Все треки

МЕДВЕДЬ • Шансон

Суша • Etno. Female voice with a clear, resonant mezzo-soprano timbre, delivering an emotional and expressive performance with subtle vibrato and melismas. Intro begins with a warm, fingerpicked acoustic guitar and a soft, melodic hang line. Verses feature a steady, mid-tempo beat at 100 BPM, driven by a clean HANG DTUMS and rhythmic acoustic strumming, creating an intimate and nostalgic mood, Powerful percussion drums EDM. Chorus explodes into a larger, anthem-like sound with powerful, layered male backing vocals, soaring flute, gusli counter-melodies, and expansive echo effects on the lead vocal to create a wide, atmospheric space. The arrangement builds dynamically, with the saxophone taking a prominent, soulful solo after the second chorus.

Суша • Vocal duet

Себостьян • rock, Gritty electronic rock-country hybrid, male vocals with a rough edge. Swung, twangy riff over distorted synth bass; verses stay tight and tense with clipped drum-groove and subtle banjo licks. Chorus explodes with gang shouts, wide guitars, bright lead line. Middle section strips to kick, claps, and vocal for a shout-along moment before a final full-band hit., electronic

Piupiu • art horror punk, metalcore, distorted baritone vocal, whispery female backing vocals, downstroked power chords, double-kick barrage, chromatic riffing, gang shouts, harsh tube saturation, spring reverb, slammed drum compression, analog distortion, 2000s nu metal, anthemic aggression, relentless drive

Alena Varshavskaia • Art rock, the music is just space,

Губернатор • rap, Hard-hitting trap beat at mid tempo, gritty military march accents with deep 808s and sharp hi-hats; verses stack steady Russian hip hop flows with confident storytelling, hook explodes with gang vocals and chant-style repetition; dark pads and brass stabs underline pride and pressure, male vocals upfront with doubled lines on key punch phrases, hip hop

Максим Борисович • rock, acoustic verse, overdriven chorus guitars, palm-muted eighths, tom-heavy build, gang vocal hook, male baritone lead, analog tape saturation, plate reverb snare, stereo room mics, 138 BPM, halftime bridge, anthemic catharsis, autumn dusk, folk melody lead

IZBA • Russian reggae rap, atmospheric hip-hop, style, 85 BPM, D minor, deep sub-bass, reggae offbeat guitar, floating synths, male duet, two voices: calm and aggressive, Russian mixed with English ```

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, Add a whistle, Add whistle , atmosphere , fact , story ,

Александр_К • Russian chanson, female vocal, acoustic guitar, slow tempo, melancholic mood, minimal arrangement, clear pronunciation, intimate delivery

danilop • High Tenor male vocals, Russian Estrada Pop, Grand Piano, Cinematic Strings, E Major, 90 BPM, Soaring melody, Elegant, Saxophone solo in bridge, Atmospheric ambient pads, expensive production

Maloy774 • Russian rap, boom bap, 90 BPM, deep male vocals, gritty kick-snare, vinyl crackle, tape saturation, sub bass drone, dry mono lead, chopped string sample, muted guitar licks, rimshot accents, room reverb, parallel compression, wide hook pad, spoken-word cadence, halftime groove, brooding resolve

Себостьян • Gritty Russian chanson ballad, male vocals, slow swung groove with upright bass and brushed drums, warm accordion and distant trumpet fills; verses stay intimate and spoken-like, chorus widens with rich backing harmonies and reverb, subtle strings rising toward the last hook for a bittersweet, cinematic finish

Vaschku • pop rock crossover, acoustic guitar intro, electric guitar power chords, stadium toms, slapback snare, bass guitar pick attack, synth brass stabs, layered gang vocals, call and response, rising chorus lift, breakdown bridge, stomping backbeat, steady 4 4 groove, autumnal nostalgia, defiant release, 118 BPM

Максим Борисович • synth-pop vibes, 80s inspired, bright synthesizers, danceable beat

Nostromo • Indie, opera, duduk

Freel • r&b Избегайте мелизмов; удерживайте диапазон в пределах G3–C5, никаких сильных артефактов автотюна»

3й лишний • hip hop,hip hop, под гитару

Владимир В • classical, гитара, романс

Михо Шторм • Female vocals,Female vocals

3й лишний • hip hop

NovoVik • scottish pirate metal, acoustic rock ballad, upright piano, fingerpicked acoustic guitar, distorted electric guitar swells, live drum kit, hand percussion, group chants, room mic bleed, tiled bathroom reverb, spring reverb, tape saturation, dry close-mic, builds to chorus, bittersweet nostalgia, cathartic lift, 92 BPM, swung backbeat

Елена Жванова • Electronic folk with a slow swelling-and-fading arc, rubato pulse, and Russian female vocals with emotional crackle; verse opens on sparse drones and handclap-like snaps, pre-chorus thickens with pulse and lifted harmony, chorus blooms with dulcimer-like synth, then drops to a bare voice for the ending. Breathy doubles, tears in the tone, long delay tails on key lines, reversed swells into each section, warm lo-fi haze with a wide cinematic glow., electronic

Сумасшедшая Семья • Pop song, Russian 120BPM, techno

Максим Борисович • рок, скрипка, ударные, барабаны, басс, запоминающийся припев, синтезатор, electronic

Макс-Л • post punk, depression folks, acoustic guitar, bass, electric guitar

kuprumserga • Rhythm arrangement: male vocals and a children's choir (chanson) **Base:** acoustic guitar with a "criminal" beat, double bass (walking bass in the chorus), and light percussion. **Dynamics:** - **Verse:** the guitar plays a strum, the bass holds the harmony, and the choir is silent or adds occasional accents. - **Chorus:** the drums (bass/snare) enter, the guitar plays a tight beat, and the children's choir sings the main melody in a clear and harmonious manner. - **Bridge:** a guitar-driven recitative, with the choir quietly singing a note or "la-la-la". - **Finale:** all instruments playing together, powerfully and joyfully, with the soloist and the choir singing in unison.

