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Последние публичные треки, созданные нашими пользователями

Гуру 🙏

Махарани Angelic youthful male vocals, ethereal meditative world fusion, precise enunciation, rhythmic mridangam, bongos, harp arpeggios, atmospheric, devotional, peacock sounds, 4/4 iambic meter, sacred cinematic folk, pure, no retro, no restaurant style

99
С днём рождения, Саша!

Oksana Che [style] genre: fusion of folk, pop, and electronic dance music subgenres: плясовая, частушки, R&B, deep house vocal: female, mezzo-soprano, clear and bright mood: cheerful, energetic, festive, lively tempo: upbeat (120–130 BPM) rhythm: prominent four-on-the-floor kick drum (clear, punchy "бочка"), syncopated folk-inspired percussion instrumentation: modern electronic production with traditional folk elements (accordion, balalaika, or similar), deep house synth pads, R&B-style vocal ad-libs structure: verse-chorus with folk-style call-and-response sections, club-friendly breakdowns and builds vocal style: folk-inspired melodies with contemporary R&B inflections, playful and rhythmic delivery (like частушки) atmosphere: club version, dancefloor-ready, festive celebration vibe language: Russian length: 2:30–3:00

164
Я и пустота

Balizara folk-rock, alternative rock, post-punk fusion, mid-tempo driving groove, young male vocals with light rasp, intimate acoustic verses, explosive distorted chorus, angular guitar riffs, steady bassline, dry punchy drums, mandolin accents, atmospheric build, raw analog production

102
Soul

Taty Cher Afrobit, pop-rock, electronic, bass guitara, temp 115 ВРМ, DUDUK, FLEiTA

89
Уличные баттлы...

DJ_Gen4ik Breakbeat Remix, High Energy, Maximum Drive, 140-160 BPM, Ultra Quality Production] Epic pumping breakbeat remix in the style of 90s jungle/breakcore with massive Amen breaks, filthy wobbling sub-bass, razor-sharp snares, vinyl scratches, and hyperkinetic hi-hats. Insane drive and bounce: layered break loops accelerating into chaotic drops, heavy reverb on kicks, futuristic synth stabs, and gritty samples from old-school hip-hop. Professional mastering for club-shaking loudness, crystal-clear highs, and bone-rattling lows. Non-stop energy build-ups with tension risers and explosive breakdowns. Female vocalist, confident streetwise delivery, powerful and hype, with rap-chant verses and soaring hooks. Theme: Breakdance revolution – street battles, popping & locking, windmills & headspins, urban freestyle energy, defying gravity on cardboard.

157
Наша доченька

OСКА Atmospheric pop ballad, emotional and heartfelt, acoustic guitar, soft synth pads, light drums, strings in chorus, reverb on vocals, moderate tempo (95 BPM),, soul, ambient, duet female and raspy male vocals

72
Твой внутренний демон

Евгений Шлычков Russian alternative rock, rap rock verses, 96 BPM, spoken word delivery, aggressive backbeat, distorted rhythm guitars, fretless bass slides, tom-heavy fills, gang chant chorus, call and response hooks, punchy snare compression, tape saturation, dry close-mic vocals, arena reverb chorus, verse dropouts, rising pre-chorus build, defiant energy, confrontational swagger

134
Одуванчик

Кристина10 На усмотрение ии

87
Шантарам🙏

Махарани Style: Aesthetic deep dance fusion, modern hypnotic tribal bass, feminine breathy flirtatious rap, enchanting shamanic house. No chanson, no 90s estrada, no gypsy, no minor-key melodrama, no pop vibrato, no chastushka, no eastern melisma, no screaming, no ululation, no flute. Bass: bass boosted, massive live concert sub-bass, chest-rattling low-end. Vocals: only female, breathy light playful rap, tender melodic, confident smile, natural delivery, zero affectation. Chorus: low-key hypnotic melody, restrained, groovy. Instruments:pulsating didgeridoo drone throughout, sophisticated mesmerizing didgeridoo solo,tibetan bowls shimmer, layered bongos polyrhythms, punchy kick drum groove,deep sub-bass, atmospheric synth pads. Strong drum beat,driving rhythm. Tempo: 100 BPM, hypnotic swing, aesthetic dance energy. Structure: breathy intro → rap → low-key chorus→ rap → low-key chorus → bongo solo→ didgeridoo solo → fast breathy rap → outro breathy whisper with bowls.Indian fusion with castanets

104
Ты мой Шантарам 🙏

Махарани Style: Aesthetic deep dance fusion, modern hypnotic tribal bass, feminine breathy flirtatious rap, enchanting shamanic house. No chanson, no 90s estrada, no gypsy, no minor-key melodrama, no pop vibrato, no chastushka, no eastern melisma, no screaming, no ululation, no flute. Bass: bass boosted, massive live concert sub-bass, chest-rattling low-end. Vocals: only female, breathy light playful rap, tender melodic, confident smile, natural delivery, zero affectation. Chorus: low-key hypnotic melody, restrained, groovy. Instruments:pulsating didgeridoo drone throughout, sophisticated mesmerizing didgeridoo solo,tibetan bowls shimmer, layered bongos polyrhythms, punchy kick drum groove,deep sub-bass, atmospheric synth pads. Strong drum beat,driving rhythm. Tempo: 100 BPM, hypnotic swing, aesthetic dance energy. Structure: breathy intro → rap → low-key chorus→ rap → low-key chorus → bongo solo→ didgeridoo solo → fast breathy rap → outro breathy whisper with bowls.Indian fusion with castanets

