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Последние публичные треки, созданные нашими пользователями

Жена военного

Дизель Чувственная, нежная, аккустическая поп - баллада с красивым фортепиано

83
Лишь снег и мороз....

Romantik romantic ballad, 84 BPM, fingerpicked acoustic guitar, tambourine backbeat, brushed snare, warm bass guitar, staccato synth lead counterpoint, close-miked room reverb, tape saturation, sidechain pumping, wide stereo chorus, bittersweet nostalgia, restrained lift, syncopated kick pattern

201
Вчера ещё...

Галина Тара драма с надпывом, rock, pop

133
Сказки Пушкина 2

Александр Зернов Russian Folk Rock, male expressive vocals, acoustic guitar, driving rhythmic drums, violin solo, flute, storytelling, melodic, energetic, epic magical atmosphere, 110 BPM.

105
Ой, тоска кручина.

Alena Varshavskaia В стиле народной песни, дуэтом , поп - фолк, распевно, мелодично.

92
Доченька  моя

Доченька моя

Кавер-версия

Pawelitel Epic, ambient, sadness, folk

157
Мне КАЗАШКА..

Alex 86 Russian chanson ballad with male vocals, slow swaying 6/8 groove; verses stay close and spoken-sung over nylon-string guitar, brushed snare, upright bass, and sighing accordion, then the chorus opens into held vowels with soft female harmony answers. Pre-chorus lifts with a climbing accordion figure and small tom pulse. Final chorus pulls down to near-whisper duet, then swells on the last title line. Intimate barroom mix, warm, close-miked, tender., slow, chanson, warm, ballad, harmony, soft, accordion

113
КАРИЕ ГЛАЗА

Alex 86 Russian chanson ballad, slow swaying 6/8 feel with nylon-string guitar, brushed snare, upright bass, and sighing accordion; verses stay close and spoken-sung with male lead, pre-chorus lifts on a climbing accordion figure and small tom pulse, chorus opens into held vowels with soft female harmony answers, final chorus drops to near-whisper duets then swells on the last title line. Intimate barroom mix, warm, close., warm, soft, harmony, chanson, ballad, accordion, slow

101
А МЫ С ТОБОЙ.

Alex 86 Russian chanson ballad, slow swaying 6/8 feel with male and female vocals; verses stay close and spoken-sung over nylon-string guitar, brushed snare, upright bass, and sighing accordion, then the chorus opens into longer held vowels with soft female harmony answers. Pre-chorus lifts with a climbing accordion figure and a small tom pulse. Final chorus pulls down to near-whisper duets, then swells on the last title line. Intimate barroom mix, warm, close-miked., slow, accordion, harmony, warm, chanson, soft, ballad

107
Умерла..... (Edit)

Галина Тара Лирическая драма с надрывом, pop

130
А МЫ С ТОБОЙ.

Alex 86 Russian chanson ballad, slow swaying 6/8 feel with male and female vocals; verses stay close and spoken-sung over nylon-string guitar, brushed snare, upright bass, and sighing accordion, then the chorus opens into longer held vowels with soft female harmony answers. Pre-chorus lifts with a climbing accordion figure and a small tom pulse. Final chorus pulls down to near-whisper duets, then swells on the last title line. Intimate barroom mix, warm, close-miked., slow, accordion, harmony, warm, chanson, soft, ballad

102
Буря

44-13 dubstep, drum and bass, synthwave, soul, classical, r&b

120
Буря

44-13 dubstep, drum and bass, synthwave, soul, classical, r&b

213
7

7

Кавер-версия

Pawelitel Sadness, epic, folk, ambient

106
Оля любка;)

Alex 86 Melodic Russian pop-rap with modern hip hop bounce, mid-tempo groove and deep bass under bright syncopated synth plucks; verse rides close-mic half-sung delivery, pre-chorus tightens with filtered chops and rising ad-libs, chorus opens wide with chanty doubles and stacked harmonies, final chorus adds soaring top-line synth. Clean punchy mix with echo throws on key words and subtle vocal chops weaving through transitions., male vocals, rap, soaring, deep, bright, vocal, hip hop, pop, russian pop

88
ОЛЯ!!АУФФ.Детка;)

