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Виталий Максимцев Guitar,лирика,медленный,male vocals, female vocals

67
Девушка,Из !!Японии

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

55
Жить хорошо

Жить хорошо

Кавер-версия

NITOFID Russian underground gangsta rap, lo-fi hip-hop, 88 BPM. Deep male baritone, cold, controlled, spoken-word flow — like a street poet reflecting on Soviet collapse, 90s chaos, and digital decay. Beat: dusty vinyl crackle, slow boom-bap drums, heavy sub-bass, distant synth hum, eerie guitar loop from a forgotten cassette. Atmosphere: night city, wind between concrete blocks, footsteps on gravel, cigarette lighter click. Lyrics tell a story of resilience — "жить по-прежнему хорошо" as a survival mantra. No melody, no chorus singing — only raw delivery. [Instrumental Break] after each section: 5-second gritty loop with tape decay.

85
Грозди  рябины

vladzak57 Двухголосье, мужское и женское.

62
Грозди  рябины

vladzak57 Двухголосье, мужское и женское.

66
Алмаз

Witch Genre: Dark Alt Rock, Post-Grunge, Epic Folk, Female Vocal Tempo: 70 BPM → 120 BPM (bridge) Mood: painful/cold/drowning → furious/diamond-hard → triumphant/warm/soaring Instruments: piano (heavy reverb), distorted guitar swells, strings (cello/violin), taiko drums, low flute/whistle, hurdy-gurdy (episodic), gated drums, soft pads Voice: contralto — breathy whisper (verses) → raspy belting (chorus) → clear/powerful (final chorus) + folk melisma Key: E minor → G major Structure: intro (piano + crying drops + distant taiko) → verse 1 → verse 2 → chorus (full band + flute/hurdy-gurdy) → bridge (voice + cello, then explosion: all folk + guitars + taiko) → final chorus (flute melody above guitars) Dynamics: very quiet → very loud → resolution FX: breaking glass + heartbeat sub-bass before bridge; wind after "warm wind"; footsteps on snow/gravel in intro

70
Когда мы были...

Piupiu Fast, scrappy punk rock with male vocals; overdriven power chords and gritty bass locked to a relentless up-tempo beat, shout-along gang vocals on the hook. Verses stay tight and punchy, drums slightly pushed in the mix; chorus explodes with wide guitars and octave leads. Brief half-time bridge for crowd chants, then a final, faster reprise of the chorus to end in a messy ring-out.

56
САМАРСКОЕ У ИРТЫША.

Alex 86 Alternative hip-hop with a mid-tempo swung bounce, dusty drums, warm bass pulses, and sharp hand percussion; verses trade between male and female vocals with tight double-tracked pockets, hook lines answered by gang-style unison, and short delay throws on place names. Pre-chorus strips to drums and bass, chorus opens with a chopped vocal stab and airy synth bed, then bridge pulls back to near-silence before the final lift. Small reverse swells and vinyl crackle between sections; bright, gritty, intimate mix with a hard low end.

83
В жизни всегда так бывает...

ShevchenkoDenis blues-rock duet, powerful male and female бэк vocals, electric guitar, energetic,"Lux Ferro,cinematic,folk,olde blues-rock, Symphony Orchestra", violins,bass guitar,electric guitar,orchestra, 808 drums.

66
Дневник Майора ( ко дню Победы)

Ратибор Ясный Add an electric guitar solo that is long and sad. You can also add a quiet background of a accordion. In the vocals, add transitions between soaring and recitative sections. Improve the singing. This is an epic composition. Compose a song with a growing emotional plot. post punk, depression folks, acoustic guitar, bass, electric guitar The song is in a sad minor style, tragic, sad, but powerful and menacing. It is possible to add the sound of shells exploding, machine gun fire, and the sound of military aircraft buzzing.

139
Ушедшая весна

Aries pop rock, folk-pop, dance-rock, acoustic guitar strums, fingerpicked mandolin, pump organ drone, clean electric riff, tambourine hits, upright bass plucks, brushed snare, layered hook harmonies, half-volume chorus, restrained build, plate reverb, tape saturation, midtempo groove, bittersweet uplift

45
Девушка из Нагасаки (Edit)

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

78
Девушка из Нагасаки

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

81
Ушедшая весна
65
ДЕВУШКА ИЗ НАГАСАКИ 2.0

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

61
Дневник Майора

Дневник Майора

Кавер-версия

Ратибор Ясный Compose a song with a growing emotional plot. post punk, depression folks, acoustic guitar, bass, electric guitar The song is in a sad minor style, tragic, sad, but powerful and menacing. It is possible to add the sound of shells exploding, machine gun fire, and the sound of military aircraft buzzing.

