Все треки

Последние публичные треки, созданные нашими пользователями

Приходит ночь (Edit)

Дмитрий50 Сити-поп, дарквейв, альтернативный рок, новая волна, мелодия

111
Не тревожь меня ты память (автор слов Денис Чебаков) (Edit) (Edit)

Денис Чебаков Эмоциональное грустное Российская эстрада 80-90 тых

106
Не тревожь меня ты память (автор слов Денис Чебаков) (Edit) (Edit)

Денис Чебаков Эмоциональное грустное Российская эстрада 80-90 тых

87
Осенний коктейль( автор слов Денис Чебаков) (Edit) (Edit) (Edit) (Edit)

Денис Чебаков Российская эстрада 90-тых, Italian disco,энергичные синтезаторы, электрогитары, эмоциональный мужской вокал

77
Осенний коктейль( автор слов Денис Чебаков) (Edit) (Edit) (Edit) (Edit)

Денис Чебаков Российская эстрада 90-тых, Italian disco,энергичные синтезаторы, электрогитары, эмоциональный мужской вокал

83
Вечная память

Gene Acoustic lyric ballads, patriotic rock, echo vocals, reverb

194
Братишки

Znsv Style: sad emotional kids choir, soft female vocal, piano, lo-fi ambient, cinematic, slow tempo, melancholic but warm, emotional, reverb, simple melody, viral hook Mood: nostalgic, hopeful, bittersweet, tender Tempo: 70–85 BPM Voice: female + kids choir

87
Род и Рожаницы

КАЛЕКА [Genre: Folk Metal, Symphonic Metal, Pagan Metal, Slavic folk choir] [Tempo: 160 BPM (Bridge slows to ~120 BPM)] [Vocals: male bass, female contralto, mixed folk choir (loud, joyful, epic)] [Instruments: distorted electric guitars, dynamic bass guitar, double bass drums, symphonic orchestra (strings, brass, timpani, woodwinds), folk accents (zhaleika, gusli optional)] [Mood: triumphant, epic, hymn-like, pagan, joyful, respectful, warm, playful] [Structure: Intro – Verse 1 – Chorus – Verse 2 – Chorus – Bridge – Chorus (final) – Outro] [Language: Russian (Old Slavic stylization)] [Production: massive choir layers, clear duel between bass and contralto, double bass drum blast in choruses, wide orchestral panning]

96
Доля женщин

Доля женщин

Кавер-версия

Taти pop, double time rap, electronic, house, techno

83
На волне

SahaRok synth-pop, dance-rock drive, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, sustained power-chord choruses, vocal harmonies hook, sidechain pumping, gated reverb snare, bright stereo wideness, minor key, 124 BPM, glossy pop polish, club-ready energy, bittersweet lift, call-and-response breaks

100
На волне

SahaRok synth-pop, dance-rock drive, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, sustained power-chord choruses, vocal harmonies hook, sidechain pumping, gated reverb snare, bright stereo wideness, minor key, 124 BPM, glossy pop polish, club-ready energy, bittersweet lift, call-and-response breaks

84
D.J.Max-Mix & Mauro - Buona Sera - Ciao Ciao (mix 2026)

Max-Mix EuroBeat, Italo-Disco, EuroDance

85
D.J.Max-Mix & Mauro - Buona Sera - Ciao Ciao (mix 2026)

Max-Mix EuroBeat, Italo-Disco, EuroDance

79
Дача Гудит Всю Ночь

Елена 36 Rock with driving midtempo guitar riffs and punchy drums; verse rides a tight propulsive groove, pre-chorus lifts with gang shouts and tom builds, chorus hits wide with shouted doubles and gang vocal responses. Breaks add handclaps, barroom-style backing chants, and a brief stop-time lift before the final chorus. Bright, rough-edged mix, live-band energy, close-mic lead vocal with big room gang vocals on the hook., rock

96
Зеркало Судеб

Эльдар2 Стиль: Mysterious folk punk rock with violin, raspy male vocals, building from an acoustic intro to a powerful rock chorus with bass, electric guitar and drums.

88
Зеркало Судеб

Эльдар2 Стиль: Mysterious folk punk rock with violin, raspy male vocals, building from an acoustic intro to a powerful rock chorus with bass, electric guitar and drums.

75
На краю (Edit)

SahaRok Лирическая мелодия

89
Сегодня таяло, сегодня…

G_E-N_D-O_S melancholic emo gothic, ethereal female vocals, fragile breathy voice, slow tempo, sad piano, cello strings, dark rainy atmosphere, minor key, russian lyrics, gentle yet haunting, window rain ambience

77
Держи меня(русский Dramm n bass)

Dj Toshik kopylovv drum and bass с эффектами космоса и пианино пищалка с тарелочками

