Все треки

Тюльпанов Константин • > **Genre:** Symphonic Blackened Death Metal. > > **Vocals:** A combination of high-pitched black metal shrieks and deep, commanding death metal growls. In the chorus, add a layer of clean but very low and operatic baritone vocals for a dark, epic feel. > > **Instruments:** Extremely fast and aggressive drumming (blast beats) in the verses. Tremolo-picked electric guitar riffs with a cold, sharp tone. In the choruses, switch to slow, heavy and groovy riffs. Deep, distorted bass guitar. > > **Orchestration:** Massive use of symphonic elements: a full orchestra with heavy emphasis on strings (violins, cellos) and a powerful choir (bass voices) to create a dark and epic atmosphere. > > **Mood & Atmosphere:** Dark, epic, cold, ruthless, and monumental. The sound of an unstoppable army of the undead. > > **Tempo:** Alternates between very fast (180-200 BPM) in verses and slow and heavy (65-75 BPM) in choruses.

Тюльпанов Константин • * **Основной стиль:** `Epic Folk Metal` *Это сочетание мощи металла и мелодичности фолка идеально подходит для героической фэнтези-темы.* * **Альтернативные варианты:** * `Symphonic Power Metal`: Для более эпичного и оркестрового звучания. * `Dark Ambient`: Идеально для вступления или куплетов про Подземье, чтобы создать мрачную атмосферу. * `Orchestral Epic`: Для придания композиции кинематографического размаха.

Тюльпанов Константин • ** `Epic Orchestral`, `Symphonic Metal` или `Celtic Folk Metal`.

Дмитрий50 • Бассы, пианино, мелодия, rap, 92 BPM, spoken word cadence, minor key, detuned sub bass, chopped sample loop, vinyl crackle, tape saturation, rimshot snare, sparse kick pattern, syncopated hi-hats, haunted choir pads, cinematic strings, dub delay, dry close-mic percussion, tense bravado, love threat, 90s boom bap

Шурави • country, jazz

Дмитрий50 • Бит, бассы, ударные, сити-поп, дарквейв, альтернативный рок, новая волна, мелодик,, rap, instrumental hip-hop, lo-fi hip-hop, chopped samples, modular bassline, TR-808 drum machine, backbeat snare, driving 16th hats, ghost note percussion, tape saturation, plate reverb, wide stereo imaging, sparse intro, drop-out breakdowns, call-and-response stabs, minor key, nocturnal resolve

Дмитрий50 • Бит, бассы, ударные, сити-поп дарквейв, альтернативный рок, новая волна, мелодик,, rap, 79 BPM, sub bass melody, chopped sample hook, TR-808 drum machine, backbeat snare, arpeggiated synth accents, modular bass pulses, tape saturation, plate reverb, mono drum bus compression, wide stereo haze, sparse percussion, half-time groove, nocturnal swagger

Ратибор Ясный • rock acoustic ballad symphonic, Rock, ambient, contralto., ambient

Milla • country, classical

Шурави • disco, jazz

Андрей_Ш • Russian ballad, spiritual ballad, church choir, call and response, chant-like refrain, liturgical harmony, male whispers, spoken interlude, folk-pop ballad, cinematic soundscape, tape saturation, plate reverb, mono room mics, cathedral ambience, 70 BPM, free tempo intro, bowed psaltery, acoustic guitar arpeggios, restrained percussion, reflective yearning

Jura • Zef rap / rave track — aggressive, raw and high‑energy with a mix of male rap and ethereal female vocals. Instruments: aggressive synth stabs, heavy 808 kicks, distorted bass, vocal chops, Hi‑Tek electronic elements.Electronic Fusion, DJ voice, Dark Brass Intense, Aggressive, Adrenaline‑Rush, Euro disco, Powerful, Dark, Key: F minor Vocal Style: Male Bass Profundo Voice: deep, dark, commanding, almost spoken, Background vocals: vocal chops, stabs, echoes, layered chants,Distorted vocal effects on drops

AhraVv И Iris • Hybrid trap-house techno at 128 BPM with four-on-the-floor kick pressure, rubbery mid-bass, and a half-time mid-drop pivot; verses ride clipped drums and sparse synth stabs, pre-chorus lifts with airy pads and filtered snaps, chorus hits with detuned lead riffs and call-and-response female doubles. Mid-drop slows to a tense drone before a reed-like lead blooms back in. Female vocals, reverb tails, wide hyped top-end, bright and punchy mix., rhythmic, dramatic, techno, female vocals, slow, deep

