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Последние публичные треки, созданные нашими пользователями

Закон стаи

Кощей hardcore rap, aggressive delivery, raw beats, street credibility, epic hero journey, triumphant brass, sweeping strings, adventurous spirit, dark synthwave anthem, powerful bass, dramatic synth leads, cinematic scope, funk, house, rock

106
Мисс из пепла

Kristin_a Стиль: поп‑рок с резкими гитарными риффами, мощными ударными и контрастом хрупких куплетов с взрывными припевами. Настроение — от боли к триумфу, с налётом горькой иронии.)Куплет 1: вокал мягкий, почти уязвимый, с лёгкой хрипотцой. Гитара — приглушённая, акцент на барабанах. Предприпев: нарастание напряжения — голос твердеет, гитара добавляет дисторшн. Припев: мощный, «кричащий» вокал, плотные риффы, ударные в полную силу. Бридж: сначала шёпот с эффектом «приближения» (как будто в микрофон), затем резкий переход к крику.

91
Мисс из пепла

Kristin_a Стиль: поп‑рок с резкими гитарными риффами, мощными ударными и контрастом хрупких куплетов с взрывными припевами. Настроение — от боли к триумфу, с налётом горькой иронии.)Куплет 1: вокал мягкий, почти уязвимый, с лёгкой хрипотцой. Гитара — приглушённая, акцент на барабанах. Предприпев: нарастание напряжения — голос твердеет, гитара добавляет дисторшн. Припев: мощный, «кричащий» вокал, плотные риффы, ударные в полную силу. Бридж: сначала шёпот с эффектом «приближения» (как будто в микрофон), затем резкий переход к крику.

83
Рать лихая (Edit)

Гога Манжурский Патриотическая. Соло на гитаре., male vocal

109
Я вернусь

AhraVv И Iris r&b, house, drum and bass, synthwave, trap, powerful bass, arpeggios on synthesizers, beautiful drum beats, 100-120 bpm

88
Туман вставал

исса Rock, rock ballad, emotive, slow build with electric guitar and string selections, male vocals

64
Сталинград

исса Rock, rock ballad, emotive slow build with electric guitar and string selections, male vocals

70
Где-то в Афганистане

исса Rock, rock ballad, emotive slow build with electric guitar and string selections, male vocals

79
Разум

РоманV rock, drum and bass, acustik guitar, электроник, male vocal

90
Не знаю (Edit)

РоманV rock, drum and bass, acustik guitar, male vocal, электроник

76
Маугли

MornaLisse Russian lyrics, Chechen Folk-Metal, Dhikr, heavy Ethno-Trap, prominent Dechig-Pondar melodies, Adhoku-Pondar strings, dramatic Caucasian accordion, aggressive 808 bass, ancient mountain echoes, cinematic war drums, gritty male vocals, heroic and fierce, 145 BPM, high energy.

154
Толстый и зелёный мир

Толстый - Базовый ритм — тёплый и размеренный регги-бит с акцентом на бочку и снейр. - Инструменты — гитары с чистым звучанием, легкий ска-риф, бас глубокий и качающий. - Для рэп-вставок можно добавить дикое и немного сдержанное грув, чтобы подчеркнуть слова Толстого. - Вокал — энергичный, но расслабленный, с подбором легкого скретча и атмосферы джема.

89
Замок из дождя

Замок из дождя

Кавер-версия

ai cover metal ballad,moderated tempo

230
Женщина в метро (Edit)

sharada2004 male vocal, smooth trap, speed garage

101
Туча у родного причала

Seawolf Upbeat Russian pop-rock with female vocals, bright strummed acoustic and crunchy electric guitar accents; playful FX swells mimicking sea wind and ship alarms in the breaks. Verses bounce on a mid‑tempo groove, bass walking lightly; chorus widens with gang shout-backs and claps. Brief bridge strips to vocal and muted guitar, then full-band uplift and sparkling delay tails into a big final hook.

82
Гололёд

Максим Борисович Russian author song, personal lyrics, acoustic intimacy, philosophical depth

95
Шманка, дочь ветров и вьюг

Seawolf country, Warm country ballad with Russian folk colors, male vocals; gentle acoustic guitar and soft brushy drums, pedal steel weaving around a simple bass line. Verses stay intimate and hushed, fiddle swells into the chorus where the melody opens wide and haunting backing harmonies bloom. Final chorus drops to near a cappella, then band eases back in for a lingering, twilight fade.

77
Мой корабль «Туча»

Seawolf pop, Upbeat alt-pop with female vocals; crisp four-on-the-floor kick blended with indie-rock drums, bright synth plucks, and subtle oceanic sound design (sonar pings, distant gulls, wave swells). Verses stay tight and rhythmic over palm-muted guitar; chorus blooms with wide pads, gang shouts, and octave doubles. Middle section drops to toms and bass before a final explosive hook, polished radio-ready mix.

79
Dreams are carried away

Максим Борисович pop soul fusion, r&b influences, smooth vocals, groove

98
Девушка_ромашка(авто) 4ydak48@vk.com Анатольевичьъ (Edit) (Edit) (Edit) (Edit) (Edit) (Edit) (Edit)

Анатольевичьъ а а а а-а-а-а-а, **The first part:** *Electro-Symphony Allegro* - Powerful electronic bass opens the symphony, supported by classical string instruments. The piano creates an atmosphere of mystery, gradually turning into, female vocal

89
Маленькая голубоглазка

Фанатики gangsta rap, hard-hitting beat, aggressive flow, west coast vibes

89
Волк

РоманV rock,, drum and bass

113
не 30

vlad prapor swing, with double bass and alto saxophone bass with hoarseness Интересная авторская русская народная песня с элементами размеренного ритмичного свинга, с контрабасом и альт-саксофоном Бас с хрипотцой энергичный. Позитивного настроения.