88
Ты рядом со мной

SahaRok synth-pop, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, vocal harmonies on the hook, projected tenor lead, plate reverb, tape saturation, gated snare, 80s analog sheen, bright chorus bass, dance-rock drive, bittersweet nostalgia, 124 BPM, punchy chorus lift, electronic dance, 126 BPM, four-on-the-floor kick, syncopated clap stack, staccato synth lead counterpoint, arpeggiated bassline, analog drum machine, filtered saw pads, tape saturation, spring reverb, stereo delay, sidechain pumping, lo-fi field recording drip, mechanical hum percussion, minimal breakdowns, driving release

96
На краю

SahaRok synth-pop, dance-rock drive, 132 BPM, four-on-the-floor kick, staccato synth lead, funk-style guitar scratches, sustained power-chord choruses, tambourine backbeat, plate reverb, analog saturation, sidechain pumping, wide stereo mix, minor key hooks, defiant snarl, urgent release, pop, synth-pop, four-on-the-floor kick, dance-rock guitar stabs, staccato synth lead counterpoint, fingerpicked acoustic guitar, tambourine backbeat, acoustic electronic interplay, layered harmonies, plate reverb, tape saturation, wide stereo mix, 124 BPM, driving chorus lift, bright urgency

86
На краю

SahaRok synth-pop, dance-rock drive, 132 BPM, four-on-the-floor kick, staccato synth lead, funk-style guitar scratches, sustained power-chord choruses, tambourine backbeat, plate reverb, analog saturation, sidechain pumping, wide stereo mix, minor key hooks, defiant snarl, urgent release, pop, synth-pop, four-on-the-floor kick, dance-rock guitar stabs, staccato synth lead counterpoint, fingerpicked acoustic guitar, tambourine backbeat, acoustic electronic interplay, layered harmonies, plate reverb, tape saturation, wide stereo mix, 124 BPM, driving chorus lift, bright urgency

93
Улыбайся vers2

SahaRok pop, 92 BPM, four-on-the-floor kick, swung eighth hats, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, syncopated bassline, vocal harmony pads, tape saturation, spring reverb snare, gated room ambience, acoustic-electronic interplay, bittersweet nostalgia, late-night drive, electronic dance, synth-pop, four-on-the-floor kick, staccato synth lead, funk guitar scratches, tambourine backbeat, fingerpicked acoustic guitar, vocal chop hooks, wide stereo synths, plate reverb, tape saturation, sidechain pumping, 128 BPM, uplifted melancholy, drop-build arrangement, electropop, dance-rock, 124 BPM, fingerpicked acoustic guitar, staccato synth lead, funk guitar scratches, tambourine backbeat, four-on-the-floor kick, vocal harmonies, male tenor hooks, plate reverb, sidechain pumping, crisp snare, bittersweet nostalgia, anthemic, lift chorus

73
Улыбайся

SahaRok pop, 92 BPM, four-on-the-floor kick, swung eighth hats, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, syncopated bassline, vocal harmony pads, tape saturation, spring reverb snare, gated room ambience, acoustic-electronic interplay, bittersweet nostalgia, late-night drive, electronic dance, synth-pop, four-on-the-floor kick, staccato synth lead, funk guitar scratches, tambourine backbeat, fingerpicked acoustic guitar, vocal chop hooks, wide stereo synths, plate reverb, tape saturation, sidechain pumping, 128 BPM, uplifted melancholy, drop-build arrangement, electropop, dance-rock, 124 BPM, fingerpicked acoustic guitar, staccato synth lead, funk guitar scratches, tambourine backbeat, four-on-the-floor kick, vocal harmonies, male tenor hooks, plate reverb, sidechain pumping, crisp snare, bittersweet nostalgia, anthemic, lift chorus

97
Только женщина и дети

Елена 36 Electronic pop with a pulsing midtempo four-on-the-floor kick, sharp synth arpeggios, and clipped handclap syncopation; verse stays sparse with dry bass and filtered pads, pre-chorus opens into rising noise and stacked vocal lifts, chorus lands on a wide hook with doubled lead and short gang echoes. Add reverse sweeps into each section, glittering chime accents after the hook, and a glossy, punchy mix with close-mic vocals and airy stereo width., electronic

93
Ты рядом со мной

SahaRok synth-pop, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, vocal harmonies on the hook, projected tenor lead, plate reverb, tape saturation, gated snare, 80s analog sheen, bright chorus bass, dance-rock drive, bittersweet nostalgia, 124 BPM, punchy chorus lift, electronic dance, 126 BPM, four-on-the-floor kick, syncopated clap stack, staccato synth lead counterpoint, arpeggiated bassline, analog drum machine, filtered saw pads, tape saturation, spring reverb, stereo delay, sidechain pumping, lo-fi field recording drip, mechanical hum percussion, minimal breakdowns, driving release

75
Звездочëт
96
На краю (Edit)

SahaRok Лирическая мелодия

105
И мальчик, что играет на волынке…

G_E-N_D-O_S [Genre: Gothic Rock, Doom Metal, Chamber Pop] [Vocals: Female Alto, Breathless singing, Full of sorrow, Russian intonation] [Instruments: Haunting piano, Slow heavy bass, Melancholic violin, Ambient rain, Down-tuned guitars, Emo chord progression] [Atmosphere: Despair, Winter cold, Romanticism, Dark longing, Sacred loneliness] [Tempo: 70 BPM, 4/4 Waltz feel]