Макс-Л • post punk, depression folks, acoustic guitar, bass, electric guitar

sunsip9 • вальс

Al Stix • electronic, rock, pop, folk,pop rock,alternative,tenor voice, high male voice, male tenor, bright male vocals

DDdddDD • nu-metal, 62 bpm in the verses, 114 bpm in the choruses, clean vocals, no short shouts, male emotional screeching, beautiful slow strumming on an acoustic guitar, leading bass guitar, accented bass drum hit, fake seven-string riff, slowed-down vocals, reverb in a closed room, saturation of the recording, lowering effects, changing the tempo, syncopated low-frequency accents, anxious persistence, unstable momentum

DDdddDD • post-punk, indie rock, 118 BPM, male baritone, prominent bass guitar, loud drum machine, minor synth lead, crying guitar solo, monochrome longing, tense groove, 80s post-punk mix, tape saturation, gated snare, dry close-mic vocals, syncopated bassline, sparse verse build, explosive chorus, breakdown outro

Леди дождя • Ambient bossonova with gentle brushed percussion and warm pads; verse floats in a sparse bed of keys and airy pulse, pre-chorus opens with a rising shimmer and soft vocal layers, chorus blooms with stacked harmonies and a tender hook. Breathy lead vocal, close-mic and intimate, with echo tails on key words, reversed swells between lines, and a soft sidechained glow. Bright, transparent mix with a dreamy, morning-light sheen., ambient

Ксения Вер • Female vocals, male vocal, melodic, atmospheric, synth, female singer, soul, handpan, rap

NataliNa • Dark Phonk, Melodic Trap, Cinematic Rap, Heavy distorted 808 bass, skittering sharp hi-hats, deep baritone male vocals, aggressive rhythmic rap flow, emotional autotuned chorus, soaring synths, atmospheric, minor key, 150 BPM

Александр Гойда • Without musical instruments, a cappella and acoustic guitar, Russian spiritual choir, monk choir, low, modal harmony, church hall atmosphere, tape saturation, record reverberation, meditative merging of worlds, religious determination, nostalgia for dawn

Сергей Можаровский • symphonic rock, heavy rock, 84 BPM, distorted electric guitar, church organ, oboe countermelody, string ostinato, brass stabs, male choir harmonies, whispered backing choir, tape saturation, plate reverb, tom-driven march, dotted eighth pulse, cathartic defiance, bittersweet grandeur

Sergilio • **BPM:** 175 **Стиль:** Oldschool Ragga Jungle

БАСКАК • Обволакивающий саб-бас,Moving bass,A classic rap track kicks off with a crisp drum beat and deep bass line,неоклассики и симфонической электронной музыки,Hans Zimmer,симфонический приключенческий оркестровый эмбиент, электронику и элементы этнических мотивов,Reggae,Raggamuffin,Dancehall,R&B ,layered with percussive hi-hats and atmospheric synths. Verses ride the groove with tight, rhythmic flow, while the hook features vocal doubling and subtle harmonic samples. The bridge breaks down to minimalist beats before building back up.

БАСКАК • Обволакивающий саб-бас,Moving bass,A classic rap track kicks off with a crisp drum beat and deep bass line,неоклассики и симфонической электронной музыки,Hans Zimmer,симфонический приключенческий оркестровый эмбиент, электронику и элементы этнических мотивов,Reggae,Raggamuffin,Dancehall,R&B ,layered with percussive hi-hats and atmospheric synths. Verses ride the groove with tight, rhythmic flow, while the hook features vocal doubling and subtle harmonic samples. The bridge breaks down to minimalist beats before building back up.

MDM music • [Style: Club Dance, Electro House, Bass House, Dance Rap, EDM, Hypnotic Beat] [Tempo: 124-128 BPM, Steady Four-on-the-Floor] Плотный клубный бит с ровной бочкой на каждый удар (four-on-the-floor kick, heavy sidechain). Добавляются открытые хай-хэты (open hi-hats, offbeat) и короткий, резкий снэйп (snap or clap). На фоне — низкий, гудящий саб-бас (sub-bass rumble, sustained) и атмосферные синтезаторные пэды (dark synth pads, reverb). Ощущение: тёмный клуб, готовность к дропу. Бит остаётся плотным, бас пульсирует (sidechain pumping bass). К хай-хэтам добавляются двойные или тройные удары (hi-hat rolls, triplets). Вокал: мужской, чёткий, агрессивный, с рэп-подачей (male rap vocals, clear diction, confident, slightly aggressive). Темп читки — ровный, в бит, без замедлений. Энергия — «я здесь главный, танцпол мой». Бас становится тяжелее (bass boost, distortion). Добавляется восходящий синтезаторный