115
Наша древняя рать

Наша древняя рать

Кавер-версия

Сергей Федорович Ancient Russian ballad, rock, post-punk, introduction by picking the melody on the gusli, sviristelki, contrast added a heavy riff on an overloaded guitar, instead of drums, the rhythm is periodically set by the troops swords flat on the shields, and the sound of the troops steps. Include elements of choral singing, reminiscent of folk chants. Dynamic transitions between verses and choruses. Male rough voice.

168
Серж163-красивая любовь

Сергей 163Серж163 Реп,шансон,грубый баритон,вдохновляющая музыка,не сильно грустная,гитара,бассы,скрипка

100
Не Всевышний

Алекс 890 Russian emotional ballad, slow 6/8 feel with tender piano arpeggios, warm strings, soft brushed percussion and a rising live-string chorus; verse stays intimate and close-mic, pre-chorus opens with sustained pads and breathy doubles, chorus blooms with stacked male harmonies and gentle octave lift. Use delicate vocal delay throws on key phrases, a string swell into each chorus, and a final lift with fuller drums and shimmering piano. Mix is wide, glossy, and deeply intimate

92
На ладони

Александр323 Club-pop into trap with a driving four-on-the-floor groove that flips halfway into half-time trap; verse starts glossy and dancefloor-ready, pre-chorus narrows to snapped claps and a filtered synth pulse, chorus opens wide with stacked female doubles, then the second verse drops into heavier 808-style knock and sparse space. Add reverse swells into the transition, vocal chops on the hook, and a final chant layer. Bright, polished mix with a hard low-end switch and glossy top end.

115
Эйрей

Лес drum and bass, 174 BPM, breakbeat drums, reese bass, sub-bass glide, neon synth stabs, atmospheric pads, chopped vocal samples, ping-pong delay, tape saturation, wide stereo mix, gated reverb snare, summer night, urban drive, half-time breakdown, four-bar lift, club energy

95
Драмчик

Лес drum and bass, 174 BPM, breakbeat drums, reese bass, sub-bass glide, neon synth stabs, atmospheric pads, chopped vocal samples, ping-pong delay, tape saturation, wide stereo mix, gated reverb snare, summer night, urban drive, half-time breakdown, four-bar lift, club energy

99
Черти

Olga_mis Chanson, acoustic guitar,, pop, country, Allegro, funny, joke

87
Познакомимся???

Андрей_Ш Russian rock, acoustic folk-rock, spoken declaimed vocal, harmonica countermelody, tenor saxophone lead, fretless bass slides, electric piano voicings, brushed snare groove, muted telecaster arpeggios, warm tape saturation, room reverb, dry close-mic vocals, restrained dynamics, wistful grief, urban satire, 84 BPM, half-time backbeat

182
Элегия(муз.и ст. Екатерина Неустроева)
316
Березка

Танюня Russian folk metal, groove metal, mid-tempo riff march, detuned seven-string guitars, staccato chugging palm mutes, fretless bass glides, balalaika accents, hand drum hits, harsh male shouts, Slavic modal hooks, mono drum room, tape saturation, spring reverb, punchy parallel compression, live band energy, confrontational satire, memorial mood

115
Березка

Танюня Russian folk metal, groove metal, mid-tempo riff march, detuned seven-string guitars, staccato chugging palm mutes, fretless bass glides, balalaika accents, hand drum hits, harsh male shouts, Slavic modal hooks, mono drum room, tape saturation, spring reverb, punchy parallel compression, live band energy, confrontational satire, memorial mood

94
Мой муж (Edit)
89
На чаше весов.

Michael 210 Synth, symphony, guitar, male vocals

289
Пусть ладони

Алекс 890 Russian pop-folk with gentle fingerpicked acoustic guitar, light percussion, and uplifting swaying rhythm; verse stays intimate and bare, pre-chorus opens with stacked harmonies and rising acoustic runs, chorus blooms with fuller strums and a singable topline; female vocals, warm doubles on the hook, soft ad-libs in the gaps, a small guitar fill between lines, bright and tender mix

82
Soul

Taty Cher Afrobit, pop-rock, electronic, bass guitara, temp 115 ВРМ, DUDUK, FLEiTA

105
Дары дьявола

Лес drum and bass, alternative rock, 174 BPM, distorted electric guitars, fretless bass slides, spoken word delivery, breakbeat drums, halftime breakdown, build and drop arrangement, parallel compression, tape saturation, spring reverb, wide stereo guitars, call-and-response riffs, aggressive catharsis, urban defiance

