Все треки
Последние публичные треки, созданные нашими пользователями
Lexius • Bass aggressive, rap aggressive, музыка в машину,, reggae aggressive.
Taty Cher • [Genre: Tech House] [Subgenre: Dark Tech House] [Mood: Intense, hypnotic] [Tempo: 110 beats per minute] Aggressive electro rhythms with distorted beats and crystal percussion. Deep, rumbling basses. Minimal synth rhythms with strong reverb. Atmosphere: underground club, night energy. No melodies, just rhythms. Vocals: Low bass with a crackling overdrive.
Fisherman • reggae
Смирнов Анатолий • Pop, Russian Chanson, Female Vocal, echo, Explosive powerful vocals, Piano, Atmospheric, emotional, Add Bits
Tema can fly • Style: epic lyrical ballad with cinematic fantasy folk elements, evoking Star Wars and Elder Scrolls soundtracks — intimate yet grand. Rhythm: 6/8 in verses/choruses (flowing, Force‑like pulse), shifting to 4/4 in the bridge (dramatic tension), returning to 6/8 for the triumphant finale. Tempo: Andante (72–80 BPM) → Allegro maestoso (108 BPM). Vocals: mezzo‑soprano, from piano/whisper (verses) to forte (climax). Legato in verses, marcato on key words («Brianna», «star», «free»). Instruments: acoustic guitar, harp, strings, flute, horns, didgeridoo, handpan, tambourine, timpani, celesta, synth pads. Atmosphere: from shadow and silence (Act I) → dawning light (Act II) → storm and conflict (Bridge) → radiant freedom (Finale). Effects: reverb, echo on «Brianna», sub‑bass hum, star‑like synth sparkles, crescendo, riser before bridge, bell chimes in outro.
Tema can fly • Style: epic lyrical ballad with cinematic fantasy folk elements, evoking Star Wars and Elder Scrolls soundtracks — intimate yet grand. Rhythm: 6/8 in verses/choruses (flowing, Force‑like pulse), shifting to 4/4 in the bridge (dramatic tension), returning to 6/8 for the triumphant finale. Tempo: Andante (72–80 BPM) → Allegro maestoso (108 BPM). Vocals: mezzo‑soprano, from piano/whisper (verses) to forte (climax). Legato in verses, marcato on key words («Brianna», «star», «free»). Instruments: acoustic guitar, harp, strings, flute, horns, didgeridoo, handpan, tambourine, timpani, celesta, synth pads. Atmosphere: from shadow and silence (Act I) → dawning light (Act II) → storm and conflict (Bridge) → radiant freedom (Finale). Effects: reverb, echo on «Brianna», sub‑bass hum, star‑like synth sparkles, crescendo, riser before bridge, bell chimes in outro.
Tema can fly • Style: an epic industrial‑metal ballad blending cinematic Star Wars grandeur with dark, emotional depth. The rhythm shifts from a heavy 6/8 march in verses to a powerful 4/4 in choruses, building intensity from Andante (80 BPM) to Maestoso (108 BPM). The mezzo‑soprano vocal starts hushed and hoarse (piano), conveying vulnerability, then escalates to a full, resonant fortissimo during the climax (“Brianna!”), before fading into peaceful piano at the end. Articulation moves from sharp, staccato phrasing to open, vibrato‑rich lines. Instrumentation combines distorted electric guitars and a driving bass riff with orchestral elements: deep cellos, brass fanfares, and ethereal celesta glimmers. Industrial percussions and metallic sound effects enhance the tension, while atmospheric synth pads and sub‑bass rumble evoke the Force’s presence. Atmosphere evolves from dark corridors and shadows to a triumphant starlit vista, symbolizing Brianna’s journey from servitude to Jedi freedom.
Tema can fly • Style: an epic industrial‑metal ballad blending cinematic Star Wars grandeur with dark, emotional depth. The rhythm shifts from a heavy 6/8 march in verses to a powerful 4/4 in choruses, building intensity from Andante (80 BPM) to Maestoso (108 BPM). The mezzo‑soprano vocal starts hushed and hoarse (piano), conveying vulnerability, then escalates to a full, resonant fortissimo during the climax (“Brianna!”), before fading into peaceful piano at the end. Articulation moves from sharp, staccato phrasing to open, vibrato‑rich lines. Instrumentation combines distorted electric guitars and a driving bass riff with orchestral elements: deep cellos, brass fanfares, and ethereal celesta glimmers. Industrial percussions and metallic sound effects enhance the tension, while atmospheric synth pads and sub‑bass rumble evoke the Force’s presence. Atmosphere evolves from dark corridors and shadows to a triumphant starlit vista, symbolizing Brianna’s journey from servitude to Jedi freedom.
Андрей Л • children's march
MaReVo • Trap with male vocals, half-time bounce, sparse sub pulse, clipped hats, dark piano motifs; verse rides tense and intimate with close-mic delivery and doubles on key phrases; pre-chorus strips to drums and bass while stacked vocal lifts build; chorus hits with a chantable prayer hook and gang-style backing on the final words. Filter sweeps, reverse chimes into the hook, short delay throws on the last line, bright punchy mix with a deep low end.