Светлана Лысикова • Pop, acoustic, ballad

Al Stix • folk, synthwave,piano,strings, slow tempo, downtempo, slow ballad, mellow, male tenor, male voice,violin,

MDM music • Russian acoustic pop, rap, bit, singer-songwriter, heartfelt vocals, acoustic guitar fingerpicking, minimal drums, bass guitar, mid-tempo, nostalgic, live room sound, 75 BPM, key of B minor

Артём Михайловский • Nu-metal/rap-rock with aggressive rhythmic rapping, emotional soaring clean tenor, and angsty screaming; heavy distorted guitar riffs and groovy bass drive the verses, turntablism scratches and atmospheric electronic layers color the breaks. Verse stays tense and stripped, pre-chorus opens with rising clean vocals, chorus hits anthemic and loud with gang shouts and doubled hooks, bridge drops to half-time with screamed confession before the final chorus explodes. Gritty wide mix, punchy drums, sharp guitar bite, big emotional lift., clean, turntablism, rhythmic, rock, rap, male vocals, dynamics, metal, electronic, groovy, soaring, emotional, loud

WVDM24 • garage, grime, 138 BPM, wobble bassline, sub-bass pressure, syncopated skitter hats, swung two-step drums, detuned synth stabs, chopped vocal samples, ghosted snare rolls, filtered intro pad, tape saturation, plate reverb, drop breakdowns, sparse midsection, driving tension, streetwise energy

Вадим Прохоров • Epic folk rock, slow to mid-tempo, male vocals with raw emotional delivery, atmospheric and cinematic. Acoustic guitar arpeggios, building to full band with electric guitar swells, piano, strings, and powerful drums. Melancholic yet uplifting, sea shanty vibes mixed with modern alternative rock. Dynamic shifts: verses intimate and storytelling, choruses anthemic with soaring harmonies, bridge ethereal with reverb and space. Key of D minor, tempo 80 BPM. Inspired by maritime themes, freedom, and inner journey. Gradual crescendo throughout, ending with a soft, reflective piano and distant waves sound. Production: warm analog, wide stereo, natural reverb, emphasis on vocals and acoustic guitar.

Бриз • russian folk, epic tale, deep male vocal, acoustic guitar solo, minimal arrangement

Egor T • Classical-infused R&B and hip-hop ballad with a slow swung groove, brushed drums, piano and string swells; verse rides intimate close-mic rap-sung phrasing, pre-chorus opens with wider harmony lifts, chorus lands on a short chantable hook with layered doubles. Add bowed strings before the drop, a soft vinyl crackle under the first verse, and a delayed vocal echo on the last line of each chorus. Mix is warm, cinematic, and sorrowful with a glossy low end., classical, r&b, hip hop

Egor T • Jazz-tinged electronic hip hop with swung drums, dusty upright bass stabs, brushed cymbal textures, and a soft synth pulse; verses ride a laid-back pocket with sparse Rhodes chords and tight rap phrasing, pre-chorus opens with filtered pads and a rising bass line, chorus lands with gang vocal doubles and a memorable chant hook. Add tape hiss, reverse piano swells into transitions, and a short sax answer line after key phrases. Mix is warm, punchy, and intimate with crisp low-end and glossy highs., electronic, hip hop, jazz

Сумасшедшая Семья • Pop song music, techno music, hip-hop music,

Тюльпанов Константин • ** `Epic Orchestral`, `Symphonic Metal` или `Celtic Folk Metal`.

Gene • Emo ballad, alternative rock, painful and desperate mood, raw emotional vocals, 80 BPM, E minor, acoustic guitar in verses, distorted electric guitar and drums in choruses, bass, optional synth pad for atmosphere in verses; kids quiet broken vocals in verses → powerful intense vocals in choruses → scream to whisper on last line.

Сумасшедшая Семья • Russian 120BPM, techno music. Pop music

СветланыЧ • Shamanic throat singing, Shamanic Tambourine, harp, rock, house, drum and bass, trap, female sultry

Юрий23 • Rock worship ballad with driving mid-tempo drums, ringing electric guitars, and a rising bass line; verses stay intimate with sparse guitar and close-mic male vocals, pre-choruses add tom fills and stacked harmonies, choruses open wide with group chants on the plea line. A bridge strips to voice and guitar before a final lift with cymbal crashes, delay throws on the names, and a bright, anthemic mix, rock

Al Stix • folk, synthwave,piano,strings, slow tempo, downtempo, slow ballad, mellow.