Alex 86 Melodic Russian pop-rap with modern hip hop bounce, mid-tempo groove and deep bass under bright syncopated synth plucks; verse rides close-mic half-sung delivery, pre-chorus tightens with filtered chops and rising ad-libs, chorus opens wide with chanty doubles and stacked harmonies, final chorus adds soaring top-line synth. Clean punchy mix with echo throws on key words and subtle vocal chops weaving through transitions., male vocals, rap, soaring, deep, bright, vocal, hip hop, pop, russian pop

92
Небо на замке

Kaif Music Military rap,, hip hop, dark beat, underground rap

98
Бог ведет (Edit) (Edit)

Галина Тара rock с надрывом и юмором

97
Небо на замке

Kaif Music Military rap,, hip hop, dark beat, underground rap

110
Девушка из Нагасаки

Alex 86 Acoustic folk ballad with slow fingerpicked guitar, tender 72 BPM sway, intimate male vocals, verse stays sparse with dry room tone, pre-chorus opens into soft harmony doubles, chorus lifts with stacked oohs and a gentle bass hush, bridge strips back to voice and guitar before final chorus blooms. Fingertip squeaks, subtle tape hiss, and a brushed swell into each refrain; warm close-mic mix, small and aching.

82
Моя любовь

Alex 86 Russian chanson ballad with male vocals, slow swaying nylon-string fingerpicking and soft accordion sustain; verse stays intimate and close-mic, almost spoken, while the pre-chorus opens with rising harmony and breathy lift. Chorus broadens into airy backing pads, light brush drums, and warm bass; second chorus adds subtle string swells and a wider stereo wash. Close, warm mix with gentle delay throws on key lines and tender vocal doubles on the hook., warm, chanson, accordion, emotional, slow, ballad, soft, light, harmony, male vocals

93
Войска

Kaif Music Military rap,, hip hop, , dark beat, underground

100
Войска

Kaif Music Military rap,, hip hop, , dark beat, underground

99
Моя ЛЮБОВЬ

Alex 86 Russian chanson ballad with male vocals, slow swaying nylon-string fingerpicking and soft accordion sustain; verse stays intimate and close-mic, almost spoken, while the pre-chorus opens with rising harmony and breathy lift. Chorus broadens into airy backing pads, light brush drums, and warm bass; second chorus adds subtle string swells and a wider stereo wash. Close, warm mix with gentle delay throws on key lines and tender vocal doubles on the hook., warm, chanson, accordion, emotional, slow, ballad, soft, light, harmony, male vocals

93
Девушка из Нагасаки 3.0

Alex 86 Acoustic folk ballad with slow fingerpicked guitar, tender 72 BPM sway, intimate male vocals, verse stays sparse with dry room tone, pre-chorus opens into soft harmony doubles, chorus lifts with stacked oohs and a gentle bass hush, bridge strips back to voice and guitar before final chorus blooms. Fingertip squeaks, subtle tape hiss, and a brushed swell into each refrain; warm close-mic mix, small and aching.

102
Бяка!

vladzak57 Шуточная песня, под гармонь с гитарой!

83
Бяка!

vladzak57 Шуточная песня, под гармонь с гитарой!

112
Днёха

Рамс Rock opera metal with dramatic mid-tempo stomps, syncopated toms, and twin-guitar swells; verses trade between male and female vocals, pre-chorus tightens with low choral harmonies, chorus hits wide with stacked unison shouts and answer lines. Use floor-tom rolls, reversed cymbal lifts, and a final choir swell into the last chorus. Big, cinematic, polished mix with sharp guitars and huge vocals.

79
Kazachya_pesnya_-_YA_poka_eshhjo_zhivojj_76006616

Дмитрий1365 Pop rock, acoustic guitars, Russian ballad,folk rock

137
Don't speak

Василий 1985 [Genre: Melancholic Pop Rock / Electropop] [Tempo: 80 BPM] [Key: F Minor] [Mood: sad, introspective, emotional, heartbreak, acceptance] [Instrumentation: piano, atmospheric synth pads, subtle electronic beats, clean electric guitar in chorus, light strings in bridge] [Vocal: emotional female lead vocal, starts soft and whispery in verses, powerful and resonant in choruses, slight vocal tremble on high notes] [Structure: Intro (8 bars) → Verse 1 → Pre‑Chorus → Chorus → Verse 2 → Pre‑Chorus → Chorus → Bridge → Final Chorus → Outro (8 bars, fade‑out)] [Energy: builds , peak

