Все треки

Оксана 52 • A male voice, age 45–60, native Russian speaker. Tone/timbre: deep, rough, husky. Pitch: very low. Pacing: slow and deliberate, with dramatic pauses. Character: a seasoned biker or a grizzled detective. Slight gravelly texture, natural breathing. Studio-quality audio., electronic, drum and bass

Анатолий Фатеев • Punk rock, horror punk, metal,

Pawelitel • Epic, sadness, ambient, folk, frenchcore,

IGARIK • 80s pop, R&B, funk dance, male vocals (high tenor, breathy, sudden falsetto, sharp hiccups, shouted ad-libs like 'hee', 'hoo'), syncopated rhythm, slap bass, synth stabs, electronic drums with handclaps, orchestral string hits, clean but punchy production, 115 BPM, anthemic, abrupt stop outro

Пончик 999 • Alternative rock, ironic female vocals. Mood: dramatic, impulsive, with sharp swings from thoughtfulness to rebellion. Sound: energetic electric guitars with distortion in the choruses; subdued, almost acoustic verses (possibly with piano or acoustic guitar); powerful, "screaming" vocals in the choruses.

Pawelitel • Epic, sadness, ambient,Trance, folk, pop, electronic

DJaxon • Acoustic guitar, soulful

НейроспауН • [Create a progressive metalcore track with elements of atmospheric/technical melodic death metal, nu-metal, groove metal, djent. Use deep dub, synths, heavily distorted guitars (Marshall), stereo panning, expressive solo (bends, vibrato, harmonics). Rhythm section: double bass, blast beats, relentless downpicking, powerful breakdowns. Riffs: technical, down-tuned, scooped mids. Mood: angry, aggressive, intense, fierce, powerful, dark, heavy, menacing. Vocals: raspy, husky, gravelly; aggressive screams, growls (guttural, low-formant, false cord and diaphragmatic), mostly monotone and atonal]

Доктор Аня • Russian rock, 92 BPM, fingerpicked acoustic guitar, sustained power-chord choruses, tambourine backbeat, staccato synth lead counterpoint, analog bass pulse, muted electric guitar chops, tom-heavy drum groove, vocal harmonies on the hook, room mic drums, tape saturation, mono verse stereo chorus, bittersweet nostalgia, forward momentum

ОННа • pop-rock, indie pop, female belted vocals, vocal harmonies, funk-style guitar scratches, groovy bass guitar, punchy live drums, four-on-the-floor kick, staccato synth counterpoint, accordion accents, fingerpicked acoustic guitar, bright chorus hook, crisp parallel compression, plate reverb, dry close mix, sarcastic swagger, cathartic release, 118 BPM, syncopated backbeat

Яков Пештерян • Male voice . Pop style. Violins classical. Acoustic guitar. Bass guitar. Synthesized sounds. Synthesizer .pop. A calm song. Synthesized sounds. Spanish guitar

Анатолий Фатеев • Punk rock, metal, hard rock,

Pawelitel • Epic, sadness, ambient, 5d effect,

Людмила Дементьева • orchestral rock, 96 BPM, staccato string ostinato, distorted electric guitar, hammered dulcimer accents, timpani hits, snare backbeat, modal brass stabs, tape saturation, room mic drum sound, breakdown buildup, drop-out chorus, bitter defiance, cathartic release сильный вокал эмоции выразительная музыка мощный вокал

ДеД Гурьян • Russian rap with tense half-time boom-bap groove, grim marching drums and sparse minor-key synth stabs; verse rides dry kick-snare pockets with tight internal rhymes, pre-chorus opens with filtered bass and rising tension, chorus hits with gang-style doubled anchor and short chantable lines. Vocal is close-mic, urgent, with ad-lib echoes on key phrases; ear candy includes radio hiss, reversed risers into the hook, and brief tape-stop transitions. Mix is dark, punchy, and intimate

ДеД Гурьян • Hip hop with tense mid-tempo boom-bap pulse, tight kick-snare swing, sub bass under a dry snare crack; verse rides sparse drums and a tense minor loop, pre-chorus strips to handclaps and filtered texture, chorus opens with stacked unison vocals and hard gang doubles. Add metal radio chirps, reverse swell into the hook, and a brief drum-drop before the bridge. Gritty close-mic male vocal, intimate and urgent, bright punchy mix., hip hop

