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Последние публичные треки, созданные нашими пользователями

Два последних дня в Крыму

Свет2 Женский вокал, уникальный для Suno: близкое, чуть хриплое дыхание, очень интимно, как будто шепчет на ухо у моря. Негромкий slowcore / dream pop. Атмосфера — реальный шум прибоя на гальке (вынесен на передний план) и крики чаек крупно. Фортепиано и мягкий бас. Стихотворение о курортном романе в Ялте: два дня до отъезда, теплая галька, кипарисы, тихое расставание. Без вычурных метафор, просто и нежно. Настроение — светлая грусть, прибой как память.

105
Навсегда

Навсегда

Кавер-версия

Андрей2874 style rock ballad, power ballad, 72 BPM, electric piano, nylon-string guitar, slide guitar, bowed bass, tom fill crescendos, arena drums, stereo delay, plate reverb, analog tape saturation, chorus guitar, sustained power-chord choruses, bittersweet nostalgia, cathartic lift

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Солнышко

Николай Савоник 100-110BPM настроение бодрое голос мужчины и женщины

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Сводка в эфир.

Rinka rap, Dark 90s East-European hip-hop, male vocals over cold synth pads and a sparse electronic kit, siren FX and tape hiss in the intro. Verses move in a steady narrative flow with close, intimate delivery; hook widens with layered spoken doubles and subtle vocoder. Final section fades into ambient street noise, distant sirens, and overlapping witness voices, leaving the last line almost whispered., male vocals, electronic

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Сводка в эфир.

Rinka rap, Dark 90s East-European hip-hop, male vocals over cold synth pads and a sparse electronic kit, siren FX and tape hiss in the intro. Verses move in a steady narrative flow with close, intimate delivery; hook widens with layered spoken doubles and subtle vocoder. Final section fades into ambient street noise, distant sirens, and overlapping witness voices, leaving the last line almost whispered., male vocals, electronic

78
Грехи

Грехи

Кавер-версия

Pawelitel Epic,sadness, ambient, folk

104
Кисас. (Edit)

Rinka Sparse minor-key piano and distant bowed strings under intimate female vocals, almost whispered in the verses; subtle low percussion pulse builds tension. Choruses bloom with layered harmonies and a darker pad swell, then pull back to near silence. Dynamic arc stays restrained yet suffocating, every pause hanging heavy in the mix.

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Две половины

Миронов Юрий blues, blues rock, swamp blues, delta slide guitar, overdriven Hammond organ, bottleneck guitar licks, brushed snare backbeat, analog tape saturation, mono room reverb, gritty live mix, lo-fi ambience, 92 BPM, half-time shuffle, minor key riffs, weathered resolve, raw intimacy

122
Human.exe

Rinka Glitchy techno pulse with evolving modular synths, female vocals shifting from intimate whisper to fierce chant. Sparse, subby low-end in the verses, then anthemic, stacked hooks in the chorus with wide reverb and chopped vocal stutters. FX sweeps and granular glitches between sections emphasize the sci-fi pregnancy metaphor, ending in a massive, uplifting drop with filtered synth arps., experimental, techno, female vocals

99
Чайки белая тень.(Притча)

Rinka Neoclassical folk rock ballad with rolling acoustic guitar, piano and cello carrying the verse, violin and Celtic harp answering in fills, and drums opening wide in the chorus; verses stay intimate and arpeggiated, pre-choruses lift with string swells and female choir pads, choruses bloom with full band and stacked harmonies. Close-mic lead vocal, doubled key lines, harp glissando transitions, bowed-string rises, wide cinematic warm earthy mix.

102
Разлука

Разлука

Кавер-версия

Pawelitel Epic, ambient, sadness,

134
Скорость и пепел.(Замерзаю в Мазератти & Пепел над взлётной полосой -Mix) (Edit)

Rinka Genre: Dark Russian emo‑trap with cinematic progression. Vocal: Male, raw and confessional. Verses — half‑rapped/half‑mumbled. Choruses — more exposed and melodic, with vocoder doubles. Sound: * Cold electronic drums (tight kicks/snares). * Deep pulsing sub‑bass. * Eerie synth pads (atmospheric bed). * Clean electric guitar (swells in pre‑choruses, stripped to a loop in outro). * Stuttered vocal chops and subtle risers in the bridge. Arrangement: * Intro: Drums + bass + synth pad. * Verses: Minimal — vocal, filtered percussion, sparse keys. * Pre‑Chorus: Guitar swells, drums gain presence. * Chorus: Full beat, wide detuned synths, stacked vocoder harmonies. * Bridge: Stuttered chops, glitch effects, tension build‑up. * Outro: Stripped down — vocal, bass, single guitar loop, distant reverb tail. Mood: Introspective, heartfelt, cathartic. Tempo: 82 BPM. Key: D minor.