Себостьян • Big 80s ballad energy à la classic Phil Collins: gated drums, warm electric piano, lyrical bass, shimmering pads. Verses sit intimate with close-mic male vocals and sparse instrumentation; chorus explodes with wide tom fills, bright synth bells, and stacked harmonies on the hook. Bridge drops to almost a whisper, then a dramatic drum swell into a final, soaring chorus.

kuprumserga • Rhythm arrangement in the style of chanson with a children's choir. The basis is a light, rocking rhythm section: **acoustic guitar** with a tight beat, **double bass** or **bass guitar** with a soft, "walking" pattern, **light percussion** (shaker, tambourine). The verses have a calm tempo, while the choruses accelerate and add **drums** (bass drum, snare drum, and hi-hat). The children's choir enters in the refrains: ringing, clear, against the background of major chords. In the bridge - a recitative under the guitar, the choir sings in the background. The finale - all together, with increasing volume and a cheerful coda. # Structure and instruments *Introduction:* guitar + bass, set the mood. *Verse:*guitar plays a strum or a light beat, the bass keeps the rhythm. *Chorus:*the drums start, the guitar plays the beat, and the choir sings the main melody. *Bridge:* a guitar-driven recitative, with the choir softly singing along. *Finale:* all the instruments

Sapulia928 • fast heavy metal, power metal, acoustic guitar intro, electrified chorus guitars, twin lead guitars, wah guitar solo, punchy toms, double kick drumming, midtempo march, tape saturation, roomy drum mics, 1980s arena mix, bittersweet defiance, road-worn resolve

Лена Ларкина • pop

Евгения Грозд • alternative rock, folk, humor, punk-rock, metalkor, nu metall, comedy

Валерий Андоний • pop, blues, jazz

Валерий Андоний • pop, blues, jazz

Елена Жванова • Moody electronic Russian folk with female vocals; soft ambient intro that swells from a single synth drone into pulsing low-end and distant hand percussion. Verses stay intimate with airy pads, subtle folk strings, and close-mic’d vocal; choruses open wide with stacked harmonies, rising filter sweeps, and saturated bass swells. Emotional build with crack-in-the-voice moments, final chorus stretching into a long, fading reverb tail., electronic

Елена Жванова • Moody electronic Russian folk with female vocals; soft ambient intro that swells from a single synth drone into pulsing low-end and distant hand percussion. Verses stay intimate with airy pads, subtle folk strings, and close-mic’d vocal; choruses open wide with stacked harmonies, rising filter sweeps, and saturated bass swells. Emotional build with crack-in-the-voice moments, final chorus stretching into a long, fading reverb tail., electronic

Леонид Труханов • An energetic pop track kicks off with punchy synth stabs and a tight, processed kick-snare combo. Lively basslines and sparkling keys support catchy, layered vocal hooks in each chorus. Dynamic build-ups drive into danceable drops, with playful guitar riffs and crisp percussion throughout.

Dj Airoosh • Big room,130bpm

Dj Airoosh • Big room,130bpm

Dj Airoosh • Big room,130bpm

Vorobei • blues

Dj Airoosh • Big room,130bpm

моральная агрессия • Acoustic,Low growling , strong ruspy voice, screaming, punk-rock, drums, acoustic

NovoVik • heavy metal, speed metal, rock and roll, 180 BPM, double-time drums, galloping kick pattern, syncopated snare accents, palm-muted riffing, harmonized lead guitars, tremolo guitar runs, acoustic intro, electric chorus lift, triumphant brass hits, arena reverb, tape saturation, octave bass, explosive breakdown, dark defiance, cathartic release

VladlenVK • Aggressive Russian rap, dark, industrial, male voice, 90 BPM

Николай1987 • 70 BPM, minor key, acoustic guitar intro, electric guitar chorus, distorted power chords, marching snare, tom fills, bass guitar octave lines, orchestral strings, cymbal crashes, mono verse mix, tape saturation, plate reverb, dramatic breakdown, arena rock, cinematic pop anthems, bittersweet nostalgia, rock, metal, symphony orchestra, organ

Себостьян • rock, Cinematic rock-jazz ballad with bluesy guitar and subtle indie edge, male vocals; verses ride a slow, dusty groove with upright bass and brushed drums, chorus blooms with wide strings, overdriven lead guitar swells, and stacked harmonies; dynamic arc from intimate confession to soaring, cathartic climax, ending on a quiet, fragile guitar and piano coda

father mc nulti • acoustic rock ballad, male led anthems, electric guitar intro, crescendo drums, cello counterline, piano arpeggios, overdriven rhythm guitar, tom driven groove, stadium reverb, tape saturation, dynamic build, bittersweet nostalgia, triumphant release, 92 BPM, halftime bridge, folk rock color

ФорSаж • rock