73
Среди болот

BAZIK Hardcore punks rockabilly hoarse shovts

88
Ой-ё-ё-ё-ёй

ЛарИСА09 Russian folk-pop, modern Russian folk-pop, female polyphony, layered alto soprano, balalaika tremolo, gusli arpeggios, tapan percussion, hand drum accents, vocal harmony stacks, close mic vocals, plate reverb, tape saturation, 1980s studio sheen, minor key melody, midtempo pulse, syncopated folk groove, bittersweet longing, nocturnal warmth

98
Любви полёт. (Edit)

Milla Mezzo-soprano, clear voice, meditation, amazement, guitar, flute, orchestratiоn

170
Белый снег

Белый снег

Кавер-версия

Niachris Russian indie folk with a minimalist acoustic arrangement, A single steel-string acoustic guitar provides the entire accompaniment, alternating between percussive strumming and rhythmic palm-muted accents, The guitar uses a repetitive four-chord progression with a syncopated, driving strumming pattern, A husky vocals, emotional vocals male vocal delivers the lyrics in a conversational, slightly melancholic tone with minimal vibrato, The recording has a dry, intimate room acoustic with no audible artificial reverb or delay, The tempo is 115 BPM in 4/4 time, The structure consists of repetitive cycles of the guitar riff and vocal phrases, ending abruptly with a final percussive guitar hit, violin

90
9 Гравити настроение
101
Не твой ад

Елена 36 Hip-hop with a hard halftime boom-bap trap hybrid, сухой ударный грув and gritty sub bass; verses stay tense and close-mic with clipped cadence, pre-chorus opens into held notes and rising doubles, chorus hits with gang vocal echoes on the anchor phrase. Add reverse swells into the hook, a short vinyl crackle break before the bridge, and a final chorus with stacked ad-libs and wider stereo. Bright, punchy, confrontational mix with intimate vocal up-front., hip hop

118
5. nu metal про кузнечика
96
Солнце не

Taти pop, rock, electronic, metal, funk, disco, drum and bass, techno, dubstep, ambient, synthwave, trap, folk

98
Осенний коктейль( автор слов Денис Чебаков)

Денис Чебаков synth-pop, dance-rock, 128 BPM, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, electric bass octave runs, power chord chorus, vocal harmonizer stack, melodic tenor hook, gated snare, analog tape saturation, plate reverb, chorus-first arrangement, bittersweet nostalgia

107
Осенний коктейль(автор слов Денис Чебаков)

Денис Чебаков synth-pop, dance-rock, 128 BPM, four-on-the-floor kick, staccato synth lead, fingerpicked acoustic guitar, tambourine backbeat, electric bass octave runs, power chord chorus, vocal harmonizer stack, melodic tenor hook, gated snare, analog tape saturation, plate reverb, chorus-first arrangement, bittersweet nostalgia

95
Сравнение

Людмила Дементьева classical crossover, baroque piano ostinato, fingerpicked acoustic guitar, tambourine backbeat, string quartet stabs, analog tape saturation, chamber hall reverb, sidechain pumping, staccato synth lead counterpoint, driving 16th-note percussion, 128 BPM, urgent momentum, bittersweet resolve

110
Ореховый/Хлебный Спас

КАЛЕКА Genre: Slavic pagan folk metal / ritual folk rock, Melodic metal Tempo: 140 BPM Instruments: distorted electric guitar, bass guitar, acoustic drums, bayan (Russian accordion) Vocals: male baritone + female contralto duet, with full folk choir (mixed) Mood: ritual, solemn, kind, businesslike, pagan, labour-oriented, caring, earthy Rhythm: driving eighth notes, like flails on sheaves Production: raw, live, moderate reverb, choir in background, bayan leads in instrumental breaks Structure: Intro (spoken or hummed without music), Verse 1 (baritone), Chorus (full choir), Verse 2 (contralto), Chorus, Verse 3 (call-and-response baritone/contralto), Instrumental break (bayan solo + drums), Female chant (a cappella or unison with bayan), Final Chorus (full power), Outro (whispered speech + final hit)

90
Новосиб мой город 2

DKifa Rap, underground, hip-hop, trap

101
Rock and roll star

Артем6423 Rock and roll, twist,Energetic, Cheerful music

161
Rock and roll star

Артем6423 Rock and roll, twist,Energetic, Cheerful music

132
Hear the call from the underground…

AhraVv И Iris Style: Dark hybrid EDM + Breakbeat, 128 BPM, dark synth melodies, aggressive breakbeat drums, distorted bass drops, vocal chops with reverb, eerie vocal samples, industrial sound design, deep sub‑bass, metallic percussions Mood: Gritty underground club vibe, dark yet danceable, intense and hypnotic

70
Ля Фер

vladzak57 Melodic pianomelodic acoustic guitarmelodic trumpet

94
Ля Фер

vladzak57 Melodic pianomelodic acoustic guitarmelodic trumpet

85