Все треки

Махарани • Angelic youthful male vocals, ethereal meditative world fusion, precise enunciation, rhythmic mridangam, bongos, harp arpeggios, atmospheric, devotional, peacock sounds, 4/4 iambic meter, sacred cinematic folk, pure, no retro, no restaurant style

Oksana Che • [style] genre: fusion of folk, pop, and electronic dance music subgenres: плясовая, частушки, R&B, deep house vocal: female, mezzo-soprano, clear and bright mood: cheerful, energetic, festive, lively tempo: upbeat (120–130 BPM) rhythm: prominent four-on-the-floor kick drum (clear, punchy "бочка"), syncopated folk-inspired percussion instrumentation: modern electronic production with traditional folk elements (accordion, balalaika, or similar), deep house synth pads, R&B-style vocal ad-libs structure: verse-chorus with folk-style call-and-response sections, club-friendly breakdowns and builds vocal style: folk-inspired melodies with contemporary R&B inflections, playful and rhythmic delivery (like частушки) atmosphere: club version, dancefloor-ready, festive celebration vibe language: Russian length: 2:30–3:00

Balizara • folk-rock, alternative rock, post-punk fusion, mid-tempo driving groove, young male vocals with light rasp, intimate acoustic verses, explosive distorted chorus, angular guitar riffs, steady bassline, dry punchy drums, mandolin accents, atmospheric build, raw analog production

Taty Cher • Afrobit, pop-rock, electronic, bass guitara, temp 115 ВРМ, DUDUK, FLEiTA

DJ_Gen4ik • Breakbeat Remix, High Energy, Maximum Drive, 140-160 BPM, Ultra Quality Production] Epic pumping breakbeat remix in the style of 90s jungle/breakcore with massive Amen breaks, filthy wobbling sub-bass, razor-sharp snares, vinyl scratches, and hyperkinetic hi-hats. Insane drive and bounce: layered break loops accelerating into chaotic drops, heavy reverb on kicks, futuristic synth stabs, and gritty samples from old-school hip-hop. Professional mastering for club-shaking loudness, crystal-clear highs, and bone-rattling lows. Non-stop energy build-ups with tension risers and explosive breakdowns. Female vocalist, confident streetwise delivery, powerful and hype, with rap-chant verses and soaring hooks. Theme: Breakdance revolution – street battles, popping & locking, windmills & headspins, urban freestyle energy, defying gravity on cardboard.

OСКА • Atmospheric pop ballad, emotional and heartfelt, acoustic guitar, soft synth pads, light drums, strings in chorus, reverb on vocals, moderate tempo (95 BPM),, soul, ambient, duet female and raspy male vocals

Евгений Шлычков • Russian alternative rock, rap rock verses, 96 BPM, spoken word delivery, aggressive backbeat, distorted rhythm guitars, fretless bass slides, tom-heavy fills, gang chant chorus, call and response hooks, punchy snare compression, tape saturation, dry close-mic vocals, arena reverb chorus, verse dropouts, rising pre-chorus build, defiant energy, confrontational swagger

Кристина10 • На усмотрение ии

Махарани • Style: Aesthetic deep dance fusion, modern hypnotic tribal bass, feminine breathy flirtatious rap, enchanting shamanic house. No chanson, no 90s estrada, no gypsy, no minor-key melodrama, no pop vibrato, no chastushka, no eastern melisma, no screaming, no ululation, no flute. Bass: bass boosted, massive live concert sub-bass, chest-rattling low-end. Vocals: only female, breathy light playful rap, tender melodic, confident smile, natural delivery, zero affectation. Chorus: low-key hypnotic melody, restrained, groovy. Instruments:pulsating didgeridoo drone throughout, sophisticated mesmerizing didgeridoo solo,tibetan bowls shimmer, layered bongos polyrhythms, punchy kick drum groove,deep sub-bass, atmospheric synth pads. Strong drum beat,driving rhythm. Tempo: 100 BPM, hypnotic swing, aesthetic dance energy. Structure: breathy intro → rap → low-key chorus→ rap → low-key chorus → bongo solo→ didgeridoo solo → fast breathy rap → outro breathy whisper with bowls.Indian fusion with castanets