71
Ты подарил- сл.муз Яков Пештерян

Яков Пештерян orchestral strings, Bass guitar piano,Violoncello Classical pop,piano, , orchestral strings, лирический романс, шансон-баллада, лирический мужской вокал piano, orchestral strings, male vocal Classical guitar, pop

103
ОЛЯ МОЯ КРАСОТКА.ЛЮБЛЮ ДЕВОЧКУ.

Alex 86 Alternative hip-hop with swung, mid-tempo head-nod drums, rubbery bass hits, and chopped percussion; verse one rides tight minimal beat with male vocals close-mic and dry, verse two answers with female vocals and airy doubles, pre-chorus opens with filtered pads and snapped claps, chorus lands on a half-time hook with stacked duet lines, short delay throws, and call-and-response ad-libs. Ear candy: tape-stop into the hook, reversed vocal swell before the bridge, tiny bell ticks between phrases. Mix is punchy, intimate, and glossy with gritty low end.

82
Оля моя красотка

Alex 86 Alternative hip-hop with swung, mid-tempo head-nod drums, rubbery bass hits, and chopped percussion; verse one rides tight minimal beat with male vocals close-mic and dry, verse two answers with female vocals and airy doubles, pre-chorus opens with filtered pads and snapped claps, chorus lands on a half-time hook with stacked duet lines, short delay throws, and call-and-response ad-libs. Ear candy: tape-stop into the hook, reversed vocal swell before the bridge, tiny bell ticks between phrases. Mix is punchy, intimate, and glossy with gritty low end.

83
Ирина с Балхаша

Alex 86 Alternative hip-hop with swung drums and dusty chopped samples, mid-tempo head-nod groove; verse rides sparse kick, snapped snare, and bass pulses, pre-chorus tightens with filtered vocal chops and reversed swells, chorus opens with stacked doubles and chanty backing shouts. Male close-mic vocal, dry and intimate in verses, wider ad-libs on hooks, bright punchy mix with vinyl crackle and tape-stop transitions.

76
Самарское у Иртыша

Alex 86 Alternative hip-hop with a mid-tempo swung bounce, dusty drums, warm bass pulses, and sharp hand percussion; verses trade between male and female vocals with tight double-tracked pockets, hook lines answered by gang-style unison, and short delay throws on place names. Pre-chorus strips to drums and bass, chorus opens with a chopped vocal stab and airy synth bed, then bridge pulls back to near-silence before the final lift. Small reverse swells and vinyl crackle between sections; bright, gritty, intimate mix with a hard low end.

104
3_405267

3_405267

Кавер-версия

Pawelitel Epic, folk, ambient, sadness

129
Ирина с БАЛХАША

Alex 86 Alternative hip-hop with swung drums and dusty chopped samples, mid-tempo head-nod groove; verse rides sparse kick, snapped snare, and bass pulses, pre-chorus tightens with filtered vocal chops and reversed swells, chorus opens with stacked doubles and chanty backing shouts. Male close-mic vocal, dry and intimate in verses, wider ad-libs on hooks, bright punchy mix with vinyl crackle and tape-stop transitions.

83
Мотивация (Edit)

MDM music Russian folk, folk-pop, acoustic guitar fingerpicking, balalaika tremolo, bayan drones, frame drum accents, handclaps, bowed bass, church bell hits, tape saturation, mono room ambience, spring reverb, 4/4 march pulse, downbeat lyric accents, mournful resolve, communal chorus, hip hop, electronic, r&b

94
Девушка,Из !!Японии

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

78
Жить хорошо (cover)

Жить хорошо (cover)

Кавер-версия

NITOFID Russian underground gangsta rap, lo-fi hip-hop, 88 BPM. Deep male baritone, cold, controlled, spoken-word flow — like a street poet reflecting on Soviet collapse, 90s chaos, and digital decay. Beat: dusty vinyl crackle, slow boom-bap drums, heavy sub-bass, distant synth hum, eerie guitar loop from a forgotten cassette. Atmosphere: night city, wind between concrete blocks, footsteps on gravel, cigarette lighter click. Lyrics tell a story of resilience — "жить по-прежнему хорошо" as a survival mantra. No melody, no chorus singing — only raw delivery. [Instrumental Break] after each section: 5-second gritty loop with tape decay.