86
3

3

Кавер-версия

Pawelitel Folk, sadness, ambient

81
СЕРИАЛ

Вася Вамп Медленный тяжёлый punk rock, emotional, raspy voice, guitar overdrive, grand piano, глубокий бас,Rock, мелодичный рок, punk rock, guitar, violin , скрипка в проигрышах

77
Уважаемые бля...ди (сл.Вячеслав Чабан)

Genik High-energy electronic dance track at 174 BPM, male vocal.

68
Спектакль Окончен #2 (Cover RMX)

Степан Дмитриев Dance, remix, dj work, accordion, deep bass modulated of vocoder

167
ДЕВУШКА ИЗ НАГАСАКИ.АУФФ

Alex 86 Alternative hip-hop with a laid-back swung drum pocket, dusty kick-snare, muted bass pulses, and sparse sampled accents; verse rides on stripped drums and close-mic female vocals, pre-chorus opens with filtered hats and reversed swells, chorus lands with doubled hook lines and soft gang echoes. Add subtle vinyl crackle, bell chimes, and a tape-stop turn before the bridge. Intimate, smoky, and slightly gritty mix.

78
КАКОЙ НАШ МАРШРУТ?

Вася Вамп Punk rock, dynamic, strong voice, acoustic guitar, guitar overdrive, piano.,Rock, мелодичный рок, punk rock, guitar, violin , скрипка в проигрышах

55
Выпускной

MDM music Russian acoustic pop, rap, bit, singer-songwriter, heartfelt vocals, acoustic guitar fingerpicking, minimal drums, bass guitar, mid-tempo, nostalgic, live room sound, 75 BPM, key of B minor

84
Пока мы помним

NatSol автор стихов soviet memorial ballad, march-adjacent 92 BPM, baritone lead melody, strings and woodwinds, muted trumpet countermelody, military snare roll, concert piano arpeggios, choir unison refrains, analog tape saturation, mono brass room, solemn uplift, grief to resolve

83
Arena de Plata

Rinka Dramatic flamenco song about a matador in the bullring fighting for a cold beautiful lady. Tense, heroic, tragic mood. Instruments: acoustic guitar, castanets, palmas, heel taps. Passionate vocals, final chorus — screaming. Dynamics: build‑up to choruses, fade‑out with a single vibrating string and final chord.** **(Вступление)** **(Вступает напряжённое фламенко: резкие удары каблуков по дереву, плач испанской гитары и сухой треск кастаньет. Звук тревожен, как затишье перед бурей.)** **(Эпилог)** **(Гитара обрывается на резком, высоком аккорде.)** **(Гитара возобновляет бой, но теперь ритм стал рваным, тяжёлым, как звук тяжёлого дыхания после долгого изнурительного бега.)** **(Кода)** **(Звук кастаньет затихает, остаётся лишь одинокая струна, вибрирующая до полного исчезновения звука.)** **(Музыка почти стихает, переходя в глухой, ритмичный стук каблуков по деревянному настилу — медленный, как биение сердца.)** **(Припев — финальный, мощный, с переходом на крик)**

63
Arena de Plata

Rinka Dramatic flamenco song about a matador in the bullring fighting for a cold beautiful lady. Tense, heroic, tragic mood. Instruments: acoustic guitar, castanets, palmas, heel taps. Passionate vocals, final chorus — screaming. Dynamics: build‑up to choruses, fade‑out with a single vibrating string and final chord.** **(Вступление)** **(Вступает напряжённое фламенко: резкие удары каблуков по дереву, плач испанской гитары и сухой треск кастаньет. Звук тревожен, как затишье перед бурей.)** **(Эпилог)** **(Гитара обрывается на резком, высоком аккорде.)** **(Гитара возобновляет бой, но теперь ритм стал рваным, тяжёлым, как звук тяжёлого дыхания после долгого изнурительного бега.)** **(Кода)** **(Звук кастаньет затихает, остаётся лишь одинокая струна, вибрирующая до полного исчезновения звука.)** **(Музыка почти стихает, переходя в глухой, ритмичный стук каблуков по деревянному настилу — медленный, как биение сердца.)** **(Припев — финальный, мощный, с переходом на крик)**

61
ДЕВУШКА ИЗ НАГАСАКИ

Alex 86 Alternative hip-hop with a laid-back swung drum pocket, dusty kick-snare, muted bass pulses, and sparse sampled accents; verse rides on stripped drums and close-mic female vocals, pre-chorus opens with filtered hats and reversed swells, chorus lands with doubled hook lines and soft gang echoes. Add subtle vinyl crackle, bell chimes, and a tape-stop turn before the bridge. Intimate, smoky, and slightly gritty mix.