126
LYUBJE_-_Prorvemsya_Opera_

LYUBJE_-_Prorvemsya_Opera_

Кавер-версия

Tema can fly Style: epic medieval/fantasy folk rock with Nordic influences, reminiscent of Skyrim’s soundtrack. Rhythm: steady 4/4 time, moderately paced (≈100 BPM); strong downbeats on 1 and 3, driving quarter‑note pulse in verses; choruses feature emphatic half‑notes for a grand feel. March‑like, battle‑ready groove. Vocals: powerful baritone lead (commanding, authoritative tone, like a guard captain rallying troops); backing vocals in choruses — male choir in unison and triads (A minor/C major), chant‑like and resonant. Slight reverb for a vast, outdoor feel. Arrangement: acoustic guitar and bodhrán (rhythm), low brass (horns, trombone) for power, Nordic flute for melody, deep male choir on choruses, subtle strings for texture. Minimalistic in verses, fuller in choruses; ends with fading horns and drum roll.

108
Будни УГРО.

Seawolf Авторская, алтернативная песня, мужской грубый вокал, патриотический ритм, звуковые эффекты, pop

95
Голая вечеринка (Жесть в ноль)

Yurec Russian punk rock, fast aggressive male vocals, shouting style, distorted power chords, raw garage production, simple drum beat, high tempo 175-185 BPM, sarcastic political energy, similar to Tarakany! (Тараканы!), no autotune, dry vocal mix, short phrases, punk rock breakdown, feedback intro.

87
Bài hát về Tổ quốc(песня о Родине)

Sergilio [Genre Tags]: Vietnamese traditional, ethnic fusion, ambient, world music [Instruments]: đàn tranh, đàn bầu, đàn sáo, bamboo flute, traditional percussion [Vocals]: female vocalist, lyrical singing, emotional [Mood]: Nostalgic, dreamy, evocative of Vietnamese landscapes and culture. [Tempo]: 70–80 BPM. [Key]: Minor key for emotional depth.

107
Будни УГРО.

Seawolf Авторская, алтернативная песня, мужской грубый вокал, патриотический ритм, звуковые эффекты, pop

88
Mix Eurodance

Mix Eurodance

Кавер-версия

Jura Disco, Spacesynth, Techno, Eurodance, 80s synthpop, uplifting synths, driving beat, euphoric vibes, Yuri Sosnin style, male and female vocals, vocal transitions, DJ voice, energy build‑ups, smooth transitions, 120 BPM, radio‑friendly

143
WoT Music Team, Aleksandr Khilko, Ivan Kucherenko, Ilya Tereshchuk - Fight Back

Sapulia928 heavy metal, 132 BPM, down-tuned riffing, palm-muted chugs, fretless bass glissando, double-kick barrage, snare crack, arena tom fills, gang shouts, spoken declamation, parallel compression, plate reverb, tape saturation, breakdown stops, half-time groove, dark swagger

132
WoT Music Team, Aleksandr Khilko, Ivan Kucherenko, Ilya Tereshchuk - Fight Back

Sapulia928 heavy metal, 132 BPM, down-tuned riffing, palm-muted chugs, fretless bass glissando, double-kick barrage, snare crack, arena tom fills, gang shouts, spoken declamation, parallel compression, plate reverb, tape saturation, breakdown stops, half-time groove, dark swagger

126
Dеер bluе ocean

DJ_Gen4ik electronic deep teh hause

146
Я люблю (Edit)
105
Тьма зовёт

Лес rock, pop, electronic, ambient

104
Я люблю
100
Тени любви

Владимир В Романс, jazz, soul, фортепиано, саксофон, гитара

166
Серж163-  Память Другу! (Edit)

Сергей 163Серж163 Russian chanson,грубый баритон, бассы,гитара,современная музыка,вдохновляющий стиль

82
Диванный тик-токер

Yurec Punk pop rock, male vocals reminiscent , fast tempo, driving drums, overdriven guitars, style melodic structure, raw and emotional, Russian rock.

93
Bamboo Sighs

Sergilio Vietnamese-inspired track, traditional Vietnamese structure, soft dan tranh intro, gradual build-up with gentle percussion, main section featuring Vietnamese-style melody, light ethnic flute and zither, rhythmic bamboo and drum accents, bridge with atmospheric pads and subtle vocal harmonies, final chorus with full traditional ensemble, fade out with solo dan bau. Ethereal, cinematic, folk-inspired.

81
Путь воина! V.2 чисто

YohPilot darkwave, ethereal wave, male lead vocal, rich male voice, Latin choir, female church chorus, 92 BPM, resigned atmosphere, desert drone textures, tremolo electric guitar, analog synth pads, sub bass pulse, sparse tom hits, gated snare, tape echo delay, spring reverb, VHS noise bed, desert noise textures, dying vocal delivery minor key ostinato, half-time groove, widening chorus, faded out chorus

133
Твоя улыбка

Ал Саныч Нежная скрипка, ласковый аккордеон, перебор гитары

85