80
Надувная лодка (Edit)

zubrikas молодежный шансон, современная аранжировка, свежее звучание, актуальность

95
Мы идём до конца

ZOV3 rock, Aggressive metalcore/modern rock: dropped-tuned guitars with palm-muted chugs and octave runs, half-time stomp in verses; chorus opens into big open chords and gang shouts. Male vocals shifting from gritty screams in verses to shouted melodic hook in chorus. Tight, punchy drums, tom-heavy build-ups, brief tremolo lead in the bridge before a final breakdown., metal

74
Мамочка  моя

Фиска folk, славянские мотивы

88
Гимн Brisas

zubrikas future house, modern synths, bouncy bass, commercial appeal

91
Fires of Love

Максим Борисович techno track, driving kick drum, hypnotic loops, industrial sounds

91
Мамочка
91
Мамочка  моя

Фиска folk, славянские мотивы

109
Слава

Вячеслав Александрович hip hop, trap, Russian seven-string guitar, romance style, bardic tradition, intimate performance

79
Слава

Вячеслав Александрович hip hop, trap, Russian seven-string guitar, romance style, bardic tradition, intimate performance

91
Операция «Парадиз»

Мистика и фильмы - аниме Cinematic dark-pop with female vocals, tense strings and low brass hits over a pulsing hybrid beat; verses stay close and whispered over sparse piano and sub bass, chorus explodes with wide synth pads, taiko-style drums, and stacked harmonies; bridge strips back to eerie choir and clocklike percussion before a final, crushing chorus, female vocals

75
Операция «Парадиз»

Мистика и фильмы - аниме Cinematic dark-pop with female vocals, tense strings and low brass hits over a pulsing hybrid beat; verses stay close and whispered over sparse piano and sub bass, chorus explodes with wide synth pads, taiko-style drums, and stacked harmonies; bridge strips back to eerie choir and clocklike percussion before a final, crushing chorus, female vocals

76
Поэт

Позывной Поэт heavy metal, distorted guitars, double bass drums, powerful vocals

96
Слава тебя люблю

Вячеслав Александрович witch fantasy mystical dark female vocals, orchestral with harpsichord accents, imagine a waltz tempo, trap, drum and bass

73
Пятьдесят седьмая кровь

Мистика и фильмы - аниме Epic dark-fantasy score with gothic choirs and female vocals; low strings and toms drive a tense march that blooms into a soaring, tragic chorus. Verses smolder with whispered leads, distant Latin-esque choir pads, and tolling bells; bridge erupts with double-time drums, distorted choirs, and a high, anguished vocal run before collapsing into a final, haunted refrain., female vocals

63
Пятьдесят седьмая кровь

Мистика и фильмы - аниме Epic dark-fantasy score with gothic choirs and female vocals; low strings and toms drive a tense march that blooms into a soaring, tragic chorus. Verses smolder with whispered leads, distant Latin-esque choir pads, and tolling bells; bridge erupts with double-time drums, distorted choirs, and a high, anguished vocal run before collapsing into a final, haunted refrain., female vocals

78
Закаты в рассветы

РоманV Соло гитары акустической , rock, acuistik gutiar, bass, ritm bass, fank, solo elektro guitar, male vocal

80
Счастье N1

РоманV Соло , пианино, rock, acoustic guitar, drum and bass

91
Верни меня

Kristin_a pop, rock, female vocal

88
Верни меня

Kristin_a pop, rock, female vocal

96
Слава тебя люблю

Вячеслав Александрович witch fantasy mystical dark female vocals, orchestral with harpsichord accents, imagine a waltz tempo, trap, drum and bass

88
Застелая своим теплом

Александр Цан catchy pop melody, upbeat tempo, radio-friendly hooks, modern production, dubstep, synthwave

88
Шиганшина в огне

Мистика и фильмы - аниме Gothic dark-rock ballad with female vocals; low piano and tremolo strings open in a tense hush, then distorted guitars and tom-heavy drums crash in on the chorus. Verses stay close and whispered with distant choir pads; choruses rise into soaring, anguished belts, layered harmonies, and tolling bells. Bridge drops to a haunted a cappella moment before the final, crushing reprise with double-time drums and massive choral backing., female vocals

70
Шиганшина в огне

Мистика и фильмы - аниме Gothic dark-rock ballad with female vocals; low piano and tremolo strings open in a tense hush, then distorted guitars and tom-heavy drums crash in on the chorus. Verses stay close and whispered with distant choir pads; choruses rise into soaring, anguished belts, layered harmonies, and tolling bells. Bridge drops to a haunted a cappella moment before the final, crushing reprise with double-time drums and massive choral backing., female vocals

78
Мишаня (Edit)

РоманV rock, drum and bass, male vocal

76
Набат вечности- Чечня

РоманV rock, drum and bass, art punk, experimental approach, avant-garde, creative

84
Спрячь свою косу

Radik Gritty Slavic rock march, mid‑tempo groove with overdriven guitars and low male vocals; verses stay close and spoken-sung, kick and toms pushing like marching boots, chorus opens with big chords, gang shouts, and soaring lead; short distorted solo in the bridge, final chorus rises a step with stacked harmonies and long ringing crash

97