77
2

2

Кавер-версия

Pawelitel Epic frenchcore,ambient, folk

77
СМЕРТЬ

Вася Вамп Медленный тяжёлый horror punk rock, rock ballad, melancholic, emotional, expressive, raspy voice, male vocal and female vocal, acoustic guitar, guitar overdrive, bagpipes, в припевах женский вокал, в куплетах мужской вокал

58
Жить (ст. В.Ок)

Antvalik Низкий тембр голоса, боль души, печаль, synth-pop, four-on-the-floor kick, надрыв, staccato synth

78
Метал

Mygen Энергичный тяжёлый метал,rock duet,

66
Рука в руке

Алексей Митронин bossa nova, indie rock, synth-pop, syncopated nylon guitar, fingerpicked acoustic guitar, staccato synth lead, bass clarinet countermelody, brushed snare kit, four-on-the-floor kick, vocal harmonies, harmonizer vocals, slapback delay, dry close mix, dynamic breakdowns, brooding desire, sweet menace, 112 BPM, crescendo chorus

72
Купола.

Купола.

Кавер-версия

ShevchenkoDenis Cinematic post blues,rock,jazz trance with Symphony Orchestra, violins, acoustic, bass guitar, orchestra, 808 drums.

87
Какая цена?!

Вася Вамп Бодрый punk rock, energetic, expressive, raspy voice, guitar overdrive, глубокий бас.,Rock, мелодичный рок, punk rock, guitar, violin , скрипка в проигрышах

67
О моей любви (Стимул Cover)

OLEG SMOLYAKOV pop, фортепиано, гитара, медленный ритм и темп, приятный мужской голос

101
О моей любви (Стимул Cover)

OLEG SMOLYAKOV pop, фортепиано, гитара, медленный ритм и темп, приятный мужской голос

77
- Ой ты степь широкая_(mp3find.ru)

Дмитрий1365 Folk,Acoustic guitars ,Melodic vocals, rock

97
Солнце, я рядом с тобой. ( памяти В. Цоя)

Ратибор Ясный post punk, depression folks, acoustic guitar, bass, electric guitar, rock acoustic ballad symphonic контрабас, бас гитара , басовые партии double bass, bass guitar, bass parts, male vocal, male vocal

273
Карма

MDM music Russian folk, folk-pop, acoustic guitar fingerpicking, balalaika tremolo, bayan drones, frame drum accents, handclaps, bowed bass, church bell hits, tape saturation, mono room ambience, spring reverb, 4/4 march pulse, downbeat lyric accents, mournful resolve, communal chorus, hip hop, electronic, r&b

90
Любимой

Николай Саблин Cinematic post-rock-heavy metal- trance with Symphony Orchestra, violins, acoustic guitars, spanish guitar, electric guitar, bass, pad, layered, professional mastering, distortion, manly voice without hoarseness, Hi-fi, stereo, surround sound.

77
Ушедшая весна

Aries liquid dnb, 170 BPM, brushed breakbeats, sub-bass glide, muted rhodes chords, pizzicato strings, felt piano motifs, tape saturation, spring reverb, close mic ambience, sidechain ducking, minimal arrangement, whispered melancholy, nocturnal pulse

47
Три инженера (Edit) (Edit) (Edit) (Edit)

Алексей 73 hard rock, driving rhythm, energetic male vocals, electric guitar riffs, road trip atmosphere, russian rock

51
Россия 🇷🇺 ХИТ!!!

Суетолог Phonk with a hard-tripping half-time groove, gritty 808 pulse, rattling hats, and a dark minor-key violin lead threaded with folk accordion; verse rides sparse drums and a low bass drone, pre-chorus opens with rising strings and clipped vocal chants, chorus hits with stacked female vocals and a chantable hook. Add tape-stop transitions, reversed fiddle swells, and short reverb throws on the hook words. Bright, punchy, and heavy in the low end with a cold cinematic edge.

58
Через лес

Пополюшку drum and bass, soul, classical, r&b

76
Лида

Ветер punk rock, garage rock, hook-driven bassline, fuzzed electric guitar, power chord stabs, drumkit rimshots, overdriven room mics, slapback delay, tape saturation, mono punch, 140 BPM, four-on-the-floor kick, ragged energy, bittersweet romance, Russian lyric delivery

61
Я отмолила ненависть как грех (романс)

Petitpapillon82 new age piano solo, emotive playing, minimalist, beautiful, pop ballad, Passionate Russian Gypsy romance with emotional vocals.

152
Наш Брянск Один

Суетолог Trap-phonk with militaristic march energy, swung half-time drums, rattling hats, heavy sub-bass and brass-like stabs; verse rides sparse kick, snare, and cold bell textures, pre-chorus tightens with rising chants and filtered percussion, chorus hits with gang vocals and a rugged folk hook. Lead vocal is gritty and close-mic with doubled ad-libs, shouted hook layers, and short delay throws. Ear candy includes reverse cymbal swells, distant drum-roll fills, and vinyl crackle between lines. Mix is dark, punchy, and wide with a hard low end., rap

73