Махарани • Style: Aesthetic deep dance fusion, modern hypnotic tribal bass, feminine breathy flirtatious rap, enchanting shamanic house. No chanson, no 90s estrada, no gypsy, no minor-key melodrama, no pop vibrato, no chastushka, no eastern melisma, no screaming, no ululation, no flute. Bass: bass boosted, massive live concert sub-bass, chest-rattling low-end. Vocals: only female, breathy light playful rap, tender melodic, confident smile, natural delivery, zero affectation. Chorus: low-key hypnotic melody, restrained, groovy. Instruments:pulsating didgeridoo drone throughout, sophisticated mesmerizing didgeridoo solo,tibetan bowls shimmer, layered bongos polyrhythms, punchy kick drum groove,deep sub-bass, atmospheric synth pads. Strong drum beat,driving rhythm. Tempo: 100 BPM, hypnotic swing, aesthetic dance energy. Structure: breathy intro → rap → low-key chorus→ rap → low-key chorus → bongo solo→ didgeridoo solo → fast breathy rap → outro breathy whisper with bowls.Indian fusion with castanets

Сергей Федорович • Ancient Russian ballad, rock, post-punk, introduction by picking the melody on the gusli, sviristelki, contrast added a heavy riff on an overloaded guitar, instead of drums, the rhythm is periodically set by the troops swords flat on the shields, and the sound of the troops steps. Include elements of choral singing, reminiscent of folk chants. Dynamic transitions between verses and choruses. Male rough voice.

Сергей 163Серж163 • Реп,шансон,грубый баритон,вдохновляющая музыка,не сильно грустная,гитара,бассы,скрипка

Алекс 890 • Russian emotional ballad, slow 6/8 feel with tender piano arpeggios, warm strings, soft brushed percussion and a rising live-string chorus; verse stays intimate and close-mic, pre-chorus opens with sustained pads and breathy doubles, chorus blooms with stacked male harmonies and gentle octave lift. Use delicate vocal delay throws on key phrases, a string swell into each chorus, and a final lift with fuller drums and shimmering piano. Mix is wide, glossy, and deeply intimate

Александр323 • Club-pop into trap with a driving four-on-the-floor groove that flips halfway into half-time trap; verse starts glossy and dancefloor-ready, pre-chorus narrows to snapped claps and a filtered synth pulse, chorus opens wide with stacked female doubles, then the second verse drops into heavier 808-style knock and sparse space. Add reverse swells into the transition, vocal chops on the hook, and a final chant layer. Bright, polished mix with a hard low-end switch and glossy top end.

Лес • drum and bass, 174 BPM, breakbeat drums, reese bass, sub-bass glide, neon synth stabs, atmospheric pads, chopped vocal samples, ping-pong delay, tape saturation, wide stereo mix, gated reverb snare, summer night, urban drive, half-time breakdown, four-bar lift, club energy

Лес • drum and bass, 174 BPM, breakbeat drums, reese bass, sub-bass glide, neon synth stabs, atmospheric pads, chopped vocal samples, ping-pong delay, tape saturation, wide stereo mix, gated reverb snare, summer night, urban drive, half-time breakdown, four-bar lift, club energy

Olga_mis • Chanson, acoustic guitar,, pop, country, Allegro, funny, joke

Андрей_Ш • Russian rock, acoustic folk-rock, spoken declaimed vocal, harmonica countermelody, tenor saxophone lead, fretless bass slides, electric piano voicings, brushed snare groove, muted telecaster arpeggios, warm tape saturation, room reverb, dry close-mic vocals, restrained dynamics, wistful grief, urban satire, 84 BPM, half-time backbeat

моральная агрессия • Symphonyc orchestra, softly soul blues

моральная агрессия • Romance, bass guitar, acoustic guitar solos]

Танюня • Russian folk metal, groove metal, mid-tempo riff march, detuned seven-string guitars, staccato chugging palm mutes, fretless bass glides, balalaika accents, hand drum hits, harsh male shouts, Slavic modal hooks, mono drum room, tape saturation, spring reverb, punchy parallel compression, live band energy, confrontational satire, memorial mood

Танюня • Russian folk metal, groove metal, mid-tempo riff march, detuned seven-string guitars, staccato chugging palm mutes, fretless bass glides, balalaika accents, hand drum hits, harsh male shouts, Slavic modal hooks, mono drum room, tape saturation, spring reverb, punchy parallel compression, live band energy, confrontational satire, memorial mood

Танюня • classical, rock

ANGELIN • rock, pop

Michael 210 • Synth, symphony, guitar, male vocals

Алекс 890 • Russian pop-folk with gentle fingerpicked acoustic guitar, light percussion, and uplifting swaying rhythm; verse stays intimate and bare, pre-chorus opens with stacked harmonies and rising acoustic runs, chorus blooms with fuller strums and a singable topline; female vocals, warm doubles on the hook, soft ad-libs in the gaps, a small guitar fill between lines, bright and tender mix

ANGELIN • rock, r&b

Taty Cher • Afrobit, pop-rock, electronic, bass guitara, temp 115 ВРМ, DUDUK, FLEiTA