ДеД Гурьян • Russian hip-hop, mid-tempo boom-bap with dusty chopped drums, rolling sub-bass, and hard snare swing; verse rides tight and conversational, pre-chorus narrows to drums and bass with rising vocal stacks, chorus hits with shouted gang doubles and a short chantable anchor. Ad-libs flick left and right, reversed cymbals and tape-stop fills mark transitions, intimate close-mic lead with gritty low-end and bright, punchy master., hip hop

Oksana Che • folk rock, major key, initial tempo: allegro (145 BPM), male vocal (clear, warm timbre); structure: 1. Verse: fast, driving rhythm with guitar and drums 2. Transition: sudden ritardando after verse, strip down to vocal + minimal piano/violin 3. Chorus start: emphasis on first two lines (rubato delivery) 4. Accelerando into full chorus: add all instruments (guitar, piano, violin, folk instruments) instruments: electric guitar (lead), piano (harmonic bed), violin (melodic lines), occasional folk instruments (e.g., mandolin, flute); dense, powerful final chorus

Ринальд • Tropical rainforest, exotic birds, parrots, cicadas, humid morning, immersive 3D audio, documentary style [Wind swеll сrеsсеndо. Distаnt thundеr 50Нz lеft (4 sес). Nightingаlе frаntiс lауеrеd. Rаin shаkеr. Неаrtbеаt ассеlеrаtеs tо 90 ВРМ.][Неаrtbеаt 65 ВРМ sinе 50Нz sоft filtеr. Nightingаlе triрlеts bеtwееn bеаts. Strеаm gurglе оn dоwnbеаts. Nо оthеr instrumеnts.], indie, soul

Ariada Elard • electronic

ДеД Гурьян • Russian hip-hop with marching mid-tempo boom-bap swing, dusty drums and a rolling bassline; verse rides tense but heartfelt with tight internal rhyme, pre-chorus opens into chopped group shouts, chorus lands with a chantable crew hook and half-time emphasis. Lead vocal is gritty and close-mic with layered doubles on key lines, ad-lib responses from the crew, and short delay throws on the name stack. Vinyl crackle into the first verse, snare fill risers into the hook, and a muted horn stab on the final lift. Mix is raw, punchy, and arena-ready., hip hop

ДеД Гурьян • Hip hop with a grim march feel, swung drums and stomping percussion; verse rides sparse kicks and dry bass, pre-chorus tightens with snare rolls and chopped vocal shouts, chorus hits with gang vocals and a looping chant on the name. Lead vocal is close-mic, rough and front-loaded, with doubled hook lines and occasional ad-lib echoes. Ear candy: reverse cymbal into the hook, short delay throws on key names, vinyl grit between sections. Mix is dark, punchy, and dusty., hip hop

Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,

Hadeneiro • emocion, pop, deep house ,folk

ДеД Гурьян • Hip-hop with a grim march-like swing and clipped kick-snare pocket; verse rides sparse drums, low bass, and tense minor-key keys, pre-chorus tightens with filtered risers and snare rolls, chorus hits with a blunt chant and stacked unison doubles. Vocal is close-mic, worn and bitter, with gritty ad-libs and short delay throws on the hook. Ear candy: radio-static bursts, reversed swells, and a cold bell hit into the chorus. Mix is dark, punchy, and claustrophobic., hip hop

Nostromo • Melodic bass-driven production where the bass line carries the hook, using a singing synth bass or fretless electric bass with legato slides and light saturation. Vocals float above with airy reverb, delay throws, and layered harmonies. Sparse drums, warm pads, subtle arpeggios, and roomy texture keep the low end front and center.

Анатолий Фатеев • Punk rock, horror punk, metal,

vladzak57 • folk, female singer, K-pop, баян, скрипка,балалайка, femali volk,

vladzak57 • folk, female singer, K-pop, баян, скрипка,балалайка, femali volk,

ДеД Гурьян • Hip hop with a marching mid-tempo swing, მძიმე kick-snare pocket and restrained sub-bass; verse rides sparse drum programming and tense minor-key piano fragments, pre-chorus opens with rising filtered synth and snapped handclaps, chorus hits on stacked gang vocals and a doubled lead with short delay throws. Add radio-static stutters, distant metallic hits, and a reverse swell into the hook. Mix is gritty, dry, and intimate with wide choruses., hip hop

Оксана 52 • folk, female singer, K-pop, баян, скрипка,балалайка, femali volk, classical, electronic, лирическое исполнение, чувственное