YohPilot • darkwave, ethereal wave, male lead vocal, rich male voice, baritone lead, Latin choir, female church chorus, analog synth bass, detuned saw pads, gated snare, chorus guitar shimmer, tape saturation, spring reverb, 128 BPM, straight eighth groove, minor key, layered chorus lift, cold neon mood, ritual grandeur
Plys1 • Поп-баллада в современном стиле, в быстром темпе, низкий женский голос.
Моя любовь в огнях большого города
Rashid • Acoustic guitar, male vocal, r&b
MDM music • Рэп, поп рнб, electro-pop, dance-rock, synth-pop, 118 BPM, pulsing sidechained bass, bright synth stabs, layered analog pads, gated snare, picked electric guitar riffs, octave bass line, tom fills, stereo delay, tape saturation, verse dropouts, pre-chorus lift, anthem energy, controlled menace, hip hop
Alex Hellmark • pop, r&b, disco, guitar, digital piano,violin.
Alex Hellmark • pop, r&b, disco, guitar, digital piano,violin.
Александр323 • Trap-dubstep rap with a snarling half-time bounce, stomping 808s, grimy synth brass, and wobbling bass drops; verse rides sparse drum taps and clipped bass hits, pre-chorus strips to filtered pads and a rising snare rush, chorus slams with gang doubles and pitch-bent hook stabs. Voxel-fried vocal chops, delay throws on key words, sub-drop transitions, sharp stereo sweeps, bright and heavy mix., dubstep, rap
Asya Aslan • Epic deep emotional ballad, medium tempo, dark, female high voice, pop, expressive, powerful female vocal
vladzak57 • Classic, orchestra, низкий женский голос.
Себостьян • Klezmer-pop with brisk dancehall drums, playful piano vamp, and wiry violin phrases; verse moves in tight storytelling lines, pre-chorus lifts with handclaps and clarinet-like keyboard flourishes, chorus lands on a chantable gang-vocal hook. Add accordion-style fills, quick stop-time breaks, and a slippery violin turn before each refrain. Bright, punchy mix with theatrical cabaret energy and close-mic lead vocals
vladzak57 • Classic, orchestra, низкий женский голос.
ReNuar • Opening on sparse, vinyl crackle with deep, growling bass, the track weaves drumfunk breakbeats and industrial hits over 4/8 time at 60 bpm. Minimal acid-funk synth lines pair with hypnotic, psychedelic textures, as a dark, processed male voice and ethereal female vocals interplay above polished afrobeat percussion, forming a sleek, digital trip-hop fusion.
Александр323 • Dubstep-tinged R&B and hip-hop at a mid-tempo bounce with half-time drops, skittering hi-hats, rubbery sub hits, and a slick swung groove; verse rides a tight 808 pocket with talk-sung bars, pre-chorus strips to filtered chords and breathy doubles, chorus slams with wobble bass, chant hooks, stacked ad-libs, glitch fills, reversed swells, metallic risers, glossy aggressive mix, wide low end, intimate vocal up front, bounce, vocal, hip hop, hip-hop, glitch, r&b, dubstep, breathy, low
Стрелецкий • indie folk, acoustic indie pop, fingerpicked acoustic guitar, harp-like arpeggios, brushed snare, room mic ambience, stacked tenor harmonies, octave doubled lead, tape saturation, spring reverb, 90s indie mix, intimate nostalgia, cresting release, 84 BPM, free rubato intro
Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar
Галина Тара • rock, pop, classical
Igor-Push • [Style: Melodic House, Progressive House, deep, ethereal, hypnotic, flowing, atmospheric, meditative. 122 BPM, 4/4. Kick soft and round, rolling bassline with sidechain, closed hi-hat shuffle, arpeggiated synth plucks, warm pads with slow filter sweeps.] [Vocals: male high tenor / soft falsetto, fully sung (no spoken word, no rap, no radio voice). Legato phrasing, syllables connected like melting. Breathy tone, chest relaxed, head voice dominant. Heavy cathedral reverb, pre-delay, long tail, ping-pong delay on vowels only. Double-tracked: center + panned left 40% with +3 cents pitch shift. Calm, introspective, slightly melancholic, never urgent. Soft consonants — T, D, K become gentle exhales.] [Structure: long intro (16-32 bars), vocal starts alone without drums, drums fade in under vocal, break removes kick but keeps bass and reverb tails, second drop adds harmony layer, outro dissolves into noise floor. No abrupt cuts — all transitions are 16-bar fades.]