След • Genre: Industrial Metal, Neue Deutsche Härte, Style: Heavy downtuned guitars in Drop C, marching drum beat, aggressive with harsh whisper-to-scream dynamics, dark synth bass, orchestral choir in chorus, industrial sound effects (hammer hits, metal screech), slow-to-mid tempo 90 BPM, apocalyptic atmosphere, cold mechanical vibe, stadium anthem energy. Mood: Angry, exhausted, hypnotic, relentless, machine-like. Instruments: Distorted electric guitar, synth bass, heavy kick drum, metallic snare, orchestral synth pads, choir, industrial percussion. Vocals: Deep German-style , spoken-word verses, shouted chorus, whispered bridge. Structure: Intro (spoken count-in + synth pulse) → Verse 1 (dry riff) → Chorus (full power + choir) → Verse 2 (with synth bass) → Chorus (heavier) → Bridge (whisper + industrial noise + tempo acceleration) → Final Chorus (max intensity, abrupt stop) → Outro (single hit + whisper).

Oceania • Genre: Experimental Pop / Trip‑Hop, heavily inspired by glitch and field recordings (90 % style influence), featuring highly experimental yet melodic sound design (70 % experimental level); Mood: fragile strength, liberation, cold elegance, emotional transformation; Tempo: 95–105 BPM, broken beats with dynamic shifts and slight accelerando in choruses; Vocal Style: layered (3 tracks: lead + breathy doubles + glitched harmonies), dynamics: whisper → trembling → powerful, lead vocal remains clear and emotional; processing: reverb (spatial), delay (echo), subtle pitch‑shift, glitch on key words; Instrumentation: sub‑bass (pulsing, heartbeat‑like), airy synth pads, metallic percussion (shakers, chains), field recordings (wind, breath, distant seagull cries), glitchy synth stabs; Structure: cinematic build — start minimal, add layers gradually, peak at final chorus with tempo push to 105 BPM, fade with echo and breath samples.

Тюльпанов Константин • * **Основной стиль:** `Epic Folk Metal` *Это сочетание мощи металла и мелодичности фолка идеально подходит для героической фэнтези-темы.* * **Альтернативные варианты:** * `Symphonic Power Metal`: Для более эпичного и оркестрового звучания. * `Dark Ambient`: Идеально для вступления или куплетов про Подземье, чтобы создать мрачную атмосферу. * `Orchestral Epic`: Для придания композиции кинематографического размаха.

Yurec • [Genre: Punk Grunge, Alternative Rock, Dark Garage Rock] [Style: Heavy distorted guitars, raw aggressive vocals, melancholic verses, screaming chorus, driving bassline, frantic drumming, lo-fi production vibe] [Tempo: Fast, aggressive, with a slow heavy breakdown in the bridge] Distorted, reverberated guitar arpeggios. Dark and gloomy soundscape. Slow, heavy drum beat builds up. Raw, melancholic vocals. Rhythmic, driving guitar riff. Accented bass drum. The mood is oppressive and tired. Lyrics about the digital void and TikTok prophets. Increase tension with a cymbal swell and a descending guitar slide. Explosive, screaming vocals. Heavy, crunchy power chords. Loud, crashing cymbals. Full aggression. The vocals are desperate and shouted. Lyrics about the digital hell and liars on the screen. Slow, heavy breakdown. Distorted, sludgy guitar riff. Bass is rumbling. The vocals become a desperate, almost whispered confession, then build into a scream.

Sergilio • **BPM:** 175 **Стиль:** Oldschool Ragga Jungle

Сергей Ко_ • Gentle Ballade Warm Male Baritone Legato Lead Voc atmosphere

TurubanOFF • Ska-Punk. Fast tempo (160–170 BPM). Clean, punchy production. Clear, tight rhythm section: crisp, dynamic drums (kick, snare with reverb, hi-hats), punchy bass with a clean, round tone. Guitars — clean in verses, slightly overdriven in chorus, with a sharp, defined sound. Horn section (trumpet, trombone) — bright, clear, with a natural room reverb. Male vocal: deep, warm, slightly hoarse, mature adult voice (40–50 years old). Natural delivery, not artificial or overly polished. Slightly tired but confident — like a man talking to himself in the kitchen, but with a microphone in front of him. No distortion on vocals — clear, spoken-sung male vocal with light compression and a touch of slapback delay. The mix should be balanced, spacious, with no mud. Imagine a live club recording with high-quality microphones, not a demo. The song should feel like a party in a clean, well-lit room — still dirty in spirit, but clear in sound