109
Еду в Белгород

Илья131 Russian pop-folk with a steady mid-tempo drive, four-on-the-floor kick and warm acoustic guitar; verse rides on dry drums and pulsing bass, pre-chorus thins to guitar and handclaps, chorus opens with stacked harmonies and a singable gang-vocal lift. Short risers, passing-rail texture, and a filtered whoosh into the hook. Bright, clean, road-movie mix with intimate lead vocal and wide refrains.

101
Еду в Белгород

Илья131 Russian pop-folk with a steady mid-tempo drive, four-on-the-floor kick and warm acoustic guitar; verse rides on dry drums and pulsing bass, pre-chorus thins to guitar and handclaps, chorus opens with stacked harmonies and a singable gang-vocal lift. Short risers, passing-rail texture, and a filtered whoosh into the hook. Bright, clean, road-movie mix with intimate lead vocal and wide refrains.

91
Больше любви

Agape disco-pop, dance-rock, 124 BPM, syncopated four-on-the-floor, punchy kick snare, live hi-hats, tambourine backbeat, funk-style guitar scratches, octave bassline, staccato synth lead, vocal harmonies on hook, plate reverb, tape saturation, wide stereo chorus, 70s disco sheen, driving euphoria

132
Мы из Белгород нам  До Пизды

Илья131 Russian rap with hard-hitting boom-bap drums, tense half-time bounce, sparse minor-key piano and sub pulses in verses; pre-chorus lifts with snare rolls and rising choir pads; chorus slams with gang shouts, clipped brass stabs, and doubled lead vocals. Verse stays gritty and close-mic, chorus opens wide with shouted ad-libs, reverse swells into each drop, vinyl crackle under the intro, bright punchy mix with a heavy low-end thump.

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Иней для двоих

КИРСАНДЕР Pop ballad with a mid-tempo swung pulse, airy synth plucks and warm piano; verse stays intimate and close-mic, pre-chorus opens with rising pads and filtered drums, chorus blooms with layered harmonies and a singable hook; bridge drops to sparse keys and breathy doubles before the final lift. Sparkle risers, reversed swells, and subtle handclap lift on transitions; bright, polished, emotional mix with a glossy top end., pop

69
Кольцо на палец

Илья131 Russian drill with cold marching half-time drums, tense minor synth drones and tight tom rolls; verse rides sparse kick, snare, and sub pulse, pre-chorus opens with filtered tension and rising hats, chorus hits harder with doubled vocal lines and gang echoes. Whispered close-mic lead in verses, gritty stacked hooks, distant radio haze, shell-hit transitions, metallic impacts, dark but polished mix.

146
Звёздный Котёнок

Мистер ИИ Lullaby, slow swaying 6/8 feel with soft music-box keys, brushed lullaby guitar and light finger snaps; verse stays intimate and close-mic, pre-chorus opens with airy child chorus in unison, chorus blooms with gentle stacked children’s voices and a tender lead vocal. Add faint music-box tinkles, a reversed chime into the chorus, and a soft bell swell before the final refrain. Warm, intimate, and dreamy mix

80
Дракон и Бас

Мистер ИИ Chinese-style electronic rap with a driving midtempo bounce, punchy kick-snare, plucked pentatonic synth motifs, and a thick sub under crisp hi-hats; verse rides sparse with tight rap delivery, pre-chorus lifts with filtered strings and rising impacts, chorus hits harder with stacked gang chants and a sharper synth hook. Male vocals, close-mic and dry in verses, doubled on the hook, with short delay throws on key lines and small bell fills between phrases. Ear candy: reverse cymbal sweeps into each chorus, a bamboo-like chime motif, and brief drum drops before the final hook. Bright, glossy, and aggressive mix with a clean low end.

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龙和低音

Мистер ИИ Chinese-style electronic rap with a driving midtempo bounce, punchy kick-snare, plucked pentatonic synth motifs, and a thick sub under crisp hi-hats; verse rides sparse with tight rap delivery, pre-chorus lifts with filtered strings and rising impacts, chorus hits harder with stacked gang chants and a sharper synth hook. Male vocals, close-mic and dry in verses, doubled on the hook, with short delay throws on key lines and small bell fills between phrases. Ear candy: reverse cymbal sweeps into each chorus, a bamboo-like chime motif, and brief drum drops before the final hook. Bright, glossy, and aggressive mix with a clean low end.

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Снежинки и пепел.

Rinka *Symphonic ballad in minor key, slow military march elements. Mournful, solemn, intimate. Structure: quiet solo piano intro with faint dry wind; crescendo into cellos, slow timpani beats and French horns; bridge with high solo violin and deep reverb; powerful orchestral finale fading out to wind. Acoustic piano, trembling solo violin, deep timpani pulses, warm layered strings. Large hall reverb, high dynamic contrast, clean orchestral texture. No synths.*

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MC MON 62 - Сигнал. (Edit) (Edit) (Edit) (Edit)
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Дождь

NatroN Guitar-driven rave in a fast four-on-the-floor pulse with jagged palm-muted guitars, driving bass, and punchy live drums; studio quality, verse rides lean and tense, pre-chorus lifts with filtered claps and rising noise, chorus hits wide with gang vocals and stacked hooks. Lead vocal is gritty and close-mic in verses, doubled and shouted on the chorus, with delay throws on key words, reverse swells into each drop, and crackling static accents. Bright, hard-hitting mix with club-ready punch and wet, stormy atmosphere.