Денис Чебаков • pop, синтезаторы, электро гитары

Лес • drum and bass, alternative rock, 174 BPM, distorted electric guitars, fretless bass slides, spoken word delivery, breakbeat drums, halftime breakdown, build and drop arrangement, parallel compression, tape saturation, spring reverb, wide stereo guitars, call-and-response riffs, aggressive catharsis, urban defiance

Tema can fly • Style: epic medieval/fantasy folk rock with Nordic influences, reminiscent of Skyrim’s soundtrack. Rhythm: steady 4/4 time, moderately paced (≈100 BPM); strong downbeats on 1 and 3, driving quarter‑note pulse in verses; choruses feature emphatic half‑notes for a grand feel. March‑like, battle‑ready groove. Vocals: powerful baritone lead (commanding, authoritative tone, like a guard captain rallying troops); backing vocals in choruses — male choir in unison and triads (A minor/C major), chant‑like and resonant. Slight reverb for a vast, outdoor feel. Arrangement: acoustic guitar and bodhrán (rhythm), low brass (horns, trombone) for power, Nordic flute for melody, deep male choir on choruses, subtle strings for texture. Minimalistic in verses, fuller in choruses; ends with fading horns and drum roll.

Seawolf • Авторская, алтернативная песня, мужской грубый вокал, патриотический ритм, звуковые эффекты, pop

Yurec • Russian punk rock, fast aggressive male vocals, shouting style, distorted power chords, raw garage production, simple drum beat, high tempo 175-185 BPM, sarcastic political energy, similar to Tarakany! (Тараканы!), no autotune, dry vocal mix, short phrases, punk rock breakdown, feedback intro.

Sergilio • [Genre Tags]: Vietnamese traditional, ethnic fusion, ambient, world music [Instruments]: đàn tranh, đàn bầu, đàn sáo, bamboo flute, traditional percussion [Vocals]: female vocalist, lyrical singing, emotional [Mood]: Nostalgic, dreamy, evocative of Vietnamese landscapes and culture. [Tempo]: 70–80 BPM. [Key]: Minor key for emotional depth.

Seawolf • Авторская, алтернативная песня, мужской грубый вокал, патриотический ритм, звуковые эффекты, pop

Rygin AE • rock

Jura • Disco, Spacesynth, Techno, Eurodance, 80s synthpop, uplifting synths, driving beat, euphoric vibes, Yuri Sosnin style, male and female vocals, vocal transitions, DJ voice, energy build‑ups, smooth transitions, 120 BPM, radio‑friendly

Sapulia928 • heavy metal, 132 BPM, down-tuned riffing, palm-muted chugs, fretless bass glissando, double-kick barrage, snare crack, arena tom fills, gang shouts, spoken declamation, parallel compression, plate reverb, tape saturation, breakdown stops, half-time groove, dark swagger

Sapulia928 • heavy metal, 132 BPM, down-tuned riffing, palm-muted chugs, fretless bass glissando, double-kick barrage, snare crack, arena tom fills, gang shouts, spoken declamation, parallel compression, plate reverb, tape saturation, breakdown stops, half-time groove, dark swagger

DJ_Gen4ik • electronic deep teh hause

Танюня • Pop, dj, tehno

Лес • rock, pop, electronic, ambient

Танюня • techno, rock

Владимир В • Романс, jazz, soul, фортепиано, саксофон, гитара

Норина Наталья • Guitar only, The last verse with the violin

Сергей 163Серж163 • Russian chanson,грубый баритон, бассы,гитара,современная музыка,вдохновляющий стиль

Yurec • Punk pop rock, male vocals reminiscent , fast tempo, driving drums, overdriven guitars, style melodic structure, raw and emotional, Russian rock.

Sergilio • Vietnamese-inspired track, traditional Vietnamese structure, soft dan tranh intro, gradual build-up with gentle percussion, main section featuring Vietnamese-style melody, light ethnic flute and zither, rhythmic bamboo and drum accents, bridge with atmospheric pads and subtle vocal harmonies, final chorus with full traditional ensemble, fade out with solo dan bau. Ethereal, cinematic, folk-inspired.

YohPilot • darkwave, ethereal wave, male lead vocal, rich male voice, Latin choir, female church chorus, 92 BPM, resigned atmosphere, desert drone textures, tremolo electric guitar, analog synth pads, sub bass pulse, sparse tom hits, gated snare, tape echo delay, spring reverb, VHS noise bed, desert noise textures, dying vocal delivery minor key ostinato, half-time groove, widening chorus, faded out chorus

Ал Саныч • Нежная скрипка, ласковый аккордеон, перебор гитары