка гитара красивые проигрыши аккардеон

Галина Dok • country, folk, disco

Marchelli_83 • Power ballad, synthesizers, Hammond organ, Gibson guitars, saxophone, strings, male & female vocals

Galina К • chanson blues, live-club blues, blues trio, melodic bass guitar, upright bass counterline, brushed snare shuffle, muted hollowbody guitar, Hammond B3 swells, harmonica replies, smoky room ambience, tape saturation, spring reverb, midtempo 92 BPM, swung backbeat, bittersweet swagger,