Оксана 52 • folk, female singer, K-pop, баян, скрипка,балалайка, femali volk, classical, electronic, лирическое исполнение, чувственное

max_244900448 • шансон

vladzak57 • Melodic rock, pop rock

vladzak57 • Melodic rock, pop rock

mirwad • Mezzo-soprano, meditation, classical, guitar song, orchestration

Ментоловый • melancholic, dramatic, dramatic build from quiet to powerful, Deep bass, smooth trap, Spoken vocals, poem, distorted,

Алёна Панченко • solo singer, beautiful woman voice, alto, powerful , passionate folk rock romance, acoustic guitar, heavy drums, violin, melodic rock,- **Pop - **Electronic music - **Indie - **Celtic music ### Style - **Emotionality**: Strong feelings in lyrics and music. - **Melodiousness**: Ease of perception and variety of melodies. ### Tools - **Synthesizers. - **Electronic percussion - **Guitars**: Acoustic - **Samples and sound effects**: Add depth to compositions. - **Vocals**: Processed with effects, creating a unique sound.rock folk,- **Pop - **Electronic music - **Indie - **Celtic music ### Style - **Emotionality**: Strong feelings in lyrics and music. - **Melodiousness**: Ease of perception and variety of melodies. ### Tools - **Synthesizers. - **Electronic percussion - **Guitars**: Acoustic - **Samples and sound effects**: Add depth to compositions. - **Vocals**: Processed with effects, creating a unique sound.rock folk

Макс-Л • DO IT AS IT WAS IN THE ORIGINAL. A driving rock track kicks off with gritty electric guitar riffs and punchy drums. Bass guitar doubles the groove, locking in with dynamic fills. Verses dial back for tension, then erupt into powerful choruses with layered guitars and soaring vocals. A fiery solo elevates the bridge.

vlad prapor • шансон

Максим Борисович • dnb, 174 BPM, halftime switch, sub-bass wobble, breakbeat edits, chopped amen drums, reese bass, vocoder hooks, harmonizer stacks, wide stereo pads, tape saturation, spring reverb, drop silence, call and response, bittersweet nostalgia

Венцель • country, folk, indie, trap, 115 bpm

Cherkes703 • disco, 118 BPM, pulsing four-on-the-floor kick, syncopated hi-hat disco, slapback bassline, muted guitar chops, Rhodes stabs, string ensemble accents, hand percussion fills, call-and-response breaks, stacked vocal harmonies, plate reverb, tape saturation, wide stereo mix, 70s studio gloss, buildup breakdown dynamics, late-night release

Igor-Push • Dubstep, 100 BPM (half-time: 50 BPM feel), heavy sub-bass, aggressive wobble bass in drops, sparse intro with only kick and snare, massive reverb, pitch-bent synth stabs, cinematic percussion, snare with long tail. in high tenor/falsetto range, breathy, intimate, fragile, floating above heavy bass. Dark, dramatic, high contrast.

kuprumserga • For a song in the style of Russian folklore with ditties, a **four-foot iambic meter** with **cross-rhyming or paired rhyming** is suitable. The main instrument is a **harmonica** or **bayan**, and you can add a **balalaika** and **wooden spoons** for rhythm. The performance should be **vivid and have a distinctive folk tone**: the verses should be sung **narrative-style**, while the choruses and refrains should be **louder, more spirited, and faster-paced**. The song structure is as follows: introduction (melody), verse, chorus-dittie, verse, chorus, verse, chorus. The finale features a slowdown in tempo and a prolonged performance of the final lines to emphasize the moral, followed by a loud chord and a clap. This approach helps to maintain the ironic and fairy-tale-like spirit of the lyrics.

Селдон • electronic , Jungle , Drum'n'Bass

Cherkes703 • alt rock, post-punk drive, male baritone, shouted unison chants, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, gang vocal hooks, slapback delay, plate reverb, four-on-the-floor kick, midtempo groove, tense verses, anthem chorus

MaestroMasya • Melodic rock, pop rock

Вицык • Russian street rap with ominous half-time bounce and tight syncopated drums; verse rides sparse low-end and tense minor synth stabs, pre-chorus strips to kicked-up percussion and a rising drone, chorus lands with stacked group shouts and short delay throws on the hook phrase. Close-mic male vocal, gritty and urgent in verses, doubled ad-libs on the punch lines. Ear candy: reversed swell into each chorus, filtered riser before the last drop, metallic hit on the final line. Brightly compressed, hard-hitting mix with a cold urban edge.

Cherkes703 • alt rock, 92 BPM, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, overdriven organ stabs, analog tape saturation, room reverb, wide stereo drums, punchy snare compression, call and response riffs, minor key, confrontational energy, bittersweet nostalgia