301
Грозди  рябины

vladzak57 Двухголосье, мужское и женское.

86
Грозди  рябины

vladzak57 Двухголосье, мужское и женское.

102
Алмаз

Witch Genre: Dark Alt Rock, Post-Grunge, Epic Folk, Female Vocal Tempo: 70 BPM → 120 BPM (bridge) Mood: painful/cold/drowning → furious/diamond-hard → triumphant/warm/soaring Instruments: piano (heavy reverb), distorted guitar swells, strings (cello/violin), taiko drums, low flute/whistle, hurdy-gurdy (episodic), gated drums, soft pads Voice: contralto — breathy whisper (verses) → raspy belting (chorus) → clear/powerful (final chorus) + folk melisma Key: E minor → G major Structure: intro (piano + crying drops + distant taiko) → verse 1 → verse 2 → chorus (full band + flute/hurdy-gurdy) → bridge (voice + cello, then explosion: all folk + guitars + taiko) → final chorus (flute melody above guitars) Dynamics: very quiet → very loud → resolution FX: breaking glass + heartbeat sub-bass before bridge; wind after "warm wind"; footsteps on snow/gravel in intro

131
Когда мы были...

Piupiu Fast, scrappy punk rock with male vocals; overdriven power chords and gritty bass locked to a relentless up-tempo beat, shout-along gang vocals on the hook. Verses stay tight and punchy, drums slightly pushed in the mix; chorus explodes with wide guitars and octave leads. Brief half-time bridge for crowd chants, then a final, faster reprise of the chorus to end in a messy ring-out.

95
САМАРСКОЕ У ИРТЫША.

Alex 86 Alternative hip-hop with a mid-tempo swung bounce, dusty drums, warm bass pulses, and sharp hand percussion; verses trade between male and female vocals with tight double-tracked pockets, hook lines answered by gang-style unison, and short delay throws on place names. Pre-chorus strips to drums and bass, chorus opens with a chopped vocal stab and airy synth bed, then bridge pulls back to near-silence before the final lift. Small reverse swells and vinyl crackle between sections; bright, gritty, intimate mix with a hard low end.

100
В жизни всегда так бывает...

ShevchenkoDenis blues-rock duet, powerful male and female бэк vocals, electric guitar, energetic,"Lux Ferro,cinematic,folk,olde blues-rock, Symphony Orchestra", violins,bass guitar,electric guitar,orchestra, 808 drums.

112
Дневник Майора ( ко дню Победы)

Ратибор Ясный Add an electric guitar solo that is long and sad. You can also add a quiet background of a accordion. In the vocals, add transitions between soaring and recitative sections. Improve the singing. This is an epic composition. Compose a song with a growing emotional plot. post punk, depression folks, acoustic guitar, bass, electric guitar The song is in a sad minor style, tragic, sad, but powerful and menacing. It is possible to add the sound of shells exploding, machine gun fire, and the sound of military aircraft buzzing.

237
Ушедшая весна

Сергей Хабаза pop rock, folk-pop, dance-rock, acoustic guitar strums, fingerpicked mandolin, pump organ drone, clean electric riff, tambourine hits, upright bass plucks, brushed snare, layered hook harmonies, half-volume chorus, restrained build, plate reverb, tape saturation, midtempo groove, bittersweet uplift

101
Девушка из Нагасаки (Edit)

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

106
Девушка из Нагасаки

Alex 86 Alternative hip-hop with swung boom-bap drums, dusty sampled textures, and elastic sub-bass; verse one rides sparse kick, snare, and chopped piano fragments, pre-chorus opens with filtered risers and doubled whisper harmonies, chorus hits with stacked male-female unison and short ad-lib echoes. Bridge strips to bass pulse and tape hiss, then final chorus returns wider with handclaps, reverse swells, and a bright but gritty mix, close-mic duet vocals with delay throws on the hook word.

108