116
Пара вещей и тишина.(Старое фото.)

Rinka Intimate indie ballad with male vocals; fingerpicked acoustic guitar and soft upright piano, subtle room reverb. First verse stays hushed and close-mic’d, light brush percussion entering by the chorus. Chorus blooms with warm bass, padded organ, and a small string section for emotional lift. Final reprise strips back to vocal and guitar, faint vinyl-style crackle accenting the nostalgic mood.

79
Клубок и ступа. (Edit)

Rinka Novelty folk-pop in a playful mid-tempo bounce with bouncy accordion, handclaps, tambourine, and a shuffling groove; verse rides sparse with bass, claps, and comic acoustic plucks, pre-chorus tightens into rising backing chants, chorus pops with stacked gang vocals and a singalong refrain. Use cheeky ad-libs, short vocal doubles on punchlines, a tiny whistle fill before each chorus, and a bright glossy mix with a folk-sketch feel.

90
Beautiful Or Not

Vovan-p Pop-rock with driving four-on-the-floor drums, chiming electric guitars, and a steady bass pulse; verse rides tight and conversational, pre-chorus strips to toms and palm-muted guitar, chorus opens wide with stacked harmonies and gang vocals on the hook. Lead vocal stays close-mic and emotional with doubled choruses, quick delay throws on the key words, and a ringing guitar lift into each chorus. Ear candy includes reverse cymbal swells, a snapped snare pickup, and a final lift with ooh-ah gang responses. Bright, punchy, radio-ready mix with glossy top end and punchy low mids., rock, beautiful, pop

96
D.J.Max-Mix & Highland - Solo Tu (DJD NRG Mix VoL.2 2026)

Max-Mix Euro House, drum and bass,EuroDance

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D.J.Max-Mix & Highland - Solo Tu (DJD NRG Mix VoL. 1 2026)

Max-Mix Euro House, drum and bass,EuroDance

93
Следы на снегу

Следы на снегу

Кавер-версия

Дмитрий1365 Spoken-melody track with conversational phrasing over sparse piano, dry kick, and brushed snare. Close-mic vocal delivery stays rhythmic and speech-like, with light slapback delay and subtle pitch drift. Muted bass, minimal pads, and occasional fingerpicked guitar accents keep the texture intimate and forward.male voice

199
Сказка-исповедь "Папины уроки.." 🧚🙏

Махарани Mystical Cinematic Electronic-Folk, Modern Witch Pop, Dark Ethereal with luminous transitions, deep intriguing modern basslines guide melody with dark elegance, тонкий красивый бас, tender witch voice, young feminine mystique, living breathing natural voice, no robotic monotone, манкий загадочный живой голос, no high pitches, hypnotic restrained flirtatious intimate female vocals, pure magic, no rap, no spoken word aggression, never shouts never belts, soft breathy clear articulation, warm smoky rasp, ancient witch motifs with modern beats, ethereal synths, castanets playful accent, less violin, violin accents only, sung mantra like a spell, uplifting melancholic minor with drive, goosebumps throughout, dark folk & bright electronic, mantra Lokah Samastah Sukhino Bhavantu sung as spell, distant Ave Maria echo, sacred magic with contemporary dance heartbeat, no chanson no retro no eastern no Russian folk no Combination-style pop, enchanting to the last second, ~4:30

96
Симфония времени!

Смирнов Анатолий Symphonic Electronic, Neo-Classical, Baroque Pop, Electronic Violin, Strong Beats, 120 BPM, Bach Style, Orchestral, Modern Production, Cinematic, Epic, Classical Crossover

85
Дыхание прошлого (200 лет назад)

Rinka Indie rock ballad with male vocals; intimate fingerpicked guitar in the verses, warm bass and dusty drums entering on the chorus. Subtle vintage organ pad for a nostalgic haze, chorus opens with wider reverb and stacked ooh harmonies. Final refrain strips back to just voice and guitar, lingering on the hook.

69
Мария (Edit)

Кса_атиль Ethereal, celestial, female vocals, hauntingly beautiful, ambient, cinematic, futuristic folk, otherworldly atmosphere, melodic, high pitch, soft reverb.

85
Не торопись

Ксения Вер Atmospheric, female vocals, electronic, synth, emotional, experimental, deep, synth, soul, synthwave, deep, futuristic

102
Лещ
128
Мысль

Владимиръ Стрекаловский Ариозо в миноре о вечности, о любви, о смерти, о стихах, рояль, аккордеон, скрипка

90
Мария

Кса_атиль Ethereal, celestial, female vocals, hauntingly beautiful, ambient, cinematic, futuristic folk, otherworldly atmosphere, melodic, high pitch, soft reverb.

99