Кто, кроме нас на стихи Юлии Павликовой
Plys1 • Эпичная поп-баллада, мощный мужской вокал
44-13 • jazz, hip hop, electronic, folk, classical, soul, drum and bass, dubstep
Диласо • Glossy Slavic club banger with a speed of 125 beats per minute with sexy female vocals, dense synthesizer bass, a clear "four on the floor" beat, bright verses and large airy pads for the chorus; the verses sound smooth and percussive, claps and subwoofers are heard before the chorus to emphasize the sexy vocals, the chorus opens with wide chords with folded hooks, top-end commercials and reverb effect; glossy lead in verses with a closed microphone, double chorus, layers of hooks resembling a crowd, clear ascending and reverse transitions in each drop, bright and soulful mixing, female vocals, vocal, bright stylish
Yurec • Style: Dark art rock, Russian gothic rock, theatrical, mystical, eerie, slow tempo (80-95 BPM), minor key, атмосферный и гипнотический звук, винтажный оттенок Mood: Mysterious, melancholic, surreal, slightly ominous, poetic, dreamlike Instrumentation: Electric guitar with clean and chorus effects, subtle distortion, bass guitar, minimalistic drums, analog synths, theremin-like sounds, organ pads, occasional bell/chime textures Vocal: Male vocal, baritone, calm and detached, theatrical delivery, slightly nasal tone, Russian accent, expressive but restrained, almost whispering in verses, more intense in chorus, storytelling style Structure: Intro (ambient, mysterious) Verse 1 (soft, spoken-like vocal) Chorus (fuller sound, emotional lift) Verse 2 (slightly more tension) Chorus Bridge (experimental, eerie sounds, whisper elements) Final Chorus (emotional peak but still controlled) Outro (fade into ambience) Lyrics language: Russian
RusMos • Aggressive dark phonk, heavy 808 bass, industrial beat, deep male spoken word, cinematic, 100 BPM, Russian rap influence, ambient rain.
mirwad • The mezzo-soprano, оperatic voice, song with a guitar, the arrangement, orchestration
BAZIK • Metal rap+reaggy
Алёна Панченко • Emotional acoustic ballad, gentle piano, cinematic strings, soft and soulful vocal, touching, hopeful, heartfelt, warm atmosphere, building intensity in chorus,- **Pop - **Electronic music - **Indie - **Celtic music ### Style - **Emotionality**: Strong feelings in lyrics and music. - **Melodiousness**: Ease of perception and variety of melodies. ### Tools - **Synthesizers. - **Electronic percussion - **Guitars**: Acoustic - **Samples and sound effects**: Add depth to compositions. - **Vocals**: Processed with effects, creating a unique sound.rock folk
Доктор Аня • indie folk, 96 BPM, fingerpicked acoustic guitar, mandolin tremolo, brushed snare, upright bass, glockenspiel accents, room mic ambience, tape saturation, plate reverb, mono drum bus, four-on-the-floor kick, swung eighth feel, bittersweet nostalgia, anthem chorus
Доктор Аня • indie folk, 96 BPM, fingerpicked acoustic guitar, mandolin tremolo, brushed snare, upright bass, glockenspiel accents, room mic ambience, tape saturation, plate reverb, mono drum bus, four-on-the-floor kick, swung eighth feel, bittersweet nostalgia, anthem chorus
Viktor Babeshko • rock
“Visiting the shaman”
NITOFID • Ritual ambient at 70 BPM steady like a stone heart no tempo changes all locked to pulse deep omnipresent reverb cave resonance long decay stone reflections every sound echoes lingers dissolves vocal low baritone with gravel natural tremor intimate as if after days of silence slight vocal fry diaphragm tremolo sings primal guttural syllables ancient flowing voice soaked in reverb echoes blend with drone pipe organ in sub-bass foot pedals continuous drone in Bb infinite sustain organ breathes with subtle quarter-note swells "tuk-tuk" felt not heard harmonic lifts E D A via soft stops held full bars organ drenched in reverb tones melt into stone no melody only pulse pressure space structure Intro → Inst Break → Verse 1 → Inst Break → Chorus → Inst Break → Inst Break → Outro each 8–12 bars total 7 minutes mood ancient vast solitary voice calls echoes return organ answers sound fades into earth wind breath stone silence the steppe breathes, ambient
RusMos • bass house, uplifting EDM, 126 bpm, heavy kick and wobbly sub bass, dual male vocals, energetic dance-pop, Russian electronic, euphoric drops, powerful claps
Миша Симбиоз • Minimal Deep House, 125 BPM, aggressive and arrogant. Drums: four-on-the-floor dry kick, sharp clap on 2 and 4, minimal hi-hats. Bass: deep, round, one note per bar — walking, heavy, clean. No melodies. No reverb. Male voice: low, dry, close mic, minimal gravel. . One shout only — marked. Cold, stomping.
Alex 86 • Alternative hip-hop with a brooding mid-tempo swing, dusty kick-snare groove, warped bass pulses, and chopped melodic fragments; verse rides sparse drums and tense low-end, pre-chorus opens with filtered layers and rising harmony, chorus hits with stacked male-female doubles and a chantable call-and-response. Use tight close-mic lead vocals, occasional whispered ad-libs, delay throws on the hook phrase, vinyl crackle transitions, and a wide gritty mix with punchy low end.
Kardaamon • Verdi opera, symphonic orchestration, solo trumpet, oboe countermelody, string tremolo, brass fanfare, timpani rolls, woodwind choir, cathedral reverb, tape saturation, mono hall capture, 1960s analog warmth, tragic revelation, rising dread, rubato pacing, dramatic crescendo, declamatory strings, low pedal bass, instrumental-only
vladzak57 • Swing, male vokals,, hip hop
